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                    <text>&lt;p&gt;(prob. 1861)
&lt;/p&gt;&lt;p&gt;Copy
&lt;/p&gt;&lt;p&gt;We concur in the opinion that the United States should at an early day take pofsefsion of prominent points, in Kentucky, such as Louisville, Covington, Newport, Columbus, [illegible] and the Rail Roads leading from the same South.
&lt;/p&gt;&lt;p&gt;If Col. Anderson or others, who are loyal to the Government, can raise regiments of loyal men in Kentucky, to occupy these points, in the first instance, and the Government has the means of arming them, it would be advisable to have them thus occupied.  
&lt;/p&gt;&lt;p&gt;If Kentuckians cannot be found for this purpose, United States Regulars would be the next best for the purpose; but in our opinion they should be occupied at an early day; if it has to be done by the Volunteers from adjoining States.  
&lt;/p&gt;&lt;p&gt;We believe this course will save Kentucky to the Union, otherwise that in the end the secefsionists will control her.  If these suggestions are approved Major Genl. McClellan should at once be advised, and clothed with the necefsary authority.  It
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;is important that the plan of the Campaign in the West, should be fixed upon, and that the Major General of the division should be furnished the means and be instructed to shape the military movements of his Department, so as to carry it into effect at the earliest period.
&lt;/p&gt;&lt;p&gt;We also think that the force called out in Major General McClellan's Department should be materially increased.
&lt;/p&gt;&lt;p&gt;Before any movement South takes place, the loyalty of Kentucky should be secured, which can be done this simmer before troops are moved to more Southern States.
&lt;/p&gt;&lt;p&gt;To the extend of the appropriations made by the Legislatures of the several States represented by the undersigned, in aid of the General Government, we desire it to be understood these appropriations will be promptly available for the uses of the Government as its necefsities if any shall require.  And to sustain the Government in the vigorous prosecution of the War further aid may be relied upon from our respective States if
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;if required.  
&lt;/p&gt;&lt;p&gt;Authority ought also to be given to occupy fronts in Tennefsee and Mifsouri.  
&lt;/p&gt;&lt;p&gt;/Signed/  W. Dennison
&lt;/p&gt;&lt;p&gt;/Signed/  Richd. Yates
&lt;/p&gt;&lt;p&gt;/Signed/  O. P. Morton.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Copy
&lt;/p&gt;&lt;p&gt;Letter of Governors
&lt;/p&gt;&lt;p&gt;Dennison
&lt;/p&gt;&lt;p&gt;Yates
&lt;/p&gt;&lt;p&gt;Morton
&lt;/p&gt;&lt;p&gt;To Genl. Scott.
&lt;/p&gt;&lt;p&gt;Advisory as to the defense of Kentucky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Copy of Letter of Governor to Gen Scott.
&lt;/p&gt;&lt;p&gt;File Carefully
&lt;/p&gt;
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                <text>&lt;p&gt;(prob. 1861)&lt;/p&gt;&#13;
&lt;p&gt;Copy&lt;/p&gt;&#13;
&lt;p&gt;We concur in the opinion that the United States should at an early day take pofsefsion of prominent points, in Kentucky, such as Louisville, Covington, Newport, Columbus, [illegible] and the Rail Roads leading from the same South.&lt;/p&gt;&#13;
&lt;p&gt;If Col. Anderson or others, who are loyal to the Government, can raise regiments of loyal men in Kentucky, to occupy these points, in the first instance, and the Government has the means of arming them, it would be advisable to have them thus occupied.&lt;/p&gt;&#13;
&lt;p&gt;If Kentuckians cannot be found for this purpose, United States Regulars would be the next best for the purpose; but in our opinion they should be occupied at an early day; if it has to be done by the Volunteers from adjoining States.&lt;/p&gt;&#13;
&lt;p&gt;We believe this course will save Kentucky to the Union, otherwise that in the end the secefsionists will control her. If these suggestions are approved Major Genl. McClellan should at once be advised, and clothed with the necefsary authority. It&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;is important that the plan of the Campaign in the West, should be fixed upon, and that the Major General of the division should be furnished the means and be instructed to shape the military movements of his Department, so as to carry it into effect at the earliest period.&lt;/p&gt;&#13;
&lt;p&gt;We also think that the force called out in Major General McClellan's Department should be materially increased.&lt;/p&gt;&#13;
&lt;p&gt;Before any movement South takes place, the loyalty of Kentucky should be secured, which can be done this simmer before troops are moved to more Southern States.&lt;/p&gt;&#13;
&lt;p&gt;To the extend of the appropriations made by the Legislatures of the several States represented by the undersigned, in aid of the General Government, we desire it to be understood these appropriations will be promptly available for the uses of the Government as its necefsities if any shall require. And to sustain the Government in the vigorous prosecution of the War further aid may be relied upon from our respective States if&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;if required.&lt;/p&gt;&#13;
&lt;p&gt;Authority ought also to be given to occupy fronts in Tennefsee and Mifsouri.&lt;/p&gt;&#13;
&lt;p&gt;/Signed/ W. Dennison&lt;/p&gt;&#13;
&lt;p&gt;/Signed/ Richd. Yates&lt;/p&gt;&#13;
&lt;p&gt;/Signed/ O. P. Morton.&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Copy&lt;/p&gt;&#13;
&lt;p&gt;Letter of Governors&lt;/p&gt;&#13;
&lt;p&gt;Dennison&lt;/p&gt;&#13;
&lt;p&gt;Yates&lt;/p&gt;&#13;
&lt;p&gt;Morton&lt;/p&gt;&#13;
&lt;p&gt;To Genl. Scott.&lt;/p&gt;&#13;
&lt;p&gt;Advisory as to the defense of Kentucky.&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Copy of Letter of Governor to Gen Scott.&lt;/p&gt;&#13;
&lt;p&gt;File Carefully&lt;/p&gt;</text>
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                    <text>&lt;p&gt;To his Excellency
Richard Yates.
Governor of Illinois
&lt;/p&gt;&lt;p&gt;We, the undersigned members of all parties of the Town of Pittsfield Pike Co. Ill. would suggest, that your excellency appoint a Douglas Democrat, who is known to be a sound Union man to fill the vacancy, occasioned by the death of our honorable Senator, Stephen A. Douglas, and would respectfully recommend, that, if your Excellency should see fit to adopt such suggestion that the Hon. I. N. Morris of the city of Quincy be appointed to fill such vacancy. We think the early stand he took for the Union, the Constitution and the enforcement of the laws justly entitles his claims to consideration in this important, but painful National Crisis.
&lt;/p&gt;&lt;p&gt;Names    Names
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Names    Names
W. [Ross?]    S. C. Matthews
&lt;/p&gt;
&lt;pre&gt;   Pls. Athey
&lt;/pre&gt;
&lt;p&gt;W. B. Rockwell    J.S. Irwin
[Strother?] Grigsby    Stephen Gray
G. L. Edwards    Thomas Dicksen    T. K. [Patterson?]    I M [McKibben?]    R. R. Greene    O. L. Campbell    R H Criswell    
C. R. [Lane?]    [Geo.?] [illegible]    Jon [Hastide?]    S. [Beunell?]    Alvin J. Petty    [illegible] [Graves?]    Wm. [Randolph?]
George [Abbott?]    R T [Bard?]    Henry W. Watson  [illegible Scanland  Edgar F. Stanton   P.S. McFaddin    Abraham Butz    Benj. Norris    Rufus H. [Renaud?]    W. [E.?] Norris.    C. B. Archer    B. F. Garrett.    H. D. Hull    J. F. Hyde    N. Kellogg    Wm. H. Hyde    Jas. [illegible]    James McGee    G. Winant    M. J. Hayes    Samuel Huisheimer    L. L. Walcott  [illegible] D. [Thompson?]    [illegible] [E.?][Hodgen?]    B. G. [illegible]   G W [illegible]    C. P. Chapman    C. D. Luccock
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;James Davis    Orin Green    Jno. Hoffman    Geo Carrel    Ira. St. John    Geo. Roberts    Lemuel Rounds    Michael D.[ Halfrin?]    C. H. Valentine    James McNulty    George W. Fisk    Patrick Flynn    E. A. [Zurt?]     [F.?] Oscar Zemott    A. Bissell    Luther Stebbins    [J.?] [illegible] [Lusk?]    Wm. Watson    W. H. Clayton    J M Furry    Stephen H. [Walker?]    A. Selleck    G. W. Adams    R.M. McClintock    R. A. Walker    James M. [illegible]    Joseph Hunter    John C. [Heschel?]    Thomas Facel    W. H. Curry    William [illegible]   John Moorman  T. G. Mayer    B. Sigsworth    John O. Hagan    [Erastus?] Brown    Wm. L. Baldwin    [illegible]    H. Pressey    Wm. H. Herman    C. W. Rivers    W. R. Wells [illegible.] S. Cox    [illegible] [illegible]    Benj. F. Westlake    D. H. Finley    A. F. Spencer    Marcellus Ross    R. A. Coulter [illegible]    J. W. Ballingen    [J?] [M?] Bryant    S. P. Bennett    Jas. E. Irwin    J E Haines   Thos [illegible]    [S?] [illegible]     A L Hatch    C. C. Walburn    G D [illegible]
&lt;/p&gt;
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                <text>&lt;p&gt;To his Excellency
Richard Yates.
Governor of Illinois
&lt;/p&gt;&lt;p&gt;We, the undersigned members of all parties of the Town of Pittsfield Pike Co. Ill. would suggest, that your excellency appoint a Douglas Democrat, who is known to be a sound Union man to fill the vacancy, occasioned by the death of our honorable Senator, Stephen A. Douglas, and would respectfully recommend, that, if your Excellency should see fit to adopt such suggestion that the Hon. I. N. Morris of the city of Quincy be appointed to fill such vacancy. We think the early stand he took for the Union, the Constitution and the enforcement of the laws justly entitles his claims to consideration in this important, but painful National Crisis.
&lt;/p&gt;&lt;p&gt;Names    Names
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Names    Names
W. [Ross?]    S. C. Matthews
&lt;/p&gt;
&lt;pre&gt;   Pls. Athey
&lt;/pre&gt;
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[Strother?] Grigsby    Stephen Gray
G. L. Edwards    Thomas Dicksen    T. K. [Patterson?]    I M [McKibben?]    R. R. Greene    O. L. Campbell    R H Criswell    
C. R. [Lane?]    [Geo.?] [illegible]    Jon [Hastide?]    S. [Beunell?]    Alvin J. Petty    [illegible] [Graves?]    Wm. [Randolph?]
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&lt;/p&gt;
&lt;hr /&gt;
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                  <text>Woodward, Benjamin R. (Benjamin Richmond), 1811-1887</text>
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                  <text>Dr. Benjamin Woodward served as a surgeon in the Illinois 22nd Infantry during the Civil War, enlisting at the age of 51. He married Amanda Hargin and they had several childen including sons Howard and Henry and daughter Mary Elizabeth. Dr. Woodward mustered out of the United States Army in 1864.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of Dr. Benjamin Woodward and his family around the time of the Civil War.</text>
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              <text>1861-XX-XX</text>
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                <text>Howard Woodward sits for a portrait.. &lt;br /&gt;&lt;br /&gt;On photo: "My mother's brother, soldier boy, Galesburg, IL." Mother referenced is Mary Elizabeth Woodward Townley.</text>
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                <text>1861-XX-XX</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;THE 
&lt;/p&gt;&lt;p&gt;GREAT REBELLION;
&lt;/p&gt;&lt;p&gt;A HISTORY OF THE 
&lt;/p&gt;&lt;p&gt;Civil War in the United States.
&lt;/p&gt;&lt;p&gt;By J. T. HEADLEY,
&lt;/p&gt;&lt;p&gt;AUTHOR OF "NAPOLEON AND HIS MARSHALS,"  "WASHINGTON AND HIS GENERAS,"  "SACRED MOUNTAINS," ETC., ETC.
&lt;/p&gt;&lt;p&gt;WITH NUMEROUS FINE STEEL ENGRAVINGS.
&lt;/p&gt;&lt;p&gt;In Two Volumes:
&lt;/p&gt;&lt;p&gt;Volume I.
&lt;/p&gt;&lt;p&gt;Hartford, Conn.
&lt;/p&gt;&lt;p&gt;HURLBUT, WILLIAMS &amp;amp; COMPANY.
&lt;/p&gt;&lt;p&gt;E. B. &amp;amp; R. C. TREAT, CHICAGO, ILL.
&lt;/p&gt;&lt;p&gt;SOLD BY SUBSCRIPTION ONLY.
&lt;/p&gt;&lt;p&gt;1863.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;X   A. Lincoln  Washington DC Library
&lt;/p&gt;&lt;p&gt;X   William H Seward  Washington DC.
&lt;/p&gt;&lt;p&gt;X   M Blair   Washington DC
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Signatures book of J. T. Headley</text>
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                <text>President Abraham Lincoln places an order for J.T. Headley's two volume &lt;em&gt;The Great Rebellion: A History of the Civil War in the United States&lt;/em&gt;. &amp;nbsp;A salesman for Hartford publisher Hurlbut &amp;amp; Williams took this specimen volume -- contents, illustrations, sample text in English, some in German -- to business and residential areas of New York City, Washington, D.C., and eastern Pennsylvania to solicit subscriptions. &amp;nbsp;Following the contents pages is tipped-in autographed card by [Lord] Lyons [British minister]. About halfway through the order pages, Lincoln signs his name, writes Washington D.C. as his address, and orders the cloth-bound &amp;nbsp;"library" edition at a cost of $6.00 total, the cheapest set. The "leather" edition of the finest binding cost $7.50). Lincoln writes his order on the same page as Montgomery Blair and William Seward. Most of the Cabinet ordered a set, as did scores of well-known men in the capital and in New Yorks's financial district. Hurlbut &amp;amp; Williams published the set 1863. It is unknown what became of Lincoln's copy of vol. 1. The Taper Collection Item consists of two 2-volume sets of the published book, plus this specimen volume with 730 signatures, all in slipcase.</text>
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                <text>Lincoln, Abraham, et al.&#13;
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                <text>1862</text>
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                <text>300554</text>
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                <text>&lt;p&gt;THE 
&lt;/p&gt;&lt;p&gt;GREAT REBELLION;
&lt;/p&gt;&lt;p&gt;A HISTORY OF THE 
&lt;/p&gt;&lt;p&gt;Civil War in the United States.
&lt;/p&gt;&lt;p&gt;By J. T. HEADLEY,
&lt;/p&gt;&lt;p&gt;AUTHOR OF "NAPOLEON AND HIS MARSHALS,"  "WASHINGTON AND HIS GENERAS,"  "SACRED MOUNTAINS," ETC., ETC.
&lt;/p&gt;&lt;p&gt;WITH NUMEROUS FINE STEEL ENGRAVINGS.
&lt;/p&gt;&lt;p&gt;In Two Volumes:
&lt;/p&gt;&lt;p&gt;Volume I.
&lt;/p&gt;&lt;p&gt;Hartford, Conn.
&lt;/p&gt;&lt;p&gt;HURLBUT, WILLIAMS &amp;amp; COMPANY.
&lt;/p&gt;&lt;p&gt;E. B. &amp;amp; R. C. TREAT, CHICAGO, ILL.
&lt;/p&gt;&lt;p&gt;SOLD BY SUBSCRIPTION ONLY.
&lt;/p&gt;&lt;p&gt;1863.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;X   A. Lincoln  Washington DC Library
&lt;/p&gt;&lt;p&gt;X   William H Seward  Washington DC.
&lt;/p&gt;&lt;p&gt;X   M Blair   Washington DC
&lt;/p&gt;
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                    <text>&lt;p&gt;To the President of the United States "Hold on Abraham" Song and Chorus. Being a response of Uncle Sam's Boys to the call for "Three Hundred Thousand More," ("Uncle Sam's Boys are Coming Right Along.") Sung with immense success by Wood's Minstrels, by Wm. B. Bradbury. Author of Marching Along, The Dear-Old Flag, Flag of our Union, &amp;amp;c, &amp;amp;c.  3
&lt;/p&gt;&lt;p&gt;New York. Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;New York. Wm. B. Bradbury, Braeme St.  Boston. O. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by W.B. Bradbury in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;HOLD ON ABRAHAM, Uncle Sam's Boys are coming right along. BY WILLIAM B. BRADBURY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entd. according to Act of Congress, AD 1862, by W.B. Bradbury in the Clerk's Office of the D.'C.' of Sn.' D.' of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;We're going down to Dixie, to Dixie, to Dixie, We're going down to Dixie, To fight for the dear old Flag; And should we fall in Dixie, in Dixie, in Dixie, And should we fall in Dixie, We'll die for the dear old Flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Tenor. Alto. Soprano. Bass. Hold on Abraham, Never say die to your Uncle Sam;
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Soprano. Bass. Uncle Sam's boys are coming right along, Six hundred thousand strong.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Our Flag shall float o'er Dixie, o'er Dixie, o'er Dixie, Our Flag shall float o'er Dixie, the Red The White and Blue: We'll ne'er give up 'till Dixie, 'till Dixie, 'till Dixie, We'll ne'er give up 'till Dixie, sings Yankee Doodle Doo.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Our Halleck's bound for Dixie, for Dixie, for Dixie, Our Halleck's bound for Dixie, with a million boys or two: He'll never give up Dixie, old Dixie, old Dixie, He'll never give up Dixie, 'till she's back in the Union true.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. McClellan he's in Dixie, in Dixie, in Dixie, McClellan he's in Dixie, and ready for the foe; Do you think he'll give up Dixie, old Dixie, old Dixie, Do you think he'll give up Dixie, oh, no no no no no no. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;5. Bold Kearney fell in Dixie, in Dixie, in Dixie, Bold Kearney fell in Dixie, While fighting for us all: And there is Gen'ral Burnside, our Burnside, old Burnside, And there is Gen'ral Burnside, he will avenge his fall.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. And where is Gen'ral Butler, our Butler, old Butler, And where is "Piacayune Butler," he's gone to Dixie town: And there he keeps a stir'ing, a stir'ing, a stir'ing, And there he keeps a stir'ing, the Secesh up and down. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7. Brave Corcoran's come from Dixie, from Dixie, from Dixie, Brave Corcoran's come from Dixie, to speed the cause along: He's going back to Dixie, to Dixie, to Dixie, He's going back to Dixie, with a Brigade full and strong. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8. Our friends have gone to Dixie, to Dixie, to Dixie, Our friends have gone to Dixie, to fight for the dear old Flag: And we're all going to Dixie, to Dixie, to Dixie, And we're all going to Dixie, to stand by the dear old Flag. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="165146">
              <text>5</text>
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                <text>Hold On Abraham, Uncle Sam's Boys are Coming Right Along</text>
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                <text>Song depicts 600,000 Union soldiers going to fight for the army. Extended title information: "Song and Chorus: Being a response of Uncle Sam's boys to the call for 'Three Hundred Thousand More,' ("Uncle Sam's Boys Are Coming Right Along.")" and  "Sung with Immense Success by Wood's Minstrel's."</text>
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                <text>1862</text>
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                    <text>&lt;p&gt;KINGDOM COMING!  SONG AND CHORUS, BY HENRY C. WORK, Author of "Nellie Lost and Found;" "Our Captain's Last Words;" "Beautitul Rose," Etc.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY 95 Clark Street.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hempsted, Milwaukee. J.H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"KINGDOM COMING"  Words &amp;amp; Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;1. Say, darkeys, hab you seen de massa, Wid de muffstash on his face, Go long de road some time dis mornin', Like he gwine to leab de place; He seen a smoke, way up de ribber, Whar de Linkum gumboats lay; He took is hat, an'
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;lef bery sudden, An' I spec he's run away.  De massa run? ha ha! De darkey stay? ho ho! It mus' be now de kingdom comin,' An' de yearob Jubilo! De massa run? ha ha!  De darkey stay? ho ho! It mus' be now de kingdom comin', An' de yearob Jubilo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. He six foot one way, two foot tudder, An' he weigh tree hundred pound, His coat so big, he could'nt pay de tailor, An' it wont go halfway round. He drill so much, dey call him Cap'an, An' he get so drefful tann'd, I spec he try an' fool dem Yankees For to tink he's contraband.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;3. De darkeys feel so lonesome libing In de loghouse on de lawn, Dey move dar tings to massa's parlor For to keep it while he's gone. Dar's wine an' cider in de kitchen, An' de darkeys dey'll hab some; I spose dey'll all be cornfiscated When de Linkum sojers come.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;4.  De oberseer he make us trouble, An' he dribe us round a spell; We lock him up in de smoke-house cellar, Wid de key trown in de well.  De whip is lost, de han'cuff broken, But de massa'll hab his pay; He's ole enough, big enough, ought to known better Dan to went an' run away.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW PUBLICATIONS
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., Opposite Court House, Chicago, Illinois; Dealers in every description of MUSIC BOOKS, INSTRUMENTS, SHEET MUSIC AND MUSICAL MERCHANDISE GENERALLY.
&lt;/p&gt;&lt;p&gt;Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Brothers' Church and other Music Books. PIANO FORTES TO LET.  Music sent to any part of the United States, Free of Postage on receipt of marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Folcott, 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers? G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Forward Boys, Forward! Quartette and Chorus, for men's voices, 15 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Ensign of Glory. National Anthem. Rev. R. Park, D.D., 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatmen's Song. Port Royal, 1861. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury, 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallow are Returning. Song. Abt, 25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder.  Song. G.F. Root, 25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching Ballad, with Chorus. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. Henry C. Work. 25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus.  G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard, 25 cts. Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow, 25 cts. An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to me of Heaven. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert, 25 cts. For Tenor or Soprano. Exquisite but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Claepius, 25 cts. Song for Contralto or Baritone--Classic and beautiful.
&lt;/p&gt;&lt;p&gt;Welcome to Spring. S.W. Martin, 25 cts.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping Maggie. Scotch Song, 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.C.W., 25 cts.
&lt;/p&gt;&lt;p&gt;My Cottage Home, Dear Mother. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Jimmy's Wooing. G.F. Root, 15 cts.
&lt;/p&gt;&lt;p&gt;O Come You from the Indies, or Robert's Return from the War. Wurzel, 50 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo), 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates, 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine, 25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.), 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied), 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse, 25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottisch. Freund, 15 cts.
&lt;/p&gt;&lt;p&gt;North Western Rifle March. By C.G.L. Arranged by Vaas, 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Sherman House Polka Redowa. Vaas, 35 cts.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. H.A. Wollenhaupt, 40 cts. One of the finest compositions of this Author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March, from Tannhauser. Wagner, 30 cts. Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets Quickstep. Vaas. 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. George A. Florence, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto, 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) A.J. Vaas, 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph.), 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner, 30 cts.
&lt;/p&gt;&lt;p&gt;Brigg's House Polka. A.J. Vaas, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Gen. Lyon's Battle March. Eichburg, 30 cts.
&lt;/p&gt;&lt;p&gt;Delusion Mazurka. Klingemann, 30 cts. 
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;A.A. Cowdery, Printer, No. 154 South Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
John R. Bennett
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="165481">
              <text>5</text>
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                <text>Kingdom Coming!</text>
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                <text>Mixed-chorus song depicts slave recounting life on plantation in anticipation of freedom while his master flees from approching Union troops.</text>
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                <text>Slavery</text>
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                <text>Henry C. Work</text>
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                <text>&lt;p&gt;KINGDOM COMING!  SONG AND CHORUS, BY HENRY C. WORK, Author of "Nellie Lost and Found;" "Our Captain's Last Words;" "Beautitul Rose," Etc.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY 95 Clark Street.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hempsted, Milwaukee. J.H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"KINGDOM COMING"  Words &amp;amp; Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;1. Say, darkeys, hab you seen de massa, Wid de muffstash on his face, Go long de road some time dis mornin', Like he gwine to leab de place; He seen a smoke, way up de ribber, Whar de Linkum gumboats lay; He took is hat, an'
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;lef bery sudden, An' I spec he's run away.  De massa run? ha ha! De darkey stay? ho ho! It mus' be now de kingdom comin,' An' de yearob Jubilo! De massa run? ha ha!  De darkey stay? ho ho! It mus' be now de kingdom comin', An' de yearob Jubilo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. He six foot one way, two foot tudder, An' he weigh tree hundred pound, His coat so big, he could'nt pay de tailor, An' it wont go halfway round. He drill so much, dey call him Cap'an, An' he get so drefful tann'd, I spec he try an' fool dem Yankees For to tink he's contraband.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;3. De darkeys feel so lonesome libing In de loghouse on de lawn, Dey move dar tings to massa's parlor For to keep it while he's gone. Dar's wine an' cider in de kitchen, An' de darkeys dey'll hab some; I spose dey'll all be cornfiscated When de Linkum sojers come.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;4.  De oberseer he make us trouble, An' he dribe us round a spell; We lock him up in de smoke-house cellar, Wid de key trown in de well.  De whip is lost, de han'cuff broken, But de massa'll hab his pay; He's ole enough, big enough, ought to known better Dan to went an' run away.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW PUBLICATIONS
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., Opposite Court House, Chicago, Illinois; Dealers in every description of MUSIC BOOKS, INSTRUMENTS, SHEET MUSIC AND MUSICAL MERCHANDISE GENERALLY.
&lt;/p&gt;&lt;p&gt;Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Brothers' Church and other Music Books. PIANO FORTES TO LET.  Music sent to any part of the United States, Free of Postage on receipt of marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Folcott, 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers? G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Forward Boys, Forward! Quartette and Chorus, for men's voices, 15 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Ensign of Glory. National Anthem. Rev. R. Park, D.D., 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatmen's Song. Port Royal, 1861. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury, 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallow are Returning. Song. Abt, 25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder.  Song. G.F. Root, 25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching Ballad, with Chorus. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. Henry C. Work. 25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus.  G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard, 25 cts. Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow, 25 cts. An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to me of Heaven. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert, 25 cts. For Tenor or Soprano. Exquisite but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Claepius, 25 cts. Song for Contralto or Baritone--Classic and beautiful.
&lt;/p&gt;&lt;p&gt;Welcome to Spring. S.W. Martin, 25 cts.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping Maggie. Scotch Song, 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.C.W., 25 cts.
&lt;/p&gt;&lt;p&gt;My Cottage Home, Dear Mother. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Jimmy's Wooing. G.F. Root, 15 cts.
&lt;/p&gt;&lt;p&gt;O Come You from the Indies, or Robert's Return from the War. Wurzel, 50 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo), 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates, 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine, 25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.), 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied), 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse, 25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottisch. Freund, 15 cts.
&lt;/p&gt;&lt;p&gt;North Western Rifle March. By C.G.L. Arranged by Vaas, 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Sherman House Polka Redowa. Vaas, 35 cts.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. H.A. Wollenhaupt, 40 cts. One of the finest compositions of this Author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March, from Tannhauser. Wagner, 30 cts. Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets Quickstep. Vaas. 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. George A. Florence, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto, 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) A.J. Vaas, 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph.), 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner, 30 cts.
&lt;/p&gt;&lt;p&gt;Brigg's House Polka. A.J. Vaas, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Gen. Lyon's Battle March. Eichburg, 30 cts.
&lt;/p&gt;&lt;p&gt;Delusion Mazurka. Klingemann, 30 cts. 
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;A.A. Cowdery, Printer, No. 154 South Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
John R. Bennett
&lt;/p&gt;
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>President Lincoln's Grand March</text>
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                <text>A dedication reads,  "Respectfully dedicated to the Union Army." Cover depicts color image of peace and war surrounding flag-draped portrait of Abraham Lincoln. </text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Helmsmuller, F. B.</text>
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                <text> Songs and music</text>
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                <text> Piano music</text>
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                <text> Marches (Piano)</text>
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                <text> United States. Army</text>
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                <text>F. B. Helmsmuller</text>
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                <text>Horace Waters</text>
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                <text>1862</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;Go ring the bells and fire the guns, And fling the starry banner out; Shout "Freedom" till your lisping ones Give back their cradle shout.  Whittier.
&lt;/p&gt;&lt;p&gt;Dedicated to ABRAHAM LINCOLN  A foe to Tyrants and my country's Friend.
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH. composed for the Piano by Geo.  E. Fawcett.
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY 95 Clark St. Chicago
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH.
&lt;/p&gt;&lt;p&gt;GEO. E. FAWCETT.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>The President's Emancipation March</text>
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                <text>Instrumental music. "Go ring the bells, and fire the guns, And fling the starry banner out; Shout 'Freedom' till your lisping ones give back their cradle shout. Whittier" "Dedicated to Abraham Lincoln a Foe to Tyrants, and my Country's Friend"</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Farcett, George E.</text>
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                <text> Marches (Piano)</text>
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                <text> Instrumental music</text>
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                <text> American Civil War (1861-1865)</text>
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                <text>George E. Fawcett</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Go ring the bells and fire the guns, And fling the starry banner out; Shout "Freedom" till your lisping ones Give back their cradle shout.  Whittier.
&lt;/p&gt;&lt;p&gt;Dedicated to ABRAHAM LINCOLN  A foe to Tyrants and my country's Friend.
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH. composed for the Piano by Geo.  E. Fawcett.
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY 95 Clark St. Chicago
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH.
&lt;/p&gt;&lt;p&gt;GEO. E. FAWCETT.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170011">
              <text>5</text>
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                <text>Raw Recruits and Abraham's Daughter</text>
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            <description>An account of the resource</description>
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                <text>"Raw Recruits" lyrics depict Union Army recruits volunteering to fight. "Abraham's Daughter" depicts possible English role in supporting the Confederate States of America. "As sung with great applause by Bryant's Minstrels of New York," Cover depicts five stereotypical depictions of African Americans in military dress standing in front of tents. Two songs included in sheet music:&amp;nbsp; "Raw Recruits" and "Abraham's Daughter."</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="169993">
                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Popular music</text>
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                <text>War songs - United States</text>
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                <text>United States. Army</text>
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                <text>England</text>
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                <text>Recruiting and Enlistment</text>
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              <elementText elementTextId="170005">
                <text>Winner, Septimus, 1827-1902</text>
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                <text>Sheet music</text>
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            <name>Creator</name>
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                <text>Septimus Winner</text>
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                <text>Firth, Pond &amp;amp; Company</text>
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            <name>Coverage</name>
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                <text>New York</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                    <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Rebellion's Weak Back</text>
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                <text>Lyrics depict United States Army fighting victoriously against the Confederate States of America Army.  "As sung by Billy Morris at Morris Bros. Pell and Trowbridge"</text>
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                <text>American Civil War (1861-1865)</text>
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                <text> Wilmarth, F.</text>
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                <text>F. Wilmarth</text>
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                <text>Boston</text>
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                <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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                    <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>600,000 More, We are Coming Father Abram!</text>
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                <text>Lyrics depict 600,000 men leaving their daily lives to join United States military during the Civil War.</text>
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                <text> Morris, Robert, 1810-1892</text>
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                <text> Recruiting and enlistment</text>
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                <text>S. Brainard &amp;amp; Company</text>
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                <text>Cleveland</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                <text>en</text>
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                <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                <text>20</text>
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        <src>http://www.chroniclingillinois.org/files/original/597193437f09e40fa8591189526905f0.pdf</src>
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                    <text>&lt;p&gt;The Stars and Stripes. Patriotic Song &amp;amp; Chorus by Theo. F. Seward.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;New York  Published by S.T. Gordon 706 Broadway
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1862 by S.T. Gordon in the Clerk's office of the Dist. Court of the Southn Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE STARS AND STRIPES. PATRIOTIC SONG AND CHORUS. THEO. F. SEWARD.
&lt;/p&gt;&lt;p&gt;Con spirit. Solo or Quartette.
&lt;/p&gt;&lt;p&gt;1. Rally round the flag, boys, Give it to the breeze, That's the banner we love,
&lt;/p&gt;&lt;p&gt;2. Floating high above us, Glowing in the sun, Speaking loud to all hearts
&lt;/p&gt;&lt;p&gt;3. Tyrants learn to fear it, Tremble at its sight, All who sigh for freedom
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On the land and seas. Brave hearts are under it, Let the traitors brag,
&lt;/p&gt;&lt;p&gt;Of a freedom won. Who, dares to sully it. Bought with precious blood,
&lt;/p&gt;&lt;p&gt;Hail it with delight. Freedom and liberty: Let the echoes ring,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Gallant lads, fire away, And fight for the flag. Their flag is but a rag,
&lt;/p&gt;&lt;p&gt;Gallant lads we'll fight for it Tho ours should swell the flood, Raise then the banner high,
&lt;/p&gt;&lt;p&gt;That is what the world wants That our flag will bring, Raise then, etc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Let our colors fly, boys, Guard them day and night, For victory is liberty, And God will bless the right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Sopr. Bass.   Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
</text>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170386">
              <text>6</text>
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            <name>Identifier</name>
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                <text>The Stars and Stripes: Patriotic Song and Chorus</text>
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                <text>Lyrics depict United States flag as a rallying point for soldiers and inspiration for courage while in battle.</text>
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            <name>Subject</name>
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                <text>American Civil War (1861-1865)</text>
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                <text> Lincoln, Abraham, 1809-1865</text>
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                <text> Sheet music</text>
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                <text> War songs</text>
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                <text> Choral song</text>
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                <text> Flags</text>
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                <text> Seward, Theodore Frelinghuysen, 1835-1902</text>
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                <text> Songs and music</text>
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                <text>Theodore F. Seward</text>
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                <text>S. T. Gordon</text>
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            <name>Coverage</name>
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                <text>New York</text>
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            <name>Date</name>
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              <elementText elementTextId="170385">
                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;The Stars and Stripes. Patriotic Song &amp;amp; Chorus by Theo. F. Seward.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;New York  Published by S.T. Gordon 706 Broadway
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1862 by S.T. Gordon in the Clerk's office of the Dist. Court of the Southn Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE STARS AND STRIPES. PATRIOTIC SONG AND CHORUS. THEO. F. SEWARD.
&lt;/p&gt;&lt;p&gt;Con spirit. Solo or Quartette.
&lt;/p&gt;&lt;p&gt;1. Rally round the flag, boys, Give it to the breeze, That's the banner we love,
&lt;/p&gt;&lt;p&gt;2. Floating high above us, Glowing in the sun, Speaking loud to all hearts
&lt;/p&gt;&lt;p&gt;3. Tyrants learn to fear it, Tremble at its sight, All who sigh for freedom
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On the land and seas. Brave hearts are under it, Let the traitors brag,
&lt;/p&gt;&lt;p&gt;Of a freedom won. Who, dares to sully it. Bought with precious blood,
&lt;/p&gt;&lt;p&gt;Hail it with delight. Freedom and liberty: Let the echoes ring,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Gallant lads, fire away, And fight for the flag. Their flag is but a rag,
&lt;/p&gt;&lt;p&gt;Gallant lads we'll fight for it Tho ours should swell the flood, Raise then the banner high,
&lt;/p&gt;&lt;p&gt;That is what the world wants That our flag will bring, Raise then, etc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Let our colors fly, boys, Guard them day and night, For victory is liberty, And God will bless the right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Sopr. Bass.   Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                    <text>&lt;p&gt;TO PRESIDENT ABRAHAM.  300,000 MORE BY GEORGE R. POULTON.
&lt;/p&gt;&lt;p&gt;ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett.
&lt;/p&gt;&lt;p&gt;New York: Firth, Pond &amp;amp; Co.  Boston: Oliver Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THREE HUNDRED THOUSAND MORE!
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. 1. We dare not look behind us, but steadfastly before
&lt;/p&gt;&lt;p&gt;Soprano.  2. And bay'nets in the sunlight gleams, and bands brave music
&lt;/p&gt;&lt;p&gt;Bass. 3. And a farewell group stands weeping, at every cottage,
&lt;/p&gt;&lt;p&gt;4. Six hundred thousand loyal men and true have gone before
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;We are coming, Father Abram, three hundred thousand more!
&lt;/p&gt;&lt;p&gt;pour; We are &amp;amp;c.
&lt;/p&gt;&lt;p&gt;door; We are coming, Father Abram, three hundred thousand and more!
&lt;/p&gt;&lt;p&gt;We are, &amp;amp; c.
&lt;/p&gt;&lt;p&gt;2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride.  Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade.  Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail.
&lt;/p&gt;&lt;p&gt;Warerooms, 110 State Street, Rochester, N.Y.
&lt;/p&gt;&lt;p&gt;Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25
&lt;/p&gt;&lt;p&gt;Ah! Forget Thee, Le Conde. 25
&lt;/p&gt;&lt;p&gt;A Lake and Fairy Boat, Wood. 25
&lt;/p&gt;&lt;p&gt;Annie Laurie, (Scotch Ballad, new edition,) 25
&lt;/p&gt;&lt;p&gt;Arkansas Traveller, Case. 25
&lt;/p&gt;&lt;p&gt;Annie o'the Banks o'Dee, Glover, 25
&lt;/p&gt;&lt;p&gt;Bird of Beauty, Scott. 25
&lt;/p&gt;&lt;p&gt;Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Blanch Alpen, Glover. 25
&lt;/p&gt;&lt;p&gt;Beautiful Venice, Knight. 25
&lt;/p&gt;&lt;p&gt;Bonnie Bell, Lloyd. 25
&lt;/p&gt;&lt;p&gt;Bird and Streamlet, Cutler. 25
&lt;/p&gt;&lt;p&gt;Coming through the Rye, Scotch. 25
&lt;/p&gt;&lt;p&gt;Child of the Regiment, Donnizetti. 25
&lt;/p&gt;&lt;p&gt;Charity, Glover. 25
&lt;/p&gt;&lt;p&gt;Do they Think of me at Home? Wrighton. 25
&lt;/p&gt;&lt;p&gt;[Dermoastore?], Crouch. 25
&lt;/p&gt;&lt;p&gt;Dearest Spot to me on Earth is Home, Wrighton. 25
&lt;/p&gt;&lt;p&gt;Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words.
&lt;/p&gt;&lt;p&gt;Ever of Thee, (arranged as a Quartette,), Whaples. 25
&lt;/p&gt;&lt;p&gt;Gently sighs the Breeze, Glover. 25
&lt;/p&gt;&lt;p&gt;Home of My Heart, Harvey. 25
&lt;/p&gt;&lt;p&gt;Home, Sweet Home, Bishop. 25
&lt;/p&gt;&lt;p&gt;I love the Merry Sunshine, Glover. 25
&lt;/p&gt;&lt;p&gt;I met a Lily in the Vale, Wood. 25 A very pretty and effective song.
&lt;/p&gt;&lt;p&gt;In Happy Moments, (new edition,). Wallace. 25
&lt;/p&gt;&lt;p&gt;I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25
&lt;/p&gt;&lt;p&gt;I have no Mother now, Miller. 25
&lt;/p&gt;&lt;p&gt;Juanita, Mrs. Norton. 25
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen, Crouch. 25
&lt;/p&gt;&lt;p&gt;Long Ago, (a Dream of Beauty,) Whaples. 25  The music of this song is uncommonly graceful and full of good sentiment.
&lt;/p&gt;&lt;p&gt;Long Weary Day, German. 25
&lt;/p&gt;&lt;p&gt;March to the Field, (a song for Volunteers, King. 25
&lt;/p&gt;&lt;p&gt;Magic of a Smile, Williams. 25
&lt;/p&gt;&lt;p&gt;Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music.
&lt;/p&gt;&lt;p&gt;Maids of Merry England, Perring. 25
&lt;/p&gt;&lt;p&gt;My Maggie, or What is that to you? Whaples. 25  Very spirited and harmonious. A song that takes.
&lt;/p&gt;&lt;p&gt;My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart.
&lt;/p&gt;&lt;p&gt;My Heavenly Home is bright and fair, T. Wood. 25
&lt;/p&gt;&lt;p&gt;Nearer my God to Thee, (Song and Quartette,) " 25
&lt;/p&gt;&lt;p&gt;Napolitaine I'm Dreaming of Thee, Lee. 25
&lt;/p&gt;&lt;p&gt;Over There, Cluett. 25
&lt;/p&gt;&lt;p&gt;Once More Upon the Sea, Buckley. 25
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, Stimpson. 25
&lt;/p&gt;&lt;p&gt;Sweet Love, Good Night to thee, Hatton. 25  One of the finest songs ever written, for the tenor voice, and immensely popular.
&lt;/p&gt;&lt;p&gt;Sing me the Songs my Mother Sang, S. Grieg. 25  A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices.
&lt;/p&gt;&lt;p&gt;Shells of Ocean, Cherry. 25
&lt;/p&gt;&lt;p&gt;Simon, the Cellarer, Hatton. 40
&lt;/p&gt;&lt;p&gt;Scenes that are Brightest, Wallace. 25
&lt;/p&gt;&lt;p&gt;Still in my Dreams thou art near me, Hall. 25
&lt;/p&gt;&lt;p&gt;The Curfew, T.F. Seword. 25  A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry.
&lt;/p&gt;&lt;p&gt;Thou art gone from my gaze, Linley. 25
&lt;/p&gt;&lt;p&gt;There is a Flower that bloometh, Wallace. 25
&lt;/p&gt;&lt;p&gt;Voice form the Waves, Glover. 25
&lt;/p&gt;&lt;p&gt;Wake Dearest, Wake, Miller. 25
&lt;/p&gt;&lt;p&gt;Wanderer, Schubert. 25
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward fly, Abt. 25
&lt;/p&gt;&lt;p&gt;What I live for, Grannis. 25
&lt;/p&gt;&lt;p&gt;Woodbine Valley, Boon. 30
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Alpha Sigma Polka, Lloyd. 40
&lt;/p&gt;&lt;p&gt;Ball Bouquet Polka, Simonis. 25
&lt;/p&gt;&lt;p&gt;Charming Polka, Maeller. 25
&lt;/p&gt;&lt;p&gt;Clipper America Polka, Barnhart. 25
&lt;/p&gt;&lt;p&gt;F.S. Polka, Woolner. 25
&lt;/p&gt;&lt;p&gt;Glen Wood Polka, Poole. 25
&lt;/p&gt;&lt;p&gt;Grand Military Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Hexeconta Polka, Aere. 25
&lt;/p&gt;&lt;p&gt;Kiss Polka, Poulton. 25
&lt;/p&gt;&lt;p&gt;Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it.
&lt;/p&gt;&lt;p&gt;May Flower Polka, De Salon, Calixa Lavalla. 35
&lt;/p&gt;&lt;p&gt;Pastime Polka, G. Doelker. 25
&lt;/p&gt;&lt;p&gt;Prince of Como Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Rivulet Polka, Moes. 25
&lt;/p&gt;&lt;p&gt;Willoughby Polka, Laurence. 25
&lt;/p&gt;&lt;p&gt;Young America Polka, Johnson. 25
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Forest Rose Schottische, Jones. 25
&lt;/p&gt;&lt;p&gt;Friendship Schottische, Kalbfleisch. 30  One of the author's best efforts.
&lt;/p&gt;&lt;p&gt;Strawberry Schottische, Kalbfleisch. 25  A seasonable thing that everybody likes.
&lt;/p&gt;&lt;p&gt;May Schottische, Ellis. 25  Easy and remarkably pretty.
&lt;/p&gt;&lt;p&gt;Ontario Schottische, Ellis, 25 Not difficult, but very pleasing.
&lt;/p&gt;&lt;p&gt;Good-natured Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;Les Bords Du St. Lawrence Schottische, Ellis. 25
&lt;/p&gt;&lt;p&gt;St. Ody Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;WALTZES AND MAZURKAS.
&lt;/p&gt;&lt;p&gt;A Flower for Thee--Mazurka Styrienne, S.B. Mills.  60  This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult.
&lt;/p&gt;&lt;p&gt;Grand Valse--Morceau du Salon, Richards. 30
&lt;/p&gt;&lt;p&gt;Souvenir de Amitie, Oscar. 30  A very charming movement in Waltz time; well repaying the study it requires to play it.
&lt;/p&gt;&lt;p&gt;Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50
&lt;/p&gt;&lt;p&gt;Etude Mazurka, Talexy. 35
&lt;/p&gt;&lt;p&gt;Frances Waltz, Kalbfleisch. 25  Very graceful and pretty; a great favorite.
&lt;/p&gt;&lt;p&gt;Gertrude's Dream Waltz, Beethoven. 10
&lt;/p&gt;&lt;p&gt;Mazurka of the Wave, Ellis. 25
&lt;/p&gt;&lt;p&gt;Mazurka Des Traineaux, Ascher. 35
&lt;/p&gt;&lt;p&gt;Flower Mazourka, Kalbfleisch. 25  A good and instructive piece, intended for teaching.
&lt;/p&gt;&lt;p&gt;VARIATIONS AND TRANSCRIPTIONS.
&lt;/p&gt;&lt;p&gt;Alpine Bells, Oesten. 30
&lt;/p&gt;&lt;p&gt;Floating on the Wind, B. Richards. 30  In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty.
&lt;/p&gt;&lt;p&gt;Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song.
&lt;/p&gt;&lt;p&gt;Warblings at Eve, Richards. 30  "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance.
&lt;/p&gt;&lt;p&gt;Twilight Hour Nocturne, Kalbfleisch. 25
&lt;/p&gt;&lt;p&gt;La Cenerentola, Leduc. 35
&lt;/p&gt;&lt;p&gt;La Cavalcade, Duvernay. 25
&lt;/p&gt;&lt;p&gt;Maiden's Prayer, Badarzewska. 25
&lt;/p&gt;&lt;p&gt;Norma--Fantaisie, A. Leduc. 35
&lt;/p&gt;&lt;p&gt;Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song.
&lt;/p&gt;&lt;p&gt;Star Spangled Banner, Theo Oesten. 25
&lt;/p&gt;&lt;p&gt;GUITAR MUSIC.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, arranged by G.F. Newland. 25
&lt;/p&gt;&lt;p&gt;Maggie May, " " " 15
&lt;/p&gt;&lt;p&gt;My Maggie, (Scotch Song, " " " 25
&lt;/p&gt;&lt;p&gt;May Schottisch, " " " 25  One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player.
&lt;/p&gt;&lt;p&gt;Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25  A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious.
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Elixir of Love, Grimmer. 30
&lt;/p&gt;&lt;p&gt;Lancers, (new edition,) " 30
&lt;/p&gt;&lt;p&gt;Republican, Guy. 30
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICK-STEPS.
&lt;/p&gt;&lt;p&gt;Writing March, Kalbfleisch. 25  A good, easy march with the time well marked.
&lt;/p&gt;&lt;p&gt;Gov. Morgan's Parade March, Underner. 40  A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan.
&lt;/p&gt;&lt;p&gt;Milwaukie Light Guard Quick-Step, Hempsted. 50  Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular.
&lt;/p&gt;&lt;p&gt;The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville.
&lt;/p&gt;&lt;p&gt;1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch.  21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans.  Each No. 15 cents.
&lt;/p&gt;&lt;p&gt;Sole Agent in the City, for the sale of Steinway &amp;amp; Son's Gold Medal Grand &amp;amp; Square Pianos. Warranted 5 years.
&lt;/p&gt;&lt;p&gt;MUSICAL WORKS.
&lt;/p&gt;&lt;p&gt;Beyer's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Bertini's Method for the Piano, $2.50 
&lt;/p&gt;&lt;p&gt;"  "  "  " abridged, $2.00
&lt;/p&gt;&lt;p&gt;Burgmuller's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Richardson's New Method for Piano. With American fingering, $3.00
&lt;/p&gt;&lt;p&gt;Winner's Piano without a Master, .50
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, $4.00
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, Abridged, $2.50
&lt;/p&gt;&lt;p&gt;Burrowes' Piano Primer, .30
&lt;/p&gt;&lt;p&gt;Dictionary of 5000 Musical Terms,  .50
&lt;/p&gt;&lt;p&gt;Zundel's Melodeon Instructor, $2.00
&lt;/p&gt;&lt;p&gt;Melodeon Without a Master, .50
&lt;/p&gt;&lt;p&gt;Schneider's Organ School, $2.50
&lt;/p&gt;&lt;p&gt;Carcassi's School for Guitar, $2.50
&lt;/p&gt;&lt;p&gt;" " abridged School for Guitar, $1.50
&lt;/p&gt;&lt;p&gt;Golden Wreath--A school song book, .30
&lt;/p&gt;&lt;p&gt;Zundel's Modern School for Organ, $3.00
&lt;/p&gt;&lt;p&gt;Buckley's New Method for the Banjo, $1.00
&lt;/p&gt;&lt;p&gt;American Violinist, $1.00
&lt;/p&gt;&lt;p&gt;GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. 
&lt;/p&gt;&lt;p&gt;Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars.  MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="170525">
              <text>5</text>
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              <text>35 cm</text>
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          <element elementId="43">
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                <text>301077</text>
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                <text>14070985</text>
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                <text>Three Hundred Thousand More!</text>
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                <text>Lyrics depict influx of 300,000 new troop for the United States army. "To Father Abraham"</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Sheet music</text>
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                <text> Gibbons, J. S. (James Sloan), 1810-1892</text>
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                <text> Poulton, George R., 1828-1867</text>
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                <text> Morris, Robert, 1810-1892</text>
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                <text> American Civil War (1861-1865)</text>
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                <text> Recruitment and enlistment</text>
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                <text> Bryant, William Cullen, 1794-1878</text>
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                <text>George R. Poulton, William Cullen Bryant, Robert Morris</text>
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                <text>Joseph P. Shaw</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="170523">
                <text>Rochester, NY</text>
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            <name>Date</name>
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              <elementText elementTextId="170524">
                <text>1862</text>
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          <element elementId="45">
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            <elementTextContainer>
              <elementText elementTextId="170528">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
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                <text>en</text>
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              <elementText elementTextId="624718">
                <text>&lt;p&gt;TO PRESIDENT ABRAHAM.  300,000 MORE BY GEORGE R. POULTON.
&lt;/p&gt;&lt;p&gt;ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett.
&lt;/p&gt;&lt;p&gt;New York: Firth, Pond &amp;amp; Co.  Boston: Oliver Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THREE HUNDRED THOUSAND MORE!
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. 1. We dare not look behind us, but steadfastly before
&lt;/p&gt;&lt;p&gt;Soprano.  2. And bay'nets in the sunlight gleams, and bands brave music
&lt;/p&gt;&lt;p&gt;Bass. 3. And a farewell group stands weeping, at every cottage,
&lt;/p&gt;&lt;p&gt;4. Six hundred thousand loyal men and true have gone before
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;We are coming, Father Abram, three hundred thousand more!
&lt;/p&gt;&lt;p&gt;pour; We are &amp;amp;c.
&lt;/p&gt;&lt;p&gt;door; We are coming, Father Abram, three hundred thousand and more!
&lt;/p&gt;&lt;p&gt;We are, &amp;amp; c.
&lt;/p&gt;&lt;p&gt;2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride.  Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade.  Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail.
&lt;/p&gt;&lt;p&gt;Warerooms, 110 State Street, Rochester, N.Y.
&lt;/p&gt;&lt;p&gt;Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25
&lt;/p&gt;&lt;p&gt;Ah! Forget Thee, Le Conde. 25
&lt;/p&gt;&lt;p&gt;A Lake and Fairy Boat, Wood. 25
&lt;/p&gt;&lt;p&gt;Annie Laurie, (Scotch Ballad, new edition,) 25
&lt;/p&gt;&lt;p&gt;Arkansas Traveller, Case. 25
&lt;/p&gt;&lt;p&gt;Annie o'the Banks o'Dee, Glover, 25
&lt;/p&gt;&lt;p&gt;Bird of Beauty, Scott. 25
&lt;/p&gt;&lt;p&gt;Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Blanch Alpen, Glover. 25
&lt;/p&gt;&lt;p&gt;Beautiful Venice, Knight. 25
&lt;/p&gt;&lt;p&gt;Bonnie Bell, Lloyd. 25
&lt;/p&gt;&lt;p&gt;Bird and Streamlet, Cutler. 25
&lt;/p&gt;&lt;p&gt;Coming through the Rye, Scotch. 25
&lt;/p&gt;&lt;p&gt;Child of the Regiment, Donnizetti. 25
&lt;/p&gt;&lt;p&gt;Charity, Glover. 25
&lt;/p&gt;&lt;p&gt;Do they Think of me at Home? Wrighton. 25
&lt;/p&gt;&lt;p&gt;[Dermoastore?], Crouch. 25
&lt;/p&gt;&lt;p&gt;Dearest Spot to me on Earth is Home, Wrighton. 25
&lt;/p&gt;&lt;p&gt;Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words.
&lt;/p&gt;&lt;p&gt;Ever of Thee, (arranged as a Quartette,), Whaples. 25
&lt;/p&gt;&lt;p&gt;Gently sighs the Breeze, Glover. 25
&lt;/p&gt;&lt;p&gt;Home of My Heart, Harvey. 25
&lt;/p&gt;&lt;p&gt;Home, Sweet Home, Bishop. 25
&lt;/p&gt;&lt;p&gt;I love the Merry Sunshine, Glover. 25
&lt;/p&gt;&lt;p&gt;I met a Lily in the Vale, Wood. 25 A very pretty and effective song.
&lt;/p&gt;&lt;p&gt;In Happy Moments, (new edition,). Wallace. 25
&lt;/p&gt;&lt;p&gt;I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25
&lt;/p&gt;&lt;p&gt;I have no Mother now, Miller. 25
&lt;/p&gt;&lt;p&gt;Juanita, Mrs. Norton. 25
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen, Crouch. 25
&lt;/p&gt;&lt;p&gt;Long Ago, (a Dream of Beauty,) Whaples. 25  The music of this song is uncommonly graceful and full of good sentiment.
&lt;/p&gt;&lt;p&gt;Long Weary Day, German. 25
&lt;/p&gt;&lt;p&gt;March to the Field, (a song for Volunteers, King. 25
&lt;/p&gt;&lt;p&gt;Magic of a Smile, Williams. 25
&lt;/p&gt;&lt;p&gt;Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music.
&lt;/p&gt;&lt;p&gt;Maids of Merry England, Perring. 25
&lt;/p&gt;&lt;p&gt;My Maggie, or What is that to you? Whaples. 25  Very spirited and harmonious. A song that takes.
&lt;/p&gt;&lt;p&gt;My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart.
&lt;/p&gt;&lt;p&gt;My Heavenly Home is bright and fair, T. Wood. 25
&lt;/p&gt;&lt;p&gt;Nearer my God to Thee, (Song and Quartette,) " 25
&lt;/p&gt;&lt;p&gt;Napolitaine I'm Dreaming of Thee, Lee. 25
&lt;/p&gt;&lt;p&gt;Over There, Cluett. 25
&lt;/p&gt;&lt;p&gt;Once More Upon the Sea, Buckley. 25
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, Stimpson. 25
&lt;/p&gt;&lt;p&gt;Sweet Love, Good Night to thee, Hatton. 25  One of the finest songs ever written, for the tenor voice, and immensely popular.
&lt;/p&gt;&lt;p&gt;Sing me the Songs my Mother Sang, S. Grieg. 25  A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices.
&lt;/p&gt;&lt;p&gt;Shells of Ocean, Cherry. 25
&lt;/p&gt;&lt;p&gt;Simon, the Cellarer, Hatton. 40
&lt;/p&gt;&lt;p&gt;Scenes that are Brightest, Wallace. 25
&lt;/p&gt;&lt;p&gt;Still in my Dreams thou art near me, Hall. 25
&lt;/p&gt;&lt;p&gt;The Curfew, T.F. Seword. 25  A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry.
&lt;/p&gt;&lt;p&gt;Thou art gone from my gaze, Linley. 25
&lt;/p&gt;&lt;p&gt;There is a Flower that bloometh, Wallace. 25
&lt;/p&gt;&lt;p&gt;Voice form the Waves, Glover. 25
&lt;/p&gt;&lt;p&gt;Wake Dearest, Wake, Miller. 25
&lt;/p&gt;&lt;p&gt;Wanderer, Schubert. 25
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward fly, Abt. 25
&lt;/p&gt;&lt;p&gt;What I live for, Grannis. 25
&lt;/p&gt;&lt;p&gt;Woodbine Valley, Boon. 30
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Alpha Sigma Polka, Lloyd. 40
&lt;/p&gt;&lt;p&gt;Ball Bouquet Polka, Simonis. 25
&lt;/p&gt;&lt;p&gt;Charming Polka, Maeller. 25
&lt;/p&gt;&lt;p&gt;Clipper America Polka, Barnhart. 25
&lt;/p&gt;&lt;p&gt;F.S. Polka, Woolner. 25
&lt;/p&gt;&lt;p&gt;Glen Wood Polka, Poole. 25
&lt;/p&gt;&lt;p&gt;Grand Military Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Hexeconta Polka, Aere. 25
&lt;/p&gt;&lt;p&gt;Kiss Polka, Poulton. 25
&lt;/p&gt;&lt;p&gt;Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it.
&lt;/p&gt;&lt;p&gt;May Flower Polka, De Salon, Calixa Lavalla. 35
&lt;/p&gt;&lt;p&gt;Pastime Polka, G. Doelker. 25
&lt;/p&gt;&lt;p&gt;Prince of Como Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Rivulet Polka, Moes. 25
&lt;/p&gt;&lt;p&gt;Willoughby Polka, Laurence. 25
&lt;/p&gt;&lt;p&gt;Young America Polka, Johnson. 25
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Forest Rose Schottische, Jones. 25
&lt;/p&gt;&lt;p&gt;Friendship Schottische, Kalbfleisch. 30  One of the author's best efforts.
&lt;/p&gt;&lt;p&gt;Strawberry Schottische, Kalbfleisch. 25  A seasonable thing that everybody likes.
&lt;/p&gt;&lt;p&gt;May Schottische, Ellis. 25  Easy and remarkably pretty.
&lt;/p&gt;&lt;p&gt;Ontario Schottische, Ellis, 25 Not difficult, but very pleasing.
&lt;/p&gt;&lt;p&gt;Good-natured Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;Les Bords Du St. Lawrence Schottische, Ellis. 25
&lt;/p&gt;&lt;p&gt;St. Ody Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;WALTZES AND MAZURKAS.
&lt;/p&gt;&lt;p&gt;A Flower for Thee--Mazurka Styrienne, S.B. Mills.  60  This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult.
&lt;/p&gt;&lt;p&gt;Grand Valse--Morceau du Salon, Richards. 30
&lt;/p&gt;&lt;p&gt;Souvenir de Amitie, Oscar. 30  A very charming movement in Waltz time; well repaying the study it requires to play it.
&lt;/p&gt;&lt;p&gt;Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50
&lt;/p&gt;&lt;p&gt;Etude Mazurka, Talexy. 35
&lt;/p&gt;&lt;p&gt;Frances Waltz, Kalbfleisch. 25  Very graceful and pretty; a great favorite.
&lt;/p&gt;&lt;p&gt;Gertrude's Dream Waltz, Beethoven. 10
&lt;/p&gt;&lt;p&gt;Mazurka of the Wave, Ellis. 25
&lt;/p&gt;&lt;p&gt;Mazurka Des Traineaux, Ascher. 35
&lt;/p&gt;&lt;p&gt;Flower Mazourka, Kalbfleisch. 25  A good and instructive piece, intended for teaching.
&lt;/p&gt;&lt;p&gt;VARIATIONS AND TRANSCRIPTIONS.
&lt;/p&gt;&lt;p&gt;Alpine Bells, Oesten. 30
&lt;/p&gt;&lt;p&gt;Floating on the Wind, B. Richards. 30  In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty.
&lt;/p&gt;&lt;p&gt;Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song.
&lt;/p&gt;&lt;p&gt;Warblings at Eve, Richards. 30  "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance.
&lt;/p&gt;&lt;p&gt;Twilight Hour Nocturne, Kalbfleisch. 25
&lt;/p&gt;&lt;p&gt;La Cenerentola, Leduc. 35
&lt;/p&gt;&lt;p&gt;La Cavalcade, Duvernay. 25
&lt;/p&gt;&lt;p&gt;Maiden's Prayer, Badarzewska. 25
&lt;/p&gt;&lt;p&gt;Norma--Fantaisie, A. Leduc. 35
&lt;/p&gt;&lt;p&gt;Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song.
&lt;/p&gt;&lt;p&gt;Star Spangled Banner, Theo Oesten. 25
&lt;/p&gt;&lt;p&gt;GUITAR MUSIC.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, arranged by G.F. Newland. 25
&lt;/p&gt;&lt;p&gt;Maggie May, " " " 15
&lt;/p&gt;&lt;p&gt;My Maggie, (Scotch Song, " " " 25
&lt;/p&gt;&lt;p&gt;May Schottisch, " " " 25  One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player.
&lt;/p&gt;&lt;p&gt;Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25  A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious.
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Elixir of Love, Grimmer. 30
&lt;/p&gt;&lt;p&gt;Lancers, (new edition,) " 30
&lt;/p&gt;&lt;p&gt;Republican, Guy. 30
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICK-STEPS.
&lt;/p&gt;&lt;p&gt;Writing March, Kalbfleisch. 25  A good, easy march with the time well marked.
&lt;/p&gt;&lt;p&gt;Gov. Morgan's Parade March, Underner. 40  A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan.
&lt;/p&gt;&lt;p&gt;Milwaukie Light Guard Quick-Step, Hempsted. 50  Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular.
&lt;/p&gt;&lt;p&gt;The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville.
&lt;/p&gt;&lt;p&gt;1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch.  21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans.  Each No. 15 cents.
&lt;/p&gt;&lt;p&gt;Sole Agent in the City, for the sale of Steinway &amp;amp; Son's Gold Medal Grand &amp;amp; Square Pianos. Warranted 5 years.
&lt;/p&gt;&lt;p&gt;MUSICAL WORKS.
&lt;/p&gt;&lt;p&gt;Beyer's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Bertini's Method for the Piano, $2.50 
&lt;/p&gt;&lt;p&gt;"  "  "  " abridged, $2.00
&lt;/p&gt;&lt;p&gt;Burgmuller's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Richardson's New Method for Piano. With American fingering, $3.00
&lt;/p&gt;&lt;p&gt;Winner's Piano without a Master, .50
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, $4.00
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, Abridged, $2.50
&lt;/p&gt;&lt;p&gt;Burrowes' Piano Primer, .30
&lt;/p&gt;&lt;p&gt;Dictionary of 5000 Musical Terms,  .50
&lt;/p&gt;&lt;p&gt;Zundel's Melodeon Instructor, $2.00
&lt;/p&gt;&lt;p&gt;Melodeon Without a Master, .50
&lt;/p&gt;&lt;p&gt;Schneider's Organ School, $2.50
&lt;/p&gt;&lt;p&gt;Carcassi's School for Guitar, $2.50
&lt;/p&gt;&lt;p&gt;" " abridged School for Guitar, $1.50
&lt;/p&gt;&lt;p&gt;Golden Wreath--A school song book, .30
&lt;/p&gt;&lt;p&gt;Zundel's Modern School for Organ, $3.00
&lt;/p&gt;&lt;p&gt;Buckley's New Method for the Banjo, $1.00
&lt;/p&gt;&lt;p&gt;American Violinist, $1.00
&lt;/p&gt;&lt;p&gt;GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. 
&lt;/p&gt;&lt;p&gt;Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars.  MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS.
&lt;/p&gt;
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                    <text>&lt;p&gt;"We're going to fight in earnest boys." Lincoln to the Soldiers.  Abraham's Covenant A New Battle Song. Words &amp;amp; Music by A. Bert. Tobey. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entd according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Northn. Dist. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;A NEW BATTLE SONG. ABRAHAM'S COVENANT.
&lt;/p&gt;&lt;p&gt;Words and Music by A. BERT TOBEY.
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. Voice. Piano.
&lt;/p&gt;&lt;p&gt;1. "We're going to fight in earnest, boys," our foes henceforth shall feel No
&lt;/p&gt;&lt;p&gt;2. Our brothers on the battlefield are beck'ning us for aid; Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tufts of grass nor compromise, but bomb, and lead, and steel! We'll
&lt;/p&gt;&lt;p&gt;ranks are thinn'd of thousands who their gory graves have made! Then
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress A.D. 1862 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spare no murderous traitor on the sea, nor on the land, Nor
&lt;/p&gt;&lt;p&gt;rally to their rescue, and with soldiers' might and will
&lt;/p&gt;&lt;p&gt;will we stay the army's march to hound a contraband.
&lt;/p&gt;&lt;p&gt;Revenge the blood of Fairfax grounds, and fatal Malvern hill.
&lt;/p&gt;&lt;p&gt;Chorus. With much energy and animation.
&lt;/p&gt;&lt;p&gt;Air.
1. We'll spare no murderous traitor on the sea, nor on the land, Nor
&lt;/p&gt;&lt;p&gt;Alto. 2. Then rally to their rescue, and with soldiers' might and will 
&lt;/p&gt;&lt;p&gt;5. God shield our loyal legions who may bear thrice honored scars. And
&lt;/p&gt;&lt;p&gt;Tenor. 3. And as for France, let this suffice, your action don't defer; When
&lt;/p&gt;&lt;p&gt;Bass. 4. Trust in God, and mind your powder, and be this your battle cry--"Our
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;will we stay the army's march to hound a contraband.
&lt;/p&gt;&lt;p&gt;Revenge the blood of Fairfax grounds, and fatal Malvern hill.
&lt;/p&gt;&lt;p&gt;soon shall vict'ry crown our arms, and peace our nation's stars.
&lt;/p&gt;&lt;p&gt;she has done with Mexicans we'll have a bone with her.
&lt;/p&gt;&lt;p&gt;country, we'll defend thee, or with thee, our country, die!"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Don't dream of intervention, boys, nor England's cotton cry,--That she will risk her all on bales, is only in your eye; And as for France, let this suffice, your action don't defer; When she has done with Mexicans we'll have a bone with her.
&lt;/p&gt;&lt;p&gt;4. Then down your names, fill full the ranks, your country needs you now; Go share a nation's honor, and there seal the patriot's vow; Trust in God, and mind your powder, and be this your battle cry--"Our country, we'll defend thee, or with thee, our country, die!"
&lt;/p&gt;&lt;p&gt;5.  Heaven save our bleeding Union from the ruthless, deadly foe,--Help us to strike down treason with a speedy, final blow; God shield our loyal legions who may bear thrice honored scars, And soon shall victory crown our arms, and peace our nation's stars.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Abraham's Covenant</text>
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                <text>Subtitled "A New Battle Song," the song depicts Lincoln encouraging his Union troops: "We're going to fight in earnest boys." It emphasizes the Union resolve to recover from the failed campaign in Virginia in early 1862 and to take the war to the South with renewed vigor. The song references the bloody battles at Fairfax and Malvern Hill. It also warns the Rebels to take no hope in intervention by England or France.</text>
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                <text>Tobey, A. Bert</text>
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                <text>H. M. Higgins</text>
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                <text>&lt;p&gt;"We're going to fight in earnest boys." Lincoln to the Soldiers.  Abraham's Covenant A New Battle Song. Words &amp;amp; Music by A. Bert. Tobey. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entd according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Northn. Dist. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;A NEW BATTLE SONG. ABRAHAM'S COVENANT.
&lt;/p&gt;&lt;p&gt;Words and Music by A. BERT TOBEY.
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. Voice. Piano.
&lt;/p&gt;&lt;p&gt;1. "We're going to fight in earnest, boys," our foes henceforth shall feel No
&lt;/p&gt;&lt;p&gt;2. Our brothers on the battlefield are beck'ning us for aid; Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tufts of grass nor compromise, but bomb, and lead, and steel! We'll
&lt;/p&gt;&lt;p&gt;ranks are thinn'd of thousands who their gory graves have made! Then
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress A.D. 1862 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spare no murderous traitor on the sea, nor on the land, Nor
&lt;/p&gt;&lt;p&gt;rally to their rescue, and with soldiers' might and will
&lt;/p&gt;&lt;p&gt;will we stay the army's march to hound a contraband.
&lt;/p&gt;&lt;p&gt;Revenge the blood of Fairfax grounds, and fatal Malvern hill.
&lt;/p&gt;&lt;p&gt;Chorus. With much energy and animation.
&lt;/p&gt;&lt;p&gt;Air.
1. We'll spare no murderous traitor on the sea, nor on the land, Nor
&lt;/p&gt;&lt;p&gt;Alto. 2. Then rally to their rescue, and with soldiers' might and will 
&lt;/p&gt;&lt;p&gt;5. God shield our loyal legions who may bear thrice honored scars. And
&lt;/p&gt;&lt;p&gt;Tenor. 3. And as for France, let this suffice, your action don't defer; When
&lt;/p&gt;&lt;p&gt;Bass. 4. Trust in God, and mind your powder, and be this your battle cry--"Our
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;will we stay the army's march to hound a contraband.
&lt;/p&gt;&lt;p&gt;Revenge the blood of Fairfax grounds, and fatal Malvern hill.
&lt;/p&gt;&lt;p&gt;soon shall vict'ry crown our arms, and peace our nation's stars.
&lt;/p&gt;&lt;p&gt;she has done with Mexicans we'll have a bone with her.
&lt;/p&gt;&lt;p&gt;country, we'll defend thee, or with thee, our country, die!"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Don't dream of intervention, boys, nor England's cotton cry,--That she will risk her all on bales, is only in your eye; And as for France, let this suffice, your action don't defer; When she has done with Mexicans we'll have a bone with her.
&lt;/p&gt;&lt;p&gt;4. Then down your names, fill full the ranks, your country needs you now; Go share a nation's honor, and there seal the patriot's vow; Trust in God, and mind your powder, and be this your battle cry--"Our country, we'll defend thee, or with thee, our country, die!"
&lt;/p&gt;&lt;p&gt;5.  Heaven save our bleeding Union from the ruthless, deadly foe,--Help us to strike down treason with a speedy, final blow; God shield our loyal legions who may bear thrice honored scars, And soon shall victory crown our arms, and peace our nation's stars.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1.
&lt;/p&gt;
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                    <text>&lt;p&gt;Abraham's Draft
&lt;/p&gt;&lt;p&gt;600.000 MORE
&lt;/p&gt;&lt;p&gt;Song AND Chorus,
&lt;/p&gt;&lt;p&gt;Written &amp;amp; arranged by 
&lt;/p&gt;&lt;p&gt;J. W. TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;J. Church Jr. Cin.      Firth Pond &amp;amp; Co. N. York.        J. e. Gould. Philada. 
&lt;/p&gt;&lt;p&gt;J.C. Haynes &amp;amp; Co.  C. C. Clapp &amp;amp; Co.  Boston.
&lt;/p&gt;&lt;p&gt;Entered according to  act of Congress AD 1862 by O. Ditson &amp;amp; Company in the Clerks Office of the District of Washington.
&lt;/p&gt;&lt;p&gt;ABRAHM'S DRAFT.
&lt;/p&gt;&lt;p&gt;Written and Arranged by J. W. Turner
&lt;/p&gt;&lt;p&gt;Con Animato.
&lt;/p&gt;&lt;p&gt;1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall!  Then surely boys you'll onward march  To meet the re - bel band-  Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;2. Come forth ye brave and gallant men! And ne-ver backward be!  Fill up the ranks, and meet the foes  Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band-  Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>After June 1862, in respose to the failure of the Union campaign to take Richmond, President Lincoln called on the states to provide a total of 600,000 volunteers to fill the Union ranks. &lt;br /&gt;&lt;br /&gt;The song calls on the people of the North to fulfill Lincoln's call for volunteers.</text>
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              <elementText elementTextId="170608">
                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Turner, J. W. (Joseph W.</text>
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                <text>Oliver Ditson</text>
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                <text>1862</text>
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                <text>&lt;p&gt;Abraham's Draft
&lt;/p&gt;&lt;p&gt;600.000 MORE
&lt;/p&gt;&lt;p&gt;Song AND Chorus,
&lt;/p&gt;&lt;p&gt;Written &amp;amp; arranged by 
&lt;/p&gt;&lt;p&gt;J. W. TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;J. Church Jr. Cin.      Firth Pond &amp;amp; Co. N. York.        J. e. Gould. Philada. 
&lt;/p&gt;&lt;p&gt;J.C. Haynes &amp;amp; Co.  C. C. Clapp &amp;amp; Co.  Boston.
&lt;/p&gt;&lt;p&gt;Entered according to  act of Congress AD 1862 by O. Ditson &amp;amp; Company in the Clerks Office of the District of Washington.
&lt;/p&gt;&lt;p&gt;ABRAHM'S DRAFT.
&lt;/p&gt;&lt;p&gt;Written and Arranged by J. W. Turner
&lt;/p&gt;&lt;p&gt;Con Animato.
&lt;/p&gt;&lt;p&gt;1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall!  Then surely boys you'll onward march  To meet the re - bel band-  Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;2. Come forth ye brave and gallant men! And ne-ver backward be!  Fill up the ranks, and meet the foes  Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band-  Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;
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                    <text>&lt;p&gt;WURZEL'S LIBERTY SONG
&lt;/p&gt;&lt;p&gt;De day ob Liberty's comin'.
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by
&lt;/p&gt;&lt;p&gt;G. F. Wurzel.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Published by ROOT &amp;amp; CADY 95 Clark St
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;H.N.HEMPSTED.-Milwaukee.   H.TOLMAN &amp;amp; CO. BOSTON   S.BRAINARD &amp;amp; CO.-Cleveland.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26530
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"DE DAY OB LIBERTY'S COMIN'"
&lt;/p&gt;&lt;p&gt;G.F. WURZEL
&lt;/p&gt;&lt;p&gt;Allegretto.
&lt;/p&gt;&lt;p&gt;4.  O de Lord will bring it right De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1.  Dar-keys dont you see de light,  De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;2.  De Un - ion folks dey wait so long, We tink dey neb-er was com-in', com-in',
&lt;/p&gt;&lt;p&gt;3.  White folks let us help ye trou,  De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;224    4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;From dis dref-ful blood- -y fight  De day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;  
Al-most gone de gloom-y night, De day ob Lib-er-ty's com-in'.  
&lt;/p&gt;&lt;p&gt;And Se-cesh he get so strong We tink dey neb-er was com-in'.
&lt;/p&gt;&lt;p&gt;We can fight and die for you,  De day ob Lib-er-ty's com-in'. 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Shout, dar-  -keys, shout and sing, Loud let your voi - ces ring,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
High! ho! de dar-keys sing, Loud! loud! dar voi - ces ring,
&lt;/p&gt;&lt;p&gt;Now Un- -cle Abe he say Come Mas - sa while you may,
&lt;/p&gt;&lt;p&gt;Yes! yes! we'll shout and sing, Loud! loud! our voi - ces ring,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Soon! soon! de migh-ty King Will let His peo - ple go
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Good news de Lord he bring "Now let my peo - ple go."
&lt;/p&gt;&lt;p&gt;And for de slave we'll pay, For we must let him go.
&lt;/p&gt;&lt;p&gt;Soon! soon! de migh-ty King Will let His peo - ple go.
&lt;/p&gt;&lt;p&gt;224   4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS Commence soft and staccato, and increase.       5
&lt;/p&gt;&lt;p&gt;AIR  1. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;ALTO  2. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;TENOR  3. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;BASE  4. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Al - most gone de gloom - y night, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Oh! de bless-ed bless-ed sight, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Now we'll help dem Yan - kees fight, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Yes, de Lord will bring it right, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
224    4    Play the Prelude for an Interlude.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>De Day ob Liberty's Comin</text>
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                <text>"Wurzel's Liberty Song" Song depicts slaves looking forward to their liberation.</text>
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                <text>Slaves--Emancipation</text>
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                <text>Wurzel, G. F.</text>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;WURZEL'S LIBERTY SONG
&lt;/p&gt;&lt;p&gt;De day ob Liberty's comin'.
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by
&lt;/p&gt;&lt;p&gt;G. F. Wurzel.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Published by ROOT &amp;amp; CADY 95 Clark St
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;H.N.HEMPSTED.-Milwaukee.   H.TOLMAN &amp;amp; CO. BOSTON   S.BRAINARD &amp;amp; CO.-Cleveland.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26530
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"DE DAY OB LIBERTY'S COMIN'"
&lt;/p&gt;&lt;p&gt;G.F. WURZEL
&lt;/p&gt;&lt;p&gt;Allegretto.
&lt;/p&gt;&lt;p&gt;4.  O de Lord will bring it right De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1.  Dar-keys dont you see de light,  De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;2.  De Un - ion folks dey wait so long, We tink dey neb-er was com-in', com-in',
&lt;/p&gt;&lt;p&gt;3.  White folks let us help ye trou,  De day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;224    4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;From dis dref-ful blood- -y fight  De day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;  
Al-most gone de gloom-y night, De day ob Lib-er-ty's com-in'.  
&lt;/p&gt;&lt;p&gt;And Se-cesh he get so strong We tink dey neb-er was com-in'.
&lt;/p&gt;&lt;p&gt;We can fight and die for you,  De day ob Lib-er-ty's com-in'. 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Shout, dar-  -keys, shout and sing, Loud let your voi - ces ring,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
High! ho! de dar-keys sing, Loud! loud! dar voi - ces ring,
&lt;/p&gt;&lt;p&gt;Now Un- -cle Abe he say Come Mas - sa while you may,
&lt;/p&gt;&lt;p&gt;Yes! yes! we'll shout and sing, Loud! loud! our voi - ces ring,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Soon! soon! de migh-ty King Will let His peo - ple go
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Good news de Lord he bring "Now let my peo - ple go."
&lt;/p&gt;&lt;p&gt;And for de slave we'll pay, For we must let him go.
&lt;/p&gt;&lt;p&gt;Soon! soon! de migh-ty King Will let His peo - ple go.
&lt;/p&gt;&lt;p&gt;224   4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS Commence soft and staccato, and increase.       5
&lt;/p&gt;&lt;p&gt;AIR  1. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;ALTO  2. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;TENOR  3. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;BASE  4. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in',
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Al - most gone de gloom - y night, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Oh! de bless-ed bless-ed sight, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Now we'll help dem Yan - kees fight, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;Yes, de Lord will bring it right, De Day ob Lib-er-ty's com-in'.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
224    4    Play the Prelude for an Interlude.
&lt;/p&gt;
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                    <text>&lt;p&gt;"I welcome you, my gallant boys, Six hundred thousand more."  FATHER ABRAHAM'S REPLY TO THE 600,000!
&lt;/p&gt;&lt;p&gt;Words by the author of "Sybelle." Music adapted and partly composed by GEORGE F. ROOT.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St.,
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth, Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hemsted, Milwaukee. J. H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1862 by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;FATHER ABRAHAMS REPLY TO THE 600,000. Adapted and partly Composed by GEO. F. ROOT.
&lt;/p&gt;&lt;p&gt;With energy.
&lt;/p&gt;&lt;p&gt;4. I see adown our Western vales your legions pour, my boys;
&lt;/p&gt;&lt;p&gt;1. I welcome you, my gallant boys, from Maine's resounding shore, From
&lt;/p&gt;&lt;p&gt;2. I see from all her boundaries the glorious Empire State A
&lt;/p&gt;&lt;p&gt;3. And Pennsylvania, keystone of this glorious Union arch Is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ohio, Indiana, and my own lov'd Illinois, And
&lt;/p&gt;&lt;p&gt;far New Hampshire's granite hills I see your legions pour; From
&lt;/p&gt;&lt;p&gt;countless host is sending forth with freemen's hopes elate, From
&lt;/p&gt;&lt;p&gt;sounding thro' her thousand caves the thrilling order march! I
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Iowa, and Michigan, and Minnesota, too, And
&lt;/p&gt;&lt;p&gt;Massachusetts fertile vales, from old Vermont they come; 
&lt;/p&gt;&lt;p&gt;Delaware there comes a gleam of white and crimson bars, Where
&lt;/p&gt;&lt;p&gt;see her dusky sons come forth from every darken'd mine, And,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
far Wisconsin's prairies send their heroes tried and true, Come
&lt;/p&gt;&lt;p&gt;Connecticut wheels into line at rolling of the drum, And
&lt;/p&gt;&lt;p&gt;faithful hands are holding up the banner of the stars; New
&lt;/p&gt;&lt;p&gt;like the clouds along her hills swift forming in to line; Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
on, Oh! living avalanche! break into floods of light, And
&lt;/p&gt;&lt;p&gt;little Rhody springs to arms, like David in his might, Upon
&lt;/p&gt;&lt;p&gt;Jersey answers to the call, as if along her shore, Each
&lt;/p&gt;&lt;p&gt;eyes have such a fiery gleam from flowing forges caught, Their
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;roll your waves of truth along Secessions shores of night, Drown
&lt;/p&gt;&lt;p&gt;rebellion's giant front to strike one blow for right, One
&lt;/p&gt;&lt;p&gt;grain of sand had said, we come, six hundred thousand more, We
&lt;/p&gt;&lt;p&gt;arms such strength as if they were of iron sinews wrought; I
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
out rebellion, as of old and then with Uncle Sam, Safe
&lt;/p&gt;&lt;p&gt;blow for right, my hero boys, for right and Uncle Sam, Strike,
&lt;/p&gt;&lt;p&gt;come to strike for liberty for right and Uncle Sam, Who
&lt;/p&gt;&lt;p&gt;think, when on Secession's head they strike for Uncle Same, Each
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in the Ark of State, we'll praise the God of Abraham.
&lt;/p&gt;&lt;p&gt;and receive the blessings of the God of Abraham.
&lt;/p&gt;&lt;p&gt;gives us all the blessings of the God of Abraham.
&lt;/p&gt;&lt;p&gt;blow will fall like vengeance from the God of Abraham.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS after each verse
&lt;/p&gt;&lt;p&gt;Air 
Alto. 'Tis glorious, 'tis glorious, to see you legions
&lt;/p&gt;&lt;p&gt;Tenor 
Base. 'Tis glorious, 'tis glorious, to see your legions
&lt;/p&gt;&lt;p&gt;pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS. ROOT &amp;amp; CADY, 95 Clark St. opposite Court House Chicago, Ill.
&lt;/p&gt;&lt;p&gt;Dealers in every description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinway's Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET. Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;Stand up for Uncle Sam, My Boys. Song and Chorus. Geo. F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song. Port Royal, 1861, H.T. Merrrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found.  A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo.  J.M. Hubbard  25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow.  25 cts. An adaptation of one of the most beautiful Melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie.  Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard  25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert  25 cts
&lt;/p&gt;&lt;p&gt;Evening. Song. [Cloepius?]  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping, Maggie. Scotch Song  25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus.  G.C. W  25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is like a Silent Lute. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard  25 cts
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor  25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me, " " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby Sleep.  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me Not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott  25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl.  Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty.  H.L. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song.  25 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg. 
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo.)  25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates.  25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine.  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.)  25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.)  25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse.  25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottische. Freund.  15 cts.
&lt;/p&gt;&lt;p&gt;North-Western Rifle March. By C.G.L. Arranged by Vaas  25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner  25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas  40 cts. (Lithographic Portrait.)  40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas  40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt  40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner  30 cts.  Very fine, but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas  50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto  25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.)  Vaas  50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph)  50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner  30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas  35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab  35 cts.
&lt;/p&gt;&lt;p&gt;All the above vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
S.P. Rounds, Printer, 46 State Street, Chicago, Illinois.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171053">
              <text>6</text>
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              <text>34 cm</text>
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                <text>Father Abraham's Reply to the 600,000!</text>
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                <text>"I welcome you, my gallant boys, Six hundred Thousand more". "Words by the author of 'Sybelle'.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Root, George F.</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;"I welcome you, my gallant boys, Six hundred thousand more."  FATHER ABRAHAM'S REPLY TO THE 600,000!
&lt;/p&gt;&lt;p&gt;Words by the author of "Sybelle." Music adapted and partly composed by GEORGE F. ROOT.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St.,
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth, Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hemsted, Milwaukee. J. H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1862 by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;FATHER ABRAHAMS REPLY TO THE 600,000. Adapted and partly Composed by GEO. F. ROOT.
&lt;/p&gt;&lt;p&gt;With energy.
&lt;/p&gt;&lt;p&gt;4. I see adown our Western vales your legions pour, my boys;
&lt;/p&gt;&lt;p&gt;1. I welcome you, my gallant boys, from Maine's resounding shore, From
&lt;/p&gt;&lt;p&gt;2. I see from all her boundaries the glorious Empire State A
&lt;/p&gt;&lt;p&gt;3. And Pennsylvania, keystone of this glorious Union arch Is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ohio, Indiana, and my own lov'd Illinois, And
&lt;/p&gt;&lt;p&gt;far New Hampshire's granite hills I see your legions pour; From
&lt;/p&gt;&lt;p&gt;countless host is sending forth with freemen's hopes elate, From
&lt;/p&gt;&lt;p&gt;sounding thro' her thousand caves the thrilling order march! I
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Iowa, and Michigan, and Minnesota, too, And
&lt;/p&gt;&lt;p&gt;Massachusetts fertile vales, from old Vermont they come; 
&lt;/p&gt;&lt;p&gt;Delaware there comes a gleam of white and crimson bars, Where
&lt;/p&gt;&lt;p&gt;see her dusky sons come forth from every darken'd mine, And,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
far Wisconsin's prairies send their heroes tried and true, Come
&lt;/p&gt;&lt;p&gt;Connecticut wheels into line at rolling of the drum, And
&lt;/p&gt;&lt;p&gt;faithful hands are holding up the banner of the stars; New
&lt;/p&gt;&lt;p&gt;like the clouds along her hills swift forming in to line; Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
on, Oh! living avalanche! break into floods of light, And
&lt;/p&gt;&lt;p&gt;little Rhody springs to arms, like David in his might, Upon
&lt;/p&gt;&lt;p&gt;Jersey answers to the call, as if along her shore, Each
&lt;/p&gt;&lt;p&gt;eyes have such a fiery gleam from flowing forges caught, Their
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;roll your waves of truth along Secessions shores of night, Drown
&lt;/p&gt;&lt;p&gt;rebellion's giant front to strike one blow for right, One
&lt;/p&gt;&lt;p&gt;grain of sand had said, we come, six hundred thousand more, We
&lt;/p&gt;&lt;p&gt;arms such strength as if they were of iron sinews wrought; I
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
out rebellion, as of old and then with Uncle Sam, Safe
&lt;/p&gt;&lt;p&gt;blow for right, my hero boys, for right and Uncle Sam, Strike,
&lt;/p&gt;&lt;p&gt;come to strike for liberty for right and Uncle Sam, Who
&lt;/p&gt;&lt;p&gt;think, when on Secession's head they strike for Uncle Same, Each
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in the Ark of State, we'll praise the God of Abraham.
&lt;/p&gt;&lt;p&gt;and receive the blessings of the God of Abraham.
&lt;/p&gt;&lt;p&gt;gives us all the blessings of the God of Abraham.
&lt;/p&gt;&lt;p&gt;blow will fall like vengeance from the God of Abraham.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS after each verse
&lt;/p&gt;&lt;p&gt;Air 
Alto. 'Tis glorious, 'tis glorious, to see you legions
&lt;/p&gt;&lt;p&gt;Tenor 
Base. 'Tis glorious, 'tis glorious, to see your legions
&lt;/p&gt;&lt;p&gt;pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS. ROOT &amp;amp; CADY, 95 Clark St. opposite Court House Chicago, Ill.
&lt;/p&gt;&lt;p&gt;Dealers in every description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinway's Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET. Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;Stand up for Uncle Sam, My Boys. Song and Chorus. Geo. F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song. Port Royal, 1861, H.T. Merrrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found.  A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo.  J.M. Hubbard  25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow.  25 cts. An adaptation of one of the most beautiful Melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie.  Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard  25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert  25 cts
&lt;/p&gt;&lt;p&gt;Evening. Song. [Cloepius?]  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping, Maggie. Scotch Song  25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus.  G.C. W  25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is like a Silent Lute. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard  25 cts
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor  25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me, " " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby Sleep.  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me Not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott  25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl.  Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty.  H.L. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song.  25 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg. 
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo.)  25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates.  25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine.  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.)  25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.)  25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse.  25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottische. Freund.  15 cts.
&lt;/p&gt;&lt;p&gt;North-Western Rifle March. By C.G.L. Arranged by Vaas  25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner  25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas  40 cts. (Lithographic Portrait.)  40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas  40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt  40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner  30 cts.  Very fine, but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas  50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto  25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.)  Vaas  50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph)  50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner  30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas  35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab  35 cts.
&lt;/p&gt;&lt;p&gt;All the above vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
S.P. Rounds, Printer, 46 State Street, Chicago, Illinois.
&lt;/p&gt;
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                    <text>&lt;p&gt;[in pencil: Miss Mary Theobalds P.A.M.]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MARYLAND, MY MARYLAND!
&lt;/p&gt;&lt;p&gt;UNION WORDS ADAPTED, 
AND
MUSIC ARRANGED BY
SEP. WINNER.
PIANO, 25.
PHILADELPHIA: PUBLISHED BY
LEE &amp;amp; WALKER,
No. 722 Chestnut Street, below Eighth.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARYLAND MY MARYLAND
ADAPTED &amp;amp; ARRANGED BY
SEP. WINNER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st.  The Rebel horde is on thy shore, Ma-ry-land! My Ma-ry-land! A-rise and drive him from thy door, Ma-ry-land! My Ma-ry-land! A-venge the foe thou must abhor, Who seeks thy fall oh Bal-ti-more, Drive back the ty--rant, peace restore, Ma-ry-land, My Ma-ry-land!
2nd.  Hark to a na-tion's warm ap-peal,  Ma-ry-land! My Ma-ry-land! And sister states that for thee feel, Ma-ry-land! My Ma-ry-land! Gird now thy sons with arms of steel, And heavy be the blows they deal, for traitors shall thy vengeance feel, Ma-ry-land! My Ma-ry-land!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3  Thou wilt not cower in the dust, Maryland_ Thy gleaming sword shall never rust, Maryland_ Thy sons shall battle with the just, And soon repel the traitor's thrust, For in their strength our state shall trust, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;4  Come! for thy men are bold and strong, Maryland_ Drive back the foe that would thee wrong, Maryland_ Come with thine own heroic throng, And as thy army moves along, Let Union be their constant song, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;5  Virginia feels the tyrants chain, Maryland_ Her children lie around her slain, Maryland_ Let Carolina call in vain, Our rights we know and will maintain, Our rise shall be her fall again. Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;8  I hear the distant battle's hum, Maryland  I hear the bugle, fife and drum, Maryland  Thou art not deaf, thou art not dumb, Thou wilt not falter nor succumb, I hear thee cry we come, we come! Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;7  Ten hundred thousand, brave and free, Maryland_ Are ready now to strike with thee, Maryland_ A Million more still yet agree, To help thee hold thy liberty, For thou shalt ever be, Maryland our Maryland!
&lt;/p&gt;&lt;p&gt;winner
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Maryland, My Maryland</text>
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                <text>"Maryland, My Maryland," has been the state song of Maryland since 1939. Based on "Maryland. My Maryland," an 1861 poem James Ryder Randall, the song decries Lincoln's use of Union troops in Maryland and calls on the state, one of the four border states, to secede. The song became one of the most popular songs in the Confederacy. &lt;br /&gt;&lt;br /&gt;The pro-Union version of the song presented here replaces the original anti-Lincoln and anti-Union verses with words favorable to the North and damning to the South.</text>
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                <text>Winner, Septimus, 1827-1902</text>
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                <text>&lt;p&gt;[in pencil: Miss Mary Theobalds P.A.M.]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MARYLAND, MY MARYLAND!
&lt;/p&gt;&lt;p&gt;UNION WORDS ADAPTED, 
AND
MUSIC ARRANGED BY
SEP. WINNER.
PIANO, 25.
PHILADELPHIA: PUBLISHED BY
LEE &amp;amp; WALKER,
No. 722 Chestnut Street, below Eighth.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARYLAND MY MARYLAND
ADAPTED &amp;amp; ARRANGED BY
SEP. WINNER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st.  The Rebel horde is on thy shore, Ma-ry-land! My Ma-ry-land! A-rise and drive him from thy door, Ma-ry-land! My Ma-ry-land! A-venge the foe thou must abhor, Who seeks thy fall oh Bal-ti-more, Drive back the ty--rant, peace restore, Ma-ry-land, My Ma-ry-land!
2nd.  Hark to a na-tion's warm ap-peal,  Ma-ry-land! My Ma-ry-land! And sister states that for thee feel, Ma-ry-land! My Ma-ry-land! Gird now thy sons with arms of steel, And heavy be the blows they deal, for traitors shall thy vengeance feel, Ma-ry-land! My Ma-ry-land!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3  Thou wilt not cower in the dust, Maryland_ Thy gleaming sword shall never rust, Maryland_ Thy sons shall battle with the just, And soon repel the traitor's thrust, For in their strength our state shall trust, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;4  Come! for thy men are bold and strong, Maryland_ Drive back the foe that would thee wrong, Maryland_ Come with thine own heroic throng, And as thy army moves along, Let Union be their constant song, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;5  Virginia feels the tyrants chain, Maryland_ Her children lie around her slain, Maryland_ Let Carolina call in vain, Our rights we know and will maintain, Our rise shall be her fall again. Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;8  I hear the distant battle's hum, Maryland  I hear the bugle, fife and drum, Maryland  Thou art not deaf, thou art not dumb, Thou wilt not falter nor succumb, I hear thee cry we come, we come! Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;7  Ten hundred thousand, brave and free, Maryland_ Are ready now to strike with thee, Maryland_ A Million more still yet agree, To help thee hold thy liberty, For thou shalt ever be, Maryland our Maryland!
&lt;/p&gt;&lt;p&gt;winner
&lt;/p&gt;
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                    <text>&lt;p&gt;THE MUDSILLS ARE COMING. A NEW ARMY SONG As sung with great applause at Morris Bros. Pell and Trowbridge's Opera House Written by E. Bowers, Music by G. L. J. 
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1881 by Russell &amp;amp; Patee in the Dist Clerk Office of the Dist Court of [unintelligible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MUDSILLS ARE COMING. Words by E. Bowers. Music by G. L. J.
&lt;/p&gt;&lt;p&gt;March movement
&lt;/p&gt;&lt;p&gt;1. The Union, the Union we're called on to save, Fall in the ranks to join our brothers brave; Chivalry, Chivalry, Old Abe's not a funning, For six hundred thousand Mudsills are coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;pre&gt;Air. Now up, up, my boys, and be tramping along; We
&lt;/pre&gt;
&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Ten. Now up, up, my boys, and be tramping along; We
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Coming, we are Coming, Father Abe now calls; Crush foul rebellion or gloriously fall; Brave Halleck, our Chieftain, with Pope in the throng, Will lead us to conquer, so be tramping along.
&lt;/p&gt;&lt;p&gt;3. That proud flag of freedom shall float in the breeze, Respect it ye nations o'er land and o'er seas; Let none dare assail it, our numbers are strong, Who have sworn to defend it and be tramping along.
&lt;/p&gt;&lt;p&gt;4. Remember, foul traitors, when this Flag you view, With thirty-four stars in its Union of blue, No star from our Union shall be suffered to fly, They are fixed to remain like the stars in the sky.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Mudsills Are Coming</text>
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                <text>A mudsill is a sill or timber placed on or buried under the ground to support a structure. Southerners sometimes referred to Northerners as "mudsills," in derision of what they saw as the lowly social status of most Northern men. During the Civil War, Union soldiers took pride in the term to contrast themselves against their supposedly more high born and gentlemanly opponents.</text>
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                <text>G. L. J.</text>
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                <text>Bowers, E. and G. L. J.</text>
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                <text>Russell &amp;amp; Patee</text>
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                <text>Boston</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;THE MUDSILLS ARE COMING. A NEW ARMY SONG As sung with great applause at Morris Bros. Pell and Trowbridge's Opera House Written by E. Bowers, Music by G. L. J. 
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1881 by Russell &amp;amp; Patee in the Dist Clerk Office of the Dist Court of [unintelligible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MUDSILLS ARE COMING. Words by E. Bowers. Music by G. L. J.
&lt;/p&gt;&lt;p&gt;March movement
&lt;/p&gt;&lt;p&gt;1. The Union, the Union we're called on to save, Fall in the ranks to join our brothers brave; Chivalry, Chivalry, Old Abe's not a funning, For six hundred thousand Mudsills are coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;pre&gt;Air. Now up, up, my boys, and be tramping along; We
&lt;/pre&gt;
&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Ten. Now up, up, my boys, and be tramping along; We
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Coming, we are Coming, Father Abe now calls; Crush foul rebellion or gloriously fall; Brave Halleck, our Chieftain, with Pope in the throng, Will lead us to conquer, so be tramping along.
&lt;/p&gt;&lt;p&gt;3. That proud flag of freedom shall float in the breeze, Respect it ye nations o'er land and o'er seas; Let none dare assail it, our numbers are strong, Who have sworn to defend it and be tramping along.
&lt;/p&gt;&lt;p&gt;4. Remember, foul traitors, when this Flag you view, With thirty-four stars in its Union of blue, No star from our Union shall be suffered to fly, They are fixed to remain like the stars in the sky.
&lt;/p&gt;
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                <text>100</text>
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                    <text>&lt;p&gt;Old Abe has gone &amp;amp; did it, boys.  Song &amp;amp; Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago. Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OLD ABE HAS GONE AND DID IT, BOYS.  Song &amp;amp; Chorus.
&lt;/p&gt;&lt;p&gt;Words by S. Fillmore Bennett. Music by J.P. Webster.
&lt;/p&gt;&lt;p&gt;Calore.
&lt;/p&gt;&lt;p&gt;1. O, ye niggers, come along For I's
&lt;/p&gt;&lt;p&gt;2. Now I tell you, by de way, Massa
&lt;/p&gt;&lt;p&gt;3. Massa Burnside take de view, Dat de
&lt;/p&gt;&lt;p&gt;4. But McClellan tho't de way, Was to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gwine to sing a song, An' I warn you dat you keep it mighty still; But dis
&lt;/p&gt;&lt;p&gt;Fremont first did say, In Missouri, where de bellien was so strong, Dat de
&lt;/p&gt;&lt;p&gt;nigger am as true As de white folks, or as any oder man; So he
&lt;/p&gt;&lt;p&gt;hab de niggers stay, Diggin' trenches for de rebels in de sun, While de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill.
&lt;/p&gt;&lt;p&gt;nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong.
&lt;/p&gt;&lt;p&gt;nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan.
&lt;/p&gt;&lt;p&gt;Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air.
1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum!  Ole 2. But now he's gone &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Alto.
3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;9. For Ole Abe has gone an' did it, boys, 
&lt;/p&gt;&lt;p&gt;Tenor.
&lt;/p&gt;&lt;p&gt;1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Bass.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Glory, Glory
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But  Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;9
&lt;/p&gt;&lt;p&gt;Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it boys.
&lt;/p&gt;&lt;p&gt;Pearson
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Old Abe Has Gone &amp;amp; Did It, Boys</text>
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                <text>Satirical song about Union policies towards slaves. &lt;br /&gt;&lt;br /&gt;</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Bennett, Sanford Fillmore, 1836-1898</text>
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                <text>Webster, Joseph Phillbrick, 1819-1875</text>
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                <text>Sheet music</text>
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                <text>Slaves--Emancipation</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Bennett, S. Fillmore and Webster, J. P.</text>
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                <text>H. M. Higgins</text>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>&lt;p&gt;Old Abe has gone &amp;amp; did it, boys.  Song &amp;amp; Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago. Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OLD ABE HAS GONE AND DID IT, BOYS.  Song &amp;amp; Chorus.
&lt;/p&gt;&lt;p&gt;Words by S. Fillmore Bennett. Music by J.P. Webster.
&lt;/p&gt;&lt;p&gt;Calore.
&lt;/p&gt;&lt;p&gt;1. O, ye niggers, come along For I's
&lt;/p&gt;&lt;p&gt;2. Now I tell you, by de way, Massa
&lt;/p&gt;&lt;p&gt;3. Massa Burnside take de view, Dat de
&lt;/p&gt;&lt;p&gt;4. But McClellan tho't de way, Was to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gwine to sing a song, An' I warn you dat you keep it mighty still; But dis
&lt;/p&gt;&lt;p&gt;Fremont first did say, In Missouri, where de bellien was so strong, Dat de
&lt;/p&gt;&lt;p&gt;nigger am as true As de white folks, or as any oder man; So he
&lt;/p&gt;&lt;p&gt;hab de niggers stay, Diggin' trenches for de rebels in de sun, While de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill.
&lt;/p&gt;&lt;p&gt;nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong.
&lt;/p&gt;&lt;p&gt;nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan.
&lt;/p&gt;&lt;p&gt;Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air.
1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum!  Ole 2. But now he's gone &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Alto.
3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;9. For Ole Abe has gone an' did it, boys, 
&lt;/p&gt;&lt;p&gt;Tenor.
&lt;/p&gt;&lt;p&gt;1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Bass.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Glory, Glory
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But  Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;9
&lt;/p&gt;&lt;p&gt;Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it boys.
&lt;/p&gt;&lt;p&gt;Pearson
&lt;/p&gt;
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