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                    <text>&lt;p&gt;London Nov 18th/ 59
&lt;/p&gt;&lt;p&gt;My dear Father &amp;amp; Brothers
&lt;/p&gt;&lt;p&gt;Your last
&lt;/p&gt;&lt;p&gt;welcome letter came to hand
&lt;/p&gt;&lt;p&gt;the first of this week and
&lt;/p&gt;&lt;p&gt;although I have nothing
&lt;/p&gt;&lt;p&gt;new to write in reply, yet
&lt;/p&gt;&lt;p&gt;I feel as though I should
&lt;/p&gt;&lt;p&gt;neglect a duty did I not
&lt;/p&gt;&lt;p&gt;give you indimation of its
&lt;/p&gt;&lt;p&gt;safe arrival and our good
&lt;/p&gt;&lt;p&gt;health at this moment -
&lt;/p&gt;&lt;p&gt;Every thing has a sombre
&lt;/p&gt;&lt;p&gt;look about London at this time
&lt;/p&gt;&lt;p&gt;on account of the heavy fogs
&lt;/p&gt;&lt;p&gt;that shroud the City during this
&lt;/p&gt;&lt;p&gt;month. I have heard of
&lt;/p&gt;&lt;p&gt;the atmosphere being so thick
&lt;/p&gt;&lt;p&gt;that you could cut it with
&lt;/p&gt;&lt;p&gt;a knife but never realized
&lt;/p&gt;&lt;p&gt;the truth of it till now -
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The stores are all lighted up
&lt;/p&gt;&lt;p&gt;during the day, when the dark
&lt;/p&gt;&lt;p&gt;vapour spreads his blinding
&lt;/p&gt;&lt;p&gt;mantle, and the pedestrian
&lt;/p&gt;&lt;p&gt;gropes his way cautiously while
&lt;/p&gt;&lt;p&gt;carriages are escorted by torch
&lt;/p&gt;&lt;p&gt;bearer whose rays of light - will
&lt;/p&gt;&lt;p&gt;only penetrate the distance of the
&lt;/p&gt;&lt;p&gt;horses length  - This however is
&lt;/p&gt;&lt;p&gt;only in extreme cases of foggy
&lt;/p&gt;&lt;p&gt;Monopoly - as we have occasionally
&lt;/p&gt;&lt;p&gt;a day that you can see at least
&lt;/p&gt;&lt;p&gt;twice the length of your nose -
&lt;/p&gt;&lt;p&gt;I have heard of foggy London
&lt;/p&gt;&lt;p&gt;and now I see it, taste it and
&lt;/p&gt;&lt;p&gt;smell it - But there is one thing
&lt;/p&gt;&lt;p&gt;sure and that is that the Sun
&lt;/p&gt;&lt;p&gt;still shines if not for us and
&lt;/p&gt;&lt;p&gt;his brightness will be far more
&lt;/p&gt;&lt;p&gt;welcome when he condescends
&lt;/p&gt;&lt;p&gt;to dispel the gloom and greet
&lt;/p&gt;&lt;p&gt;us with his shining beams once
&lt;/p&gt;&lt;p&gt;more - Capt Hiler favored us with
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;a visit on Sunday and next
&lt;/p&gt;&lt;p&gt;Thursday will assist us in discussing
&lt;/p&gt;&lt;p&gt;the good things that Lizzy will prepare
&lt;/p&gt;&lt;p&gt;for that Thanksgiving occasion -
&lt;/p&gt;&lt;p&gt;We shall think and talk of
&lt;/p&gt;&lt;p&gt;you even if you are not able to
&lt;/p&gt;&lt;p&gt;hear it - We hope you will have
&lt;/p&gt;&lt;p&gt;a good time at home and think
&lt;/p&gt;&lt;p&gt;of the warm affection abroad
&lt;/p&gt;&lt;p&gt;The new Theatricals are 
&lt;/p&gt;&lt;p&gt;as they were when I wrote before.
&lt;/p&gt;&lt;p&gt;We are now doing the "Roman Slave"
&lt;/p&gt;&lt;p&gt;which was received with much favor
&lt;/p&gt;&lt;p&gt;and will doubtless elicit some
&lt;/p&gt;&lt;p&gt;good notices in the papers at the
&lt;/p&gt;&lt;p&gt;end of the week - The writing
&lt;/p&gt;&lt;p&gt;critics have been occupied with
&lt;/p&gt;&lt;p&gt;the west end theatres recently &amp;amp;
&lt;/p&gt;&lt;p&gt;only occasionally come over to our
&lt;/p&gt;&lt;p&gt;end or part of the town, for it
&lt;/p&gt;&lt;p&gt;seemingly has no end, that is to
&lt;/p&gt;&lt;p&gt;say it takes a long walk to bring
&lt;/p&gt;&lt;p&gt;one there - Capt Hiler says tell your
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Father to cultivate Cranberries in his
&lt;/p&gt;&lt;p&gt;Meadows as it is the most profitable
&lt;/p&gt;&lt;p&gt;business in the agricultural line now
&lt;/p&gt;&lt;p&gt;followed. He spoke of a person in
&lt;/p&gt;&lt;p&gt;the States who had written to an
&lt;/p&gt;&lt;p&gt;acquaintance here that he had made
&lt;/p&gt;&lt;p&gt;a large amount of money off of a
&lt;/p&gt;&lt;p&gt;lot containing but three acres &amp;amp;
&lt;/p&gt;&lt;p&gt;and a half - the Capt will give you
&lt;/p&gt;&lt;p&gt;all the particulars when he arrives
&lt;/p&gt;&lt;p&gt;and the next thing I expect to
&lt;/p&gt;&lt;p&gt;read in the papers will be "Wanted,
&lt;/p&gt;&lt;p&gt;by Messrs Proctor &amp;amp; Hiler, several ships
&lt;/p&gt;&lt;p&gt;to carry Cranberries to foreign markets.
&lt;/p&gt;&lt;p&gt;I presume by this time that
&lt;/p&gt;&lt;p&gt;John &amp;amp; Alfred are wending their
&lt;/p&gt;&lt;p&gt;way towards home and I hope their
&lt;/p&gt;&lt;p&gt;profits will pay them for the time they
&lt;/p&gt;&lt;p&gt;have devoted to the trip -
&lt;/p&gt;&lt;p&gt;Dr Whitemore has not yet arrived
&lt;/p&gt;&lt;p&gt;Lizzy says ask Mother to affix Miss Drakes
&lt;/p&gt;&lt;p&gt;address to her letter and drop it in the
&lt;/p&gt;&lt;p&gt;office - She has not heard from [Holly?]
&lt;/p&gt;&lt;p&gt;as Mrs Lovejoy but once and that was
&lt;/p&gt;&lt;p&gt;some time ago - Remember us to all friends
&lt;/p&gt;&lt;p&gt;in Boston &amp;amp; the Suburbs and accept the
&lt;/p&gt;&lt;p&gt;affection of Lizzy &amp;amp; myself for all our family.
&lt;/p&gt;&lt;p&gt;Joseph
&lt;/p&gt;&lt;p&gt;I hope you read the papers I sent
&lt;/p&gt;
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                <text>Joseph Proctor to unknown</text>
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                <text>Proctor, Joseph</text>
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                <text>1859-11-18</text>
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                <text>Joseph Proctor writes to his father and brother speaking of the foggy London weather.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;London Nov 18th/ 59&lt;/p&gt;&#13;
&lt;p&gt;My dear Father &amp;amp; Brothers&lt;/p&gt;&#13;
&lt;p&gt;Your last&lt;/p&gt;&#13;
&lt;p&gt;welcome letter came to hand&lt;/p&gt;&#13;
&lt;p&gt;the first of this week and&lt;/p&gt;&#13;
&lt;p&gt;although I have nothing&lt;/p&gt;&#13;
&lt;p&gt;new to write in reply, yet&lt;/p&gt;&#13;
&lt;p&gt;I feel as though I should&lt;/p&gt;&#13;
&lt;p&gt;neglect a duty did I not&lt;/p&gt;&#13;
&lt;p&gt;give you indimation of its&lt;/p&gt;&#13;
&lt;p&gt;safe arrival and our good&lt;/p&gt;&#13;
&lt;p&gt;health at this moment -&lt;/p&gt;&#13;
&lt;p&gt;Every thing has a sombre&lt;/p&gt;&#13;
&lt;p&gt;look about London at this time&lt;/p&gt;&#13;
&lt;p&gt;on account of the heavy fogs&lt;/p&gt;&#13;
&lt;p&gt;that shroud the City during this&lt;/p&gt;&#13;
&lt;p&gt;month. I have heard of&lt;/p&gt;&#13;
&lt;p&gt;the atmosphere being so thick&lt;/p&gt;&#13;
&lt;p&gt;that you could cut it with&lt;/p&gt;&#13;
&lt;p&gt;a knife but never realized&lt;/p&gt;&#13;
&lt;p&gt;the truth of it till now -&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;The stores are all lighted up&lt;/p&gt;&#13;
&lt;p&gt;during the day, when the dark&lt;/p&gt;&#13;
&lt;p&gt;vapour spreads his blinding&lt;/p&gt;&#13;
&lt;p&gt;mantle, and the pedestrian&lt;/p&gt;&#13;
&lt;p&gt;gropes his way cautiously while&lt;/p&gt;&#13;
&lt;p&gt;carriages are escorted by torch&lt;/p&gt;&#13;
&lt;p&gt;bearer whose rays of light - will&lt;/p&gt;&#13;
&lt;p&gt;only penetrate the distance of the&lt;/p&gt;&#13;
&lt;p&gt;horses length - This however is&lt;/p&gt;&#13;
&lt;p&gt;only in extreme cases of foggy&lt;/p&gt;&#13;
&lt;p&gt;Monopoly - as we have occasionally&lt;/p&gt;&#13;
&lt;p&gt;a day that you can see at least&lt;/p&gt;&#13;
&lt;p&gt;twice the length of your nose -&lt;/p&gt;&#13;
&lt;p&gt;I have heard of foggy London&lt;/p&gt;&#13;
&lt;p&gt;and now I see it, taste it and&lt;/p&gt;&#13;
&lt;p&gt;smell it - But there is one thing&lt;/p&gt;&#13;
&lt;p&gt;sure and that is that the Sun&lt;/p&gt;&#13;
&lt;p&gt;still shines if not for us and&lt;/p&gt;&#13;
&lt;p&gt;his brightness will be far more&lt;/p&gt;&#13;
&lt;p&gt;welcome when he condescends&lt;/p&gt;&#13;
&lt;p&gt;to dispel the gloom and greet&lt;/p&gt;&#13;
&lt;p&gt;us with his shining beams once&lt;/p&gt;&#13;
&lt;p&gt;more - Capt Hiler favored us with&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;a visit on Sunday and next&lt;/p&gt;&#13;
&lt;p&gt;Thursday will assist us in discussing&lt;/p&gt;&#13;
&lt;p&gt;the good things that Lizzy will prepare&lt;/p&gt;&#13;
&lt;p&gt;for that Thanksgiving occasion -&lt;/p&gt;&#13;
&lt;p&gt;We shall think and talk of&lt;/p&gt;&#13;
&lt;p&gt;you even if you are not able to&lt;/p&gt;&#13;
&lt;p&gt;hear it - We hope you will have&lt;/p&gt;&#13;
&lt;p&gt;a good time at home and think&lt;/p&gt;&#13;
&lt;p&gt;of the warm affection abroad&lt;/p&gt;&#13;
&lt;p&gt;The new Theatricals are&lt;/p&gt;&#13;
&lt;p&gt;as they were when I wrote before.&lt;/p&gt;&#13;
&lt;p&gt;We are now doing the "Roman Slave"&lt;/p&gt;&#13;
&lt;p&gt;which was received with much favor&lt;/p&gt;&#13;
&lt;p&gt;and will doubtless elicit some&lt;/p&gt;&#13;
&lt;p&gt;good notices in the papers at the&lt;/p&gt;&#13;
&lt;p&gt;end of the week - The writing&lt;/p&gt;&#13;
&lt;p&gt;critics have been occupied with&lt;/p&gt;&#13;
&lt;p&gt;the west end theatres recently &amp;amp;&lt;/p&gt;&#13;
&lt;p&gt;only occasionally come over to our&lt;/p&gt;&#13;
&lt;p&gt;end or part of the town, for it&lt;/p&gt;&#13;
&lt;p&gt;seemingly has no end, that is to&lt;/p&gt;&#13;
&lt;p&gt;say it takes a long walk to bring&lt;/p&gt;&#13;
&lt;p&gt;one there - Capt Hiler says tell your&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Father to cultivate Cranberries in his&lt;/p&gt;&#13;
&lt;p&gt;Meadows as it is the most profitable&lt;/p&gt;&#13;
&lt;p&gt;business in the agricultural line now&lt;/p&gt;&#13;
&lt;p&gt;followed. He spoke of a person in&lt;/p&gt;&#13;
&lt;p&gt;the States who had written to an&lt;/p&gt;&#13;
&lt;p&gt;acquaintance here that he had made&lt;/p&gt;&#13;
&lt;p&gt;a large amount of money off of a&lt;/p&gt;&#13;
&lt;p&gt;lot containing but three acres &amp;amp;&lt;/p&gt;&#13;
&lt;p&gt;and a half - the Capt will give you&lt;/p&gt;&#13;
&lt;p&gt;all the particulars when he arrives&lt;/p&gt;&#13;
&lt;p&gt;and the next thing I expect to&lt;/p&gt;&#13;
&lt;p&gt;read in the papers will be "Wanted,&lt;/p&gt;&#13;
&lt;p&gt;by Messrs Proctor &amp;amp; Hiler, several ships&lt;/p&gt;&#13;
&lt;p&gt;to carry Cranberries to foreign markets.&lt;/p&gt;&#13;
&lt;p&gt;I presume by this time that&lt;/p&gt;&#13;
&lt;p&gt;John &amp;amp; Alfred are wending their&lt;/p&gt;&#13;
&lt;p&gt;way towards home and I hope their&lt;/p&gt;&#13;
&lt;p&gt;profits will pay them for the time they&lt;/p&gt;&#13;
&lt;p&gt;have devoted to the trip -&lt;/p&gt;&#13;
&lt;p&gt;Dr Whitemore has not yet arrived&lt;/p&gt;&#13;
&lt;p&gt;Lizzy says ask Mother to affix Miss Drakes&lt;/p&gt;&#13;
&lt;p&gt;address to her letter and drop it in the&lt;/p&gt;&#13;
&lt;p&gt;office - She has not heard from [Holly?]&lt;/p&gt;&#13;
&lt;p&gt;as Mrs Lovejoy but once and that was&lt;/p&gt;&#13;
&lt;p&gt;some time ago - Remember us to all friends&lt;/p&gt;&#13;
&lt;p&gt;in Boston &amp;amp; the Suburbs and accept the&lt;/p&gt;&#13;
&lt;p&gt;affection of Lizzy &amp;amp; myself for all our family.&lt;/p&gt;&#13;
&lt;p&gt;Joseph&lt;/p&gt;&#13;
&lt;p&gt;I hope you read the papers I sent&lt;/p&gt;</text>
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                    <text>&lt;p&gt;Troy Dec 23d/54
&lt;/p&gt;&lt;p&gt;Dear Brother
&lt;/p&gt;&lt;p&gt;I forgot to ask in my last that you should copy a Programme of Massaniello which you will find on a Bill, or rather two Bills inside the music - on one of the Bills you will find a brief sketch of the character or history of Massaniello and the other the Synopsis of Incidents &amp;amp;c If you have not returned them to Forbes please copy when you find the Music, or should you not have time to do so - take out the Bill with the historical sketch &amp;amp; programme, the two are alike as far as the Programme of Incidents is concerned and one can be spared - leave the one with the cast of characters for Forbes. Business here so far is about what I expected - that is to say very indifferent
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I have only made 2 1/2 dollars thus far - being the amount above my sharing point - Every body is busy
preparing for Christmas - any number of Balls &amp;amp; parties - concerts &amp;amp;c - What the Benefit may turn out is
somewhat uncertain. therefore if  the worst comes to the worst &amp;amp; at the last moment I should want some of the needful you had better understand about it, so that I can Telegraph without stating the business &amp;amp; amount -
&lt;/p&gt;&lt;p&gt;If I want any funds I shall merely Telegraph "Send me the package by return Express" which will mean 40 or 50 dollars - I hope however that I shall have no occasion to do so - Tomorrow night we do "[Outalanchet?]" and repeat the same on Christmas night - Saturday the Benefit, "Alexander" the Great - Marc Antonys oration - &amp;amp; Lizzy in a Farce - Howard
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;spoke to me when I arrived about playing next week - but if the business does not improve it will hardly pay - The working class are out of employ &amp;amp; consequently out of money - therefore amusements suffer - Love to all at home - shall write Sunday again -
&lt;/p&gt;&lt;p&gt;In haste,
&lt;/p&gt;&lt;p&gt;Joseph
&lt;/p&gt;&lt;p&gt;P.S. 
&lt;/p&gt;&lt;p&gt;A bad beginning they say makes a good ending -
&lt;/p&gt;&lt;p&gt;So mote it be
&lt;/p&gt;
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                <text>T1859.12.23-MISC</text>
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                <text>Joseph Proctor to unknown</text>
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                <text>Proctor, Joseph</text>
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                <text>1859-12-23</text>
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                <text>Joseph Proctor gives his brother directions to copy some bills and where to find them.  Proctor is preparing for Christmas with any number of balls and parties and concerts.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Troy Dec 23d/54
&lt;/p&gt;&lt;p&gt;Dear Brother
&lt;/p&gt;&lt;p&gt;I forgot to ask in my last that you should copy a Programme of Massaniello which you will find on a Bill, or rather two Bills inside the music - on one of the Bills you will find a brief sketch of the character or history of Massaniello and the other the Synopsis of Incidents &amp;amp;c If you have not returned them to Forbes please copy when you find the Music, or should you not have time to do so - take out the Bill with the historical sketch &amp;amp; programme, the two are alike as far as the Programme of Incidents is concerned and one can be spared - leave the one with the cast of characters for Forbes. Business here so far is about what I expected - that is to say very indifferent
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I have only made 2 1/2 dollars thus far - being the amount above my sharing point - Every body is busy
preparing for Christmas - any number of Balls &amp;amp; parties - concerts &amp;amp;c - What the Benefit may turn out is
somewhat uncertain. therefore if  the worst comes to the worst &amp;amp; at the last moment I should want some of the needful you had better understand about it, so that I can Telegraph without stating the business &amp;amp; amount -
&lt;/p&gt;&lt;p&gt;If I want any funds I shall merely Telegraph "Send me the package by return Express" which will mean 40 or 50 dollars - I hope however that I shall have no occasion to do so - Tomorrow night we do "[Outalanchet?]" and repeat the same on Christmas night - Saturday the Benefit, "Alexander" the Great - Marc Antonys oration - &amp;amp; Lizzy in a Farce - Howard
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;spoke to me when I arrived about playing next week - but if the business does not improve it will hardly pay - The working class are out of employ &amp;amp; consequently out of money - therefore amusements suffer - Love to all at home - shall write Sunday again -
&lt;/p&gt;&lt;p&gt;In haste,
&lt;/p&gt;&lt;p&gt;Joseph
&lt;/p&gt;&lt;p&gt;P.S. 
&lt;/p&gt;&lt;p&gt;A bad beginning they say makes a good ending -
&lt;/p&gt;&lt;p&gt;So mote it be
&lt;/p&gt;
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                <text>100</text>
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                <text>20</text>
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                    <text>&lt;p&gt;London Dec 27th /59
&lt;/p&gt;&lt;p&gt;My dear Father &amp;amp; Brothers
&lt;/p&gt;&lt;p&gt;I waited till
&lt;/p&gt;&lt;p&gt;this morning for the arrival
&lt;/p&gt;&lt;p&gt;of the mail from Boston
&lt;/p&gt;&lt;p&gt;but no letter came, at least
&lt;/p&gt;&lt;p&gt;none has been delivered as yet
&lt;/p&gt;&lt;p&gt;and as they are quite punctual
&lt;/p&gt;&lt;p&gt;in their distribution of mails I
&lt;/p&gt;&lt;p&gt;presume we shall have to wait
&lt;/p&gt;&lt;p&gt;the next arrival - After I had
&lt;/p&gt;&lt;p&gt;sent the few lines of my last
&lt;/p&gt;&lt;p&gt;letter I received your &amp;amp; Fathers letter, and
&lt;/p&gt;&lt;p&gt;as Mr Warner, a friend of Capt
&lt;/p&gt;&lt;p&gt;Hiler's, is to leave for Boston by the
&lt;/p&gt;&lt;p&gt;next Saturday steamer &amp;amp; has proffered
&lt;/p&gt;&lt;p&gt;to take a parcel for me I will
&lt;/p&gt;&lt;p&gt;preface the preparation by answering
&lt;/p&gt;&lt;p&gt;your last in reference to money
&lt;/p&gt;&lt;p&gt;matters - In the first place I
&lt;/p&gt;&lt;p&gt;will state that I have not thought
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;it necessary to give you the entire
&lt;/p&gt;&lt;p&gt;particulars in regard to the amount
&lt;/p&gt;&lt;p&gt;[received?] for my services &amp;amp;c &amp;amp;c - as
&lt;/p&gt;&lt;p&gt;I presumed that you would
&lt;/p&gt;&lt;p&gt;already be aware that a large
&lt;/p&gt;&lt;p&gt;sum could not be realized at
&lt;/p&gt;&lt;p&gt;once where there is such difficulty
&lt;/p&gt;&lt;p&gt;in getting an opening - Most of the
&lt;/p&gt;&lt;p&gt;actors from America have paid for
&lt;/p&gt;&lt;p&gt;the opportunity and thereby given the
&lt;/p&gt;&lt;p&gt;impression that we are all so anxious
&lt;/p&gt;&lt;p&gt;to play in London that money is
&lt;/p&gt;&lt;p&gt;no object in the matter. "Miss Heron"
&lt;/p&gt;&lt;p&gt;of "Camille" noteriety paid one hundred
&lt;/p&gt;&lt;p&gt;dollars for her opening night - and did
&lt;/p&gt;&lt;p&gt;not appear a second time - Roberts
&lt;/p&gt;&lt;p&gt;the Tragedian also bled freely for his
&lt;/p&gt;&lt;p&gt;Six nights in London. -Barney Williams
&lt;/p&gt;&lt;p&gt;was here a long time before he made
&lt;/p&gt;&lt;p&gt;any money - Murdock made nothing -
&lt;/p&gt;&lt;p&gt;and even Forrest, although he was
&lt;/p&gt;&lt;p&gt;among the first from America, made
&lt;/p&gt;&lt;p&gt;but little money - and less expectation
&lt;/p&gt;&lt;p&gt;according to the manner in which
&lt;/p&gt;&lt;p&gt;people now speak of him - However
&lt;/p&gt;&lt;p&gt;that is neither "here nor there" in regard
&lt;/p&gt;&lt;p&gt;my subject - I merely give these items
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;of reference to explain my position &amp;amp;
&lt;/p&gt;&lt;p&gt;show how much more fortunate I
&lt;/p&gt;&lt;p&gt;have been than others who have preceded
&lt;/p&gt;&lt;p&gt;me - the manager has been more liberal
&lt;/p&gt;&lt;p&gt;to me than I had a right to expect
&lt;/p&gt;&lt;p&gt;under the circumstances, but I have
&lt;/p&gt;&lt;p&gt;had to expend a large sum for
&lt;/p&gt;&lt;p&gt;new dresses and other expenses which
&lt;/p&gt;&lt;p&gt;were necessary for my position, and the
&lt;/p&gt;&lt;p&gt;reputation I have had the good fortune
&lt;/p&gt;&lt;p&gt;to establish - You will therefore perceive
&lt;/p&gt;&lt;p&gt;that I need all my money for the
&lt;/p&gt;&lt;p&gt;present although I hope to realize
&lt;/p&gt;&lt;p&gt;something better in the future -
&lt;/p&gt;&lt;p&gt;During the Pantomime season
&lt;/p&gt;&lt;p&gt;I have of course to be idle and (as
&lt;/p&gt;&lt;p&gt;I stated in my last brief &amp;amp; hasty letter)
&lt;/p&gt;&lt;p&gt;it is our intention to go to Paris for
&lt;/p&gt;&lt;p&gt;a few weeks, as we can live quïte as
&lt;/p&gt;&lt;p&gt;cheap there and at the same time
&lt;/p&gt;&lt;p&gt;improve our French - I have left
&lt;/p&gt;&lt;p&gt;my engagements in the hands of my
&lt;/p&gt;&lt;p&gt;agent Mr J. W. Anson, 35, Bow Street
&lt;/p&gt;&lt;p&gt;W.C. to whose care I want you to
&lt;/p&gt;&lt;p&gt;address all letters in future -
&lt;/p&gt;&lt;p&gt;But to resume the money affair
&lt;/p&gt;&lt;p&gt;I will say that I have not been
&lt;/p&gt;&lt;p&gt;unmindful of the requirements for our
&lt;/p&gt;&lt;p&gt;land speculation but supposed that Johns
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Interest money had been applied to my
&lt;/p&gt;&lt;p&gt;share - and if that is not sufficient
&lt;/p&gt;&lt;p&gt;I wish you would call in the
&lt;/p&gt;&lt;p&gt;amount due from Crisp and use
&lt;/p&gt;&lt;p&gt;the same - and in the event of more
&lt;/p&gt;&lt;p&gt;being needed, one of the mortgages
&lt;/p&gt;&lt;p&gt;might be sold - I give you this
&lt;/p&gt;&lt;p&gt;privilege - to provide against any
&lt;/p&gt;&lt;p&gt;necessity which may obstruct your
&lt;/p&gt;&lt;p&gt;own business advancement. The enclosed
&lt;/p&gt;&lt;p&gt;receipt for Davenport I send with
&lt;/p&gt;&lt;p&gt;its old date and you can present
&lt;/p&gt;&lt;p&gt;it with what excuse you like for the
&lt;/p&gt;&lt;p&gt;delay - and add that I sent it to
&lt;/p&gt;&lt;p&gt;you with directions to place it in
&lt;/p&gt;&lt;p&gt;his hands on receipt of the Ten
&lt;/p&gt;&lt;p&gt;pounds as per explanation - when it
&lt;/p&gt;&lt;p&gt;is paid you can apply it to Insurances,
&lt;/p&gt;&lt;p&gt;Taxes &amp;amp;c - Dec. 30th - I have waited
&lt;/p&gt;&lt;p&gt;till now to finish the letter at the last moment before the 
&lt;/p&gt;&lt;p&gt;mail closes but as Mr Warner has not called for it
&lt;/p&gt;&lt;p&gt;I presume that something has happened to prevent his
&lt;/p&gt;&lt;p&gt;going by this steamer - I have just rec'd an offer from
&lt;/p&gt;&lt;p&gt;Liverpool after the run of the Pantomime which usually
&lt;/p&gt;&lt;p&gt;goes some Eight or nine weeks - our stay in Paris will
&lt;/p&gt;&lt;p&gt;be governed by the intimations on business matters
&lt;/p&gt;&lt;p&gt;which I shall then [receive?] from my agent and
&lt;/p&gt;&lt;p&gt;it may be for a shorter period than I now expect -
&lt;/p&gt;&lt;p&gt;at all events I want you to write regularly and direct
&lt;/p&gt;&lt;p&gt;as before mentioned and it will be forwarded to me wherever
&lt;/p&gt;&lt;p&gt;we are - I hope this will find you all well at home
&lt;/p&gt;&lt;p&gt;as we are abroad, for which blessing we are ever grateful -
&lt;/p&gt;&lt;p&gt;You shall hear of my next engagement as soon as it
&lt;/p&gt;&lt;p&gt;is effected - with both our love to all I remain -
&lt;/p&gt;&lt;p&gt;Joseph
&lt;/p&gt;&lt;p&gt;P.S. 
&lt;/p&gt;&lt;p&gt;Remember us to all friends and
&lt;/p&gt;&lt;p&gt;tell George Darling if I had written as often as I have thought and
&lt;/p&gt;&lt;p&gt;spoken of him, that he would have been flooded with letters -
&lt;/p&gt;
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                <text>300269</text>
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                <text>T1859.12.27-MISC</text>
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                <text>Joseph Proctor to unknown</text>
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                <text>Proctor, Joseph</text>
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                <text>1859-12-27</text>
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                <text>Joseph Proctor tells his father and brother that it is "...necessary to give you the entire particulars in regard to the amount received for my services Most of the actors from America have paid for the opportunity and thereby given the impression that we are all so anxious to play in London that money is not object in the matter"</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;London Dec 27th /59&lt;/p&gt;&#13;
&lt;p&gt;My dear Father &amp;amp; Brothers&lt;/p&gt;&#13;
&lt;p&gt;I waited till&lt;/p&gt;&#13;
&lt;p&gt;this morning for the arrival&lt;/p&gt;&#13;
&lt;p&gt;of the mail from Boston&lt;/p&gt;&#13;
&lt;p&gt;but no letter came, at least&lt;/p&gt;&#13;
&lt;p&gt;none has been delivered as yet&lt;/p&gt;&#13;
&lt;p&gt;and as they are quite punctual&lt;/p&gt;&#13;
&lt;p&gt;in their distribution of mails I&lt;/p&gt;&#13;
&lt;p&gt;presume we shall have to wait&lt;/p&gt;&#13;
&lt;p&gt;the next arrival - After I had&lt;/p&gt;&#13;
&lt;p&gt;sent the few lines of my last&lt;/p&gt;&#13;
&lt;p&gt;letter I received your &amp;amp; Fathers letter, and&lt;/p&gt;&#13;
&lt;p&gt;as Mr Warner, a friend of Capt&lt;/p&gt;&#13;
&lt;p&gt;Hiler's, is to leave for Boston by the&lt;/p&gt;&#13;
&lt;p&gt;next Saturday steamer &amp;amp; has proffered&lt;/p&gt;&#13;
&lt;p&gt;to take a parcel for me I will&lt;/p&gt;&#13;
&lt;p&gt;preface the preparation by answering&lt;/p&gt;&#13;
&lt;p&gt;your last in reference to money&lt;/p&gt;&#13;
&lt;p&gt;matters - In the first place I&lt;/p&gt;&#13;
&lt;p&gt;will state that I have not thought&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;it necessary to give you the entire&lt;/p&gt;&#13;
&lt;p&gt;particulars in regard to the amount&lt;/p&gt;&#13;
&lt;p&gt;[received?] for my services &amp;amp;c &amp;amp;c - as&lt;/p&gt;&#13;
&lt;p&gt;I presumed that you would&lt;/p&gt;&#13;
&lt;p&gt;already be aware that a large&lt;/p&gt;&#13;
&lt;p&gt;sum could not be realized at&lt;/p&gt;&#13;
&lt;p&gt;once where there is such difficulty&lt;/p&gt;&#13;
&lt;p&gt;in getting an opening - Most of the&lt;/p&gt;&#13;
&lt;p&gt;actors from America have paid for&lt;/p&gt;&#13;
&lt;p&gt;the opportunity and thereby given the&lt;/p&gt;&#13;
&lt;p&gt;impression that we are all so anxious&lt;/p&gt;&#13;
&lt;p&gt;to play in London that money is&lt;/p&gt;&#13;
&lt;p&gt;no object in the matter. "Miss Heron"&lt;/p&gt;&#13;
&lt;p&gt;of "Camille" noteriety paid one hundred&lt;/p&gt;&#13;
&lt;p&gt;dollars for her opening night - and did&lt;/p&gt;&#13;
&lt;p&gt;not appear a second time - Roberts&lt;/p&gt;&#13;
&lt;p&gt;the Tragedian also bled freely for his&lt;/p&gt;&#13;
&lt;p&gt;Six nights in London. -Barney Williams&lt;/p&gt;&#13;
&lt;p&gt;was here a long time before he made&lt;/p&gt;&#13;
&lt;p&gt;any money - Murdock made nothing -&lt;/p&gt;&#13;
&lt;p&gt;and even Forrest, although he was&lt;/p&gt;&#13;
&lt;p&gt;among the first from America, made&lt;/p&gt;&#13;
&lt;p&gt;but little money - and less expectation&lt;/p&gt;&#13;
&lt;p&gt;according to the manner in which&lt;/p&gt;&#13;
&lt;p&gt;people now speak of him - However&lt;/p&gt;&#13;
&lt;p&gt;that is neither "here nor there" in regard&lt;/p&gt;&#13;
&lt;p&gt;my subject - I merely give these items&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;of reference to explain my position &amp;amp;&lt;/p&gt;&#13;
&lt;p&gt;show how much more fortunate I&lt;/p&gt;&#13;
&lt;p&gt;have been than others who have preceded&lt;/p&gt;&#13;
&lt;p&gt;me - the manager has been more liberal&lt;/p&gt;&#13;
&lt;p&gt;to me than I had a right to expect&lt;/p&gt;&#13;
&lt;p&gt;under the circumstances, but I have&lt;/p&gt;&#13;
&lt;p&gt;had to expend a large sum for&lt;/p&gt;&#13;
&lt;p&gt;new dresses and other expenses which&lt;/p&gt;&#13;
&lt;p&gt;were necessary for my position, and the&lt;/p&gt;&#13;
&lt;p&gt;reputation I have had the good fortune&lt;/p&gt;&#13;
&lt;p&gt;to establish - You will therefore perceive&lt;/p&gt;&#13;
&lt;p&gt;that I need all my money for the&lt;/p&gt;&#13;
&lt;p&gt;present although I hope to realize&lt;/p&gt;&#13;
&lt;p&gt;something better in the future -&lt;/p&gt;&#13;
&lt;p&gt;During the Pantomime season&lt;/p&gt;&#13;
&lt;p&gt;I have of course to be idle and (as&lt;/p&gt;&#13;
&lt;p&gt;I stated in my last brief &amp;amp; hasty letter)&lt;/p&gt;&#13;
&lt;p&gt;it is our intention to go to Paris for&lt;/p&gt;&#13;
&lt;p&gt;a few weeks, as we can live qu&amp;iuml;te as&lt;/p&gt;&#13;
&lt;p&gt;cheap there and at the same time&lt;/p&gt;&#13;
&lt;p&gt;improve our French - I have left&lt;/p&gt;&#13;
&lt;p&gt;my engagements in the hands of my&lt;/p&gt;&#13;
&lt;p&gt;agent Mr J. W. Anson, 35, Bow Street&lt;/p&gt;&#13;
&lt;p&gt;W.C. to whose care I want you to&lt;/p&gt;&#13;
&lt;p&gt;address all letters in future -&lt;/p&gt;&#13;
&lt;p&gt;But to resume the money affair&lt;/p&gt;&#13;
&lt;p&gt;I will say that I have not been&lt;/p&gt;&#13;
&lt;p&gt;unmindful of the requirements for our&lt;/p&gt;&#13;
&lt;p&gt;land speculation but supposed that Johns&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Interest money had been applied to my&lt;/p&gt;&#13;
&lt;p&gt;share - and if that is not sufficient&lt;/p&gt;&#13;
&lt;p&gt;I wish you would call in the&lt;/p&gt;&#13;
&lt;p&gt;amount due from Crisp and use&lt;/p&gt;&#13;
&lt;p&gt;the same - and in the event of more&lt;/p&gt;&#13;
&lt;p&gt;being needed, one of the mortgages&lt;/p&gt;&#13;
&lt;p&gt;might be sold - I give you this&lt;/p&gt;&#13;
&lt;p&gt;privilege - to provide against any&lt;/p&gt;&#13;
&lt;p&gt;necessity which may obstruct your&lt;/p&gt;&#13;
&lt;p&gt;own business advancement. The enclosed&lt;/p&gt;&#13;
&lt;p&gt;receipt for Davenport I send with&lt;/p&gt;&#13;
&lt;p&gt;its old date and you can present&lt;/p&gt;&#13;
&lt;p&gt;it with what excuse you like for the&lt;/p&gt;&#13;
&lt;p&gt;delay - and add that I sent it to&lt;/p&gt;&#13;
&lt;p&gt;you with directions to place it in&lt;/p&gt;&#13;
&lt;p&gt;his hands on receipt of the Ten&lt;/p&gt;&#13;
&lt;p&gt;pounds as per explanation - when it&lt;/p&gt;&#13;
&lt;p&gt;is paid you can apply it to Insurances,&lt;/p&gt;&#13;
&lt;p&gt;Taxes &amp;amp;c - Dec. 30th - I have waited&lt;/p&gt;&#13;
&lt;p&gt;till now to finish the letter at the last moment before the&lt;/p&gt;&#13;
&lt;p&gt;mail closes but as Mr Warner has not called for it&lt;/p&gt;&#13;
&lt;p&gt;I presume that something has happened to prevent his&lt;/p&gt;&#13;
&lt;p&gt;going by this steamer - I have just rec'd an offer from&lt;/p&gt;&#13;
&lt;p&gt;Liverpool after the run of the Pantomime which usually&lt;/p&gt;&#13;
&lt;p&gt;goes some Eight or nine weeks - our stay in Paris will&lt;/p&gt;&#13;
&lt;p&gt;be governed by the intimations on business matters&lt;/p&gt;&#13;
&lt;p&gt;which I shall then [receive?] from my agent and&lt;/p&gt;&#13;
&lt;p&gt;it may be for a shorter period than I now expect -&lt;/p&gt;&#13;
&lt;p&gt;at all events I want you to write regularly and direct&lt;/p&gt;&#13;
&lt;p&gt;as before mentioned and it will be forwarded to me wherever&lt;/p&gt;&#13;
&lt;p&gt;we are - I hope this will find you all well at home&lt;/p&gt;&#13;
&lt;p&gt;as we are abroad, for which blessing we are ever grateful -&lt;/p&gt;&#13;
&lt;p&gt;You shall hear of my next engagement as soon as it&lt;/p&gt;&#13;
&lt;p&gt;is effected - with both our love to all I remain -&lt;/p&gt;&#13;
&lt;p&gt;Joseph&lt;/p&gt;&#13;
&lt;p&gt;P.S.&lt;/p&gt;&#13;
&lt;p&gt;Remember us to all friends and&lt;/p&gt;&#13;
&lt;p&gt;tell George Darling if I had written as often as I have thought and&lt;/p&gt;&#13;
&lt;p&gt;spoken of him, that he would have been flooded with letters -&lt;/p&gt;</text>
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                    <text>&lt;p&gt;Greek Latin Math Dec. Comp. Average
&lt;/p&gt;&lt;p&gt;Abbot 92 93 9 92 93 91
&lt;/p&gt;&lt;p&gt;Bates 88 9 81 8 87 86
&lt;/p&gt;&lt;p&gt;Bingham 93 93 98 94 96 95
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&lt;/p&gt;&lt;p&gt;86 91 81 91 88
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&lt;hr /&gt;
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&lt;/p&gt;&lt;p&gt;1859 1860
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                <text>eng</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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              <text>1</text>
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            <name>Identifier</name>
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                <text>Topsy's Doctrine</text>
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                <text>Four verse minstrel song and chorus extolling the virtues of slavery. &lt;br /&gt;&lt;br /&gt;Sheet note: "A new song and dance, written by Edward Berry and sung by Johnny Thompson."</text>
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                <text>Broadsides</text>
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                <text>Minstrel music</text>
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                <text>African American women</text>
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                <text>Slaves--Social conditions</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>185X</text>
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                <text>eng</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>paper and ink</text>
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              <text>7 p</text>
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            <description>A name given to the resource</description>
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                <text>Stage directions for plays in which John Wilkes Booth appeared</text>
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                <text>186?</text>
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            <description>An account of the resource</description>
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                <text>Five manuscript sheets in an unknown hand give stage and scenery directions for five different plays in which John Wilkes Booth appeared. The plays include Macbeth (1863 Jan 26); Damon and Pythias (1864 May); Richard III (1862); Robbers (1862); and one from an unidentified production dated 26 January 1862 at the end. Two of the sheets have "J.W. Booth 1862" at the top corner; one with his name written in full at the bottom.</text>
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            <description>A language of the resource</description>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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            <description>The current transcription status of a document or a page.</description>
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                <text>Start Transcribing</text>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;To The Hon. A. Lincoln.
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP FOR THE PIANO
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHEER, BOYS, CHEER.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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                <description>The current transcription status of a document or a page.</description>
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              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="165166">
              <text>4</text>
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              <text>35 cm</text>
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            <description>A name given to the resource</description>
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                <text>Honest Old Abe's Quick Step</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An instrumental song "For the Piano" and dedicated "To the Hon. A. Lincoln"</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="165158">
                <text>Songs and Music</text>
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              <elementText elementTextId="165159">
                <text>Dance music</text>
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              <elementText elementTextId="165160">
                <text>Foxtrots</text>
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              <elementText elementTextId="165161">
                <text>Instrumental Music</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>No information on composer or songwriter available.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Oliver Ditson &amp;amp; Co.</text>
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            </elementTextContainer>
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            <name>Coverage</name>
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                <text>Boston</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1860</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <description>Manages transcriptions of items and files</description>
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            <description>A written representation of a document or a page.</description>
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                <text>&lt;p&gt;To The Hon. A. Lincoln.
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP FOR THE PIANO
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHEER, BOYS, CHEER.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
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                <text>Complete</text>
              </elementText>
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          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="629802">
                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="629803">
                <text>20</text>
              </elementText>
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        <src>http://www.chroniclingillinois.org/files/original/8cd095a695c98a45801b477b78c1698d.pdf</src>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;Lincoln Grand March
&lt;/p&gt;&lt;p&gt;[Lith.]
&lt;/p&gt;&lt;p&gt;Composed by F.W. Rauch.  Piano 2 1/2              Brass Band. $1
&lt;/p&gt;&lt;p&gt;Cincinnati  Published by F.W. Rauch, No. 82, West Fourth Street
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the Year 1860 by F.W. Rauch in the Clerk's Office of the District Court of the Southern District of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LINCOLN GRAND MARCH by F.W. RAUCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1860 by F.W. Rauch, in the Clerk's Office of the Southern District Court of O.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
</text>
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                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
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                    <text>Complete</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Lincoln Grand March</text>
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                <text>Instrumental music. Cover depicts portrait of Abraham Lincoln.</text>
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            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Songs and music</text>
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                <text> Marches (Piano)</text>
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                <text> Campaign songs</text>
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                <text> Instrumental music</text>
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                <text> Sheet music</text>
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                <text> Rauch, F. W. </text>
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                <text>F. W. Rauch</text>
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              <elementText elementTextId="165637">
                <text>F. W. Rauch</text>
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                <text>Cincinnati</text>
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                <text>1860</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                <text>en</text>
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                <text>&lt;p&gt;Lincoln Grand March
&lt;/p&gt;&lt;p&gt;[Lith.]
&lt;/p&gt;&lt;p&gt;Composed by F.W. Rauch.  Piano 2 1/2              Brass Band. $1
&lt;/p&gt;&lt;p&gt;Cincinnati  Published by F.W. Rauch, No. 82, West Fourth Street
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the Year 1860 by F.W. Rauch in the Clerk's Office of the District Court of the Southern District of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LINCOLN GRAND MARCH by F.W. RAUCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1860 by F.W. Rauch, in the Clerk's Office of the Southern District Court of O.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
</text>
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                <text>Complete</text>
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              <elementText elementTextId="624462">
                <text>100</text>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="624463">
                <text>20</text>
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        <src>http://www.chroniclingillinois.org/files/original/fea3ca030db9471d2311e26552a35a1f.pdf</src>
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                    <text>&lt;p&gt;LINCOLN QUICK STEP. DEDICATED TO THE HON. ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;[LITH OF LINCOLN AND BOAT AND SPLITTING RAIL]
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chesnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Lincoln Quick Step."
&lt;/p&gt;&lt;p&gt;"Honest Old Abe" has split many a rail He is up to his work, and he'll surely not fail, He has guided his Flat-Boat thro' many a strait, And watchful he'll prove at the Helm of the State.
&lt;/p&gt;&lt;p&gt;Ch:Grobe. Op: 1209.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1860 by Lee &amp;amp; Walker at the Clerk's Office of the Dt. Ct. of the En. Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="165706">
              <text>6</text>
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              <text>34 cm</text>
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                <text>423369014</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Lincoln Quick Step: Op. 1209</text>
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            <description>An account of the resource</description>
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                <text>Instrumental music. Cover depicts portrait of Abraham Lincoln surrounded by images of flatboat, rail splitting and fishing materials, and Lincoln chopping wood. " 'Honest Old Abe' has split many a rail; He is up to his work, and he'll surely not fail, He has guided his flat-boat thro' many a strait, And watchful he'll prove at the helm of the State."</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="165693">
                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Marches (Piano)</text>
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                <text> Songs and Music</text>
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              <elementText elementTextId="165696">
                <text> Sheet Music</text>
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                <text> Campaign songs</text>
              </elementText>
              <elementText elementTextId="165698">
                <text> Piano music</text>
              </elementText>
              <elementText elementTextId="165699">
                <text> Dance music</text>
              </elementText>
              <elementText elementTextId="165700">
                <text> Foxtrots</text>
              </elementText>
              <elementText elementTextId="165701">
                <text> Instrumental Music</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Charles Grobe</text>
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                <text>Lee &amp;amp; Walker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="165704">
                <text>Philadelphia</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="165705">
                <text>1860</text>
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            <name>Format</name>
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                <text>pdf</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
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                <text>&lt;p&gt;LINCOLN QUICK STEP. DEDICATED TO THE HON. ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;[LITH OF LINCOLN AND BOAT AND SPLITTING RAIL]
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chesnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Lincoln Quick Step."
&lt;/p&gt;&lt;p&gt;"Honest Old Abe" has split many a rail He is up to his work, and he'll surely not fail, He has guided his Flat-Boat thro' many a strait, And watchful he'll prove at the Helm of the State.
&lt;/p&gt;&lt;p&gt;Ch:Grobe. Op: 1209.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1860 by Lee &amp;amp; Walker at the Clerk's Office of the Dt. Ct. of the En. Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                <text>Complete</text>
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            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="624495">
                <text>100</text>
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            </elementTextContainer>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="624496">
                <text>20</text>
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  <item itemId="19467" public="1" featured="0">
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        <src>http://www.chroniclingillinois.org/files/original/9e643d02e57e9659f3ee549d03ccf2ba.pdf</src>
        <authentication>ea1c4a6366b16c64f86c440696087865</authentication>
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                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
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                    <text>&lt;p&gt;LINCOLN QUICK STEP. DEDICATED TO ABRAHAM LINCOLN PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chesnut St.
&lt;/p&gt;&lt;p&gt;4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"LINCOLN QUICK STEP."
&lt;/p&gt;&lt;p&gt;"Honest Old Abe" has split many a rail He is up to his work, and he'll surely not fail, He has guided his Flat-Boat thro' many a strait, and watchful he'll prove at the Helm of the State.
&lt;/p&gt;&lt;p&gt;Ch. Grobe.  Op: 1209.
&lt;/p&gt;&lt;p&gt;Quick-Step.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1860 by Lee &amp;amp; Walker at the Clerk's Office of the Dt. Ct. of the En. Dist. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;LEE &amp;amp; WALKER'S LATE POPULAR BALLADS, 722 CHESTNUT STREET, PHILADELPHIA.
&lt;/p&gt;&lt;p&gt;KEEP MY SECRET, NELLIE DEAREST. Words by Thomas Manahan; Music by H.Th. Knake.
&lt;/p&gt;&lt;p&gt;"Keep my secret, Nellie dearest, 'Neath thy marble bosom's swell; Never breathe it in thy whisper, For it's sacred; guard it well; None but thee were ever trusted With the vows I made to thee: Keep them pure, then, Nellie dearest, As the gems beneath the sea."
&lt;/p&gt;&lt;p&gt;A charming song, well composed, and with an easy accompaniment. We cheerfully recommend it. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;KIND FRIENDS ARE NEAR HER. Song and chorus: an answer to "Who will care for mother now?"  Words by Ednor Rossiter; Music by B. Frank Walters.
&lt;/p&gt;&lt;p&gt;"Sleep, noble hero, Let not one fear Steal o'er thy brave heart As death draws near; For, in her sorrow, Mother will find True hearts around her, Loving and kind."
&lt;/p&gt;&lt;p&gt;The popularity of "Who will care for mother now?" induced the above song as a reply; and it is a most suitable one, both in words and music, and is within the capacity of all singers, and also has an easy accompaniment. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;I REMEMBER THE HOUR WHEN SADLY WE PARTED. Answer to "Weeping, sad and lonely." Song and chorus. Words by Ednor Rossiter; Music by B. Frank Walters.
&lt;/p&gt;&lt;p&gt;"I remember the hour when sadly we parted, The tears on your pale cheek glistening like dew.--When, clasped in your arms, almost broken-hearted, I swore by the bright sky I'd ever be true,--True to the love that nothing could sever, And true to the flag of my country forever. Chorus--Then weep not, love, oh, weep not; Think not hopes are vain; For when this fatal war is over We will surely meet again."
&lt;/p&gt;&lt;p&gt;The popularity of this song has been immense, several thousand having already been published. It is not to be wondered at, however, as the sentiment, both in words and music, is unsurpassed.  Price, 30 cents.
&lt;/p&gt;&lt;p&gt;WEEP NOT FOR ME, MY MOTHER DEAR. Written and composed by Frank Drayton.
&lt;/p&gt;&lt;p&gt;"Weep not for me, my mother dear, Though in thy cot thy dear one's missed, Who round thy neck so oft hath clung And thy dear lips with fondness kissed, Who oft at eve her weary head Hath lain upon thy tender breast, When thy sweet voice, with cheerful song, Hath lulled thy darling child to rest."
&lt;/p&gt;&lt;p&gt;The songs of Drayton have attained a deserved popularity, as the words are expressive of fine sentiments, and the melodies are pleasing. This one especially is deserving of attention. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;COME WHEN YOU WILL, I'VE A WELCOME FOR THEE.  Words and Music by W. Landsdon. A new and revised edition has just been issued.
&lt;/p&gt;&lt;p&gt;"Come in the spring-time, come in the summer, Come when the autumn makes leafless each tree; Or when the chill wind of winter is blowing,--Come when you will, I've a welcome for thee!
&lt;/p&gt;&lt;p&gt;"Welcome as sunshine to birds and to flowers, Or first sight of land to the roamer by sea, Thou bring'st to my mind all my happiest hours: Come when you will, I've a welcome for thee." Price, 40 cents.
&lt;/p&gt;&lt;p&gt;THE PICKET GUARD. Composed by H. Coyle, and respectfully dedicated to B.M. Greene and his comrades, of the 49th Regiment P.V.
&lt;/p&gt;&lt;p&gt;"All quiet along the Potomac, they say, Except now and then a stray picket Is shot on his beat, as he walks to and fro, By a rifleman hid in a thicket. 'Tis nothing: a private or two, now and then, Will not count in the news of the battle; Not an officer lost,--only one of the men Moaning out alone the death-rattle. All quiet along the Potomac to-night, No sound, save the rush of the river; While soft falls the dew on the face of the dead! The picket's off duty forever!"
&lt;/p&gt;&lt;p&gt;Also a very popular song, as the words appeal to thousands of sorrowing hearts, made so by the death in battle of fathers, sons, and brothers. The music is simple and touching. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked prices. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>8</text>
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                <text>Instrumental music. Cover depicts portrait of Abraham Lincoln. " 'Honest Old Abe' has split many a rail; He is up to his work, and he'll surely not fail, He has guided his flat-boat thro' many a strait, And watchful he'll prove at the helm of the State."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Marches (Piano)</text>
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                <text> Songs and Music</text>
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                <text> Sheet Music</text>
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                <text> Campaign songs</text>
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                <text> Piano music</text>
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                <text> Dance music</text>
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                <text> Grobe, Charles</text>
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                <text>Charles Grobe</text>
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                <text>Lee &amp;amp; Walker</text>
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                <text>Philadelphia</text>
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                <text>1860</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;LINCOLN QUICK STEP. DEDICATED TO ABRAHAM LINCOLN PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chesnut St.
&lt;/p&gt;&lt;p&gt;4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"LINCOLN QUICK STEP."
&lt;/p&gt;&lt;p&gt;"Honest Old Abe" has split many a rail He is up to his work, and he'll surely not fail, He has guided his Flat-Boat thro' many a strait, and watchful he'll prove at the Helm of the State.
&lt;/p&gt;&lt;p&gt;Ch. Grobe.  Op: 1209.
&lt;/p&gt;&lt;p&gt;Quick-Step.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1860 by Lee &amp;amp; Walker at the Clerk's Office of the Dt. Ct. of the En. Dist. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;LEE &amp;amp; WALKER'S LATE POPULAR BALLADS, 722 CHESTNUT STREET, PHILADELPHIA.
&lt;/p&gt;&lt;p&gt;KEEP MY SECRET, NELLIE DEAREST. Words by Thomas Manahan; Music by H.Th. Knake.
&lt;/p&gt;&lt;p&gt;"Keep my secret, Nellie dearest, 'Neath thy marble bosom's swell; Never breathe it in thy whisper, For it's sacred; guard it well; None but thee were ever trusted With the vows I made to thee: Keep them pure, then, Nellie dearest, As the gems beneath the sea."
&lt;/p&gt;&lt;p&gt;A charming song, well composed, and with an easy accompaniment. We cheerfully recommend it. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;KIND FRIENDS ARE NEAR HER. Song and chorus: an answer to "Who will care for mother now?"  Words by Ednor Rossiter; Music by B. Frank Walters.
&lt;/p&gt;&lt;p&gt;"Sleep, noble hero, Let not one fear Steal o'er thy brave heart As death draws near; For, in her sorrow, Mother will find True hearts around her, Loving and kind."
&lt;/p&gt;&lt;p&gt;The popularity of "Who will care for mother now?" induced the above song as a reply; and it is a most suitable one, both in words and music, and is within the capacity of all singers, and also has an easy accompaniment. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;I REMEMBER THE HOUR WHEN SADLY WE PARTED. Answer to "Weeping, sad and lonely." Song and chorus. Words by Ednor Rossiter; Music by B. Frank Walters.
&lt;/p&gt;&lt;p&gt;"I remember the hour when sadly we parted, The tears on your pale cheek glistening like dew.--When, clasped in your arms, almost broken-hearted, I swore by the bright sky I'd ever be true,--True to the love that nothing could sever, And true to the flag of my country forever. Chorus--Then weep not, love, oh, weep not; Think not hopes are vain; For when this fatal war is over We will surely meet again."
&lt;/p&gt;&lt;p&gt;The popularity of this song has been immense, several thousand having already been published. It is not to be wondered at, however, as the sentiment, both in words and music, is unsurpassed.  Price, 30 cents.
&lt;/p&gt;&lt;p&gt;WEEP NOT FOR ME, MY MOTHER DEAR. Written and composed by Frank Drayton.
&lt;/p&gt;&lt;p&gt;"Weep not for me, my mother dear, Though in thy cot thy dear one's missed, Who round thy neck so oft hath clung And thy dear lips with fondness kissed, Who oft at eve her weary head Hath lain upon thy tender breast, When thy sweet voice, with cheerful song, Hath lulled thy darling child to rest."
&lt;/p&gt;&lt;p&gt;The songs of Drayton have attained a deserved popularity, as the words are expressive of fine sentiments, and the melodies are pleasing. This one especially is deserving of attention. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;COME WHEN YOU WILL, I'VE A WELCOME FOR THEE.  Words and Music by W. Landsdon. A new and revised edition has just been issued.
&lt;/p&gt;&lt;p&gt;"Come in the spring-time, come in the summer, Come when the autumn makes leafless each tree; Or when the chill wind of winter is blowing,--Come when you will, I've a welcome for thee!
&lt;/p&gt;&lt;p&gt;"Welcome as sunshine to birds and to flowers, Or first sight of land to the roamer by sea, Thou bring'st to my mind all my happiest hours: Come when you will, I've a welcome for thee." Price, 40 cents.
&lt;/p&gt;&lt;p&gt;THE PICKET GUARD. Composed by H. Coyle, and respectfully dedicated to B.M. Greene and his comrades, of the 49th Regiment P.V.
&lt;/p&gt;&lt;p&gt;"All quiet along the Potomac, they say, Except now and then a stray picket Is shot on his beat, as he walks to and fro, By a rifleman hid in a thicket. 'Tis nothing: a private or two, now and then, Will not count in the news of the battle; Not an officer lost,--only one of the men Moaning out alone the death-rattle. All quiet along the Potomac to-night, No sound, save the rush of the river; While soft falls the dew on the face of the dead! The picket's off duty forever!"
&lt;/p&gt;&lt;p&gt;Also a very popular song, as the words appeal to thousands of sorrowing hearts, made so by the death in battle of fathers, sons, and brothers. The music is simple and touching. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked prices. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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                <text>20</text>
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                    <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="169983">
              <text>6</text>
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                <text>The Rail Splitter's Polka</text>
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                <text>Instrumental music. "To the Republican Presidential Candidate Hon. A. Lincoln."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sheet music</text>
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                <text>Neuman, A.</text>
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                <text>Instrumental music</text>
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                <text>Polkas</text>
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                <text>Presidents--Elections</text>
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                <text>A. Neuman</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>Boston</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170298">
              <text>2</text>
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              <text>31 cm</text>
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                <text>The Ship of State: Wide-Awake Song</text>
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                <text>Lyrics depict United States as a battleship damaged over previous 4 years under James Buchanan and expresses hope for the election of Abraham Lincoln.&lt;br /&gt;&lt;br /&gt;The Wide Awakes were organized, uniformed chapters of young men who campaigned and marched for a Republican victory in the presidential election of 1860.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Campaign songs</text>
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                <text>Sheet music</text>
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                <text>Locke, E. W., 1818-1900</text>
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                <text>Buchanan, James, 1791-1868</text>
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                <text>Presidential candidates</text>
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                <text>E. W. Locke</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>1860</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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        <src>http://www.chroniclingillinois.org/files/original/2eedd8a353d075bb68cad7ca26300dea.pdf</src>
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                    <text>&lt;p&gt;TO
&lt;/p&gt;&lt;p&gt;Honest Abe Lincoln.
&lt;/p&gt;&lt;p&gt;STRIKE for the RIGHT
&lt;/p&gt;&lt;p&gt;Sung with rapturous applause at the
&lt;/p&gt;&lt;p&gt;FANUEIL HALL Ratification Meeting
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;3                   1860
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by OLIVER DITSON &amp;amp; Co 277 Washington St
&lt;/p&gt;&lt;p&gt;FIRTH, POND &amp;amp; Co.  N. York      J. CHURCH. Jr  Cinn.      BECK &amp;amp; LAWTON. Philada      G.C.ClLAPP &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by E.W. Locke in the Clerk's Office of the Dist. Court of Maine
&lt;/p&gt;&lt;p&gt;Lincoln dedic: also p. 5. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;STRIKE FOR THE RIGHT:
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;Once more to the combat with rekindled zeal, Our
flag to the breeze, and our hands to the steel! We strike for the right, and we
ask no delay. We're ready and eager to rush to the fray.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;&lt;p&gt;180473
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4    CHORUS. 
&lt;/p&gt;&lt;p&gt;[4-part system of music follows, all singing the same lyrics.]
&lt;/p&gt;&lt;p&gt;AIR.   Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.  Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;BASS. 
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
20478
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2d Verse. Our forests and lakes, from Wisconsin to Maine, Send
out their brave sons to the conflict again; While mountain and prairie, with
campfires aglow, Re-echo the war-cry, and welcome the blow.
&lt;/p&gt;&lt;p&gt;3d   ..      The trumpets are sounding, the battle's begun, There's
danger to face and there's work to be one; The timid and sluggard may
shrink from the fray, The glory compensates our struggles to day.
&lt;/p&gt;&lt;p&gt;4th  ..      Already their peril is felt by our foes, Already
they falter and shrink from our blows; The shout of our comrades rings
thrilling and clear; The victory is certain the victory's near.
&lt;/p&gt;&lt;p&gt;5th  ..      A cheer for our leaders, the twin-hearted braves! A
cheer for the banner that over us waves! With Lincoln and Hamlin we've
nothing to fear  The victory is certain  the victory's' near.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Strike for the Right</text>
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                <text>E. W. Locke</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>&lt;p&gt;TO
&lt;/p&gt;&lt;p&gt;Honest Abe Lincoln.
&lt;/p&gt;&lt;p&gt;STRIKE for the RIGHT
&lt;/p&gt;&lt;p&gt;Sung with rapturous applause at the
&lt;/p&gt;&lt;p&gt;FANUEIL HALL Ratification Meeting
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;3                   1860
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by OLIVER DITSON &amp;amp; Co 277 Washington St
&lt;/p&gt;&lt;p&gt;FIRTH, POND &amp;amp; Co.  N. York      J. CHURCH. Jr  Cinn.      BECK &amp;amp; LAWTON. Philada      G.C.ClLAPP &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by E.W. Locke in the Clerk's Office of the Dist. Court of Maine
&lt;/p&gt;&lt;p&gt;Lincoln dedic: also p. 5. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;STRIKE FOR THE RIGHT:
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;Once more to the combat with rekindled zeal, Our
flag to the breeze, and our hands to the steel! We strike for the right, and we
ask no delay. We're ready and eager to rush to the fray.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;&lt;p&gt;180473
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4    CHORUS. 
&lt;/p&gt;&lt;p&gt;[4-part system of music follows, all singing the same lyrics.]
&lt;/p&gt;&lt;p&gt;AIR.   Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.  Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;BASS. 
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
20478
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2d Verse. Our forests and lakes, from Wisconsin to Maine, Send
out their brave sons to the conflict again; While mountain and prairie, with
campfires aglow, Re-echo the war-cry, and welcome the blow.
&lt;/p&gt;&lt;p&gt;3d   ..      The trumpets are sounding, the battle's begun, There's
danger to face and there's work to be one; The timid and sluggard may
shrink from the fray, The glory compensates our struggles to day.
&lt;/p&gt;&lt;p&gt;4th  ..      Already their peril is felt by our foes, Already
they falter and shrink from our blows; The shout of our comrades rings
thrilling and clear; The victory is certain the victory's near.
&lt;/p&gt;&lt;p&gt;5th  ..      A cheer for our leaders, the twin-hearted braves! A
cheer for the banner that over us waves! With Lincoln and Hamlin we've
nothing to fear  The victory is certain  the victory's' near.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;
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        <src>http://www.chroniclingillinois.org/files/original/493bf8827f406fc23f86671c8d3be61e.pdf</src>
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                    <text>&lt;p&gt;THE
&lt;/p&gt;&lt;p&gt;CAMPAIGN
&lt;/p&gt;&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;Lincoln Republican Songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1. We see the break of day.  No.2. Freedom's  Call.
&lt;/p&gt;&lt;p&gt;Set to music by KARL CORA.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman
&lt;/p&gt;&lt;p&gt;291 Washington St. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1868 by Russell &amp;amp; Tolman in the Clerks Office at the Court of Mass.
&lt;/p&gt;&lt;p&gt;FREEDOM'S CALL.
&lt;/p&gt;&lt;p&gt;No 2.
&lt;/p&gt;&lt;p&gt;Spirited. Alla Marcia.
&lt;/p&gt;&lt;p&gt;1. As his moun-tain men fol-lowed, un-doubt-ing and bold, O'er hill and o'er desd-ert, through temp-est and cold; So the peo-ple now burst from each fet-ter and thrall, And an-swer with shouting the wild bu-gle call.
&lt;/p&gt;&lt;p&gt;2. Oh! speed the bod riders! fling loose ev'ry rein, The race run for free-dom is not run in vain! From mountain and prai-rie, from lake and from se, Ride gal-lant and hopeful, ride fear-less and free!
&lt;/p&gt;&lt;p&gt;3. The shades of the fa-thers for free-dom who died, As they rode in the war-storm, ride now at our side; Their great souls shall strengthen our own for the day, And the glance of our lead-er make cer-tain the way.
&lt;/p&gt;&lt;p&gt;4. We ride not for hon-ors, am-bi-tion or place, But the wrong to re-dress, and re-deem the disgrace; Not for North or for South, but the best good of all, We fol-low Lincoln and his bu-gle call!
&lt;/p&gt;
&lt;pre&gt;Chorus.
&lt;/pre&gt;
&lt;p&gt;1 Who'll fol-low, who'll follow? The bands gather fast; They who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gather fast; They who ride with Lincoln In triumph ride at last! All who ride with Lincoln In triumph ride at last! 
&lt;/p&gt;&lt;p&gt;2. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gather fast; All who ride with Lincoln In tri-umph ride at last.
&lt;/p&gt;&lt;p&gt;3. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In tri-umph ride at last!
&lt;/p&gt;&lt;p&gt;4. Who'll fol-low, who'll fol-low! The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gath-er fast; All who rid with Lincoln In tri-umph ride at last!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Freedom's Call</text>
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                <text>Republican campaign songs urging the country to elect Lincoln to the presidency in 1860. Publication entitled "The Campaign," originally included two songs: "We See the Break of Day" and "Freedom's Call." Only the later song is contained in the sheet music presented here.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>&lt;p&gt;THE
&lt;/p&gt;&lt;p&gt;CAMPAIGN
&lt;/p&gt;&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;Lincoln Republican Songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1. We see the break of day.  No.2. Freedom's  Call.
&lt;/p&gt;&lt;p&gt;Set to music by KARL CORA.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman
&lt;/p&gt;&lt;p&gt;291 Washington St. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1868 by Russell &amp;amp; Tolman in the Clerks Office at the Court of Mass.
&lt;/p&gt;&lt;p&gt;FREEDOM'S CALL.
&lt;/p&gt;&lt;p&gt;No 2.
&lt;/p&gt;&lt;p&gt;Spirited. Alla Marcia.
&lt;/p&gt;&lt;p&gt;1. As his moun-tain men fol-lowed, un-doubt-ing and bold, O'er hill and o'er desd-ert, through temp-est and cold; So the peo-ple now burst from each fet-ter and thrall, And an-swer with shouting the wild bu-gle call.
&lt;/p&gt;&lt;p&gt;2. Oh! speed the bod riders! fling loose ev'ry rein, The race run for free-dom is not run in vain! From mountain and prai-rie, from lake and from se, Ride gal-lant and hopeful, ride fear-less and free!
&lt;/p&gt;&lt;p&gt;3. The shades of the fa-thers for free-dom who died, As they rode in the war-storm, ride now at our side; Their great souls shall strengthen our own for the day, And the glance of our lead-er make cer-tain the way.
&lt;/p&gt;&lt;p&gt;4. We ride not for hon-ors, am-bi-tion or place, But the wrong to re-dress, and re-deem the disgrace; Not for North or for South, but the best good of all, We fol-low Lincoln and his bu-gle call!
&lt;/p&gt;
&lt;pre&gt;Chorus.
&lt;/pre&gt;
&lt;p&gt;1 Who'll fol-low, who'll follow? The bands gather fast; They who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gather fast; They who ride with Lincoln In triumph ride at last! All who ride with Lincoln In triumph ride at last! 
&lt;/p&gt;&lt;p&gt;2. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gather fast; All who ride with Lincoln In tri-umph ride at last.
&lt;/p&gt;&lt;p&gt;3. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In tri-umph ride at last!
&lt;/p&gt;&lt;p&gt;4. Who'll fol-low, who'll fol-low! The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gath-er fast; All who rid with Lincoln In tri-umph ride at last!
&lt;/p&gt;
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                    <text>&lt;p&gt;DOUGLAS POLKA
&lt;/p&gt;&lt;p&gt;CINCINNATI Published by J. Church Jr 66 West Fourth St.
&lt;/p&gt;&lt;p&gt;O. Ditson &amp;amp; Co. Boston. Lee &amp;amp; Walker Philadelphia.  Firth, Pond &amp;amp; Co. New York
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&lt;p&gt;4
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                <text>Cover depicts a picture of Stephen A. Douglas. U.S. senator from Illinois, 1860 Democratic presidential nominee, and opponent of Abraham Lincoln in their famous series of 1858 debates, Douglas defended the Union cause and died on June 3, 1861, only a few weeks after the Civil war began.</text>
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&lt;/p&gt;&lt;p&gt;CINCINNATI Published by J. Church Jr 66 West Fourth St.
&lt;/p&gt;&lt;p&gt;O. Ditson &amp;amp; Co. Boston. Lee &amp;amp; Walker Philadelphia.  Firth, Pond &amp;amp; Co. New York
&lt;/p&gt;&lt;p&gt;J. [Thobe?] [lithograph artist] [Ehrdorr [unintelligible] Lith. Cin. O
&lt;/p&gt;
&lt;hr /&gt;
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&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE
&lt;/p&gt;&lt;p&gt;Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S.
NEW YORK Published by FIRTH, POND &amp;amp; CO 547 Broadway
Boston. O.DITSON &amp;amp; CO.  Cincinnati. C.Y. FONDA.   Pittsburgh. H. KLEBER &amp;amp; BRO.
Entered according to Act of Congress in the Year 1860 by Firth Pond &amp;amp; Co in the Clerks Office of the District Court of the Southn District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;
&lt;pre&gt;"OLD HONEST ABE FOR ME"  SONG AND CHORUS  ARRANGED BY G.D.S.
&lt;/pre&gt;
&lt;p&gt;4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will
1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the
2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of
3. VER. The Dem-o-crats are fall-ing back They know their time has
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD1850 by Firth, Pond &amp;amp; Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y.
4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;4
&lt;/pre&gt;
&lt;p&gt;fly Our chief will split them up like rails And
fight, Fling out your ban-ners to the breeze, The
Maine With these for lea-ders in the fight, The
come, Then at them with un-bro-ken fronts, And
&lt;/p&gt;&lt;p&gt;leave them out to dry, Far up salt ri-ver's
foe is now in sight. Your voi-ces raise in
vic-try we shall gain And in the con-flict
for the right strike home For we are free-men
&lt;/p&gt;&lt;p&gt;gloo-my banks And then from sea to sea A-
notes of joy And spread from sea to sea The
loud and clear, Our bat-tle cry shall be Re-
and would keep Our land for-ev-er free, Then
&lt;/p&gt;&lt;p&gt;gain the shout shall long ring out Old hon-est Abe for me.
gal-lant shout of free-men bold, Old hon-est Abe for me.
soun-ding far o'er hill and dale, Old hon-est Abe for me.
ring the shout in thun-der tones Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;5
&lt;/pre&gt;
&lt;p&gt;CHORUS
Old hon-est Abe for me my boys, Old hon-est Abe for me, The 
Old hon-est Abe for me my boys, Old hon-est Abe for me, The
&lt;/p&gt;&lt;p&gt;gal-lant shout of free-men bold Old hon-est Abe for me.
gal-lant shout of free-men bold Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
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                <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE
&lt;/p&gt;&lt;p&gt;Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S.
NEW YORK Published by FIRTH, POND &amp;amp; CO 547 Broadway
Boston. O.DITSON &amp;amp; CO.  Cincinnati. C.Y. FONDA.   Pittsburgh. H. KLEBER &amp;amp; BRO.
Entered according to Act of Congress in the Year 1860 by Firth Pond &amp;amp; Co in the Clerks Office of the District Court of the Southn District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;
&lt;pre&gt;"OLD HONEST ABE FOR ME"  SONG AND CHORUS  ARRANGED BY G.D.S.
&lt;/pre&gt;
&lt;p&gt;4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will
1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the
2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of
3. VER. The Dem-o-crats are fall-ing back They know their time has
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD1850 by Firth, Pond &amp;amp; Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y.
4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;4
&lt;/pre&gt;
&lt;p&gt;fly Our chief will split them up like rails And
fight, Fling out your ban-ners to the breeze, The
Maine With these for lea-ders in the fight, The
come, Then at them with un-bro-ken fronts, And
&lt;/p&gt;&lt;p&gt;leave them out to dry, Far up salt ri-ver's
foe is now in sight. Your voi-ces raise in
vic-try we shall gain And in the con-flict
for the right strike home For we are free-men
&lt;/p&gt;&lt;p&gt;gloo-my banks And then from sea to sea A-
notes of joy And spread from sea to sea The
loud and clear, Our bat-tle cry shall be Re-
and would keep Our land for-ev-er free, Then
&lt;/p&gt;&lt;p&gt;gain the shout shall long ring out Old hon-est Abe for me.
gal-lant shout of free-men bold, Old hon-est Abe for me.
soun-ding far o'er hill and dale, Old hon-est Abe for me.
ring the shout in thun-der tones Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;5
&lt;/pre&gt;
&lt;p&gt;CHORUS
Old hon-est Abe for me my boys, Old hon-est Abe for me, The 
Old hon-est Abe for me my boys, Old hon-est Abe for me, The
&lt;/p&gt;&lt;p&gt;gal-lant shout of free-men bold Old hon-est Abe for me.
gal-lant shout of free-men bold Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
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                    <text>&lt;p&gt;The Campaign
&lt;/p&gt;&lt;p&gt;2 Lincoln Republican songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1 We see the break of day.
&lt;/p&gt;&lt;p&gt;No. 2 Freedom's call
&lt;/p&gt;&lt;p&gt;Set to music by 
&lt;/p&gt;&lt;p&gt;Karl Cora.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman 291 Washington St. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress [1860] by Russell &amp;amp; Telman in the [illegible] Office of the Dis. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;WE SEE THE BREAK OF DAY.
&lt;/p&gt;&lt;p&gt;1.  The robber o'er the prairie stalks, and calls the land his own; and they who talk as slav'ry talks are free to talk alone.
&lt;/p&gt;&lt;p&gt;2.  Oh, watcher on the outer wall, how wears the night away? "I hear the birds of morning call, I see the break of day!"
&lt;/p&gt;&lt;p&gt;3. The hands that hold the Sword and Purse ere long shall lose their prey; And they who, blindly wrought the curse, The curse shall sweep away.
&lt;/p&gt;&lt;p&gt;4.  The land again in peace shall rest, with blood no longer stained; The virgin beauty of the West shall be no more profaned.
&lt;/p&gt;&lt;p&gt;5.  Then let the idlers stand apart, and cowards shun the fight; We'll band together, heart to heart, forget, forgive, unite!
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;1.  But tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;2.  Rise, tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;3.  Then tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;4.  We'll teach the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;5.  And tell the knaves, etc.
&lt;/p&gt;
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              <text>4</text>
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                <text>We See the Break of Day</text>
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                <text>The cover presents "2 Lincoln Republican Songs": "We see the break of day" and "Freedom's Call"; however, only the first song is contained in this copy of sheet music.</text>
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                <text>&lt;p&gt;The Campaign
&lt;/p&gt;&lt;p&gt;2 Lincoln Republican songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1 We see the break of day.
&lt;/p&gt;&lt;p&gt;No. 2 Freedom's call
&lt;/p&gt;&lt;p&gt;Set to music by 
&lt;/p&gt;&lt;p&gt;Karl Cora.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman 291 Washington St. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress [1860] by Russell &amp;amp; Telman in the [illegible] Office of the Dis. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;WE SEE THE BREAK OF DAY.
&lt;/p&gt;&lt;p&gt;1.  The robber o'er the prairie stalks, and calls the land his own; and they who talk as slav'ry talks are free to talk alone.
&lt;/p&gt;&lt;p&gt;2.  Oh, watcher on the outer wall, how wears the night away? "I hear the birds of morning call, I see the break of day!"
&lt;/p&gt;&lt;p&gt;3. The hands that hold the Sword and Purse ere long shall lose their prey; And they who, blindly wrought the curse, The curse shall sweep away.
&lt;/p&gt;&lt;p&gt;4.  The land again in peace shall rest, with blood no longer stained; The virgin beauty of the West shall be no more profaned.
&lt;/p&gt;&lt;p&gt;5.  Then let the idlers stand apart, and cowards shun the fight; We'll band together, heart to heart, forget, forgive, unite!
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;1.  But tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;2.  Rise, tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;3.  Then tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;4.  We'll teach the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;5.  And tell the knaves, etc.
&lt;/p&gt;
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                    <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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                <text>We Will Vote for Old Abe Lincoln</text>
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                <text>Sewall, M.</text>
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                <text>Sewall, M.</text>
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                <text>Music publisher information not available.</text>
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                <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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                    <text>&lt;p&gt;THE "WIGWAM" GRAND MARCH
Dedicated to the
Republican Presidential Candidate
Hon. Abrm. Lincoln.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;C.C. Clapp &amp;amp; Co
Boston
&lt;/p&gt;&lt;p&gt;Beck &amp;amp; Lawton
Philad.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co.
N. York
&lt;/p&gt;&lt;p&gt;John Church Jr.
Cinn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WIGWAM GRAND MARCH
(no words, just music follows)
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>"Dedicated to the Republican Presidential Canidate. Hon. Abrm. Lincoln." Cover depicts Abraham Lincoln in a frame that includes the words "Washington" and "Illinois" as well as dipictions of Lincoln as "The Railsplitter" and as a circuit riding attorney. &lt;br /&gt;&lt;br /&gt;The Wigwam in Chicago was the meeting hall that held the 1860 Republican National Convention which nominated Lincoln for president.</text>
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            <name>Creator</name>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Boston</text>
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                <text>&lt;p&gt;THE "WIGWAM" GRAND MARCH
Dedicated to the
Republican Presidential Candidate
Hon. Abrm. Lincoln.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;C.C. Clapp &amp;amp; Co
Boston
&lt;/p&gt;&lt;p&gt;Beck &amp;amp; Lawton
Philad.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co.
N. York
&lt;/p&gt;&lt;p&gt;John Church Jr.
Cinn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WIGWAM GRAND MARCH
(no words, just music follows)
&lt;/p&gt;
</text>
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            <description>The percentage of pages with Completed status.</description>
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