3 25 173 https://www.chroniclingillinois.org/files/original/bbf411d2f11f5d393e27f314c0294cca.pdf 75ed447648c1f70bb7bcf6db174d1dd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200015 Illinois Sheet Music Collection O-P Title A name given to the resource The Office Boy, A Dance Description An account of the resource Music only no words. Cover depicts a boy dancing while holding a trashcan in one hand and money in the other hand. A man is in the background. Subject The topic of the resource Sheet Music Dance orchestra music Work songs Working class--Songs and music Popular music Creator An entity primarily responsible for making the resource Griffin, Billy A. Contributor An entity responsible for making contributions to the resource Horace Huron Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rock Island Date A point or period of time associated with an event in the lifecycle of the resource 1900 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/abf4793b16ec8d5adf4c37f4f1d443c9.pdf d817675b39893de3814e7e87b57d3736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200014 Illinois Sheet Music Collection A-B Title A name given to the resource Brother Tell Me Of The Battle Description An account of the resource A song about a sibling wanting to know of how soldiers fought in battle and letting the brother know she/she will listen. Subject The topic of the resource Sheet music War--Songs and music Brothers American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Manahan, Thomas and Root, George Frederick Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/5a4611ed77f64a7d3b730835d9f49795.pdf 2bfc253fa4e65dfba6cd845c80446761 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 8 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200013 Illinois Sheet Music Collection A-B Title A name given to the resource Brother and the Fallen Dragoon Description An account of the resource Also known as "Civille Bellum or Brother and the Fallen Dragoon." A song about a soldier finding, out it was his own brother who he shot during a battle. Makes point conflict was "brother versus brother." Cover depicts a Union soldier holding a dying Confederate soldier. Horse and water scene in background. Subject The topic of the resource Sheet music War--Songs and music Brothers Soldiers--Songs and music Soldiers--Death American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Webster, J. P. Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/752359fa8c144187ce1c99f63a2bffdf.pdf c83298e1364b0bff0e99b8833bbcc055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 7 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200012 Illinois Sheet Music Collection A-B Title A name given to the resource Brave Ulysses is the Man Description An account of the resource Campaign song for Ulysses S. Grant. Presidential election 1868. U. S. Grant was president from 1869-1877. Cover has ornamental border. Subject The topic of the resource Sheet music Grant, Ulysses S. (Ulysses Simpson) 1822-1885 Campaign songs Presidents--Election--Songs and music Creator An entity primarily responsible for making the resource Charles Haynes and J. E. Haynes Contributor An entity responsible for making contributions to the resource J. A. Butterfield Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1868 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/401489bd2cee66a1605427761c72696f.pdf 8a07460799dcef0551aaceb58934b6f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 7 28 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200011 Illinois Sheet Music Collection A-B Title A name given to the resource Bicentennial March Description An account of the resource A patriotic song celebrating the bicentennial of the founding of the United States. Song contains patriotic symbols from the revolutionary war. Cover depicts fife and drum corps with Revolution era U. S. flag. Subject The topic of the resource Sheet music Patriotic music American Revolution Bicentennial (1976) Fife and drum corps Marches (Voice with piano) Creator An entity primarily responsible for making the resource Roberts, Florence Grigsby Contributor An entity responsible for making contributions to the resource Roberts, Florence Grisby Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Springfield Date A point or period of time associated with an event in the lifecycle of the resource 1974 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/f16f505f019c026e0f1db7cc2f62048e.pdf c72cbcd137cc72b42740b66c58b93497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200010 Illinois Sheet Music Collection A-B Title A name given to the resource Beyond the Gates Description An account of the resource A religious song about going to heaven. Cover depicts an angel with wings and holding a banner that reads "Sacred Ballad." Subject The topic of the resource Sheet music Sacred songs with piano Church music Heaven--Christianity Creator An entity primarily responsible for making the resource Raymond A. Browne and Leo Friedman Contributor An entity responsible for making contributions to the resource Sol Bloom Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1900 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/d45f9a1a5bb948daec6283e59aa92280.pdf 12d928224b92bd3b3540e456adc03330 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200009 Illinois Sheet Music Collection A-B Title A name given to the resource The Bell of Old Kaskaskia Description An account of the resource Song about the history of the city of Kaskaskia and its bell that was lost in a flood but was found and now enshrined. Cover presents picture of the bell. Kaskaskia was the first capitol of the state of Illinois. Subject The topic of the resource Sheet music Illinois--Kaskaskia Creator An entity primarily responsible for making the resource Cassoutt, Charles L. and Becker, Dorothy M. Contributor An entity responsible for making contributions to the resource Charles L. Cassoutt Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St. Marys Date A point or period of time associated with an event in the lifecycle of the resource 1958 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/2dc6124ded0bed24914bd1bdc5e25177.pdf ee793691b5bd0c394be704331e1e4a92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 9 35 x 26 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200008 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle of Prague Description An account of the resource On cover: "Gleanings : A Collection of popular & standard pieces for the piano." Other title names on cover. This sheet music contains only music no words. Subject The topic of the resource Sheet music Piano music Prague, Battle of (Czech Republic : 1757) War--Songs and music Creator An entity primarily responsible for making the resource Kotzwara, Franz Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource not available Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/064a509c366122ea30a7c0e6aa5fd83b.pdf b86a1b953c8e41c8167022ae3fa935a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200007 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle of Fort Donelson Description An account of the resource Dedicated: "To Col. F. A. Bartleson, 100th Ill. Vol." Song about the Battle of Fort Donelson (Tennessee), fought in 1862. Pro North. Cover depicts soldiers ready for battle. Subject The topic of the resource Sheet music Fort Donelson, Battle of (Tennessee : 1862) Soldiers--Songs and music War songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource John Kidd and E. Grundy Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/af3ffb4d9169f59d51c7f3346eb8d07d.pdf 0e4861ca433d13191a01e5e07ba3cd52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200006 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle Cry of Freedom Description An account of the resource A "Rallying Song." Meant to support Union soldiers. Cover depicts five vignettes labeled clockwise from the top center: "The Vacant chair, Silent lute, Who'll save the left, Battll (i.e. battle) cry of freedom, Within sound of the enemy's guns." Subject The topic of the resource Sheet music Patriotic music Soldiers--Songs and music War songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root and Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/87786e857ef4d606c10c9e4694175351.pdf 297ae3fc4c0f7db5b657124c80f2b0e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200005 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle Cry of Freedom Description An account of the resource A "Rallying Song." Meant to support Union soldiers. Cover depicts five vignettes labeled clockwise from the top center: "The Vacant chair, Silent lute, Who'll save the left, Battll (i.e. battle) cry of freedom, Within sound of the enemy's guns." Subject The topic of the resource Sheet music Patriotic music Soldiers--Songs and music War songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root and Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/346db8f57ed05913d8bf5d7427ec0661.pdf 54e22c2dce36371e673da5695f65342c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 28 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200004 Illinois Sheet Music Collection A-B Title A name given to the resource The Ballad of Chicago Description An account of the resource Dedicated: "To Paul M. Angle and the Staff of the Chicago Historical Society." Song about the city of Chicago, and its history. No cover just song sheet. Subject The topic of the resource Sheet music Illinois-- Chicago Creator An entity primarily responsible for making the resource Stracke, Win Contributor An entity responsible for making contributions to the resource Stracke, Win Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant No Publisher information Date A point or period of time associated with an event in the lifecycle of the resource 1960 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/d8407c7239aa1c2029837e61939ad145.pdf ace78a9407e0ddd4c3d9fcae5118f54c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 33.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200003 Illinois Sheet Music Collection A-B Title A name given to the resource Babylon is Fallen , Sequel to Kingdom Coming Description An account of the resource Minstrel Song about African American soldiers. Cover depicts African American soldiers shooting at a Confederate soldier. Subject The topic of the resource Sheet music Minstrel music African American soldiers Soldiers--Songs and music American Civil War (1861-1865) Slaves--Emancipation Creator An entity primarily responsible for making the resource Work, Henry C. Contributor An entity responsible for making contributions to the resource Root and Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/d84e66b20aeaeedb08dd422e098d8b69.pdf 8425fa65a3b6dd22e72436d3f0edf77b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 28 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200002 Illinois Sheet Music Collection A-B Title A name given to the resource 200 Years of Liberty Description An account of the resource Patriotic song about America. Written for Bicentennial of United States. Subject The topic of the resource Sheet music National songs United States Patriotic music Creator An entity primarily responsible for making the resource Taggart, Barbara Contributor An entity responsible for making contributions to the resource Barbara Taggert Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rockford Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/fc68f5064e9e0140e44c693cc26232cf.pdf 763dd6b81865b639e6188a04d762927a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 28 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200100 Illinois Sheet Music Collection A-B Title A name given to the resource America Forever Free Description An account of the resource Patriotic song about America. American flag illustrated above first page of music. Subject The topic of the resource Sheet music National songs United States Patriotic music Creator An entity primarily responsible for making the resource Taggart, Barbara Contributor An entity responsible for making contributions to the resource Barbara Taggert Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rockford Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/3d742c6cba35650ac00a51f20b018c75.pdf 3fd514b9395b382cfbd74bf46335e345 Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Transcription A written representation of a document or a page. THE TRIUMPH! BY Geo. F. Root. Chicago: Root & Cady. <hr /> [blank page] <hr /> FOR CONGREGATIONAL SINGING. 5 the voices at the same sound or pitch, but the natural tendency will be to get together in this respect, and it will be pleasanter to do so. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, might Lord. We have been so accustomed to hear tunes with these hymns, that the monotony of this mode of utterance, although emotional will prevent its being useful. We will, therefore, vary the sound or pitch of the fifth and sixth syllables in each line. We will make them a little higher than the others. This may be presented thus:- 1. Thou, who are enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, mighty Lord! [The teacher will probably understand that this higher pitch is but one step above the others.] We will now give another form for the utterance of the first hymn, but it will be easier to tell where these large dots are that note the sounds, if we have a line, on, or above, or below which, we can place them. And now it will not be necessary to print the words higher or lower with the tune, for the dots or notes will show the changes of the words. It should here be said that notes help even those who do not understand music at all, for they are a picture of the tune, and go up or down, or skip around, just as the tune does. Let us all now join in the next tune, being guided by the notes. NORTHWEST. 7s. 1. Let us with a joyful mind, Praise the Lord for He is kind; 2. He, with all commandment might, Filled the new made world with light; 3. All things living doth he feed; His full hand supplies their need; 4. Let us with a joyful mind, Praise the Lord for He is kind; For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. In the following hymn we will use a still higher sound; so in the representation we must have another line: -- BLONDEL. 7s. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, 3. Decks the spring with flowers the field, Harvest rich doth autumn yield? 4.Sovereign Ruler mighty Lord, We thy praises will record: Sweet it is with joyful tongue, To resound thy praise in song. We thy praises will record, Sovereign Ruler, mighty Lord! Giver of all good below, Lord, from Thee those blessings flow. Giver of these blessings, we Pour the grateful song to Thee. As soon as a form or tune is acquired so that we can use it without effort; we may commence the work of self-improvement; but if we are not accustomed to fix our minds on the words sung, but are more inclined to listen to the tune, we shall find it difficult to concentrate our thoughts as we ought. We shall be like untrained children at school, who are disturbed and distracted by every unusual sight or sound, and must try many times before we can take the sentiments contained in the words fully into our hearts, and bear them upon our song unobstructed and unhindered, up to the great object of all worship. <hr /> 6 INTRODUCTORY COURSE The following hymns and selections are designed to be sung by all the people of an congregation. Not one need be silent, who has the power of speech. That some may not get the sound exactly with the others should not prevent them from joining, for in these simple forms a few times trying will remedy that difficulty in almost every case; and if it does not, the worship is so much more important, that the form is of but little consequence in comparison. ELVIRA. 7s. 1. All ye nations praise the Lord! All ye lands your voices raise; 2. For his truth and mercy stand, Past, and present, and to be, Heaven and earth, with loud accord, Praise the Lord--for ever praise! Like the years of His right hand, Like His own eternity. BROOKWELL. 8s. & us. 1. Hark! what mean those holy voices, Sweetly sounding through the skies! 2. Hear them tell the wondrous story, Hear them chant by hymns of joy: 3. "Christ is born, the great Anointed, Heaven and earth His praises sing! Lo! th' angelic host rejoices; Heavenly hallelujahs rise. "Glory in the highest glory! Glory be to God most high! Oh receive whom God appointed For your Prophet, Priest and King! ST. GEORGE. L. M. 1. From all that dwell below the skies, Let the Creator's praise arise; 2. Eternal are Thy mercies Lord, Eternal truth attends Thy word: Let the Redeemer's name be sung, Thro' every land, by every tongue. Thy praise shall sound from shore to shore, Till suns shall rise and set no more. WHITEWATER. S. M. 1. Oh, bless the Lord, my soul! Let all within me join, 2. Oh, bless the Lord my soul! Nor let His mercies lie 3. 'T is He that heals thy sicknesses, And makes thee young again. And aid my tongue to bless His name, Whose favors are divine. Forgotten in unthankfulness, And without praises die. 'T is He that heals thy sicknesses, And makes thee young again. GRETRY. 8s. & 7s. 1. Savior, breathe an evening blessing, Ere repose our spirits seal: 2. Tho' destruction walk around us, Tho' the arrow near us fly, 3. Tho' the night be dark and dreary, Darkness can not hide from Thee, 4. Should swift death this night o'ertake us, And our couch become our tomb, Sin and want we come confessing; Thou canst save, and thou canst heal. Angel guards from thee surround us; We are safe, if thou art nigh. Thou art He who, ever weary, Watcheth where Thy people be. May the morn in heaven awake us, Clad in light and deathless bloom HALCYON. S. M. 1. How gentle God's commands! How kind His precepts are! 2. Beneath His watchful eye His saints securely dwell; 3. Why should this anxious load Press down your weary mind? 4.His goodness stands approved, Unchanged from day to day; Come, cast your burden on the Lord, And trust His constant care. That hand which bears all nature up, Shall guard His children well. Haste to your heavenly Father's throne, And sweet refreshment find. I"ll drop my burden at His feet, and Bear a song away. <hr /> FOR CONGREGATIONAL SINGING. 7 MYRTLE WILL. S. M. 1. While my Redeemer's near, My shepherd and my guide, 2. To ever fragrant meads, Where rich abundance grows, 3. Dear Shepherd, if I stray, My wandering feet restore: I bid farewell to anxious fear; My wants are all supplied. His gracious hand indulgent leads, And guards my sweet respose. To Thy fair pastures guide my way, And let me rove no more. LAUREL WOOD. C. M. 1. Our Father, God, who are in heaven, All hallowed be Thy name! 2. Give us this day, our daily bread, And as we those forgive 3. Into temptation lead us not; From evil set us free; Thy kingdom come; Thy will be done, In earth and heaven the same! Who sin against us, so may we Forgiving grace receive. And thine the kingdom, thine the power And glory, ever be. We have here a higher sound, and in the representation will use another line. ODA. C. M. 1. Oh, that the Lord would guide my ways, To keep His statues still! 2.Oh, send Thy Spirit down, to write Thy law upon my heart; 3. Order my footsteps by Thy word, And make my heart sincere; 4. Make me to walk in Thy commands, 'T is a delightful road; Oh that my God would give me grace To know and do His will. Nor let my tongue indulge deceit, Nor act the liar's part. Let sin have no dominion, Lord, But keep my conscience clear, Nor let my head, nor heart, nor hands, Offend against my God. Where two words are sung to one note, they are uttered quicker. ORVIS. L. M. 1. Sweet is the work, my God, my King, To praise Thy name, give thanks and sing, 2. Sweet is the day of sacred rest; No mortal cares shall seize my breast; To show Thy love by morning light, And talk of all Thy truth at night. Oh, may my heart in tune be found, Like David's harp of solemn sound. LEAVITT. S. M. 1. The Lord my Shepherd is; I shall be well supplied; 2. He leads me to the place Where heavenly pasture grows; 3. If e'er I go astray, He doth my soul reclaim; 4. While He affords His aid, I cannot yield to fear; Since He is mine and I am His, What can I want beside. Where living waters gently pass, And full salvation flows. And guides me in His own right way, For His most holy name. Tho' I should walk thro' death's dark shade, My Shepherd's with me there. PALMTREE. S. M. 1. We life our hearts to Thee, Thou Day star from on high; 2. Oh, let Thy rising beams Dispel the shades of night; 3. How beauteous nature now! How dark and sad before! 4. May we this life improve, To mourn errors past; The sun itself is but Thy shade, Yet cheers both earth and sky. And let the glories of Thy love, Come like the morning light! With joy we view the pleasing change, And nature's God adore. And live this short, revolving day As if it were our last. <hr /> 8 INTRODUCTORY COURSE Rowena. L. M. 1. Soon may the last glad song arise, Thro' all the millions of the skies. 2. Let thrones and powers and kingdoms be Obedient, mighty God, to Thee! 3. Oh, let that glorious anthem swell, Let host to host the triumph tell, That song of triumph which records That all the earth is now the Lord's! And over land and stream and main, Wave Thou the scepter of Thy reign! That not one rebel heart remains, But over all the Savior reigns! SABERTON. 7s. 1. Songs of praise the angels sang, Heaven with hallelujahs rang, 2. Songs of praise awoke the morn, When the Prince of Peace was born: 3. Heaven and earth shall pass away; Songs of praise shall crown the day: 4. Saints below, with heart and voice, Still in songs of praise rejoice; When Jehovah's work begun, When He spake, and it was done. Songs of praise arose when He Captive led captivity. God will make new heavens and earth; Songs of praise shall hail their birth. Learning here by faith and love, Songs of praise to sing above. PINE GROVE. C.M. 1. How sweet, how heavenly is the sight, When those who love the Lord 2. When each can feel his brother's sign, And with him bear apart! 3. When, free from envy, scorn and pride, Our wishes all above, In one another's peace delight, And so fulfill His word! When sorrow flows from eye to eye, And joy from heart to heart. Each can his brother's failings hide, And show a brother's love. EVERHART. 7s. 1. Sons of Zion, raise your songs! Praise to Zion's King belongs; 2. Sore the strife, but rich the prize, Precious in the Victor's eyes; 3. Sing we then the Victor's praise; Go ye forth and strew the ways; 4. Place the crown upon His brow; Every knee to Him shall bow; His the Victor's crown and fame: Glory to the Savior's name! Glorious is the work achieved, Satan vanquished man relieved! Bid Him welcome to His throne; He is worthy, He alone! Him the brightest seraph sings; Heaven proclaims Him "King of kings!" TRUCE. C.M. 1. O God, my heart is fully bent To magnify Thy name; 2. To all the listening tribes, O Lord, Thy wonders I will tell; 3. Because Thy mercy's boundless height The highest heaven transcends. 4. Be thou, O God, exalted high Above the starry frame; My tongue, with cheerful songs of praise, Shall celebrate Thy fame. And to those nations sing Thy praise That round about us dwell. And far beyond th' aspiring clouds Thy faithful truth extends. And let the world with one consent, Confess Thy glorious name. GUEST. C. M. 1. O happy land! O happy land! Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh, hear us when we pray! We long to join that glorious band, And all their anthems dwell. No lips untaught can join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. <hr /> FOR CONGREGATIONALL SINGING 9 When two syllables are printed under one note, they are to be sung quicker. They are to take as much time only as one syllable in the other places. BERRINGTON. 11s & 10s. 1. Brightest and best of the sons of the morning! 2. Cold on his cradle the dewdrops are shining, 3. Say, shall we yield him, in costly devotion, 4. Vainly we offer each ample oblation, 5. Brightest and best of the sons of the morning! Down on our darkness and lend us thine aid; Low lies his Head with the boasts of the stall; Odors of Edom and offerings divine? Vainly with gold would His favors secure; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Angels adore Him in slumber reclining, Gems of the mountain, and pearls of the ocean Richer, by far, is the heart's adoration, Star of the East, the horizon adorning. Guide where our infant Redeemer is laid. Maker, and Monarch, and Savior of all! Dearer to God are the prayers of the poor. Guide where our infant Redeemer is laid. OLOFF. S. M. 1.Is this the kind return? Are these the thanks we owe? 2. To what a stubborn frame Hath sin reduced our mind? 3. Turn, turn us, mighty God, And mold our souls afresh; 4. Let past ingratitude, Provoke our weeping eyes, Thus to abuse eternal Love, Whence all our blessings flow! What strange, rebellious wretches we! And God as strangely kind; Break Sovereign Grace! hearts of stone, And give us hearts of flesh. And hourly, as new mercies fall, Let hourly thanks arise. CAPULET. 8s & 7s, Double. 1. Glorious things of thee are spoken, Zion, city of our God; 2. On the Rock of Ages founded, What can shake her own repose? He whose word can ne'er be broken, Chose thee for his own abode. With salvation's wall surrounded, She can smile at all her foes. Lord, Thy church is still Thy dwelling, Still is precious in Thy sight; Glorious things of Thee are spoken, Zion, city of our God; Judah's temple far excelling, Beaming with the gospel's light. He whose word can ne'er be broken, Choose thee for His own abode. TELFORD. 8s & 5. 1. Sing of Jesus, sing forever, Of the love that changes 2. Thro' the dessert drear He leads them, With the bread of heaven He 3. There they see the Lord who bought them, Him who came from heaven, and 4. Sing of Jesus, sing forever, Sing the love that changes never; Who or what can from Him sever, Those He makes His own? feeds them. And thro' all the way He speeds them, Him they serve and love. never: Who or what can from Him sever, Those He makes His own? <hr /> INTRODUCTORY COURSE 10 KINSIE, 7s & 5s. 1. Onward speed thy conquering flight, Angel, onward speed! 2. Onward speed thy conquering flight, Angel, onward fly! 3. Onward speed thy conquering flight, Angel, onward speed! Cast abroad thy radiant light, Bid the shakes recede; Long has been the reign of night, Bring the morning nigh; Morning bursts upon our sight. Lo! Let the time decreed: Tread the idols in the dust, Heathen fanes destroy; Unto thee earth's sufferers lift Their imploring wall; Now the Lord His kingdom takes, Thrones and empires fall; Spread the gospel's love and trust, Spread the gospel's joy. Bear them heaven's holy gift, Ere their courage fall. Now the joyous song awakes, "God is All in All!" FARWELL. 8s, 7s & 4. 1. Every human tie may perish; Friend to friend unfaithful 2. In the furnace God may prove thee, Thence to bring thee forth more prove; Mothers cease their own to cherish; Heaven and earth at least bright; But can never cease to love thee; Thou art precious in remove; But no changes Can avert a Father's love. His sight; God is with thee; God, thine everlasting light. RECTOR. 7s & 6s. 1. In heavenly love abiding, No change my heart shall fear, 2. Wherever He may guide me, No want shall turn me back: 3. Green pastures are before me, Which yet I have not seen; And safe is such confiding, For nothing changes here. My Shepherd is beside me, And nothing can I lack. Bright skies will soon be o'er me, Where darkest clouds have been: The storm may roar about me, My heart may low be laid, His wisdom ever waketh, His sight is never dim: My hope I cannot measure; My path to life is free; But God is round about me, And can I be dismayed? He knows the way He taketh, And I will walk with Him. My Savior has my treasure, And He will walk with me. AURANIA. C. M. 1.O happy land, O happy land, Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh hear us when we pray! 4. Be all our fresh, our youthful days To Thy blest service given: We long to join that glorious hand, And all their anthems swell. No lips untaught may join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. Then we shall meet to sing Thy praises, A ransomed band in heaven. <hr /> FOR CONGREGATIONAL SINGING 11 WITHINGTON. 8s & 7s, Peculiar. 1. God is our refuge ever near, Our help in tribulation; 2. The stream that flows from Zion's hill, Shall yet, serenely gliding Therefore His people shall not fear Amid a wreck'd creation; With the holy city fill, His presence there abiding; Tho' mountains from their base be hurled, And ocean shake the solid The Lord, her glory and defense, Will guard his chosen residence world. The Lord is our salvation, The Lord is our salvation. His aid providing, His timely aid providing. CLEAR LAKE. 6s & 4s. 1. God bless our native land, Firm may she ever stand, 2. For her our prayer shall rise, To God, above the skies. Thro' storm and night; When wild the tempests rave, Ruler of On Him we wait: Thou who are ever nigh, Guarding with Wind and wave, Do Thou our country save, By Thy great might. watchful eye, To Thee aloud we cry, God save the State! WINONA. 8s. & 6 s. 1. Let every heart rejoice and sing; Let choral anthems 2. He bids the sun to rise and set; In heaven His power is rise; Ye reverend men and children, bring To God your sacrifice: known. And earth subdued to Him, shall yet Bow low before For He is good, the Lord is good, and kind are His throne: For He is good, the Lord is good, and kind are all His ways: With songs and honors sounding loud, The Lord all His ways: With songs and honors sounding loud, The Lord Jehovah praise; While the rocks and the rills, While the vales Jehovah praise; While the rocks and the rills, While the vales and the hills, A glorious anthem raise, Let each prolong and the hills, A glorious anthem raise, Let each prolong the grateful song, And the God of our fathers praise. the grateful song, And the God of our fathers praise. <hr /> INTRODUCTORY COURSE 12 CHANT NO. 1 1. Have mercy upon me, O God, according to Thy loving kindness 2. Wash me thoroughly from my iniquity, and cleanse me from my sin. 3. Against Thee, Thee only have I sinned, and done this evil in thy sight. 4. Create in me a clean heart, O God: and renew a right spirit within me. 5. Restore unto me Thy salvation, and uphold me with Thy free Spirit. According to the multitude of Thy tender mercies, Blot out my transgressions. For I acknowledge my transgressions; and my sin is ever before me. That Though mayest be justified when Thou speakest, and be clear when Thou judgest. Cast me not away from Thy presence, and take not Thy Holy Spirit from me. Then will I teach transgressors Thy ways, and sinners shall be converted unto Thee. When two notes are printed over one syllable, it indicates that two sounds are to be sung to it. CHANT NO. 2. 1. The Lord is my shepherd, I shall not want. 2. He restoreth my soul: 3. Yes, though I walk through the valley of the shadow of death, I will fear no evil: 4. Thou prepares a table for me in the presence of mine enemies. 5. Surely goodness and mercy shall follow me all the days of my life Me maketh me to lie down in green pastures; He leadeth me beside the still waters. He leadeth me in the paths of righteousness for His name's sake. For Thou art with me; Thy rod and Thy staff they comfort me. Thou anointest my head with oil: my cup runneth over. And I will dwell in the house of the Lord forever. CHANT NO. 3. 1. God be merciful until us and bless us; 2. That Thy way may be known upon earth, 3. Let the people praise Thee, O God, 4. Oh let the nations be glad and sing for joy; 5. Let the people praise Thee, O God, 6. Then shall the earth yield her increase; 7. God shall bless us; And cause His face to shine upon us. Thy saving health among all nations. Let all the people praise Thee. For Thou shalt judge the people righteously and govern the nations upon earth. Let all the people praise Thee. And God, even our own God shall bless us. And all the ends of the earth shall fear Him. CHANT NO. 4. 1. Praise ye the Lord: O give thanks unto the Lord for He is good: 2. Who can utter the mighty acts of the Lord? 3. Blessed are they that keep judgment. 4. Remember me, O Lord: 5. O visit me with Thy salvation. 6. That I may rejoice in the gladness of Thy nation: For His mercy is forever. Who can show forth all His praise? And He that doeth righteousness at all times. With the favor that Thou bearest unto Thy people. That I may see the good of Thy chosen. That I may glory with Thine inheritance. <hr /> AND TEACHER'S MANUAL 17 <hr /> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 400 16 x 25 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200207 Illinois Print Collection VZV R782t Title A name given to the resource The Triumph! Description An account of the resource "A Collection of music containing an introductory course for congregational singing, theory of music and teacher's manual, elementary, intermediate and advanced courses, for singing schools and musical conventions, and tunes, hymns, anthems and chants for choirs." Subject The topic of the resource Tune-books Songs and music Anthems Chants School songbooks Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1868 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Continue Transcrbing Weight A 6-digit number used to sort items quickly. 2000 Transcription A written representation of a document or a page. THE TRIUMPH! BY Geo. F. Root. Chicago: Root & Cady. ---- [blank page] ---- FOR CONGREGATIONAL SINGING. 5 the voices at the same sound or pitch, but the natural tendency will be to get together in this respect, and it will be pleasanter to do so. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, might Lord. We have been so accustomed to hear tunes with these hymns, that the monotony of this mode of utterance, although emotional will prevent its being useful. We will, therefore, vary the sound or pitch of the fifth and sixth syllables in each line. We will make them a little higher than the others. This may be presented thus:- 1. Thou, who are enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, mighty Lord! [The teacher will probably understand that this higher pitch is but one step above the others.] We will now give another form for the utterance of the first hymn, but it will be easier to tell where these large dots are that note the sounds, if we have a line, on, or above, or below which, we can place them. And now it will not be necessary to print the words higher or lower with the tune, for the dots or notes will show the changes of the words. It should here be said that notes help even those who do not understand music at all, for they are a picture of the tune, and go up or down, or skip around, just as the tune does. Let us all now join in the next tune, being guided by the notes. NORTHWEST. 7s. 1. Let us with a joyful mind, Praise the Lord for He is kind; 2. He, with all commandment might, Filled the new made world with light; 3. All things living doth he feed; His full hand supplies their need; 4. Let us with a joyful mind, Praise the Lord for He is kind; For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. In the following hymn we will use a still higher sound; so in the representation we must have another line: -- BLONDEL. 7s. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, 3. Decks the spring with flowers the field, Harvest rich doth autumn yield? 4.Sovereign Ruler mighty Lord, We thy praises will record: Sweet it is with joyful tongue, To resound thy praise in song. We thy praises will record, Sovereign Ruler, mighty Lord! Giver of all good below, Lord, from Thee those blessings flow. Giver of these blessings, we Pour the grateful song to Thee. As soon as a form or tune is acquired so that we can use it without effort; we may commence the work of self-improvement; but if we are not accustomed to fix our minds on the words sung, but are more inclined to listen to the tune, we shall find it difficult to concentrate our thoughts as we ought. We shall be like untrained children at school, who are disturbed and distracted by every unusual sight or sound, and must try many times before we can take the sentiments contained in the words fully into our hearts, and bear them upon our song unobstructed and unhindered, up to the great object of all worship. ---- 6 INTRODUCTORY COURSE The following hymns and selections are designed to be sung by all the people of an congregation. Not one need be silent, who has the power of speech. That some may not get the sound exactly with the others should not prevent them from joining, for in these simple forms a few times trying will remedy that difficulty in almost every case; and if it does not, the worship is so much more important, that the form is of but little consequence in comparison. ELVIRA. 7s. 1. All ye nations praise the Lord! All ye lands your voices raise; 2. For his truth and mercy stand, Past, and present, and to be, Heaven and earth, with loud accord, Praise the Lord--for ever praise! Like the years of His right hand, Like His own eternity. BROOKWELL. 8s. & us. 1. Hark! what mean those holy voices, Sweetly sounding through the skies! 2. Hear them tell the wondrous story, Hear them chant by hymns of joy: 3. "Christ is born, the great Anointed, Heaven and earth His praises sing! Lo! th' angelic host rejoices; Heavenly hallelujahs rise. "Glory in the highest glory! Glory be to God most high! Oh receive whom God appointed For your Prophet, Priest and King! ST. GEORGE. L. M. 1. From all that dwell below the skies, Let the Creator's praise arise; 2. Eternal are Thy mercies Lord, Eternal truth attends Thy word: Let the Redeemer's name be sung, Thro' every land, by every tongue. Thy praise shall sound from shore to shore, Till suns shall rise and set no more. WHITEWATER. S. M. 1. Oh, bless the Lord, my soul! Let all within me join, 2. Oh, bless the Lord my soul! Nor let His mercies lie 3. 'T is He that heals thy sicknesses, And makes thee young again. And aid my tongue to bless His name, Whose favors are divine. Forgotten in unthankfulness, And without praises die. 'T is He that heals thy sicknesses, And makes thee young again. GRETRY. 8s. & 7s. 1. Savior, breathe an evening blessing, Ere repose our spirits seal: 2. Tho' destruction walk around us, Tho' the arrow near us fly, 3. Tho' the night be dark and dreary, Darkness can not hide from Thee, 4. Should swift death this night o'ertake us, And our couch become our tomb, Sin and want we come confessing; Thou canst save, and thou canst heal. Angel guards from thee surround us; We are safe, if thou art nigh. Thou art He who, ever weary, Watcheth where Thy people be. May the morn in heaven awake us, Clad in light and deathless bloom HALCYON. S. M. 1. How gentle God's commands! How kind His precepts are! 2. Beneath His watchful eye His saints securely dwell; 3. Why should this anxious load Press down your weary mind? 4.His goodness stands approved, Unchanged from day to day; Come, cast your burden on the Lord, And trust His constant care. That hand which bears all nature up, Shall guard His children well. Haste to your heavenly Father's throne, And sweet refreshment find. I"ll drop my burden at His feet, and Bear a song away. ---- FOR CONGREGATIONAL SINGING. 7 MYRTLE WILL. S. M. 1. While my Redeemer's near, My shepherd and my guide, 2. To ever fragrant meads, Where rich abundance grows, 3. Dear Shepherd, if I stray, My wandering feet restore: I bid farewell to anxious fear; My wants are all supplied. His gracious hand indulgent leads, And guards my sweet respose. To Thy fair pastures guide my way, And let me rove no more. LAUREL WOOD. C. M. 1. Our Father, God, who are in heaven, All hallowed be Thy name! 2. Give us this day, our daily bread, And as we those forgive 3. Into temptation lead us not; From evil set us free; Thy kingdom come; Thy will be done, In earth and heaven the same! Who sin against us, so may we Forgiving grace receive. And thine the kingdom, thine the power And glory, ever be. We have here a higher sound, and in the representation will use another line. ODA. C. M. 1. Oh, that the Lord would guide my ways, To keep His statues still! 2.Oh, send Thy Spirit down, to write Thy law upon my heart; 3. Order my footsteps by Thy word, And make my heart sincere; 4. Make me to walk in Thy commands, 'T is a delightful road; Oh that my God would give me grace To know and do His will. Nor let my tongue indulge deceit, Nor act the liar's part. Let sin have no dominion, Lord, But keep my conscience clear, Nor let my head, nor heart, nor hands, Offend against my God. Where two words are sung to one note, they are uttered quicker. ORVIS. L. M. 1. Sweet is the work, my God, my King, To praise Thy name, give thanks and sing, 2. Sweet is the day of sacred rest; No mortal cares shall seize my breast; To show Thy love by morning light, And talk of all Thy truth at night. Oh, may my heart in tune be found, Like David's harp of solemn sound. LEAVITT. S. M. 1. The Lord my Shepherd is; I shall be well supplied; 2. He leads me to the place Where heavenly pasture grows; 3. If e'er I go astray, He doth my soul reclaim; 4. While He affords His aid, I cannot yield to fear; Since He is mine and I am His, What can I want beside. Where living waters gently pass, And full salvation flows. And guides me in His own right way, For His most holy name. Tho' I should walk thro' death's dark shade, My Shepherd's with me there. PALMTREE. S. M. 1. We life our hearts to Thee, Thou Day star from on high; 2. Oh, let Thy rising beams Dispel the shades of night; 3. How beauteous nature now! How dark and sad before! 4. May we this life improve, To mourn errors past; The sun itself is but Thy shade, Yet cheers both earth and sky. And let the glories of Thy love, Come like the morning light! With joy we view the pleasing change, And nature's God adore. And live this short, revolving day As if it were our last. ---- 8 INTRODUCTORY COURSE Rowena. L. M. 1. Soon may the last glad song arise, Thro' all the millions of the skies. 2. Let thrones and powers and kingdoms be Obedient, mighty God, to Thee! 3. Oh, let that glorious anthem swell, Let host to host the triumph tell, That song of triumph which records That all the earth is now the Lord's! And over land and stream and main, Wave Thou the scepter of Thy reign! That not one rebel heart remains, But over all the Savior reigns! SABERTON. 7s. 1. Songs of praise the angels sang, Heaven with hallelujahs rang, 2. Songs of praise awoke the morn, When the Prince of Peace was born: 3. Heaven and earth shall pass away; Songs of praise shall crown the day: 4. Saints below, with heart and voice, Still in songs of praise rejoice; When Jehovah's work begun, When He spake, and it was done. Songs of praise arose when He Captive led captivity. God will make new heavens and earth; Songs of praise shall hail their birth. Learning here by faith and love, Songs of praise to sing above. PINE GROVE. C.M. 1. How sweet, how heavenly is the sight, When those who love the Lord 2. When each can feel his brother's sign, And with him bear apart! 3. When, free from envy, scorn and pride, Our wishes all above, In one another's peace delight, And so fulfill His word! When sorrow flows from eye to eye, And joy from heart to heart. Each can his brother's failings hide, And show a brother's love. EVERHART. 7s. 1. Sons of Zion, raise your songs! Praise to Zion's King belongs; 2. Sore the strife, but rich the prize, Precious in the Victor's eyes; 3. Sing we then the Victor's praise; Go ye forth and strew the ways; 4. Place the crown upon His brow; Every knee to Him shall bow; His the Victor's crown and fame: Glory to the Savior's name! Glorious is the work achieved, Satan vanquished man relieved! Bid Him welcome to His throne; He is worthy, He alone! Him the brightest seraph sings; Heaven proclaims Him "King of kings!" TRUCE. C.M. 1. O God, my heart is fully bent To magnify Thy name; 2. To all the listening tribes, O Lord, Thy wonders I will tell; 3. Because Thy mercy's boundless height The highest heaven transcends. 4. Be thou, O God, exalted high Above the starry frame; My tongue, with cheerful songs of praise, Shall celebrate Thy fame. And to those nations sing Thy praise That round about us dwell. And far beyond th' aspiring clouds Thy faithful truth extends. And let the world with one consent, Confess Thy glorious name. GUEST. C. M. 1. O happy land! O happy land! Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh, hear us when we pray! We long to join that glorious band, And all their anthems dwell. No lips untaught can join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. ---- FOR CONGREGATIONALL SINGING 9 When two syllables are printed under one note, they are to be sung quicker. They are to take as much time only as one syllable in the other places. BERRINGTON. 11s & 10s. 1. Brightest and best of the sons of the morning! 2. Cold on his cradle the dewdrops are shining, 3. Say, shall we yield him, in costly devotion, 4. Vainly we offer each ample oblation, 5. Brightest and best of the sons of the morning! Down on our darkness and lend us thine aid; Low lies his Head with the boasts of the stall; Odors of Edom and offerings divine? Vainly with gold would His favors secure; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Angels adore Him in slumber reclining, Gems of the mountain, and pearls of the ocean Richer, by far, is the heart's adoration, Star of the East, the horizon adorning. Guide where our infant Redeemer is laid. Maker, and Monarch, and Savior of all! Dearer to God are the prayers of the poor. Guide where our infant Redeemer is laid. OLOFF. S. M. 1.Is this the kind return? Are these the thanks we owe? 2. To what a stubborn frame Hath sin reduced our mind? 3. Turn, turn us, mighty God, And mold our souls afresh; 4. Let past ingratitude, Provoke our weeping eyes, Thus to abuse eternal Love, Whence all our blessings flow! What strange, rebellious wretches we! And God as strangely kind; Break Sovereign Grace! hearts of stone, And give us hearts of flesh. And hourly, as new mercies fall, Let hourly thanks arise. CAPULET. 8s & 7s, Double. 1. Glorious things of thee are spoken, Zion, city of our God; 2. On the Rock of Ages founded, What can shake her own repose? He whose word can ne'er be broken, Chose thee for his own abode. With salvation's wall surrounded, She can smile at all her foes. Lord, Thy church is still Thy dwelling, Still is precious in Thy sight; Glorious things of Thee are spoken, Zion, city of our God; Judah's temple far excelling, Beaming with the gospel's light. He whose word can ne'er be broken, Choose thee for His own abode. TELFORD. 8s & 5. 1. Sing of Jesus, sing forever, Of the love that changes 2. Thro' the dessert drear He leads them, With the bread of heaven He 3. There they see the Lord who bought them, Him who came from heaven, and 4. Sing of Jesus, sing forever, Sing the love that changes never; Who or what can from Him sever, Those He makes His own? feeds them. And thro' all the way He speeds them, Him they serve and love. never: Who or what can from Him sever, Those He makes His own? ---- INTRODUCTORY COURSE 10 KINSIE, 7s & 5s. 1. Onward speed thy conquering flight, Angel, onward speed! 2. Onward speed thy conquering flight, Angel, onward fly! 3. Onward speed thy conquering flight, Angel, onward speed! Cast abroad thy radiant light, Bid the shakes recede; Long has been the reign of night, Bring the morning nigh; Morning bursts upon our sight. Lo! Let the time decreed: Tread the idols in the dust, Heathen fanes destroy; Unto thee earth's sufferers lift Their imploring wall; Now the Lord His kingdom takes, Thrones and empires fall; Spread the gospel's love and trust, Spread the gospel's joy. Bear them heaven's holy gift, Ere their courage fall. Now the joyous song awakes, "God is All in All!" FARWELL. 8s, 7s & 4. 1. Every human tie may perish; Friend to friend unfaithful 2. In the furnace God may prove thee, Thence to bring thee forth more prove; Mothers cease their own to cherish; Heaven and earth at least bright; But can never cease to love thee; Thou art precious in remove; But no changes Can avert a Father's love. His sight; God is with thee; God, thine everlasting light. RECTOR. 7s & 6s. 1. In heavenly love abiding, No change my heart shall fear, 2. Wherever He may guide me, No want shall turn me back: 3. Green pastures are before me, Which yet I have not seen; And safe is such confiding, For nothing changes here. My Shepherd is beside me, And nothing can I lack. Bright skies will soon be o'er me, Where darkest clouds have been: The storm may roar about me, My heart may low be laid, His wisdom ever waketh, His sight is never dim: My hope I cannot measure; My path to life is free; But God is round about me, And can I be dismayed? He knows the way He taketh, And I will walk with Him. My Savior has my treasure, And He will walk with me. AURANIA. C. M. 1.O happy land, O happy land, Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh hear us when we pray! 4. Be all our fresh, our youthful days To Thy blest service given: We long to join that glorious hand, And all their anthems swell. No lips untaught may join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. Then we shall meet to sing Thy praises, A ransomed band in heaven. ---- FOR CONGREGATIONAL SINGING 11 WITHINGTON. 8s & 7s, Peculiar. 1. God is our refuge ever near, Our help in tribulation; 2. The stream that flows from Zion's hill, Shall yet, serenely gliding Therefore His people shall not fear Amid a wreck'd creation; With the holy city fill, His presence there abiding; Tho' mountains from their base be hurled, And ocean shake the solid The Lord, her glory and defense, Will guard his chosen residence world. The Lord is our salvation, The Lord is our salvation. His aid providing, His timely aid providing. CLEAR LAKE. 6s & 4s. 1. God bless our native land, Firm may she ever stand, 2. For her our prayer shall rise, To God, above the skies. Thro' storm and night; When wild the tempests rave, Ruler of On Him we wait: Thou who are ever nigh, Guarding with Wind and wave, Do Thou our country save, By Thy great might. watchful eye, To Thee aloud we cry, God save the State! WINONA. 8s. & 6 s. 1. Let every heart rejoice and sing; Let choral anthems 2. He bids the sun to rise and set; In heaven His power is rise; Ye reverend men and children, bring To God your sacrifice: known. And earth subdued to Him, shall yet Bow low before For He is good, the Lord is good, and kind are His throne: For He is good, the Lord is good, and kind are all His ways: With songs and honors sounding loud, The Lord all His ways: With songs and honors sounding loud, The Lord Jehovah praise; While the rocks and the rills, While the vales Jehovah praise; While the rocks and the rills, While the vales and the hills, A glorious anthem raise, Let each prolong and the hills, A glorious anthem raise, Let each prolong the grateful song, And the God of our fathers praise. the grateful song, And the God of our fathers praise. ---- INTRODUCTORY COURSE 12 CHANT NO. 1 1. Have mercy upon me, O God, according to Thy loving kindness 2. Wash me thoroughly from my iniquity, and cleanse me from my sin. 3. Against Thee, Thee only have I sinned, and done this evil in thy sight. 4. Create in me a clean heart, O God: and renew a right spirit within me. 5. Restore unto me Thy salvation, and uphold me with Thy free Spirit. According to the multitude of Thy tender mercies, Blot out my transgressions. For I acknowledge my transgressions; and my sin is ever before me. That Though mayest be justified when Thou speakest, and be clear when Thou judgest. Cast me not away from Thy presence, and take not Thy Holy Spirit from me. Then will I teach transgressors Thy ways, and sinners shall be converted unto Thee. When two notes are printed over one syllable, it indicates that two sounds are to be sung to it. CHANT NO. 2. 1. The Lord is my shepherd, I shall not want. 2. He restoreth my soul: 3. Yes, though I walk through the valley of the shadow of death, I will fear no evil: 4. Thou prepares a table for me in the presence of mine enemies. 5. Surely goodness and mercy shall follow me all the days of my life Me maketh me to lie down in green pastures; He leadeth me beside the still waters. He leadeth me in the paths of righteousness for His name's sake. For Thou art with me; Thy rod and Thy staff they comfort me. Thou anointest my head with oil: my cup runneth over. And I will dwell in the house of the Lord forever. CHANT NO. 3. 1. God be merciful until us and bless us; 2. That Thy way may be known upon earth, 3. Let the people praise Thee, O God, 4. Oh let the nations be glad and sing for joy; 5. Let the people praise Thee, O God, 6. Then shall the earth yield her increase; 7. God shall bless us; And cause His face to shine upon us. Thy saving health among all nations. Let all the people praise Thee. For Thou shalt judge the people righteously and govern the nations upon earth. Let all the people praise Thee. And God, even our own God shall bless us. And all the ends of the earth shall fear Him. CHANT NO. 4. 1. Praise ye the Lord: O give thanks unto the Lord for He is good: 2. Who can utter the mighty acts of the Lord? 3. Blessed are they that keep judgment. 4. Remember me, O Lord: 5. O visit me with Thy salvation. 6. That I may rejoice in the gladness of Thy nation: For His mercy is forever. Who can show forth all His praise? And He that doeth righteousness at all times. With the favor that Thou bearest unto Thy people. That I may see the good of Thy chosen. That I may glory with Thine inheritance. ---- AND TEACHER'S MANUAL 17 https://www.chroniclingillinois.org/files/original/ccad7c1e11a261592bb50e81583e330f.pdf 316b0bbdb5342185035037ddf7f239f9 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Excelsior United States Zouave Cadets Chicago Lith. of Edw. Mendel 162 Lake St. Chicago <hr /> [Blank page] <hr /> Sixth Edition Zouave Cadets Quickstep Dedicated to the U.S. Zouave Cadets Governors Guard of Illinois By A.J. Vaas. Conductor of the Light Guard Band Chicago Published by Root & Cady 95 Clark St. Boston. Russell & Tolman. New York. Wm. Hall & Son. Cincinnatti W.G. Peters & Son. Louisville. D.P. Faults & Co. Millwaukee. H.N. Hempsted. Entered according to Act of Congress in the Year 1860 by Boot & Cady in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> U.S. ZOUAVE CADETS QUICK STEP. [Musical cue: Allegretto] [Key: Unknown] "One" "Two" "Three" "Four" "Five" "Six" "Seven" "Tiger" "Zouave" Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200206 Illinois Sheet Music Collection T-Z Title A name given to the resource Zouave Cadets Quickstep Description An account of the resource Instrumental music. Color cover depicts four Zouaves standing in front of troops on a field. Under images are several Unites States flags with a star in the center and eagle above. Handwritten note "Ellsworth" identifies second from right as Elmer E. Ellsworth. Subject The topic of the resource Songs and music Sheet music Marches Instrumental music United States. Army Soldiers Ellsworth, E. E. (Elmer Ephraim), 1837-1861 Creator An entity primarily responsible for making the resource Vass, A. J. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Excelsior United States Zouave Cadets Chicago Lith. of Edw. Mendel 162 Lake St. Chicago <hr /> [Blank page] <hr /> Sixth Edition Zouave Cadets Quickstep Dedicated to the U.S. Zouave Cadets Governors Guard of Illinois By A.J. Vaas. Conductor of the Light Guard Band Chicago Published by Root & Cady 95 Clark St. Boston. Russell & Tolman. New York. Wm. Hall & Son. Cincinnatti W.G. Peters & Son. Louisville. D.P. Faults & Co. Millwaukee. H.N. Hempsted. Entered according to Act of Congress in the Year 1860 by Boot & Cady in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> U.S. ZOUAVE CADETS QUICK STEP. [Musical cue: Allegretto] [Key: Unknown] "One" "Two" "Three" "Four" "Five" "Six" "Seven" "Tiger" "Zouave" Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/d85a026cf2ab5561a9075df451f85333.pdf d5b00855eeb21da366c3db4552629408 Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Transcription A written representation of a document or a page. 2 Songs by R. Stewart Taylor. O Wrap the Flag Around Me Boys! The Soldier's Dream Song Published by ROOT & CADY 95 Clark St. Chicago Henry Tolman & Co. Boston J Brainard & Co Cleveland H. N. Hemsted Milwaukee ---- <hr /> Wrap the flag around me boys! R. Stewart Taylor. Moderato Piano Forte 1. O wrap the flag around me boys. To die were far more sweet With freedom's starry emblem boys. To be my winding sheet In life I love'd to see it wave And follow where it led, And now my eyes grow dim my hands Would clasp its last bright shred. 2. O I had thought to greet you boys On many a well won field When to our starry banner boys The trait'rous foe should yield But now alas I am denied My dearest earthly prayer You'll follow and you'll meet the foe But I shall not be there. 3. But tho' my body moulder boys My spirit will be free, And every comrade's honor boys Will still be dear to me There in the thick and bloody right Ne'er let your ardor lag For I'll be there still hovering near Above the dear old flag. 1. Then wrap the flag around me boys To die were far more sweet With freedoms starry emblem boys. To be my winding sheet. 2. Yet wrap &c 3. So wrap the flag around me boys To die were far more sweet With freedoms starry emblem boys. To be my winding sheet. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200205 Illinois Sheet Music Collection T-Z Title A name given to the resource Wrap the Flag Around Me, Boys and The Soldier's Dream Song Description An account of the resource Lyrics depict singer asking to be buried with the American flag. Title page indicates two songs included, but only one is present. Subject The topic of the resource Songs and music Sheet music American Civil War (1861-1865) Death Flags Patriotic songs Soldier United States- Army Creator An entity primarily responsible for making the resource Taylor, R. Stewart Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Percent Needs Review The percentage of pages with Needs Review status. 100 Weight A 6-digit number used to sort items quickly. 200 Transcription A written representation of a document or a page. 2 Songs by R. Stewart Taylor. O Wrap the Flag Around Me Boys! The Soldier's Dream Song Published by ROOT & CADY 95 Clark St. Chicago Henry Tolman & Co. Boston J Brainard & Co Cleveland H. N. Hemsted Milwaukee ---- <hr /> Wrap the flag around me boys! R. Stewart Taylor. Moderato Piano Forte 1. O wrap the flag around me boys. To die were far more sweet With freedom's starry emblem boys. To be my winding sheet In life I love'd to see it wave And follow where it led, And now my eyes grow dim my hands Would clasp its last bright shred. 2. O I had thought to greet you boys On many a well won field When to our starry banner boys The trait'rous foe should yield But now alas I am denied My dearest earthly prayer You'll follow and you'll meet the foe But I shall not be there. 3. But tho' my body moulder boys My spirit will be free, And every comrade's honor boys Will still be dear to me There in the thick and bloody right Ne'er let your ardor lag For I'll be there still hovering near Above the dear old flag. 1. Then wrap the flag around me boys To die were far more sweet With freedoms starry emblem boys. To be my winding sheet. 2. Yet wrap &c 3. So wrap the flag around me boys To die were far more sweet With freedoms starry emblem boys. To be my winding sheet. https://www.chroniclingillinois.org/files/original/d28d7619d23a4b1d51da28716b2400db.pdf 644188d3207053b0516046b545cbbc13 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Number 3 The Witmark Dance Folio FOR PIANO CONTENTS Two-Steps GOOD-BYE LITTLE GIRL, GOOD-BYE. Intro. You'll Never 'Mount to Nothing If You Stick to Me. LISTEN TO THE BIG BRASS BAND. I'LL BE YOUR HONEY IN THE SPRINGTIME. KATE KEARNEY. Intro. Korea. Waltzes MESSAGE OF THE VIOLET. Intro. Pictures in the Smoke. YOU'RE THE FLOWER OF MY HEART. Intro. Why Have You Changed. IN DREAMLAND, IN DREAMLAND. Intro. Romeo. THE GIRL WHO CARES FOR ME. Intro. When the Right Mr. Wright Comes Along. LUCY LINDA LADY. Intro. My Junetime Rose. I'M ON THE WATER WAGON NOW. TESSIE, YOU ARE THE ONLY, ONLY, ONLY. Schottische IF I SHOULD. Intro. It's a Habit. Three-Step or Mazurka CZAREVITCH. Lanciers A LITTLE OF EVERYTHING. M. Witmark & Sons New York Chicago London San Francisco---- MARCHES, TWO-STEPS, WALTZES, SCHOTTISCHES, POLKAS, LANCIERS, Etc. Selected from the Latest Popular Successes Price, 50 Cents Each Contents No. 1. WALTZES. 1. Because. 2. Betrothal. Paul B. Armstrong. 3. The Girl I Left in Dixie Waits for Me. 4. Just One Girl. 5. Sadie My Lady. 6. The Minstrels of Clare. Chauncey Olcott. MARCHES--TWO-STEPS 7. Brother Officers. Charles Bendix. 8. Captain of de Coontown Guards. 9. Darktown is Out To-Night. Will Marion. SCHOTTISCHES--CAPRICES. 10. Honey, You'se Ma Lady Love. 11. Mammy's Little Pumpkin Colored Coons. POLKAS--TWO-STEPS. 12. Isabelle. 13. Do, Do, My Huckleberry Do. 14. De Leader of De Company B. LANCIERS. 15. A Little of Everything--Medley. 16. Whirligig. John Stromberg. 17. Up-to-Date--Medley No. 1 WALTZ--QUADRILLE 18. Good-Fellowship. J. Zimmerman. THREE-STEP--MAZURKA--YORKE. 19. The Latest Fad. Nat D. Mann. MEDLEY QUADRILLE. 20. On With the Dance. VARSOUVIENNE. 21. Society Life. J. Zimmermann GAVOTTE. 22. Woman's Grace. Eduard Holst. Contents No. 2. WALTZES. 1. Pretty Mollie Shannon. 2. Jimmie, De Pride of Newspaper Row. 3. When You Were Sweet Sixteen. 4. Moon, Moon. 5. My Wild Irish Rose. 6. Absence Makes the Heart Grow Fonder. 7. Sweet Maggie May. 8. The Voice of the Violet. 9. Sing Me a Song of the South. MARCHES--TWO-STEPS. 10. Trouble. 11. De Pullman Porters' Ball. 12. The Chaperons. 13. I Wants a Ping Pong Man. 14. Soldiers. POLKA--TWO-STEPS. 15. I Left Ma Heart in Dixie. 16. My Blushin' Rosie. SCHOTTISCHE CAPRICES. 17. Stay in Your Own Back Yard. 18. Sadie, Say you Won't Say Nay. 19. Little Sallie Brown. LANCIERS. 20. Up-to-Date No. 8. SENT POSTPAID ON RECEIPT OF PRICE M. WITMARK & SONS New York Chicago London---- The Witmark Dance Folio No. 3. CONTENTS. Two-Steps. 1. Good-bye Little, Girl, Good-bye. Intro. You'll Never Mount to Nothing if you stick to me. page 2. 2. Listen to the Big Brass Band. page 6. 3. I'll be your Honey in the Springtime. page 9. 4. Kate Kearney. Intro. Korea. page 12. Waltzes. 5. Message of the Violet. Intro. Pictures in the Smoke. page 14. 6. You're the Flower of my Heart, Sweet Adeline. Intro. Why have you changed. page 17. 7. Because You Were An Old Sweetheart Of Mine. Intro. I Want Mine. page 20. 8. In Dreamland, In Dreamland. Intro. Romeo. page 23. 9. The Girl Who Cares For Me. Intro. When the right Mr. Wright comes along. page 26. 10. Lucy Linda Lady. Intro. My Junetime Rose. page 29. 11. I'm on the Water-Wagon now. page 32. 12. Tessie, you are the only, only, only. page 34. Schottische. 13. If I Should. Intro. Its a Habit. page 37. Three-Step 14. Czarevitch. page 39. Lanciers. 15. A Little of Everything. page 42. M.WITMARK and SONS Publishers. New York -- Chicago-- London. Copyright MCMV by M. Witmark & Sons, New York. International Copyright Secured.---- [what follows is the music stanzas for these songs] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 51 30 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200204 Illinois Sheet Music Collection T-Z Title A name given to the resource The Witmark Dance Folio Description An account of the resource Instrumental music. Compilation of 15 songs in the dance genres of Two-step, Waltz, Schottische, Three-step/Mazurka, and Lancier. Subject The topic of the resource Songs and music Sheet music Dance music Waltzes Schottisches Mazurkas Contributor An entity responsible for making contributions to the resource M. Whitmark & Sons Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1915 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Number 3 The Witmark Dance Folio FOR PIANO CONTENTS Two-Steps GOOD-BYE LITTLE GIRL, GOOD-BYE. Intro. You'll Never 'Mount to Nothing If You Stick to Me. LISTEN TO THE BIG BRASS BAND. I'LL BE YOUR HONEY IN THE SPRINGTIME. KATE KEARNEY. Intro. Korea. Waltzes MESSAGE OF THE VIOLET. Intro. Pictures in the Smoke. YOU'RE THE FLOWER OF MY HEART. Intro. Why Have You Changed. IN DREAMLAND, IN DREAMLAND. Intro. Romeo. THE GIRL WHO CARES FOR ME. Intro. When the Right Mr. Wright Comes Along. LUCY LINDA LADY. Intro. My Junetime Rose. I'M ON THE WATER WAGON NOW. TESSIE, YOU ARE THE ONLY, ONLY, ONLY. Schottische IF I SHOULD. Intro. It's a Habit. Three-Step or Mazurka CZAREVITCH. Lanciers A LITTLE OF EVERYTHING. M. Witmark & Sons New York Chicago London San Francisco---- MARCHES, TWO-STEPS, WALTZES, SCHOTTISCHES, POLKAS, LANCIERS, Etc. Selected from the Latest Popular Successes Price, 50 Cents Each Contents No. 1. WALTZES. 1. Because. 2. Betrothal. Paul B. Armstrong. 3. The Girl I Left in Dixie Waits for Me. 4. Just One Girl. 5. Sadie My Lady. 6. The Minstrels of Clare. Chauncey Olcott. MARCHES--TWO-STEPS 7. Brother Officers. Charles Bendix. 8. Captain of de Coontown Guards. 9. Darktown is Out To-Night. Will Marion. SCHOTTISCHES--CAPRICES. 10. Honey, You'se Ma Lady Love. 11. Mammy's Little Pumpkin Colored Coons. POLKAS--TWO-STEPS. 12. Isabelle. 13. Do, Do, My Huckleberry Do. 14. De Leader of De Company B. LANCIERS. 15. A Little of Everything--Medley. 16. Whirligig. John Stromberg. 17. Up-to-Date--Medley No. 1 WALTZ--QUADRILLE 18. Good-Fellowship. J. Zimmerman. THREE-STEP--MAZURKA--YORKE. 19. The Latest Fad. Nat D. Mann. MEDLEY QUADRILLE. 20. On With the Dance. VARSOUVIENNE. 21. Society Life. J. Zimmermann GAVOTTE. 22. Woman's Grace. Eduard Holst. Contents No. 2. WALTZES. 1. Pretty Mollie Shannon. 2. Jimmie, De Pride of Newspaper Row. 3. When You Were Sweet Sixteen. 4. Moon, Moon. 5. My Wild Irish Rose. 6. Absence Makes the Heart Grow Fonder. 7. Sweet Maggie May. 8. The Voice of the Violet. 9. Sing Me a Song of the South. MARCHES--TWO-STEPS. 10. Trouble. 11. De Pullman Porters' Ball. 12. The Chaperons. 13. I Wants a Ping Pong Man. 14. Soldiers. POLKA--TWO-STEPS. 15. I Left Ma Heart in Dixie. 16. My Blushin' Rosie. SCHOTTISCHE CAPRICES. 17. Stay in Your Own Back Yard. 18. Sadie, Say you Won't Say Nay. 19. Little Sallie Brown. LANCIERS. 20. Up-to-Date No. 8. SENT POSTPAID ON RECEIPT OF PRICE M. WITMARK & SONS New York Chicago London---- The Witmark Dance Folio No. 3. CONTENTS. Two-Steps. 1. Good-bye Little, Girl, Good-bye. Intro. You'll Never Mount to Nothing if you stick to me. page 2. 2. Listen to the Big Brass Band. page 6. 3. I'll be your Honey in the Springtime. page 9. 4. Kate Kearney. Intro. Korea. page 12. Waltzes. 5. Message of the Violet. Intro. Pictures in the Smoke. page 14. 6. You're the Flower of my Heart, Sweet Adeline. Intro. Why have you changed. page 17. 7. Because You Were An Old Sweetheart Of Mine. Intro. I Want Mine. page 20. 8. In Dreamland, In Dreamland. Intro. Romeo. page 23. 9. The Girl Who Cares For Me. Intro. When the right Mr. Wright comes along. page 26. 10. Lucy Linda Lady. Intro. My Junetime Rose. page 29. 11. I'm on the Water-Wagon now. page 32. 12. Tessie, you are the only, only, only. page 34. Schottische. 13. If I Should. Intro. Its a Habit. page 37. Three-Step 14. Czarevitch. page 39. Lanciers. 15. A Little of Everything. page 42. M.WITMARK and SONS Publishers. New York -- Chicago-- London. Copyright MCMV by M. Witmark & Sons, New York. International Copyright Secured.---- [what follows is the music stanzas for these songs] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/aad2da5cef7dfe3a5a1c8b9a24874d2d.pdf 753d1190f6112b0306849551456d9dd3 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "WITHIN MY HEART' PRIZE SONG MUSIC BY MARJORIE ELLIOTT price 25 cents.---- "WITHIN MY HEART." Prize song, - Composers Contest, Illinois Federation of Music Clubs. Apr.1939. Poem- Louise Fernald Rice- MUSIC--MARJORIE ELLIOTT. [Moderato. con expressive] Within my heart I hear a song [colla voce with tenderness. poco rit atempo] A song so sweet a song so tender. Within my heart, I see a face, a face within my heart, a face that I will long remember.---- [accell.] Within my heart I hear a voice that speaks of love, of love divine! [agitato.] Could it be your soul, beloved, whispering, to mine? [a tempo. rall.] Copyrighted Feb. 28, I939. Marjorie Elliott, 563 Oakdale Ave., Glencoe, Ill.. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 29 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200203 Illinois Sheet Music Collection T-Z Title A name given to the resource Within My Heart Description An account of the resource Lyrics depict singer fondly remembering a lover. Front cover signed by Marjorie Elliott. Subject The topic of the resource Songs and music Sheet music Love songs Creator An entity primarily responsible for making the resource Elliott, Marjorie and Rice, Louise Fernald Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Glencoe, IL Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "WITHIN MY HEART' PRIZE SONG MUSIC BY MARJORIE ELLIOTT price 25 cents.---- "WITHIN MY HEART." Prize song, - Composers Contest, Illinois Federation of Music Clubs. Apr.1939. Poem- Louise Fernald Rice- MUSIC--MARJORIE ELLIOTT. [Moderato. con expressive] Within my heart I hear a song [colla voce with tenderness. poco rit atempo] A song so sweet a song so tender. Within my heart, I see a face, a face within my heart, a face that I will long remember.---- [accell.] Within my heart I hear a voice that speaks of love, of love divine! [agitato.] Could it be your soul, beloved, whispering, to mine? [a tempo. rall.] Copyrighted Feb. 28, I939. Marjorie Elliott, 563 Oakdale Ave., Glencoe, Ill.. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/7262de6023d6c851783721930ea9b802.pdf b25a424976878d6edc90d926f4334b6e Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO PERPETUATE the glory of the brave men of the 19th Illinois. and their companions in arms who fell at Murfreesboro. "Who'll save the left," A Battle Scene. Words by R. Tompkins Music by GEO. F. ROOT. CHICAGO Published by ROOT & CADY 95 Clark St. [unreadable]---- "WHO'LL SAVE THE LEFT?" Recitando R.T. & G.F.R. [tremolo] Thro' two long days the battle raged In front of Murfreesboro And cannon balls tore up the earth As plows turn up the furrow Brave soldiers by the hundred fell In fierce assault and sally While bursting shell hiss'd scream'd and fell Like demons in the valley The---- Northman, and the Southron met, In bold defiant manner, Now vict'ry perch'd on Union flag, And now on rebel banner; But see! upon the Union's left, Bear down in countless numbers, With shouts that seem to wake the hills From their eternal slumbers, The rebel hosts, who iron rain Beats down our weaker forces, And covers all the battle plain With torn and mangled corses; Still---- onward press the rebel hordes More boldly, fiercer, faster, But Negley's practiced eye discerns The swift and dread disaster, "Who'll save the left," his voice rang out Above the roar of battle, "The Nineteenth" shouted Colonel Scott, Amid the muskets rattle "The Nineteenth be it, Make the charge!" Quick as the word was given The Nineteenth fell up on the foe, As lightning falls from heaven.---- [Con Fuoco] Over the stream they went, into the fight, Cutting their way on the left and the right, Unheeding the storm of the---- shot and the shell, Unheeding the fate of their comrades who fell, Onward they sped like the fierce lightnings flash, Onward they sped with a tornado's crash Onward they sped like the bolts of the thunder Resistlessly crushing the rebel hosts under 'Till wild in their terror they---- scatter'd and fled, Leaving heaps upon heaps, of their dying and dead; And the shout that went up with the set of the sun, Told the charge was triumphant, the great battle won; Told the charge was triumphant, the great battle won. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 8 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200202 Illinois Sheet Music Collection T-Z Title A name given to the resource Who'll Save the Left Description An account of the resource Lyrics depict the Battle of Stones River and the 19th Illinois Infantry's response to a need for a change in positioning on the battlefield. "To perpetuate the glory of the brave men of the 19th Illinois and their companions in arms who fell at Murfreesboro." Subject The topic of the resource Songs and music Sheet music War songs War--songs and music Stones River, Battle of, Murfreesboro, Tenn, 1862-1863 American Civil War (1861-1865) Creator An entity primarily responsible for making the resource  Tompkins, R.  and Root, George F. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO PERPETUATE the glory of the brave men of the 19th Illinois. and their companions in arms who fell at Murfreesboro. "Who'll save the left," A Battle Scene. Words by R. Tompkins Music by GEO. F. ROOT. CHICAGO Published by ROOT & CADY 95 Clark St. [unreadable]---- "WHO'LL SAVE THE LEFT?" Recitando R.T. & G.F.R. [tremolo] Thro' two long days the battle raged In front of Murfreesboro And cannon balls tore up the earth As plows turn up the furrow Brave soldiers by the hundred fell In fierce assault and sally While bursting shell hiss'd scream'd and fell Like demons in the valley The---- Northman, and the Southron met, In bold defiant manner, Now vict'ry perch'd on Union flag, And now on rebel banner; But see! upon the Union's left, Bear down in countless numbers, With shouts that seem to wake the hills From their eternal slumbers, The rebel hosts, who iron rain Beats down our weaker forces, And covers all the battle plain With torn and mangled corses; Still---- onward press the rebel hordes More boldly, fiercer, faster, But Negley's practiced eye discerns The swift and dread disaster, "Who'll save the left," his voice rang out Above the roar of battle, "The Nineteenth" shouted Colonel Scott, Amid the muskets rattle "The Nineteenth be it, Make the charge!" Quick as the word was given The Nineteenth fell up on the foe, As lightning falls from heaven.---- [Con Fuoco] Over the stream they went, into the fight, Cutting their way on the left and the right, Unheeding the storm of the---- shot and the shell, Unheeding the fate of their comrades who fell, Onward they sped like the fierce lightnings flash, Onward they sped with a tornado's crash Onward they sped like the bolts of the thunder Resistlessly crushing the rebel hosts under 'Till wild in their terror they---- scatter'd and fled, Leaving heaps upon heaps, of their dying and dead; And the shout that went up with the set of the sun, Told the charge was triumphant, the great battle won; Told the charge was triumphant, the great battle won. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/2ab019141ac8ed953a30436b5abb9eae.pdf fd4b299706cc50223959a62df15e6c15 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Inscribed to Mrs. S. E. Atwell. When you and I were Young, Maggie. SONG AND CHORUS. WORDS BY GEORGE W. JOHNSON. MUSIC BY J. A. BUTTERFIELD. GUITAR, 2 1/2. PIANO, 3. CHICAGO: Published by J. A. Butterfield. 15 Opera House. MAGGIE'S ANSWER, A BEAUTIFUL REPLY TO When you and I were young, Maggie, by J.A. Butterfield. Unlike most answers, this comes fully up to the original in beauty, simplicity, and expression, and by many is thought to be its superior. The beautiful sentiment of the words is wedded to a charming melody, prettily arranged, and commends itself to all who are delighted with a fine home song. I know, dearest Ralph, you are aged and gray: Your steps are now feeble and slow: Your once noble form is now bent by the storm All must weather while waiting below. The merry creek's bed, you say, is now dry, And silent the creaking old mill; But "songs without words" are still sung by the birds, Though the "green grove" is gone from the hill. Song and chorus. Key of B7. Price 30 cts., mailed free. Address the Publisher, J.A. Butterfield, Drawer 6,184, Chicago, ILLs.---- When you and I were Young. Words by GEO. W. JOHNSON. Music by J. A. BUTTERFIELD. [Moderato. ] 1. I wandered today to the hill, Maggie, To watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young. 2. A city so silent and lone, Maggie, Where the young and gay and the best, In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung: For we sang as gay as they, Maggie, When you and I were young. 3. They say I am feeble with age, Maggie, My steps are less sprightly than then, My face is a well written page, Maggie, But time alone was the pen. They say we are aged and gray, Maggie, As sprays by the white breakers flung; But to me you're as fair as you were, Maggie, When you and I were young. Chprus. [Soprano, Alto. Tenor. Bass.] And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I were young. Let us sing, Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200201 Illinois Sheet Music Collection T-Z Title A name given to the resource When You and I Were Young, Maggie Description An account of the resource Lyrics depict singer as an old man singing to his lover, "Maggie", and asking her to remember their life together when they were young. "Dedicated to Mrs. S. L. Atwell". Subject The topic of the resource Songs and music Sheet music Old Age Love songs Man-Woman relationship Creator An entity primarily responsible for making the resource Johnson, George W. Butterfield, J. A. Contributor An entity responsible for making contributions to the resource J. A. Butterfield Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource ca. 1866 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Inscribed to Mrs. S. E. Atwell. When you and I were Young, Maggie. SONG AND CHORUS. WORDS BY GEORGE W. JOHNSON. MUSIC BY J. A. BUTTERFIELD. GUITAR, 2 1/2. PIANO, 3. CHICAGO: Published by J. A. Butterfield. 15 Opera House. MAGGIE'S ANSWER, A BEAUTIFUL REPLY TO When you and I were young, Maggie, by J.A. Butterfield. Unlike most answers, this comes fully up to the original in beauty, simplicity, and expression, and by many is thought to be its superior. The beautiful sentiment of the words is wedded to a charming melody, prettily arranged, and commends itself to all who are delighted with a fine home song. I know, dearest Ralph, you are aged and gray: Your steps are now feeble and slow: Your once noble form is now bent by the storm All must weather while waiting below. The merry creek's bed, you say, is now dry, And silent the creaking old mill; But "songs without words" are still sung by the birds, Though the "green grove" is gone from the hill. Song and chorus. Key of B7. Price 30 cts., mailed free. Address the Publisher, J.A. Butterfield, Drawer 6,184, Chicago, ILLs.---- When you and I were Young. Words by GEO. W. JOHNSON. Music by J. A. BUTTERFIELD. [Moderato. ] 1. I wandered today to the hill, Maggie, To watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young. 2. A city so silent and lone, Maggie, Where the young and gay and the best, In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung: For we sang as gay as they, Maggie, When you and I were young. 3. They say I am feeble with age, Maggie, My steps are less sprightly than then, My face is a well written page, Maggie, But time alone was the pen. They say we are aged and gray, Maggie, As sprays by the white breakers flung; But to me you're as fair as you were, Maggie, When you and I were young. Chprus. [Soprano, Alto. Tenor. Bass.] And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I were young. Let us sing, Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/af42b7a576d95df23f5886e24282de9e.pdf 12dc3fcbcc38e8f848d8b22d2aad1ee9 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Inscribed to Mrs. S. [A.?] Atwell When You and I were Young, Maggie; SONG AND CHORUS. WORDS BY GEORGE W. JOHNSON, MUSIC BY J. A. BUTTERFIELD. Guitar 2 1/2, Piano 3. Chicago: Published by J A BUTTERFIELD, 37 Crosby Opera House---- When you and I were young, Maggie by J. A. Butterfield. No song, at the present day, is meeting with such remarkable success, as this captivating song. It is in universal demand. The beautiful sentiments it contains, and the exquisite melody, so finely wedded to the poet's thought, combine to make it one of those rare gems of song which will always retain its freshness. It has reached a sale of 50,000 copies. Song and Chorus. Key of F. Price 30 cents. "I wandered today to the hill, Maggie, to watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young." MAGGIE'S ANSWER, A BEAUTIFUL REPLY TO WHEN YOU AND I WERE YOUNG, MAGGIE. BY J. A. BUTTERFIELD Unlike most answers, this comes fully up to the original song in beauty, simplicity and expression, and by many is thought to be its superior. The beautiful sentiment of the words is set to a charming melody, prettily arranged, and commends itself to all who are delighted with a [fine?] home song. "I know, dearest Ralph, you are aged and gray; Your steps are now feeble and slow; Your once noble form is now bent by the storm All must weather while waiting below. The merry creek's bed, you say, is now dry, And silent the creaking old mill; But 'songs without words' are still sung by the birds, Though the 'green grove' is gone from the hill." Song and Chorus. Key of B flat. Price 30 cents. NEW VARIATIONS ON WHEN YOU AND I WERE YOUNG, MAGGIE. FOR PIANO. BY A. P. WYMAN. The author of "Silvery Waves" is so widely known as the most popular writer of the present day in this particular field of composition, that the announcement of this beautiful arrangement of a remarkably successful melody, will be favorably received by all performers who are looking for some instrumental gem of medium difficulty. It is excellent for teaching purposes, and as soon as known will be sought after alike by teachers and pupils. Key of F. Price 60 cents. For either of the above, enclose amount and you will receive them by return mail, postage paid. Address the publisher, J. A. BUTTERFIELD, 37 Crosby Opera House, Chicago.---- When you and I were Young. Words by GEO W. JOHNSON. Music by J. A. BUTTERFIELD Moderato. Ritard. 1. I wandered today to the hill, Maggie, To watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young. 2. A city so silent and lone, Maggie, Where the young and the gay and the best, In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung: For we sang as gay as they, Maggie, When you and I were young. 3. They say I am feeble with age, Maggie, My steps are less sprightly than then, My face is a well-written page, Maggie, But time alone was the pen. They say we are aged and gray, Maggie, As sprays by the white breakers flung; But to me you're as fair as you were, Maggie, When you and I were young.---- Chorus. Soprano. Alto. Tenor. Bass. Piano. And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I....were young. And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I....were young. Let us sing, Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200200 Illinois Sheet Music Collection T-Z Title A name given to the resource When You and I Were Young, Maggie Description An account of the resource Lyrics depict singer as an old man singing to his lover, "Maggie", and asking her to remember their life together when they were young. "Dedicated to Mrs. S. L. Atwell". Hand-written list on the back cover. Subject The topic of the resource Songs and music Sheet music Old Age Love songs Man-Woman relationship Creator An entity primarily responsible for making the resource Johnson, George W. Butterfield, J. A Contributor An entity responsible for making contributions to the resource J. A. Butterfield Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource ca. 1866 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Inscribed to Mrs. S. [A.?] Atwell When You and I were Young, Maggie; SONG AND CHORUS. WORDS BY GEORGE W. JOHNSON, MUSIC BY J. A. BUTTERFIELD. Guitar 2 1/2, Piano 3. Chicago: Published by J A BUTTERFIELD, 37 Crosby Opera House---- When you and I were young, Maggie by J. A. Butterfield. No song, at the present day, is meeting with such remarkable success, as this captivating song. It is in universal demand. The beautiful sentiments it contains, and the exquisite melody, so finely wedded to the poet's thought, combine to make it one of those rare gems of song which will always retain its freshness. It has reached a sale of 50,000 copies. Song and Chorus. Key of F. Price 30 cents. "I wandered today to the hill, Maggie, to watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young." MAGGIE'S ANSWER, A BEAUTIFUL REPLY TO WHEN YOU AND I WERE YOUNG, MAGGIE. BY J. A. BUTTERFIELD Unlike most answers, this comes fully up to the original song in beauty, simplicity and expression, and by many is thought to be its superior. The beautiful sentiment of the words is set to a charming melody, prettily arranged, and commends itself to all who are delighted with a [fine?] home song. "I know, dearest Ralph, you are aged and gray; Your steps are now feeble and slow; Your once noble form is now bent by the storm All must weather while waiting below. The merry creek's bed, you say, is now dry, And silent the creaking old mill; But 'songs without words' are still sung by the birds, Though the 'green grove' is gone from the hill." Song and Chorus. Key of B flat. Price 30 cents. NEW VARIATIONS ON WHEN YOU AND I WERE YOUNG, MAGGIE. FOR PIANO. BY A. P. WYMAN. The author of "Silvery Waves" is so widely known as the most popular writer of the present day in this particular field of composition, that the announcement of this beautiful arrangement of a remarkably successful melody, will be favorably received by all performers who are looking for some instrumental gem of medium difficulty. It is excellent for teaching purposes, and as soon as known will be sought after alike by teachers and pupils. Key of F. Price 60 cents. For either of the above, enclose amount and you will receive them by return mail, postage paid. Address the publisher, J. A. BUTTERFIELD, 37 Crosby Opera House, Chicago.---- When you and I were Young. Words by GEO W. JOHNSON. Music by J. A. BUTTERFIELD Moderato. Ritard. 1. I wandered today to the hill, Maggie, To watch the scene below; The creek and the creaking old mill, Maggie, As we used to long ago. The green grove is gone from the hill, Maggie, Where first the daisies sprung; The creaking old mill is still, Maggie, Since you and I were young. 2. A city so silent and lone, Maggie, Where the young and the gay and the best, In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung: For we sang as gay as they, Maggie, When you and I were young. 3. They say I am feeble with age, Maggie, My steps are less sprightly than then, My face is a well-written page, Maggie, But time alone was the pen. They say we are aged and gray, Maggie, As sprays by the white breakers flung; But to me you're as fair as you were, Maggie, When you and I were young.---- Chorus. Soprano. Alto. Tenor. Bass. Piano. And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I....were young. And now we are aged and gray, Maggie, And the trials of life nearly done; Let us sing of the days that are gone, Maggie, When you and I....were young. Let us sing, Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/ca1120fda89f33b7985b0801d7a517a0.pdf d33eed1fdf39b3f46a8b960805159d7e Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WHERE THE CORNFIELDS WAVE IN SUNNY ILLINOIS WORDS AND MUSIC BY CHARLES W. FREEMAN Published by F. T. Phillips, Decatur, Ill. HARRY J. LINCOLN MUSIC CO. WILLIAMSPORT, PA---- Where The Corn Fields Wave In Sunny Illinois. Words and Music by CHAS. W. FREEMAN. Andante 1.There is a cottage far away, a place I long to be, Where the cornfields wave in sunny Illinois. And ev'ry night when I lie down, my thoughts will carry me, Where the cornfields wave in sunny Illinois. <pre>I see the eagle soaring high, above the woodland breeze, I see the cattle in the pasture resting 'neath the trees. I fancy I can hear my mother praying for her boy, Where the cornfields wave in sunny Illinois. </pre> 2. I never shall forget the day, when I stood at the gate, And fondly kiss'd my mother dear, goodbye; And as I hurried down the lane, she stood there watching me, With her apron wiped a teardrop form her eye. I often think of those kind words my father spoke to me, "My boy this world is full of trouble, someday you will see. But should the road be rugged, lad, you're welcome home, my boy, Where the cornfields wave in sunny Illinois. REFRAIN Down where the clover blossoms, There's where I spent life's happy hours; Tho' I'm living far away, Yet I'm going back some day, Where the cornfields wave in sunny Illinois.---- Dedicated to Miss Marian Rickard. TINGLEY TWO STEP. By ZELLA SANDERS ELWELL [music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200199 Illinois Sheet Music Collection T-Z Title A name given to the resource Where the Cornfields Wave In Sunny Illinois Description An account of the resource Lyrics depict nostalgia for and pride in growing up in Illinois. Cover image depicts "Illinois" in title written with cornstalks. Back page is the first page of the "Tingley Two Step" Subject The topic of the resource Songs and music Sheet music Illinois Nostalgia Creator An entity primarily responsible for making the resource Freeman, Charles W. Contributor An entity responsible for making contributions to the resource  Phillips, F. T. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Decatur, IL Date A point or period of time associated with an event in the lifecycle of the resource 1899 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WHERE THE CORNFIELDS WAVE IN SUNNY ILLINOIS WORDS AND MUSIC BY CHARLES W. FREEMAN Published by F. T. Phillips, Decatur, Ill. HARRY J. LINCOLN MUSIC CO. WILLIAMSPORT, PA---- Where The Corn Fields Wave In Sunny Illinois. Words and Music by CHAS. W. FREEMAN. Andante 1.There is a cottage far away, a place I long to be, Where the cornfields wave in sunny Illinois. And ev'ry night when I lie down, my thoughts will carry me, Where the cornfields wave in sunny Illinois. <pre>I see the eagle soaring high, above the woodland breeze, I see the cattle in the pasture resting 'neath the trees. I fancy I can hear my mother praying for her boy, Where the cornfields wave in sunny Illinois. </pre> 2. I never shall forget the day, when I stood at the gate, And fondly kiss'd my mother dear, goodbye; And as I hurried down the lane, she stood there watching me, With her apron wiped a teardrop form her eye. I often think of those kind words my father spoke to me, "My boy this world is full of trouble, someday you will see. But should the road be rugged, lad, you're welcome home, my boy, Where the cornfields wave in sunny Illinois. REFRAIN Down where the clover blossoms, There's where I spent life's happy hours; Tho' I'm living far away, Yet I'm going back some day, Where the cornfields wave in sunny Illinois.---- Dedicated to Miss Marian Rickard. TINGLEY TWO STEP. By ZELLA SANDERS ELWELL [music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/5b43607d5f5b7308204aa85bd8d9c6a6.pdf df7136e9501efee027be8f6328170541 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. We're Madly for Adlai Words and Music by Gilbert S. Watson [photo of Adlai] Published by TWEED ENTERPRISES, INC. P.O. Box 392, Lake Forest, ILL. Made in U.S.A.---- WE'RE MADLY FOR ADLAI Words and Music by Gilbert S. Watson Moderately, tempo di Marcia We're madly for Adlai, for President A Statesman with experience is he We're madly for Adlai for President He has the over all ability He's courageous, honest too In him we all believe and with his know how Copyright 1956 by Gilbert S. Watson, Chicago, Ill. Published by Tweed Enterprise, Inc., P.O. Box 392, Lake Forest, Ill. Made in U.S.A. All rights Reserved International Copyright Secured---- for the job he's what the people need. We're with him and for him Hip, Hip, hooray! The White House needs our Mister Stevenson We're Madly for Adlai for President So let's send him down to Washington. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200198 Illinois Sheet Music Collection T-Z Title A name given to the resource We're Madly for Adlai Description An account of the resource Campaign song for Adlai Stevenson's 1956 presidential campaign. Blue cover depicts portrait of Adlai Stevenson. Subject The topic of the resource Songs and music Sheet music Stevenson, Adlai E. (Adlai Ewing), 1900-1965 Campaign songs Presidents--Election Presidential-candidates Creator An entity primarily responsible for making the resource  Watson, Gilbert S. Contributor An entity responsible for making contributions to the resource Tweed Enterprises, Incorporated Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lake Forest, IL Date A point or period of time associated with an event in the lifecycle of the resource 1956 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. We're Madly for Adlai Words and Music by Gilbert S. Watson [photo of Adlai] Published by TWEED ENTERPRISES, INC. P.O. Box 392, Lake Forest, ILL. Made in U.S.A.---- WE'RE MADLY FOR ADLAI Words and Music by Gilbert S. Watson Moderately, tempo di Marcia We're madly for Adlai, for President A Statesman with experience is he We're madly for Adlai for President He has the over all ability He's courageous, honest too In him we all believe and with his know how Copyright 1956 by Gilbert S. Watson, Chicago, Ill. Published by Tweed Enterprise, Inc., P.O. Box 392, Lake Forest, Ill. Made in U.S.A. All rights Reserved International Copyright Secured---- for the job he's what the people need. We're with him and for him Hip, Hip, hooray! The White House needs our Mister Stevenson We're Madly for Adlai for President So let's send him down to Washington. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20