4 25 173 https://www.chroniclingillinois.org/files/original/da50de106945ce339ccfaad0eb73bbbe.pdf bb338efdbbcc8860c0dfe1101c50bef4 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Respectfully dedicated to Col. Stewart and his Regiment. We are the gay & happy suckers of the State of Illinois as Sung by the Boys of Col. Stewart's Reg't. Composed by J.P. Webster Chicago Published by H.M. Higgins 117 Randolph St Entered according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Nor'n. Dt. of Ill. <hr /> WE ARE THE GAY & HAPPY SUCKERS, FROM THE STATE OF ILLINOIS. SONG & CHORUS by J.P. Webster [All vocal lines] 1. We're the boys that's gay and happy, Happy in the tented field; With our nations' banner o'er us And its honor for our shield. 2. Friends at home be gay and happy, Never blush to speak our name; Should our comrades fall in battle, They shall share a soldier's fame. 3. Colonel Stewart, gay and happy, Holds the post with his command; Seldom has a soldiers honor Ever graced a better man. 4. We're the gay and happy Suckers, From the State of Illinois; Waiting till our Colonel orders Us to flog the rebel boys. <hr /> Chorus [Air/Alto] So let the cannons boom as they will, We'll be gay and happy still; Gay and happy, Gay and happy, We'll be gay and happy still.......... [Tenor/Bass] So let the cannons boom as they will, We'll be gay and happy still; We'll be gay and happy, happy, We'll be gay and happy, happy, We'll be gay and happy, happy still......... We'll be gay and happy, happy, Gay and happy, We'll be gay and happy still............ <hr /> [All vocal lines] 5. Rebels are not gay and happy, For their scrissh they cannot eat; Some like birds we keep in cages, Dining on hard stack and meat. <italic> Chorus. </italic> 6. Girls at home be gay and happy, Show that you have womans pride; Never wed a homesick coward - Wait and be a soldiers bride. 7. Gay and happy, sweet they answer, None but fools will marry now; Valiant men have all enlisted; Unto cowards we'll not bow. 8. We're the girls that's gay and happy, Waiting for the end of strife; Rather share a soldiers rations than to be a cowards wife. 9. For the gay and for the happy, We're as constant as the dove; But the man who dares not soldier, Never can obtain our love. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200197 Illinois Sheet Music Collection T-Z Title A name given to the resource We Are the Gay and Happy Suckers of the State of Illinois Description An account of the resource Lyrics depict happy troops and support from women on the homefront. "Respectfully Dedicated to Col. Stewart and his Regiment." "As Sung by the Boys of Col. Stewart's Regt." Subject The topic of the resource Songs and music Sheet music American Civil War (1861-1865) Soldiers Illinois Creator An entity primarily responsible for making the resource Webster, J. P. Contributor An entity responsible for making contributions to the resource Higgins, H. M. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Respectfully dedicated to Col. Stewart and his Regiment. We are the gay & happy suckers of the State of Illinois as Sung by the Boys of Col. Stewart's Reg't. Composed by J.P. Webster Chicago Published by H.M. Higgins 117 Randolph St Entered according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Nor'n. Dt. of Ill. <hr /> WE ARE THE GAY & HAPPY SUCKERS, FROM THE STATE OF ILLINOIS. SONG & CHORUS by J.P. Webster [All vocal lines] 1. We're the boys that's gay and happy, Happy in the tented field; With our nations' banner o'er us And its honor for our shield. 2. Friends at home be gay and happy, Never blush to speak our name; Should our comrades fall in battle, They shall share a soldier's fame. 3. Colonel Stewart, gay and happy, Holds the post with his command; Seldom has a soldiers honor Ever graced a better man. 4. We're the gay and happy Suckers, From the State of Illinois; Waiting till our Colonel orders Us to flog the rebel boys. <hr /> Chorus [Air/Alto] So let the cannons boom as they will, We'll be gay and happy still; Gay and happy, Gay and happy, We'll be gay and happy still.......... [Tenor/Bass] So let the cannons boom as they will, We'll be gay and happy still; We'll be gay and happy, happy, We'll be gay and happy, happy, We'll be gay and happy, happy still......... We'll be gay and happy, happy, Gay and happy, We'll be gay and happy still............ <hr /> [All vocal lines] 5. Rebels are not gay and happy, For their scrissh they cannot eat; Some like birds we keep in cages, Dining on hard stack and meat. <italic> Chorus. </italic> 6. Girls at home be gay and happy, Show that you have womans pride; Never wed a homesick coward - Wait and be a soldiers bride. 7. Gay and happy, sweet they answer, None but fools will marry now; Valiant men have all enlisted; Unto cowards we'll not bow. 8. We're the girls that's gay and happy, Waiting for the end of strife; Rather share a soldiers rations than to be a cowards wife. 9. For the gay and for the happy, We're as constant as the dove; But the man who dares not soldier, Never can obtain our love. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/8f29c8e2ab202e8f0a5ae157d610b1a7.pdf 505cf0c19e8056b0c2b207de24732b3e Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. IN MEMORY OF SERGEANT ALFRED A. WALKER. 72 Regt Ills (Illinois) Vols (Volunteers) We shall miss you Dearest Brother. SONG & CHORUS Words by Chas. Haynes. Music by Edward Haynes. CHICAGO. Published by ROOT & CADY 95 Clark St. Eastern Agency--W.B. Bradbury 425 Broome St. New York. Entered according to Act of Congress AD 1864 by Root-Cady in the Clerks Office of the Dist Court (?) for the North Dist of Illinois---- WE SHALL MISS YOU, DEAREST BROTHER. Words by Chas Haynes -- Music by Edward Haynes Tenderly Piano 1. We shall miss you, dearest brother, When the boys come back again; For they left you, noble brother, On the field among the slain. When your country called you, brother, Forth you went for her to fight; But in the first great battle, brother, You fell bleeding for the right. 2. When the charge was ordered, brother, You feared not to face the foe; But amid the bravest, brother. Met the shaft that laid you low. When the fireside group assemble, There will be one vacant seat; Up on their lips your name will tremble, But you ne'er can with them meet. 3. But in heaven, dearest brother, We shall meet when life is o'er; And from you, our noble soldier, We shall ne'er be parted more. In those peaceful mansions, brother, Death and sorrow cannot come. And war shall not disturb us, brother, In that blessed happy home. Chorus. Air. Alto. Tenor. Base. Piano. Dying for your country brother, for your country brother, dying for your country brother, for your country brother. Dying on the battle plain....O sweet will be your mem'ry. Dying on the battle plain....O sweet will be your mem'ry brother, 'Till in heav'n we meet again. sweet your mem'ry brother, brother, sweet your mem'ry brother, 'Till in hea'vn we meet again. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200196 Illinois Sheet Music Collection T-Z Title A name given to the resource We Shall Miss You Dearest Brother Description An account of the resource Lyrics depict mourning for brother killed on the battlefield. Dedication: "In Memory of Sergeant Alfred A. Walter. 72 Regt Ills Vols." Subject The topic of the resource Songs and music Sheet music American Civil War (1861-1865) War songs War--songs and music Death Grief Bereavement Soldiers Brothers and sisters Creator An entity primarily responsible for making the resource  Haynes, Edward Haynes, Charles Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. IN MEMORY OF SERGEANT ALFRED A. WALKER. 72 Regt Ills (Illinois) Vols (Volunteers) We shall miss you Dearest Brother. SONG & CHORUS Words by Chas. Haynes. Music by Edward Haynes. CHICAGO. Published by ROOT & CADY 95 Clark St. Eastern Agency--W.B. Bradbury 425 Broome St. New York. Entered according to Act of Congress AD 1864 by Root-Cady in the Clerks Office of the Dist Court (?) for the North Dist of Illinois---- WE SHALL MISS YOU, DEAREST BROTHER. Words by Chas Haynes -- Music by Edward Haynes Tenderly Piano 1. We shall miss you, dearest brother, When the boys come back again; For they left you, noble brother, On the field among the slain. When your country called you, brother, Forth you went for her to fight; But in the first great battle, brother, You fell bleeding for the right. 2. When the charge was ordered, brother, You feared not to face the foe; But amid the bravest, brother. Met the shaft that laid you low. When the fireside group assemble, There will be one vacant seat; Up on their lips your name will tremble, But you ne'er can with them meet. 3. But in heaven, dearest brother, We shall meet when life is o'er; And from you, our noble soldier, We shall ne'er be parted more. In those peaceful mansions, brother, Death and sorrow cannot come. And war shall not disturb us, brother, In that blessed happy home. Chorus. Air. Alto. Tenor. Base. Piano. Dying for your country brother, for your country brother, dying for your country brother, for your country brother. Dying on the battle plain....O sweet will be your mem'ry. Dying on the battle plain....O sweet will be your mem'ry brother, 'Till in heav'n we meet again. sweet your mem'ry brother, brother, sweet your mem'ry brother, 'Till in hea'vn we meet again. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/38988ae97662c14d712c0cba701d3c32.pdf bbb514c0273d22c9103a854745bb852e Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WE ARE ILLINI. Song for Soli & Chorus With energy Verse and Music by Margaret Shaw Belsky. Copr (c) 1955 by Margaret Shaw Belsky. Place: Plains of Illinois Time: About 1679 Soloists: Caucasian Explorer, Indian Chieftain. Chorus: Indians SOLO: EXPLORER. "You welcome cry to plains of Illini; where finest maize doth grow; where prairie dogs hop slow. May we suck fresh drink from CHO: Indians Red Men cry "We are Illini! SOLO: Indian Chieftain. We welcome cry To Plains of Illini. On fields where Tribes are meeting kindness be our greeting. Courage spares a brother. No harm we'll bring each other. If Foes should raise War Cry, We'll Fight or Die. For Ideals of Illini! CHO. All Indians & Explorers. Whoop.! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200195 Illinois Sheet Music Collection T-Z Title A name given to the resource We Are Illini Description An account of the resource Lyrics depict an encounter between a white explorer and a Native American using Native American stereotypes. Subject The topic of the resource Songs and music Sheet music Illinois Illini Native Americans Creator An entity primarily responsible for making the resource Belsky, Margaret Shaw Date A point or period of time associated with an event in the lifecycle of the resource 1955 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WE ARE ILLINI. Song for Soli & Chorus With energy Verse and Music by Margaret Shaw Belsky. Copr (c) 1955 by Margaret Shaw Belsky. Place: Plains of Illinois Time: About 1679 Soloists: Caucasian Explorer, Indian Chieftain. Chorus: Indians SOLO: EXPLORER. "You welcome cry to plains of Illini; where finest maize doth grow; where prairie dogs hop slow. May we suck fresh drink from CHO: Indians Red Men cry "We are Illini! SOLO: Indian Chieftain. We welcome cry To Plains of Illini. On fields where Tribes are meeting kindness be our greeting. Courage spares a brother. No harm we'll bring each other. If Foes should raise War Cry, We'll Fight or Die. For Ideals of Illini! CHO. All Indians & Explorers. Whoop.! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/d6c0f7074bd51c1af5f744bb98ea4da9.pdf c34a9a49f09f2cf9fb1f2b231d0c7efd Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. We are coming from the Cotton Fields. SONG & CHORUS Words by J.C__N. Music by J.C. Wallace. Published by ROOT & CADY 95 Clark St. Chicago J.C. Wallace. Davenport Iowa Eastern Agency W.B. Bradbury 425 Bronme St. New York---- WE ARE COMING FROM THE COTTON FIELDS. Words by J C__N. J.C. WALLACE PIANO 1. We are coming from the cotton fields. We're coming from afar; We have left the plow, the hoe and ax And we are going to the war; We have left the old plantation seat, The sugar and the cane, Where we work'd and toil'd with weary feet, In sun and wind and rain. 2. We have digg'd our last pertater here In old Carliner State, And we'll leave these sandy diggings now For the true Confederate We have left the frogs with in the slough To sing alone and hop In the swamplands and the meadows where We reap'd old Massa's crop. 3. We will leave our chains behind us, boys, The prison and the rack; And we'll hide beneath a soldier's coat, The scars upon our backs; And we'll teach the world a lesson soon, If taken by the hand, How the night shall come before tis noon, Upon old Pharoah's land. 4. By the heavy chains that bound our hands Thro' centuries of wrong, We have learn'd the hard bought lesson well, How to suffer and be strong; And we only ask the power to show What Freedom does for man; and we'll give a sign to friend and foe, As none beside us can.---- CHORUS. SOPRANO. ALTO. TENOR. BASS. Then come along my boys, Oh, come, come along. Then come along my brothers, Oh come, come along, We are coming from the cotton fields. We're coming from afar, We have left the plow the hoe and ax, and are going to the war. Then come along my boys, Oh come, come along, Then come along my brothers, Oh come, come along, We are coming from the cotton fields. We're coming from afar, We have left the plow the hoe and ax, And are going to the war. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200194 Illinois Sheet Music Collection T-Z Title A name given to the resource We Are Coming from the Cotton Fields Description An account of the resource Lyrics depict African Americans escaping slavery to fight for the Union Army during the Civil War. Subject The topic of the resource Songs and music Sheet music African Americans Freedmen Plantation life Slaves--Emancipation Slavery Soldiers American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Wallace, J. C. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. We are coming from the Cotton Fields. SONG & CHORUS Words by J.C__N. Music by J.C. Wallace. Published by ROOT & CADY 95 Clark St. Chicago J.C. Wallace. Davenport Iowa Eastern Agency W.B. Bradbury 425 Bronme St. New York---- WE ARE COMING FROM THE COTTON FIELDS. Words by J C__N. J.C. WALLACE PIANO 1. We are coming from the cotton fields. We're coming from afar; We have left the plow, the hoe and ax And we are going to the war; We have left the old plantation seat, The sugar and the cane, Where we work'd and toil'd with weary feet, In sun and wind and rain. 2. We have digg'd our last pertater here In old Carliner State, And we'll leave these sandy diggings now For the true Confederate We have left the frogs with in the slough To sing alone and hop In the swamplands and the meadows where We reap'd old Massa's crop. 3. We will leave our chains behind us, boys, The prison and the rack; And we'll hide beneath a soldier's coat, The scars upon our backs; And we'll teach the world a lesson soon, If taken by the hand, How the night shall come before tis noon, Upon old Pharoah's land. 4. By the heavy chains that bound our hands Thro' centuries of wrong, We have learn'd the hard bought lesson well, How to suffer and be strong; And we only ask the power to show What Freedom does for man; and we'll give a sign to friend and foe, As none beside us can.---- CHORUS. SOPRANO. ALTO. TENOR. BASS. Then come along my boys, Oh, come, come along. Then come along my brothers, Oh come, come along, We are coming from the cotton fields. We're coming from afar, We have left the plow the hoe and ax, and are going to the war. Then come along my boys, Oh come, come along, Then come along my brothers, Oh come, come along, We are coming from the cotton fields. We're coming from afar, We have left the plow the hoe and ax, And are going to the war. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/c96eb4522481ee12792c4fcb23c43ff5.pdf b276684a1d096caed886bf493ae97104 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO THE ILLINOIS VOLUNTEERS who fought so bravely at FORT DONELSON on the 14th - 15th - & 16th of Feb. 1862 Fort Donelson Polka Composed by Silas G. Pratt CHICAGO Published by H. M. HIGGINS 117 Randolph St. Entered according to Act of Congress 1862 by H.M.Higgins in the Clerk's office of the Dis't Court of North Dist of Ill. <hr /> VOLUNTEERS POLKA. Composed by Silas G. Pratt. Entered according to Act of Congress A.D.1862 by H.M.Higgins in the Clerks Office of the District Court of Northern District of Illinois. <hr /> <hr /> Volunteers Polka. <hr /> Volunteers Polka. <hr /> Volunteers Polka. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200193 Illinois Sheet Music Collection T-Z Title A name given to the resource Fort Donelson Polka or Volunteers Description An account of the resource Instrumental music. Dedication: "To the Illinois Volunteers who fought so bravely at Fort Donelson on the 14th-15th-& of Feb. 1862". Subject The topic of the resource Songs and music Sheet music Soldiers Fort Donelson, Battle of, Tenn., 1862 Soldiers American Civil War (1861-1865) Instrumental music Creator An entity primarily responsible for making the resource Pratt, Silas Gamaliel, 1846-1916 Contributor An entity responsible for making contributions to the resource  Higgins, H. M. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO THE ILLINOIS VOLUNTEERS who fought so bravely at FORT DONELSON on the 14th - 15th - & 16th of Feb. 1862 Fort Donelson Polka Composed by Silas G. Pratt CHICAGO Published by H. M. HIGGINS 117 Randolph St. Entered according to Act of Congress 1862 by H.M.Higgins in the Clerk's office of the Dis't Court of North Dist of Ill. <hr /> VOLUNTEERS POLKA. Composed by Silas G. Pratt. Entered according to Act of Congress A.D.1862 by H.M.Higgins in the Clerks Office of the District Court of Northern District of Illinois. <hr /> <hr /> Volunteers Polka. <hr /> Volunteers Polka. <hr /> Volunteers Polka. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/7da74f58ee7e3c6eeec7622eb19d86d3.pdf b4c444337a91fff572cf27ab6619dcba Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. VALIANT BOYS OF THE ARMY A Drum Song Words and Music by WILLIAM DODD CHENERY Have your Music Dealer send for Flag Ever Glorious ANTHEM Suitable for all PATRIOTIC OCCASIONS In August, 1915, officials of a patriotic society of Washington, D.C. suggested to Mr. Chenery that the time seemed opportune for the writing of a great pageant upon national history that would develop respect and reverence for the Flag and love for the Fatherland. At their request he visited Washington and after consultation as to the general lines for such a tremendous undertaking spent many weeks in the great libraries and art galleries of the East gathering material for the story and music. While at the home of Betsy Ross where the Flag was first approved, at Fort McHenry where the "Star Spangled Banner" was written and at Mt. Vernon the words of the anthem "Flag Ever Glorious" were evolved. Both songs published for Band................................................................................................................... .50 Orchestra (Small)................................................................................................. .50 Orchestra (Large)................................................................................................. .75 Prices, both songs Octavo ............................................................................................................... .05 Sheet ................................................................................................................. .25 20 or more copies, each ....................................................................................... .20 Order from THE MUSIC SHOP 221 South Fifth Street SPRINGFIELD, ILLINOIS <hr /> 2 Valiant Boys of the Army NOTE: While witnessing a review of the New Jersey state troops at their Sea Girt encampment prior to their departure for the Mexican frontier the insistent beat and roll of the drums suggested to Mr. Chenery the writing of a "Drum Song." A few days later, Aug. 29, 1916 enroute to his home in Springfield, Illinois on a Pennsylvania train between Washington and Chicago a page was torn from a writing tablet and the words and music of the following song were written. Solo or First Verse - Men in unison Second Verse - Women in unison Third Verse - Full chorus in unison Words and Music by William Dodd Chenery Hill and vale re - ech o with the sound Of Tears unheeded fall from ev-'ry eye, We When the time of strife has pass'd a -way, The rhythmic step and drumbeat round, On the path of clasp their hands and say "Good - bye" Cheers co - min - gle boys come home one wel - come day, Ring the joy bells, du - ty ev - er found, Are the boys val-iant boys of the ar - my. with each lov - ing sigh, For the boys val-iant boys of the ar - my. spread the banners gay, For the boys val-iant boys of the ar - my. Copyright MCMXVIII by Wm. Dodd Chenery, International Copyright Secured. 3 REFRAIN. March - ing, march - ing, march - ing on they go, When the trum - pets blow, where the col - ors flow, Read - y to fight and die, hold - ing hon - or high, Are the boys, val-iant boys of the ar -- my. Valiant Boys of the Army 2 <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 27 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200192 Illinois Sheet Music Collection T-Z Title A name given to the resource Valiant Boys of the Army Description An account of the resource Lyrics depict support for troops fighting for the United States. Cover includes a lengthy description of how the song was commissioned and conceptualized. Subject The topic of the resource Songs and music Sheet music Soldiers War songs War--songs and music Patriotic music World War (1914-1918) United States. Army Creator An entity primarily responsible for making the resource Chenery, William Dodd Contributor An entity responsible for making contributions to the resource The Music Shop Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Springfield, IL Date A point or period of time associated with an event in the lifecycle of the resource ca. 1917 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. VALIANT BOYS OF THE ARMY A Drum Song Words and Music by WILLIAM DODD CHENERY Have your Music Dealer send for Flag Ever Glorious ANTHEM Suitable for all PATRIOTIC OCCASIONS In August, 1915, officials of a patriotic society of Washington, D.C. suggested to Mr. Chenery that the time seemed opportune for the writing of a great pageant upon national history that would develop respect and reverence for the Flag and love for the Fatherland. At their request he visited Washington and after consultation as to the general lines for such a tremendous undertaking spent many weeks in the great libraries and art galleries of the East gathering material for the story and music. While at the home of Betsy Ross where the Flag was first approved, at Fort McHenry where the "Star Spangled Banner" was written and at Mt. Vernon the words of the anthem "Flag Ever Glorious" were evolved. Both songs published for Band................................................................................................................... .50 Orchestra (Small)................................................................................................. .50 Orchestra (Large)................................................................................................. .75 Prices, both songs Octavo ............................................................................................................... .05 Sheet ................................................................................................................. .25 20 or more copies, each ....................................................................................... .20 Order from THE MUSIC SHOP 221 South Fifth Street SPRINGFIELD, ILLINOIS <hr /> 2 Valiant Boys of the Army NOTE: While witnessing a review of the New Jersey state troops at their Sea Girt encampment prior to their departure for the Mexican frontier the insistent beat and roll of the drums suggested to Mr. Chenery the writing of a "Drum Song." A few days later, Aug. 29, 1916 enroute to his home in Springfield, Illinois on a Pennsylvania train between Washington and Chicago a page was torn from a writing tablet and the words and music of the following song were written. Solo or First Verse - Men in unison Second Verse - Women in unison Third Verse - Full chorus in unison Words and Music by William Dodd Chenery Hill and vale re - ech o with the sound Of Tears unheeded fall from ev-'ry eye, We When the time of strife has pass'd a -way, The rhythmic step and drumbeat round, On the path of clasp their hands and say "Good - bye" Cheers co - min - gle boys come home one wel - come day, Ring the joy bells, du - ty ev - er found, Are the boys val-iant boys of the ar - my. with each lov - ing sigh, For the boys val-iant boys of the ar - my. spread the banners gay, For the boys val-iant boys of the ar - my. Copyright MCMXVIII by Wm. Dodd Chenery, International Copyright Secured. 3 REFRAIN. March - ing, march - ing, march - ing on they go, When the trum - pets blow, where the col - ors flow, Read - y to fight and die, hold - ing hon - or high, Are the boys, val-iant boys of the ar -- my. Valiant Boys of the Army 2 <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/b37cbc105a396889bcd76094e9901ae7.pdf fc35eb559c59ce14ff5cf2af2598120d Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Vacant Chair by Geo. F. Root Published by Root & Cady 95 Clark Street CHICAGO Entered according to Act of Congress, 1862, by Root & Cady in the Clerk's Office of the District Court, for the Northern District of Illinois <hr /> Root & Cady's Vocal Quartetts With Pianoforte Accompaniment. For Men's Voices 1st and 2d Tenor, and 1st and 2d Base. Forward Boys.......................................................................................G.F Root 1 1/2 Key of C 1-4 and 2-4 time, First Tenor goes up to A. First movement andante--second allegro. March On! March On!..... Soldier's Glee..................................................Wm. Lewis, 3 Key of C 3-4 and 2-4 time. First Tenor goes up to A. First movement andante--second allegro. March On! March On!..... Soldier's Glee..................................................Wm. Lewis, 3 Key of B flat 6-8 time. First Tenor goes up to G. Has a Duet--bold and energetic. Come on this Silent Night...Serenade...................................James Grant Wilson 1 1/2 Key of A flat. 3-4 time First Tenor goes o to A flat. Has some modulations. Smooth flowing. The Outward Bound....Sailor's Glee .........................................................J. Molter, 3 Key of D, 4-4 time. First Tenor goes up to G. Secon Base ti F sharp below. Has triplets in all the parts--spirited and rather difficult. Have ye Sharpened your Swords? .....Battle Song..................................Manchester 1 1/2 For Mixed Voices. Soprano, Alto Tenor and Base. God Save the Nation.....................................................................Henry C. Work. 1 1/2 key of G--4-4 time. ot difficult. All the parts within ordinary compass. Wake, Lady, Wake! we are Singing to Thee..Serenade.....................................Root 3 1/2 Key of G--6-8 time, Solo for Tenor goes up to G. Moderately difficult. Row, Row, Homeward we go .............................................................S.W. Martin 3 1/2 Key of F--6-8 time, Barcarolic movement. Within usual compass. Moderately difficult. God bless our brave young Volunteers................................................Geo.F. Root 1 1/2 Key of C 3-4 time Earnest and patriotic. Girls at Home .............................................................................Henry C. Work. 3 1/2 Key of A 4-4 time. Companion to "Brave Boys are They" Welcome to Spring...........................................................................J. W. Martin 3 1/2 Key of A flat--4-4 time. Has a soprano Solo. Is bright and sparkling. We meet up on the Level....Masonic.....................................................C.M. Cady 2 1/2 Key of D 2-4 time Withing the usual compass. Has a Chorus after each verse. A Home in the West...........................................................................J. W. Hubbard 4 Key of E flat 6-8 time. "O give me a home in the beautiful West." Moderately difficult. Homeward now from Toil returning ........................................................J. M. Pelton. 3 Key of G-- 3-4 time. Solo for the soparno, with accompaniment by the other voices in Swiss style. My Mother's Grave.............................................................................H.P. Danks 2 1/2 Key of A flat- 4-4 to,e On the ordinary compass. Tender and gentle. Softly Dream, Sweet Love.................................................................S. W. Martin 2 1/2 Key of B flat-3-4 and 6-8 time. First movement andante; second allegro. Pleasing and effective. The Meeting Place...............................................................................A. M. Huff. 2 1/2 Key of C--3-4 time. within the usual compass. Words by the celebrated DR. RONAN List, the Evening Breeze is Stealing..................................................J. M. Hubbard 3 1/2 Key of B flat- 4-4 time. a boat gless. Moderately difficult. Published by ROOT & CADY, Chicago. <hr /> Vacant The Vacant Chair; or, WE SHALL MEET BUT WE SHALL MISS HIM. (THANKSGIVING, 1861) S.W. Music by G. F. Root With expression 1. We shall meet, but we shall miss him There will be one vacant chair; We shall Lin- ger to ca-ress him While we breathe our evening prayer. When a year a-go we gathered, Joy was in his mild blue eye, But a gold - en cord is severed, And our hopes in ruin lie. 2. At our fire - side, sad and lonely, Often will the bosom swell at re- mem-brance of the sto-ry How our no-ble Willie fell; How he strove to bear our banner Thro' the thickest of the fight, And up- hold our country's hon-or, In the strength of of manhood's might. 3. True they tell us, wreaths of glo-ry Ev- er more will deck his brow, But this <pre>soothes the anguish on-ly Sweeping o'er our hearstrings now, Sleep to </pre> day, O early fall-en, In thy green and narrow bed, Dirges from the pine and cypress Mingle with the tears we shed. 184405 <hr /> CHORUS. Air. Sop We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Alto. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Tenor. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Base. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. <hr /> NEW MUSIC; PUBLISHED BY ROOT & CADY, 95 CLARK STREET, CHICAGO PATRIOTIC SONGS QUARTETTES &C. THE BUGLE CALL BY GEO. F. ROOT PRICE $3 PER DOZEN: price 30 cents. Corporal Schnapps Song and chorus. by Henry C. Work price 30 cents. Key of D (two sharps) Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner, Mine heart is proken into little pits, I tells you, friend, what for, Mine schweet-heart, von coot patriotic kirl, She trives me off wit der war. I fights for her der pattles of te flag-- I schtrikes so prave as I can; Put now long time she nix remempers me, And come tuit another man. Chorus--Ah! mein frauleine! You is so ferry unkind! You come wit Hans to Zhermany to live And leaves pour Schnapps behind! Bury the Brave where They Fall. Song and quartette, by Lieut. H. L. Frisbie; price 25 cents. key of A flat. (four flats). Ranges to E flat above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green in the turf on thy breast; The glorious stars our banner shall watch O'er the graves where our heroes rest. Sleighing with the Girls. Song and chorus, by the same author; price 30 cents. Key of B flat (two flats) Ranges to E flat above' rather a quick movement, chorus taxing the rhythmic powers, and requires a clear bright quality of voice. Round her waist your coat sleeve lingers, (there's an arm inside, of course) While she gaily holds the ribbons, And drives your fancy horse. Your heart, oh, how it flutters, Your head, oh, how it whirls, One has such funny feelings When sleighing with the girls. She Sleeps beneath the Elms Song and chorus by J.P. Webster; price 30 cents. Key of A (three sharps) ranges to E above; movement andante sostenuto, and requires pure and sympa- thetic tones. The accompaniment occ- asionally touches the relative minor. My darling sleeps beneath the lofty elms, Where song-birds warble their leafy tones. I stand on Memory's golden shore. Song and quartette, by the same author; price 30 cents. Key of A flat. Ranges to E flat above. Requires a style of performance similar to the preceding. A NEW PARLOR MUSICAL GAME 96 CARDS CELEBRITIES OF THE GREATEST MUSICIANS WITH SKETCHES PRICE $1.00 I stand on memory's golden shore, And muse and dream, the autumn night, Recalling forms that nevermore Shall bless on earth my weary sight I reach in vain to grasp the hands That beckon from the further side, Where gleam the shining silver sands-- Where murmurs soft the silver side. Sing Softly Love. Song and chorus. by the same author; price 30 cents. Key of E flat (three flats) Ranges to F above; movement, moderato, in triple time. Requires clear tones, modified by true feeling. The bass in the chorus is somewhat marcato, while other parts are sustained. Sing softly, love, sing softly, For swift are the hours that fly-- While you and I together sit, As in the days gone by. Maudie Moore. A song with chorus, by J. R. Thomas: price 25 cents, Key of G (one sharp). Ranges to E above; movement moderato. Requires the sympathetic quality of tone and careful articulation. Accompaniment bringing in some characteristic changes in harmony. How wildly glad, yet sweetly sad, Come back the darling days of yore; When first I knew how tried and true, Could be the heart of Maudie Moore. Lottie in the Lane. A ballad, by the same author; price 25 cents. Key of D (two sharps)Ranges to E above; movement, allegretto. Calls for neatness in articulation, and joyful- ness in tone, together with considerable skill in the accompaniment. The sun going down to rest, Behind the woody hill; The sky was all in crimson drest, And silent was the mill. Upon the breeze, a gentle sound Was wafted o'er the plain, And soon with fairy step and bound, Came Lottie down the lane. One by One. Song by the same author; price 25 cents. Key of G. Ranges to D above and, by choosing notes to G below. Is graceful and flowing in movement, requires good taste and appreciation to like it and perform it. The author says of it: "This is a song after my own heart." One by one the sands are flowing, One by one the moments fall-- Some are coming, some are going-- Do not strive to grasp them all. Angel Mary. Duet and chorus, by J. M. Hubbard; price 50 cents. Key of A flat. Ranges to E movement, movement, moderato. Requires pure and blending voices, is of moderate difficulty as to chorus and accompaniment, Oh my Mary! angel Mary! Soul of truth and tenderness, Never more this aching bosom Gentle head as thine shall press. Love, Sweet Love is Everywhere. Song by same author; price 40 cents. Key of B flat (two flats). Ranges to G above; is in triple time; movement, allegretto, and has a good deal of modulation in the accompaniment which is quite difficult. Why should the earth grow old with care? While love, sweet love, is everywhere. Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come for the spell of a fairy, Dwells in thy magical voice. Will you come to meet Me, Darling. Song and quartette, by G.F. Root; price 25 cents. Key of E flat (three flats). Ranges to E flat above; movement andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and other voices marcato in the first half-- all joining together in the close. When my feet have grown too weary, Further on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me (For the dark and flowing tide) Will you come to greet me, darling, When I reach the river side? Ah, He kissed Me when He left Me, Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plain- tive and touching in the melody. Ah, he kissed me when he left me, And his parting words remain Treasured deep within my bosom, "Dearest, we shall meet again." Will you wed me now I'm lame, love. Song and chorus, by Avanelle Holmes. Key of G; movement moderato, Ranges to D. Somewhat marchlike in movement. The last verse only is subjoined. In the first three he is rather discouraged. What, your eyes are full of tears, love, And your lips are trembling too, And you turn your blushing cheek, love, From my and earnest view-- Can I hope? ah, no! the thought is vain, love, But the hand! why comes it near? And those murmured words--Oh joy, love, They have banished every fear. All Hail to Ulysses Song and chorus in honor General Grant, by Chas. Hayes; price 25 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name through the world we will sound. Who'll Save the Left? A scene in the battle of Murfreesbro, by Geo. F. Root; price 50 cents. Good for baritone or tenor singers with strong voices that possess declamatory and descriptive powers. The accompaniment requires a strong hand, on account of the long tremolo with which the piece commences. Over the stream they went into the fight. Cutting their way on the left and right. Babylon is Fallen Song and chorus, by Henry C. Work; price 25 cents. Some singers have told us that they preferred this song to its companion--"Kingdom is Coming." It certainly becomes more and more appropriate as the strongholds of the South fall into our hands and the soldiers of "African descent" join in the fight. Look out dar now! we'se a gwine to shoot! Look out dar now! don't you understand? Johnny Schmoker. A chorus arranged by B. F. Rix; price 50 cents. All say that for a company of singers, whether young or old, nothing of its kind has ever been published like this. It contains the most irresistible fun, both of song and motion, while at the same time it is unexceptionable in all respects. Rub a dub a dub das ist mein drummel, Pilly will win das ist mein fifie. Tic nic noc fas ist triangle, Bom, bom, bom, das is mine trombone etc, Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 25 cents. Key of B flat. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades brave are round me lying. Fill'd with thoughts of home and God, For well they know that on the morrow, Some will sleep beneath the sod. Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be; For your comrades left you sleeping, brother, Underneath a southern tree. FOR SCHOOLS, ACADEMIES, JUVENILE CLASSES. SILVER LUTE BY GEO. F. ROOT PRICE 35 CENTS. O, come you from the battle field? A dialogue duet, for soprano and tenor, by Geo. F. Root; price 25 cents. This is a scene between a soldier who, during his three years' absence, has changed from a boy to a man, and his old mother who does not at first recognize him. This is found interesting and effective either in concert or parlor. "O come you from the battle-field, and soldier can you tell About the gallant Twentieth and who are safe and well? Oh, soldier, say my son is safe, for he is all my care, And you shall have a mother's thanks, a widow'd mother's prayer. The Old Brown Cot. Song and chorus, by T.H. Tanner; price 25 cents. A beautiful poetic and musical description of many a "dear old home." These words are set by some other person. Should you write for this, specify Tanner's copy. It stood beside the running brook, Whose waters turn'd the noisy mill And close beneath the tall old oak, That nodded on the sloping hill, The woodbine creeping o'er the walls; The sunshine on the grassy plot; How beautiful were they to me When home was in that old brown cot. Daisy Deane. Song and chorus by J. R. Murray; price 25 cents. Fresh and beautiful as the "meadow and the flowers," that our young soldier so pleasantly describes --a very sweet though simple melody. "Twas down in the meadows, the violets were blowing, And the spring-time grass was fresh and green; The birds by the brooklets their sweet songs were singing When I first met my darling Daisy Deane. Within the sound of the Enemy's Guns. A remembrance of Gettysburg. Music by Geo. F. Root, price 50 cents. For a base voice, obligato accompaniments, about as difficult as the "Ivy Green," and in something of the same style. Within the sound of the enemy's guns, Within their sound are we; A gallant band of patriot sons, Fighting the battles of Liberty. A MONTHLY MUSICAL PAPER THE SONG MESSENGER EDITED BY HENRY C. WORK PRICE 60 CTS A YEAR Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200191 Illinois Sheet Music Collection T-Z Title A name given to the resource The Vacant Chair Description An account of the resource Alternative title: "We Shall Meet, but We Shall Miss Him: (Thanksgiving, 1861) Lyrics depict family gathering and mourning over the death of a family member in battle. Cover image depicts decorative border with war scenes from the frontlines and the homefront. Subject The topic of the resource Songs and music Sheet music Soldiers American Civil War (1861-1865) War songs War-Songs and music Soldiers Death Grief Death--Songs and music Creator An entity primarily responsible for making the resource Root, George F. (George Frederick), 1820-1895 Washburn, Henry Stevenson, 1812-1903 Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Vacant Chair by Geo. F. Root Published by Root & Cady 95 Clark Street CHICAGO Entered according to Act of Congress, 1862, by Root & Cady in the Clerk's Office of the District Court, for the Northern District of Illinois <hr /> Root & Cady's Vocal Quartetts With Pianoforte Accompaniment. For Men's Voices 1st and 2d Tenor, and 1st and 2d Base. Forward Boys.......................................................................................G.F Root 1 1/2 Key of C 1-4 and 2-4 time, First Tenor goes up to A. First movement andante--second allegro. March On! March On!..... Soldier's Glee..................................................Wm. Lewis, 3 Key of C 3-4 and 2-4 time. First Tenor goes up to A. First movement andante--second allegro. March On! March On!..... Soldier's Glee..................................................Wm. Lewis, 3 Key of B flat 6-8 time. First Tenor goes up to G. Has a Duet--bold and energetic. Come on this Silent Night...Serenade...................................James Grant Wilson 1 1/2 Key of A flat. 3-4 time First Tenor goes o to A flat. Has some modulations. Smooth flowing. The Outward Bound....Sailor's Glee .........................................................J. Molter, 3 Key of D, 4-4 time. First Tenor goes up to G. Secon Base ti F sharp below. Has triplets in all the parts--spirited and rather difficult. Have ye Sharpened your Swords? .....Battle Song..................................Manchester 1 1/2 For Mixed Voices. Soprano, Alto Tenor and Base. God Save the Nation.....................................................................Henry C. Work. 1 1/2 key of G--4-4 time. ot difficult. All the parts within ordinary compass. Wake, Lady, Wake! we are Singing to Thee..Serenade.....................................Root 3 1/2 Key of G--6-8 time, Solo for Tenor goes up to G. Moderately difficult. Row, Row, Homeward we go .............................................................S.W. Martin 3 1/2 Key of F--6-8 time, Barcarolic movement. Within usual compass. Moderately difficult. God bless our brave young Volunteers................................................Geo.F. Root 1 1/2 Key of C 3-4 time Earnest and patriotic. Girls at Home .............................................................................Henry C. Work. 3 1/2 Key of A 4-4 time. Companion to "Brave Boys are They" Welcome to Spring...........................................................................J. W. Martin 3 1/2 Key of A flat--4-4 time. Has a soprano Solo. Is bright and sparkling. We meet up on the Level....Masonic.....................................................C.M. Cady 2 1/2 Key of D 2-4 time Withing the usual compass. Has a Chorus after each verse. A Home in the West...........................................................................J. W. Hubbard 4 Key of E flat 6-8 time. "O give me a home in the beautiful West." Moderately difficult. Homeward now from Toil returning ........................................................J. M. Pelton. 3 Key of G-- 3-4 time. Solo for the soparno, with accompaniment by the other voices in Swiss style. My Mother's Grave.............................................................................H.P. Danks 2 1/2 Key of A flat- 4-4 to,e On the ordinary compass. Tender and gentle. Softly Dream, Sweet Love.................................................................S. W. Martin 2 1/2 Key of B flat-3-4 and 6-8 time. First movement andante; second allegro. Pleasing and effective. The Meeting Place...............................................................................A. M. Huff. 2 1/2 Key of C--3-4 time. within the usual compass. Words by the celebrated DR. RONAN List, the Evening Breeze is Stealing..................................................J. M. Hubbard 3 1/2 Key of B flat- 4-4 time. a boat gless. Moderately difficult. Published by ROOT & CADY, Chicago. <hr /> Vacant The Vacant Chair; or, WE SHALL MEET BUT WE SHALL MISS HIM. (THANKSGIVING, 1861) S.W. Music by G. F. Root With expression 1. We shall meet, but we shall miss him There will be one vacant chair; We shall Lin- ger to ca-ress him While we breathe our evening prayer. When a year a-go we gathered, Joy was in his mild blue eye, But a gold - en cord is severed, And our hopes in ruin lie. 2. At our fire - side, sad and lonely, Often will the bosom swell at re- mem-brance of the sto-ry How our no-ble Willie fell; How he strove to bear our banner Thro' the thickest of the fight, And up- hold our country's hon-or, In the strength of of manhood's might. 3. True they tell us, wreaths of glo-ry Ev- er more will deck his brow, But this <pre>soothes the anguish on-ly Sweeping o'er our hearstrings now, Sleep to </pre> day, O early fall-en, In thy green and narrow bed, Dirges from the pine and cypress Mingle with the tears we shed. 184405 <hr /> CHORUS. Air. Sop We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Alto. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Tenor. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. Base. We shall meet, but we shall miss him, There will be one vacant chair; We shall lin-ger to caress him When we breathe our evening prayer. <hr /> NEW MUSIC; PUBLISHED BY ROOT & CADY, 95 CLARK STREET, CHICAGO PATRIOTIC SONGS QUARTETTES &C. THE BUGLE CALL BY GEO. F. ROOT PRICE $3 PER DOZEN: price 30 cents. Corporal Schnapps Song and chorus. by Henry C. Work price 30 cents. Key of D (two sharps) Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner, Mine heart is proken into little pits, I tells you, friend, what for, Mine schweet-heart, von coot patriotic kirl, She trives me off wit der war. I fights for her der pattles of te flag-- I schtrikes so prave as I can; Put now long time she nix remempers me, And come tuit another man. Chorus--Ah! mein frauleine! You is so ferry unkind! You come wit Hans to Zhermany to live And leaves pour Schnapps behind! Bury the Brave where They Fall. Song and quartette, by Lieut. H. L. Frisbie; price 25 cents. key of A flat. (four flats). Ranges to E flat above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green in the turf on thy breast; The glorious stars our banner shall watch O'er the graves where our heroes rest. Sleighing with the Girls. Song and chorus, by the same author; price 30 cents. Key of B flat (two flats) Ranges to E flat above' rather a quick movement, chorus taxing the rhythmic powers, and requires a clear bright quality of voice. Round her waist your coat sleeve lingers, (there's an arm inside, of course) While she gaily holds the ribbons, And drives your fancy horse. Your heart, oh, how it flutters, Your head, oh, how it whirls, One has such funny feelings When sleighing with the girls. She Sleeps beneath the Elms Song and chorus by J.P. Webster; price 30 cents. Key of A (three sharps) ranges to E above; movement andante sostenuto, and requires pure and sympa- thetic tones. The accompaniment occ- asionally touches the relative minor. My darling sleeps beneath the lofty elms, Where song-birds warble their leafy tones. I stand on Memory's golden shore. Song and quartette, by the same author; price 30 cents. Key of A flat. Ranges to E flat above. Requires a style of performance similar to the preceding. A NEW PARLOR MUSICAL GAME 96 CARDS CELEBRITIES OF THE GREATEST MUSICIANS WITH SKETCHES PRICE $1.00 I stand on memory's golden shore, And muse and dream, the autumn night, Recalling forms that nevermore Shall bless on earth my weary sight I reach in vain to grasp the hands That beckon from the further side, Where gleam the shining silver sands-- Where murmurs soft the silver side. Sing Softly Love. Song and chorus. by the same author; price 30 cents. Key of E flat (three flats) Ranges to F above; movement, moderato, in triple time. Requires clear tones, modified by true feeling. The bass in the chorus is somewhat marcato, while other parts are sustained. Sing softly, love, sing softly, For swift are the hours that fly-- While you and I together sit, As in the days gone by. Maudie Moore. A song with chorus, by J. R. Thomas: price 25 cents, Key of G (one sharp). Ranges to E above; movement moderato. Requires the sympathetic quality of tone and careful articulation. Accompaniment bringing in some characteristic changes in harmony. How wildly glad, yet sweetly sad, Come back the darling days of yore; When first I knew how tried and true, Could be the heart of Maudie Moore. Lottie in the Lane. A ballad, by the same author; price 25 cents. Key of D (two sharps)Ranges to E above; movement, allegretto. Calls for neatness in articulation, and joyful- ness in tone, together with considerable skill in the accompaniment. The sun going down to rest, Behind the woody hill; The sky was all in crimson drest, And silent was the mill. Upon the breeze, a gentle sound Was wafted o'er the plain, And soon with fairy step and bound, Came Lottie down the lane. One by One. Song by the same author; price 25 cents. Key of G. Ranges to D above and, by choosing notes to G below. Is graceful and flowing in movement, requires good taste and appreciation to like it and perform it. The author says of it: "This is a song after my own heart." One by one the sands are flowing, One by one the moments fall-- Some are coming, some are going-- Do not strive to grasp them all. Angel Mary. Duet and chorus, by J. M. Hubbard; price 50 cents. Key of A flat. Ranges to E movement, movement, moderato. Requires pure and blending voices, is of moderate difficulty as to chorus and accompaniment, Oh my Mary! angel Mary! Soul of truth and tenderness, Never more this aching bosom Gentle head as thine shall press. Love, Sweet Love is Everywhere. Song by same author; price 40 cents. Key of B flat (two flats). Ranges to G above; is in triple time; movement, allegretto, and has a good deal of modulation in the accompaniment which is quite difficult. Why should the earth grow old with care? While love, sweet love, is everywhere. Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come for the spell of a fairy, Dwells in thy magical voice. Will you come to meet Me, Darling. Song and quartette, by G.F. Root; price 25 cents. Key of E flat (three flats). Ranges to E flat above; movement andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and other voices marcato in the first half-- all joining together in the close. When my feet have grown too weary, Further on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me (For the dark and flowing tide) Will you come to greet me, darling, When I reach the river side? Ah, He kissed Me when He left Me, Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plain- tive and touching in the melody. Ah, he kissed me when he left me, And his parting words remain Treasured deep within my bosom, "Dearest, we shall meet again." Will you wed me now I'm lame, love. Song and chorus, by Avanelle Holmes. Key of G; movement moderato, Ranges to D. Somewhat marchlike in movement. The last verse only is subjoined. In the first three he is rather discouraged. What, your eyes are full of tears, love, And your lips are trembling too, And you turn your blushing cheek, love, From my and earnest view-- Can I hope? ah, no! the thought is vain, love, But the hand! why comes it near? And those murmured words--Oh joy, love, They have banished every fear. All Hail to Ulysses Song and chorus in honor General Grant, by Chas. Hayes; price 25 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name through the world we will sound. Who'll Save the Left? A scene in the battle of Murfreesbro, by Geo. F. Root; price 50 cents. Good for baritone or tenor singers with strong voices that possess declamatory and descriptive powers. The accompaniment requires a strong hand, on account of the long tremolo with which the piece commences. Over the stream they went into the fight. Cutting their way on the left and right. Babylon is Fallen Song and chorus, by Henry C. Work; price 25 cents. Some singers have told us that they preferred this song to its companion--"Kingdom is Coming." It certainly becomes more and more appropriate as the strongholds of the South fall into our hands and the soldiers of "African descent" join in the fight. Look out dar now! we'se a gwine to shoot! Look out dar now! don't you understand? Johnny Schmoker. A chorus arranged by B. F. Rix; price 50 cents. All say that for a company of singers, whether young or old, nothing of its kind has ever been published like this. It contains the most irresistible fun, both of song and motion, while at the same time it is unexceptionable in all respects. Rub a dub a dub das ist mein drummel, Pilly will win das ist mein fifie. Tic nic noc fas ist triangle, Bom, bom, bom, das is mine trombone etc, Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 25 cents. Key of B flat. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades brave are round me lying. Fill'd with thoughts of home and God, For well they know that on the morrow, Some will sleep beneath the sod. Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be; For your comrades left you sleeping, brother, Underneath a southern tree. FOR SCHOOLS, ACADEMIES, JUVENILE CLASSES. SILVER LUTE BY GEO. F. ROOT PRICE 35 CENTS. O, come you from the battle field? A dialogue duet, for soprano and tenor, by Geo. F. Root; price 25 cents. This is a scene between a soldier who, during his three years' absence, has changed from a boy to a man, and his old mother who does not at first recognize him. This is found interesting and effective either in concert or parlor. "O come you from the battle-field, and soldier can you tell About the gallant Twentieth and who are safe and well? Oh, soldier, say my son is safe, for he is all my care, And you shall have a mother's thanks, a widow'd mother's prayer. The Old Brown Cot. Song and chorus, by T.H. Tanner; price 25 cents. A beautiful poetic and musical description of many a "dear old home." These words are set by some other person. Should you write for this, specify Tanner's copy. It stood beside the running brook, Whose waters turn'd the noisy mill And close beneath the tall old oak, That nodded on the sloping hill, The woodbine creeping o'er the walls; The sunshine on the grassy plot; How beautiful were they to me When home was in that old brown cot. Daisy Deane. Song and chorus by J. R. Murray; price 25 cents. Fresh and beautiful as the "meadow and the flowers," that our young soldier so pleasantly describes --a very sweet though simple melody. "Twas down in the meadows, the violets were blowing, And the spring-time grass was fresh and green; The birds by the brooklets their sweet songs were singing When I first met my darling Daisy Deane. Within the sound of the Enemy's Guns. A remembrance of Gettysburg. Music by Geo. F. Root, price 50 cents. For a base voice, obligato accompaniments, about as difficult as the "Ivy Green," and in something of the same style. Within the sound of the enemy's guns, Within their sound are we; A gallant band of patriot sons, Fighting the battles of Liberty. A MONTHLY MUSICAL PAPER THE SONG MESSENGER EDITED BY HENRY C. WORK PRICE 60 CTS A YEAR Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/444934becc5ab51fc728f6c8fd9f734c.pdf f23d747b98e5a5550cf9450eedf70658 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. GRANT AND COLFAX OUR NATION'S CHOICE Chicago. Published by Lyon & Healy, Clark & Washington Sts. Boston O. Ditson & Co. New York C.H. Ditson & Co. Philadelphia C.W.A. Trampler St. Paul Munger Bros. Entered according to Act of Congress in the year 1868 by Lyon & Healy in the Clerk's Office in the Clerk's Office of the U.S. District Cour for the Northern District of Illinois 1868 <hr /> U.S. GRANT AND COLFAX OUR MIGHTY NATION'S CHOICE Words by PAULINA Music by Wm SEIBERT. In grand marching time Oh! Freedom's mighty host with u- ni-ted voice have spo-ken, And the soul in-spir-ing words have flash'd from sea to sea; They have chosen for their leaders, those whose faith has been un-bro-ken, And whose mighty works have wrought an age of ju-bi-lee. In the day of doubt and dread, in the night of grief and sorrow, When the hearthstone lay in shadow for the dear ones dead_Look'd the land in des-o-la-tion to her sons their aid to bor-row, And their trus-ty blades a path-way swept, dyed darkly red. 3 We have loved our chieftain's name thro' long years of toil and glory, And his deeds were oft re-count-ed by the bi-vouac's glow; Now our infant lispers gather at our knees to hear the story, How the nation's brave deliv'rers dealt out blow on blow. 4 Oh! the Boys in Blue have come with their votes like leaves in summer, As the truest meed that grat-i-tude can yield her own; They will march in solid phalanx for each glorious in-comer, While our joyous songs shall tell of treason's might o'erthrown. Grant 238 <hr /> 5 CHORUS TENOR ALTO AIR ASE Up from the plains, both East and West, Up from the South and from the North, Come the patriot ar-my boys,_ Joining the peo-ple's voice For U.S. Grant and Colfax, Our mighty nation's choice. Up from the plains, both East and West, Up from the South and from the North, Come the patriot ar-my boys,_ Joining the peo-ple's voice For U.S. Grant and Colfax, Our mighty nation's choice. Grant 238 <hr /> 184051 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200190 Illinois Sheet Music Collection T-Z Title A name given to the resource U. S. Grant and Colfax, Our Mighty Nation's Choice Description An account of the resource Lyrics depict celebration at the election of Ulysses S. Grant as President and Schuyler Colfax as Vice President of the United States. Cover image depicts portraits of Ulysses S. Grant and Schulyer Colfax in decorative circular frames held up by an eagle and above several United States flags and a shield. Subject The topic of the resource Sheet music Songs and music Campaign songs Grant, Ulysses S. (Ulysses Simpson), 1822-1885 Colfax, Schuyler, 1823-1885 Presidential-candidates Presidents--Election Vice-Presidential-candidates Vice-Presidents--Election Vice-Presidents Paulina Presidents Creator An entity primarily responsible for making the resource  Paulina Seibert, William Contributor An entity responsible for making contributions to the resource Lyon & Healy Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1868 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. GRANT AND COLFAX OUR NATION'S CHOICE Chicago. Published by Lyon & Healy, Clark & Washington Sts. Boston O. Ditson & Co. New York C.H. Ditson & Co. Philadelphia C.W.A. Trampler St. Paul Munger Bros. Entered according to Act of Congress in the year 1868 by Lyon & Healy in the Clerk's Office in the Clerk's Office of the U.S. District Cour for the Northern District of Illinois 1868 <hr /> U.S. GRANT AND COLFAX OUR MIGHTY NATION'S CHOICE Words by PAULINA Music by Wm SEIBERT. In grand marching time Oh! Freedom's mighty host with u- ni-ted voice have spo-ken, And the soul in-spir-ing words have flash'd from sea to sea; They have chosen for their leaders, those whose faith has been un-bro-ken, And whose mighty works have wrought an age of ju-bi-lee. In the day of doubt and dread, in the night of grief and sorrow, When the hearthstone lay in shadow for the dear ones dead_Look'd the land in des-o-la-tion to her sons their aid to bor-row, And their trus-ty blades a path-way swept, dyed darkly red. 3 We have loved our chieftain's name thro' long years of toil and glory, And his deeds were oft re-count-ed by the bi-vouac's glow; Now our infant lispers gather at our knees to hear the story, How the nation's brave deliv'rers dealt out blow on blow. 4 Oh! the Boys in Blue have come with their votes like leaves in summer, As the truest meed that grat-i-tude can yield her own; They will march in solid phalanx for each glorious in-comer, While our joyous songs shall tell of treason's might o'erthrown. Grant 238 <hr /> 5 CHORUS TENOR ALTO AIR ASE Up from the plains, both East and West, Up from the South and from the North, Come the patriot ar-my boys,_ Joining the peo-ple's voice For U.S. Grant and Colfax, Our mighty nation's choice. Up from the plains, both East and West, Up from the South and from the North, Come the patriot ar-my boys,_ Joining the peo-ple's voice For U.S. Grant and Colfax, Our mighty nation's choice. Grant 238 <hr /> 184051 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/c9168c2a4ca0c109b07ffd35b751649a.pdf 58bb3a919224eb2b539e2fad4da50012 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. University of Illinois March for the Piano by John Philip Sousa Price 50 Cents (In the U. S. A.) R The John Church Company "The House Devoted to the Progress of American Music" Cincinnati New York London <hr /> To The Faculty and Students of the University of Illinois University of Illinois March John Philip Sousa Copyright 1929 by The John Curch Co. International copyright 19343-4 Made in the U. S. A. <hr /> SM Uni-5 19343-4 187519 <hr /> 19343-4 <hr /> 19343-4 <hr /> The Marvelously Successful Compositions of John Philip Sousa The March King Marches Bride Elect Charlatan Dauntless Battalion Diplomat Directorate El Capitan Fairest of the Fair Federal Festival Free Lance From Maine to Oregon Glory of the Yankee Navy Grand Promenade at the White House Hail to the Spirit of Liberty Hands Across the Sea Imperial Edward Invincible Eagle Jack Tar King Cotton The LambsLiberty Bell Man Behind the Gun Manhattan Beach Pathfinder of Panama Pawhattan' daughter Stars and Stripes Forever Who's Who in Navy Blue WALTZES Bride Elect Charlatan Colonial Dames El Capitan SELECTIONS Bride Elect Charlatan El Capitan Free Lance LANCERS Bride Elect Charlatan El Capitan INSTRUMENTAL Black Man Caprian Tarantelle Gliding girl Tango In the Land of the Golden Fleece Red Man Russian Peasant Dance Summer Girl With Pleasure ALBUMS March Folio, Volume I March Folio, Volume II March and Dance Albume, Volume III CANTATAS The Last Crusade SUITES At the King's Court Looking Upward Three Quotations (in three numbers) (a) The King of France, with twenty thousamd men, marched up a hill, and then marched down again (b) I, too, was Born in Arcady (c) In Darkest Africa SONGS American Girl Belle of Bayou Teche Carrier Pigeon Crystal Lute Dinner Pail El Capitan Faithless Knight Fanny Free Lance Girls who have Loved Glory of the Yankee Navy Golden Cars Goose Girl Hair Have you got that tired feeling I never was right in my live In the dimness of the twilight I've made my plans for the Summer Lily Belle Milkmaid Patient Egg Philosophic Maid Right upon the Firing Line Snow Baby Stars and Stripes Sweetheart, I'm waiting Typical Tune of Zanzibar Unchain the Dogs of War When you change your name to mine Will you love when the Lilies are dead You can't tell how old they are OCTAVO Messiah of Nations-Mixed Voices-Women's Voices Non-committal declarations-Women's Voices Stars and Stripes Forever-Men's Voices We march, we march to Victory-Mixed Voices Why should the Spirit of Mortal be Proud-Mixed Voices VOCAL COLLECTIONS Album of Songs OPERAS American Maid Bride Elect Charlatan Chris and the Wonderful Lamp El Capitan Free Lance THE JOHN CHURCH COMPANY Cincinnati New York London "THE HOUSE DEVOTED TO THE PROGRESS OF AMERICAN MUSIC" Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200189 Illinois Sheet Music Collection T-Z Title A name given to the resource University of Illinois March Description An account of the resource Instrumental music. Orange and blue cover depicts University of Ilinois Seal. Subject The topic of the resource Sheet music Songs and music University of Illinois at Urbana-Champaign University of Illinois (System) Marches (Sousa, John Philip) Marches Instrumental music Creator An entity primarily responsible for making the resource Sousa, John Philip, 1854-1932 Contributor An entity responsible for making contributions to the resource The John Church Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cincinnati Date A point or period of time associated with an event in the lifecycle of the resource 1929 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. University of Illinois March for the Piano by John Philip Sousa Price 50 Cents (In the U. S. A.) R The John Church Company "The House Devoted to the Progress of American Music" Cincinnati New York London <hr /> To The Faculty and Students of the University of Illinois University of Illinois March John Philip Sousa Copyright 1929 by The John Curch Co. International copyright 19343-4 Made in the U. S. A. <hr /> SM Uni-5 19343-4 187519 <hr /> 19343-4 <hr /> 19343-4 <hr /> The Marvelously Successful Compositions of John Philip Sousa The March King Marches Bride Elect Charlatan Dauntless Battalion Diplomat Directorate El Capitan Fairest of the Fair Federal Festival Free Lance From Maine to Oregon Glory of the Yankee Navy Grand Promenade at the White House Hail to the Spirit of Liberty Hands Across the Sea Imperial Edward Invincible Eagle Jack Tar King Cotton The LambsLiberty Bell Man Behind the Gun Manhattan Beach Pathfinder of Panama Pawhattan' daughter Stars and Stripes Forever Who's Who in Navy Blue WALTZES Bride Elect Charlatan Colonial Dames El Capitan SELECTIONS Bride Elect Charlatan El Capitan Free Lance LANCERS Bride Elect Charlatan El Capitan INSTRUMENTAL Black Man Caprian Tarantelle Gliding girl Tango In the Land of the Golden Fleece Red Man Russian Peasant Dance Summer Girl With Pleasure ALBUMS March Folio, Volume I March Folio, Volume II March and Dance Albume, Volume III CANTATAS The Last Crusade SUITES At the King's Court Looking Upward Three Quotations (in three numbers) (a) The King of France, with twenty thousamd men, marched up a hill, and then marched down again (b) I, too, was Born in Arcady (c) In Darkest Africa SONGS American Girl Belle of Bayou Teche Carrier Pigeon Crystal Lute Dinner Pail El Capitan Faithless Knight Fanny Free Lance Girls who have Loved Glory of the Yankee Navy Golden Cars Goose Girl Hair Have you got that tired feeling I never was right in my live In the dimness of the twilight I've made my plans for the Summer Lily Belle Milkmaid Patient Egg Philosophic Maid Right upon the Firing Line Snow Baby Stars and Stripes Sweetheart, I'm waiting Typical Tune of Zanzibar Unchain the Dogs of War When you change your name to mine Will you love when the Lilies are dead You can't tell how old they are OCTAVO Messiah of Nations-Mixed Voices-Women's Voices Non-committal declarations-Women's Voices Stars and Stripes Forever-Men's Voices We march, we march to Victory-Mixed Voices Why should the Spirit of Mortal be Proud-Mixed Voices VOCAL COLLECTIONS Album of Songs OPERAS American Maid Bride Elect Charlatan Chris and the Wonderful Lamp El Capitan Free Lance THE JOHN CHURCH COMPANY Cincinnati New York London "THE HOUSE DEVOTED TO THE PROGRESS OF AMERICAN MUSIC" Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/742a1e8df37f581becc96a60acac3267.pdf 26410b14472c65720a2815eb609d42df Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNCLE SAM'S BOYS. Words by S. FILLMORE BENNETT. Music by J.P. WEBSTER. With Energy and Firmness 1. Who are the heroes that dare the cannon's thunder? Who are the brave hearts that face its iron hail? Marching to victory legions without number, Ranks true and steady and souls that never quail! 2. Onward they came when their country's peril called them; Shouting they rushed from the hillside and the cot, Woodland and prairie sent forth its sturdy foemen, Waving above them the shining battle-blade. 3. See, from the busy mart, men of ev'ry labor, See, from the workshop, the hamlet and the cot, Marshall a million trusty heart and saber; Daring to die, but dishonor daring not! 4. Scathless, the Unions hell's storm of hate shall weather; Fear not the shock in the van our colors fly! Hail to the stars and the holy stripes forever! Uncle Sam's boys fight to conquer or die. Chorus. Uncle Sam's boys, hip, hip, hurrah! Uncle Sam's boys, hip, hip, hurrah!---- Uncle Sam's boys, hurrah! hurrah! Uncle Sam's boys, Uncle Sam's boys hurrah! hurrah! Falter! they were never known to, Uncle Sam's boys Will die, or rebellion they will quell. But, united, they are sworn to die, or rebellion they will quell. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200188 Illinois Sheet Music Collection T-Z Title A name given to the resource Uncle Sam's Boys Description An account of the resource Lyrics depict support for Union soldiers and sailors. Subject The topic of the resource Sheet music Songs and music Bennett, S. Fillmore American Civil War (1861-1865) Soldiers Draft United States. Army United States. Navy War songs War--Songs and music Creator An entity primarily responsible for making the resource Bennett, S. Fillmore Webster, J. P. Contributor An entity responsible for making contributions to the resource  Higgins, H. M. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNCLE SAM'S BOYS. Words by S. FILLMORE BENNETT. Music by J.P. WEBSTER. With Energy and Firmness 1. Who are the heroes that dare the cannon's thunder? Who are the brave hearts that face its iron hail? Marching to victory legions without number, Ranks true and steady and souls that never quail! 2. Onward they came when their country's peril called them; Shouting they rushed from the hillside and the cot, Woodland and prairie sent forth its sturdy foemen, Waving above them the shining battle-blade. 3. See, from the busy mart, men of ev'ry labor, See, from the workshop, the hamlet and the cot, Marshall a million trusty heart and saber; Daring to die, but dishonor daring not! 4. Scathless, the Unions hell's storm of hate shall weather; Fear not the shock in the van our colors fly! Hail to the stars and the holy stripes forever! Uncle Sam's boys fight to conquer or die. Chorus. Uncle Sam's boys, hip, hip, hurrah! Uncle Sam's boys, hip, hip, hurrah!---- Uncle Sam's boys, hurrah! hurrah! Uncle Sam's boys, Uncle Sam's boys hurrah! hurrah! Falter! they were never known to, Uncle Sam's boys Will die, or rebellion they will quell. But, united, they are sworn to die, or rebellion they will quell. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/46db95e8a0a349fc350f03251335e069.pdf 51204f807ba922a1217c4b39a8230841 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Two on Earth, and Two in Heaven Lith Reen & Shober 106 Lake Street Mine is sure a Blessed band, Two on earth and two above. Composted by J. P. Webster. Chicago Published by Higgins Brothers 45 Lake St. Entered according to Act of Congress A.D. 1858 by Higgins Brothers in [illegible] [illegible] Office of the District Court of the U.S. for Northern Illinois. <hr /> "Two on Earth & Two in Heaven." Music by J. P. Webster. Accurezzerole, con Abbandono. Voice Piano 1. Two on earth, their little feet, Glance like sunbeams round the door; <hr /> Two in Heaven whose lips re--peat Words of Blessing ev--er-- --more Two on earth, at shut of day, Soft--ly sink to cradled rest; Two in Heaven, more blest than they Slum--her on an angles breast. <hr /> 2. Two with crowns of budding flowers 3. Oft I gazed with tearful eyes, Dance the summer skies be--neath; Two in heaven's un--fading When the church-yard dai--sies blow; Oft my prayers are on--ly bowers Wear the glo--ry like a wreath. sighs Yearn -- -- in for my chil--dren so. <hr /> Two on earth whose merry call Stirs my heart to gladness now; yet I know an an--gel hand Led them home in the tender love; Two in heaven whose kisses fall Through the silence on my brow. Mine is sure a blessed hand, Two on earth and two a --bove. <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 35.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200187 Illinois Sheet Music Collection T-Z Title A name given to the resource Two On Earth, and Two In Heaven Description An account of the resource Lyrics depict parents mourning the death of two children while watching two living children grow up. Subject The topic of the resource Sheet music Songs and music Children Grief Bereavement Parent and child Death songs Death-Songs and music Parental grief Creator An entity primarily responsible for making the resource Webster, J. P. Contributor An entity responsible for making contributions to the resource Higgins Brothers Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1858 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Two on Earth, and Two in Heaven Lith Reen & Shober 106 Lake Street Mine is sure a Blessed band, Two on earth and two above. Composted by J. P. Webster. Chicago Published by Higgins Brothers 45 Lake St. Entered according to Act of Congress A.D. 1858 by Higgins Brothers in [illegible] [illegible] Office of the District Court of the U.S. for Northern Illinois. <hr /> "Two on Earth & Two in Heaven." Music by J. P. Webster. Accurezzerole, con Abbandono. Voice Piano 1. Two on earth, their little feet, Glance like sunbeams round the door; <hr /> Two in Heaven whose lips re--peat Words of Blessing ev--er-- --more Two on earth, at shut of day, Soft--ly sink to cradled rest; Two in Heaven, more blest than they Slum--her on an angles breast. <hr /> 2. Two with crowns of budding flowers 3. Oft I gazed with tearful eyes, Dance the summer skies be--neath; Two in heaven's un--fading When the church-yard dai--sies blow; Oft my prayers are on--ly bowers Wear the glo--ry like a wreath. sighs Yearn -- -- in for my chil--dren so. <hr /> Two on earth whose merry call Stirs my heart to gladness now; yet I know an an--gel hand Led them home in the tender love; Two in heaven whose kisses fall Through the silence on my brow. Mine is sure a blessed hand, Two on earth and two a --bove. <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/013e493de8770aa3c0d8052ef6186e61.pdf b739dbe368477cc122d3989acac9f6ae Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Tremont House Polka Respectfully dedicated to Messrs Gage, Bro, & Drake by A. J. Vaas Author of Richmond House Polka, Briggs House Polka, Zouave Quickstep & c. & c. & c. CHICAGO Published by ROOT & CADY no. 95 Clark St. Boston Russell & Tolman. New York Wm Hall & Son. Cincinnati W. C. Peters & Sons. Louisville D.P.F. Ulds & Co. Milwaukee H.N. Hempsted Entered according to Act of Congress, AD 1860, by Root & Cady in the Clerks Office of the District Court for the Northern District of Illinois <hr /> THE TREMONT HOUSE POLKA. BY A. J. VAAS. [music] <hr /> [music] <hr /> [music] <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200186 Illinois Sheet Music Collection T-Z Title A name given to the resource Tremont House Polka Description An account of the resource Instrumental music. Cover image depicts a building and street scene. "Respectfully dedicated to Messrs Gage, Bro, and Drake" Subject The topic of the resource Sheet music Songs and music Polkas Instrumental Music Creator An entity primarily responsible for making the resource Vaas, A. J. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Tremont House Polka Respectfully dedicated to Messrs Gage, Bro, & Drake by A. J. Vaas Author of Richmond House Polka, Briggs House Polka, Zouave Quickstep & c. & c. & c. CHICAGO Published by ROOT & CADY no. 95 Clark St. Boston Russell & Tolman. New York Wm Hall & Son. Cincinnati W. C. Peters & Sons. Louisville D.P.F. Ulds & Co. Milwaukee H.N. Hempsted Entered according to Act of Congress, AD 1860, by Root & Cady in the Clerks Office of the District Court for the Northern District of Illinois <hr /> THE TREMONT HOUSE POLKA. BY A. J. VAAS. [music] <hr /> [music] <hr /> [music] <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/e5c29aca4cd71aa1829a97063fbea178.pdf 0db847f94cf65338df0d1d11eca8ba84 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE AS SUNG BY EDWIN KELLEY OF ARLINGTON, KELLEY & LYON'S MINSTELS Song & Chorus. BY GEO. F. ROOT Published by Root & Cady. 57 Washington Street CHICAGO. Entered according to Act of CongressA.D. 1861, by Root & Cady in the Clerk's office of the District Court for the Northern District of Illinois. <hr /> ROOT & CADY. CABINET ORGANS. CABINET (vertical text) ORGANS (vertical text) CONGRATULATE you on the introduction of a new musical instrument, long wanted and sure to lead the way into every household of taste and refinement....L.M. GOTTSCHALK A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. ....NEW YORK EXAMINER BEST of their class of which we have any knowledge....MORE THAT TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior to everything of the kind I have seen, whether in Europe or America.....GEO. WASHINGTON MORGAN. NEVER have seen anything of the kind which interested me so much.....GEO. F. ROOT. EXCEEDS in my estimation every other instrument of this general class. .....THOMAS HASTINGS THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon excellence and value of these carefully made instruments.....NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER. REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. AS compared with Melodeons, Harmoniums, etc. the Cabinet Organ is certain superior in quality and volume of tone, while its power of expression can hardly be too highly prized. .....WILLIAM MASON, NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song.....NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American.....JOHN ZUNDEL Made only by MASON & HAMLIN, Boston. In plain or elegant Cases, with one to twelve Stops (vertical text) PRICE$ TO$ LATE INSTRUMENTAL MUSIC. SOPHIA POLKA........................Wimmerstedt. 25 WARBLING OF THE BIRDS, " 50 LONGING FOR THE SHORE, " 50 EVENING BELLS,.............. " 60 SHARP-SHOOTERS' MARCH " 25 SHABONA SCHOTTISCH, ...........Minkler. 25 DESMOINES CITY WALTZ,..........Lehman 50 ST. PAUL WALTZ,......................Vaas. 30 LITTLE DRUMMER BOY'S MARCH, Merz 25 CZAAR & ZIMMERMANN,............Baumbach 75 POT POURRI, ........................... Faust 75 COQUETTE POLKA,....................D'Albert 25 Published by ROOT AND CADY, 95 Clark St CHICAGO. GENERAL AGENTS FOR THE NORTH-WEST. <hr /> TRAMP! TRAMP! TRAMP! (THE PRISONER'S HOPE.) Tempo di Marcia. Words and Music by GEO. F. ROOT PIANO 1. In the pris-on cell I sit, Thinking of Mother dear, of you, And our bright and hap-py home so far a-way, And the tears they fill my eyes Spite of all that I can do, Tho' I try to cheer my comrades and be gay. (When the Chorus is sung, this may be omitted after the first verse.) Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- (When the Chorus is not sung, end here.) neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. 2. In the bat-tle front we stood When their fierc-est charge they made, And they swept us off a hun-dred men or more, But be-fore we reach'd their lines They were beaten back dismayed, And we heard the cry of vict-'ry o'er and o'er. Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. 3. So with-in the pris-on cell, We are wait-ing for the day That shall come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the poor heart al-most gay, As we think of see-ing home and friends once more. Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. <hr /> CHORUS. Air Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- Alto Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- Tenor Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. <hr /> NEW METHOD FOR THE PIANO-FORTE 240pp. Royal quart THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied with it viz: the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> The while book may be divided into </pre> two kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- cles in the former, nor exercise for the mu- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken develop, and strengthen a love for music, and with which are imparted a knowledge of time, tune, and expression, (Rhythmics, Melod- ics, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, pieces, songs, etudes, solfraggios,etc. while those which are simply for the de- velopment and strengthening of the mus- cles of the fingers, hands and vocal or gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution for their popularity. These lessons are called TECHNICS, and embrace five finger exercises, scales arpeggios and miscellaneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: Instrumental exercises for reading music, the acquirement of musical knowledge, and the cultivation of taste, numbered but bearing no other names than the topics they illustrate and teach....................................221 Vocal exercises and solfaggios for similar purposes......................................48 TECHNICS....................................419 Divided as follows--Five Finger Exercises..78 Scales, Major and Minor.................115 Arpeggios, Minors and Minor.......... 116 Vocal............................................45 Miscellaneous ...............................35 Piano lessons that may be played as duets and trios..............................44 Chromatic exercises ......................21 Songs...........................................39 Exercises in Thorough Base..............24 Pieces for the Piano........................43 Of the foregoing numbers, are used for the study of transposition..........120 These, when played according to directions, increase the lessons to the book to ................................1485 Price $4.50 Sent, postpaid, on receipt of the market price. To those who would like to have an opportunity of examining this book before purchasing, we will send, post- paid, on receipt of ten cents, an elegant royal quarto pamphlet, con- taining fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents. ROOT & CADY, CHICAGO. <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200185 Illinois Sheet Music Collection T-Z Title A name given to the resource Tramp! Tramp! Tramp! Or the Prisoner's Hope Description An account of the resource "As sung by Edwin Kelley, of Arlington, Kelley & Leon's Minstrels." Lyrics depict prisoner of war singing about his experiences on the battlefield, being captured, and held in a POW camp. Subject The topic of the resource Sheet music Songs and music War songs American Civil War (1861-1865) War-songs and music Creator An entity primarily responsible for making the resource Root, George F. (George Frederick), 1820-1895 Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE AS SUNG BY EDWIN KELLEY OF ARLINGTON, KELLEY & LYON'S MINSTELS Song & Chorus. BY GEO. F. ROOT Published by Root & Cady. 57 Washington Street CHICAGO. Entered according to Act of CongressA.D. 1861, by Root & Cady in the Clerk's office of the District Court for the Northern District of Illinois. <hr /> ROOT & CADY. CABINET ORGANS. CABINET (vertical text) ORGANS (vertical text) CONGRATULATE you on the introduction of a new musical instrument, long wanted and sure to lead the way into every household of taste and refinement....L.M. GOTTSCHALK A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. ....NEW YORK EXAMINER BEST of their class of which we have any knowledge....MORE THAT TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior to everything of the kind I have seen, whether in Europe or America.....GEO. WASHINGTON MORGAN. NEVER have seen anything of the kind which interested me so much.....GEO. F. ROOT. EXCEEDS in my estimation every other instrument of this general class. .....THOMAS HASTINGS THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon excellence and value of these carefully made instruments.....NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER. REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. AS compared with Melodeons, Harmoniums, etc. the Cabinet Organ is certain superior in quality and volume of tone, while its power of expression can hardly be too highly prized. .....WILLIAM MASON, NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song.....NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American.....JOHN ZUNDEL Made only by MASON & HAMLIN, Boston. In plain or elegant Cases, with one to twelve Stops (vertical text) PRICE$ TO$ LATE INSTRUMENTAL MUSIC. SOPHIA POLKA........................Wimmerstedt. 25 WARBLING OF THE BIRDS, " 50 LONGING FOR THE SHORE, " 50 EVENING BELLS,.............. " 60 SHARP-SHOOTERS' MARCH " 25 SHABONA SCHOTTISCH, ...........Minkler. 25 DESMOINES CITY WALTZ,..........Lehman 50 ST. PAUL WALTZ,......................Vaas. 30 LITTLE DRUMMER BOY'S MARCH, Merz 25 CZAAR & ZIMMERMANN,............Baumbach 75 POT POURRI, ........................... Faust 75 COQUETTE POLKA,....................D'Albert 25 Published by ROOT AND CADY, 95 Clark St CHICAGO. GENERAL AGENTS FOR THE NORTH-WEST. <hr /> TRAMP! TRAMP! TRAMP! (THE PRISONER'S HOPE.) Tempo di Marcia. Words and Music by GEO. F. ROOT PIANO 1. In the pris-on cell I sit, Thinking of Mother dear, of you, And our bright and hap-py home so far a-way, And the tears they fill my eyes Spite of all that I can do, Tho' I try to cheer my comrades and be gay. (When the Chorus is sung, this may be omitted after the first verse.) Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- (When the Chorus is not sung, end here.) neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. 2. In the bat-tle front we stood When their fierc-est charge they made, And they swept us off a hun-dred men or more, But be-fore we reach'd their lines They were beaten back dismayed, And we heard the cry of vict-'ry o'er and o'er. Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. 3. So with-in the pris-on cell, We are wait-ing for the day That shall come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the poor heart al-most gay, As we think of see-ing home and friends once more. Tramp, tramp, tramp, the boys are march-ing, Cheer up comrades they will come, And be- neath the starry flag We shall breath the air a-gain, Of the freeland in our own be-lov-ed home. <hr /> CHORUS. Air Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- Alto Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- Tenor Tramp, tramp, the boys are march-ing, Cheer up comrades they will come. And be- neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. neath the starry flag We shall breathe the air a-gain, Of the free-land in our own be-lov-ed home. <hr /> NEW METHOD FOR THE PIANO-FORTE 240pp. Royal quart THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied with it viz: the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> The while book may be divided into </pre> two kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- cles in the former, nor exercise for the mu- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken develop, and strengthen a love for music, and with which are imparted a knowledge of time, tune, and expression, (Rhythmics, Melod- ics, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, pieces, songs, etudes, solfraggios,etc. while those which are simply for the de- velopment and strengthening of the mus- cles of the fingers, hands and vocal or gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution for their popularity. These lessons are called TECHNICS, and embrace five finger exercises, scales arpeggios and miscellaneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: Instrumental exercises for reading music, the acquirement of musical knowledge, and the cultivation of taste, numbered but bearing no other names than the topics they illustrate and teach....................................221 Vocal exercises and solfaggios for similar purposes......................................48 TECHNICS....................................419 Divided as follows--Five Finger Exercises..78 Scales, Major and Minor.................115 Arpeggios, Minors and Minor.......... 116 Vocal............................................45 Miscellaneous ...............................35 Piano lessons that may be played as duets and trios..............................44 Chromatic exercises ......................21 Songs...........................................39 Exercises in Thorough Base..............24 Pieces for the Piano........................43 Of the foregoing numbers, are used for the study of transposition..........120 These, when played according to directions, increase the lessons to the book to ................................1485 Price $4.50 Sent, postpaid, on receipt of the market price. To those who would like to have an opportunity of examining this book before purchasing, we will send, post- paid, on receipt of ten cents, an elegant royal quarto pamphlet, con- taining fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents. ROOT & CADY, CHICAGO. <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/bf0f1e4d5c2ea2465d946fb511aa4fec.pdf b44a95c2165f979ecf84a33ff3edec45 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COMPOSITIONS FOR THE PIANO BY GUSTAV LANGE FIRST SERIES. Amoretten, 40 Alpine Hut, 35 Angels Dream, 40 Flower Song (Blumenlied), 40 Fond Hearts Must Part, 40 Heather Rose, 40 Happy Child, 35 Heather Bells, 50 In Rank and File, 35 In the Sunshine, 35 Laurel and the Rose, 60 May Breezes, 50 Maid from the Highlands, 30 Maiden's Dream, Nocturne, 60 Playfulness, 30 Pure as Snow (Edelweiss), 40 Rustling Leaves, 65 Spring's Coming, 30 Sweet Dreams, Nocturne, 60 Secret Wishes, Nocturne, 60 Strange Country (a), 40 Thine Own (Dein Eigen), 40 'Tis Not True (Non e ver), 50 Water Lily, 40 Zither Player, 40 McKinley MUSIC CO. CHICAGO CHICAGO: 307-309 Wabash Avenue. New York: 74 Fifth Avenue. <hr /> THINE OWN. (Dein Eigen.) Melodie. G. Lange Piano. Andante espressivo. [sheet music] <hr /> [sheet music] <hr /> [sheet music] <hr /> [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200184 Illinois Sheet Music Collection T-Z Title A name given to the resource Thine Own (Dein Eigen) Description An account of the resource Instrumental music Subject The topic of the resource Sheet music Songs and music Instrumental music Creator An entity primarily responsible for making the resource Lange, Gustav, 1830-1889 Contributor An entity responsible for making contributions to the resource McKinley Music Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COMPOSITIONS FOR THE PIANO BY GUSTAV LANGE FIRST SERIES. Amoretten, 40 Alpine Hut, 35 Angels Dream, 40 Flower Song (Blumenlied), 40 Fond Hearts Must Part, 40 Heather Rose, 40 Happy Child, 35 Heather Bells, 50 In Rank and File, 35 In the Sunshine, 35 Laurel and the Rose, 60 May Breezes, 50 Maid from the Highlands, 30 Maiden's Dream, Nocturne, 60 Playfulness, 30 Pure as Snow (Edelweiss), 40 Rustling Leaves, 65 Spring's Coming, 30 Sweet Dreams, Nocturne, 60 Secret Wishes, Nocturne, 60 Strange Country (a), 40 Thine Own (Dein Eigen), 40 'Tis Not True (Non e ver), 50 Water Lily, 40 Zither Player, 40 McKinley MUSIC CO. CHICAGO CHICAGO: 307-309 Wabash Avenue. New York: 74 Fifth Avenue. <hr /> THINE OWN. (Dein Eigen.) Melodie. G. Lange Piano. Andante espressivo. [sheet music] <hr /> [sheet music] <hr /> [sheet music] <hr /> [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/fbaca5b7e7d90103e00a8f07f4677b06.pdf 6b5fb608bc63fa45638cdbf66af9bf77 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. This Land Is Mine FRANK COTTINGHAM Harmony by Thoro Harris MICHAEL J. DAHLB Stately 1. This land is mine: Her plains, her slopes, Her valleys green and wide, Her dreams, her plans, Her fondest hopes, Her courage and her Pride. 2.This land is mine: A gracious land - A land where justice reigns And tolerance walks hand in hand With peace down winding lanes. 3. This land is mine: Here men may pray, And worship whom they will. Her liberty reigns in the day From mountain and from hill. 4. This land is mine: The land I love: A mighty land is she. And may our loving God above Protect and keep her free. This musical arrangement Copyright 1949 by Frank Cottingham, Elgin, Ill., in "MELODIES OF HIS GRACE" International Copyright Secured. [P 65] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 18 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200183 Illinois Sheet Music Collection T-Z Title A name given to the resource This Land is Mine Description An account of the resource Lyrics depict love for natural beauty and national pride. Subject The topic of the resource Sheet music Songs and music Illinois Gospel music Creator An entity primarily responsible for making the resource Harris, Thoro Dahlb, Michael J. Cottingham, Frank Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Elgin, Illinois Date A point or period of time associated with an event in the lifecycle of the resource 1949 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. This Land Is Mine FRANK COTTINGHAM Harmony by Thoro Harris MICHAEL J. DAHLB Stately 1. This land is mine: Her plains, her slopes, Her valleys green and wide, Her dreams, her plans, Her fondest hopes, Her courage and her Pride. 2.This land is mine: A gracious land - A land where justice reigns And tolerance walks hand in hand With peace down winding lanes. 3. This land is mine: Here men may pray, And worship whom they will. Her liberty reigns in the day From mountain and from hill. 4. This land is mine: The land I love: A mighty land is she. And may our loving God above Protect and keep her free. This musical arrangement Copyright 1949 by Frank Cottingham, Elgin, Ill., in "MELODIES OF HIS GRACE" International Copyright Secured. [P 65] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/7246092cc7450125b3b271676630302c.pdf 2ac6eb5751f0383c43eefe65f59bd7f8 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Gift of Mrs. Clara Jewell Durkin to the Illinois State Historical society Dec. 5, 1927 Take Me Back to Dear Old Illinois Andte Modto I have wandered far and wide To the country's far off side, But no place to me like dear old Illi-nois There I spent my childhood days, I will love that spot always. So take me back again to Il- li- nois. I have met with some men more grand, In that fair and sun - ny land, But no spot so dear to me as Il- li-nois. For no matter where I roam, there's no place like that old home, A-way back there in good old Il- li-nois. I am getting old and gray, and I've set long here to stay. But I long to be a-gain in Ill-in-nois. There to rest this weary head, on that soil that I have tread. A-way back home in dear old Il-li-nois. Take me back once more, to the land I adore, To the greenfields of that dear old Illi-nois. There I'll ever happy be where those scenes are dear to me, so take me back again to Il-li- nois. Universal No. 3 184058 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 27 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200182 Illinois Sheet Music Collection T-Z Title A name given to the resource Take Me Back to Dear Old Illinois Description An account of the resource Lyrics depict childhood in Illinois and a longing to return to the state. Subject The topic of the resource Sheet music Songs and music Illinois Date A point or period of time associated with an event in the lifecycle of the resource ca. 1927 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Gift of Mrs. Clara Jewell Durkin to the Illinois State Historical society Dec. 5, 1927 Take Me Back to Dear Old Illinois Andte Modto I have wandered far and wide To the country's far off side, But no place to me like dear old Illi-nois There I spent my childhood days, I will love that spot always. So take me back again to Il- li- nois. I have met with some men more grand, In that fair and sun - ny land, But no spot so dear to me as Il- li-nois. For no matter where I roam, there's no place like that old home, A-way back there in good old Il- li-nois. I am getting old and gray, and I've set long here to stay. But I long to be a-gain in Ill-in-nois. There to rest this weary head, on that soil that I have tread. A-way back home in dear old Il-li-nois. Take me back once more, to the land I adore, To the greenfields of that dear old Illi-nois. There I'll ever happy be where those scenes are dear to me, so take me back again to Il-li- nois. Universal No. 3 184058 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/5bf7197953751ffaca90a7ac68150d9a.pdf c5f5a6819bf7d50e254c9fb729492db7 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. New Star Spangled Banner Words by Edna Dean Proctor Music by S. P. Webster Chicago Published by H.M. Higgins 117 Randolph St. Entered according to Act of Congress 1851 by H.M. Higgins in the Clerks Office of the Dist. Court of the North'n Dist. of Ill. <hr /> New Star Spangled Banner Words by EDNA DEAN PROCTOR Music by J.P. WEBSTER [Music cue: con Spirito] [Key: G] 1. Oh, Star Spangled Banner! the Flag of our pride! Tho' trampled by traitors and basely defied, Fling out to the glad winds your Red, White and Blue, For the heart of the Northland is beating for you! And her strong arm is nerving to strike with a will Till the foe and his boastings are humbled and still! Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! 2. From prairie, O plowman! speed boldly away There's seed to be sown in God's furrows today Row landward lone fisher: stout woodman come home! Let smith leave his anvil and weaver his loom, And hamlet and city ring loud with the cry. "For God and our country we'll fight till we die!" Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! Entered according to Act of Congress A.D. 1861 by H.M. Higgins, in the Clerks Office of the District Court for the Northern District of Illinois. --- Chorus. And her strong arm is nerving to strike with a will Till the foe and his boastings are humbled and still! Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! New Star Spangled Banner. --- 3. Invincible Banner! the Flag of the Free! O where treads the foot that would falter for thee? And the hands to be folded till triumph is won And the Eagle looks proud, as of old, to the sun? Give tears for the parting - a murmur of prayer - Then Forward! the fame of our standard to share! With welcome to wounding and combat and scars And the glory of death - for the Stripes and the Stars. New Star Spangled Banner. <hr /> 4. O God of our Fathers! this Banner must shine Where battle is hottest, in warfare divine! The cannon has thundered, the bugle has blown,- We fear not the summons - we fight not alone! O lead us, till wide from the Gulf of the Sea The land shall be sacred to Freedom and Thee! With love, for oppression; with blessing, for scars - One Country - one Banner - the Stripes and the Stars. New Star Spangled Banner. <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200181 Illinois Sheet Music Collection M-N Title A name given to the resource New Star Spangled Banner Description An account of the resource Lyrics depict pride in the United States and support for the troops fighting for the Union during the Civil War. Subject The topic of the resource Sheet music Songs and music Patriotic songs Flags American Civil War, 1861-1865 War Songs War-songs and music Creator An entity primarily responsible for making the resource Webster, Joseph Philbrick, 1819-1875) Proctor, Edna Dean, 1829-1923 Contributor An entity responsible for making contributions to the resource  Higgins, H. M. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. New Star Spangled Banner Words by Edna Dean Proctor Music by S. P. Webster Chicago Published by H.M. Higgins 117 Randolph St. Entered according to Act of Congress 1851 by H.M. Higgins in the Clerks Office of the Dist. Court of the North'n Dist. of Ill. <hr /> New Star Spangled Banner Words by EDNA DEAN PROCTOR Music by J.P. WEBSTER [Music cue: con Spirito] [Key: G] 1. Oh, Star Spangled Banner! the Flag of our pride! Tho' trampled by traitors and basely defied, Fling out to the glad winds your Red, White and Blue, For the heart of the Northland is beating for you! And her strong arm is nerving to strike with a will Till the foe and his boastings are humbled and still! Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! 2. From prairie, O plowman! speed boldly away There's seed to be sown in God's furrows today Row landward lone fisher: stout woodman come home! Let smith leave his anvil and weaver his loom, And hamlet and city ring loud with the cry. "For God and our country we'll fight till we die!" Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! Entered according to Act of Congress A.D. 1861 by H.M. Higgins, in the Clerks Office of the District Court for the Northern District of Illinois. --- Chorus. And her strong arm is nerving to strike with a will Till the foe and his boastings are humbled and still! Here's welcome to wounding and combat and scars And the glory of death for the Stripes and the Stars! New Star Spangled Banner. --- 3. Invincible Banner! the Flag of the Free! O where treads the foot that would falter for thee? And the hands to be folded till triumph is won And the Eagle looks proud, as of old, to the sun? Give tears for the parting - a murmur of prayer - Then Forward! the fame of our standard to share! With welcome to wounding and combat and scars And the glory of death - for the Stripes and the Stars. New Star Spangled Banner. <hr /> 4. O God of our Fathers! this Banner must shine Where battle is hottest, in warfare divine! The cannon has thundered, the bugle has blown,- We fear not the summons - we fight not alone! O lead us, till wide from the Gulf of the Sea The land shall be sacred to Freedom and Thee! With love, for oppression; with blessing, for scars - One Country - one Banner - the Stripes and the Stars. New Star Spangled Banner. <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/c290b334649e261f0d42715617cf84d0.pdf a60bb56a45489f4ee734c52fe79ca379 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. MY TRUNDLE BED; OR, RECOLLECTIONS OF A CHILDHOOD BALLAD AS SUNG BY Lizzie Hutchinson, of the Hutchinson family. COMPOSED BY JOHN C BAKER. CHICAGO: Published by H.M. Higgins, 117 Randolph St. Entered according to Act of Congress, A.D. 1860, by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> <hr /> MY TRUNDLE BED. Moderato. J. C. BAKER 1. As I rummag'd thro' the attic, List'ning to the falling rain, As it patter'd on the shingles And against the window pane; Peeping over chests and boxes, Which with dust were thickly spread; Saw I in the farthest corner What was once my trundle bed. 2. So I drew it from the recess, Where it had remain'd so long, Hearing all the while the music Of my mother's voice in song; As she sung in sweetest accents, What I since have often read--Hush, my dear, lie still and slumber, Holy angels guard thy bed." 3. As I listen'd, recollections, That I thought had been forgot, Came with all the gush of mem'ry, Rushing, thronging to the spot; And I wander'd back to childhood, To those merry days of yore, When I knelt beside my mother, By this bed upon the floor. 4. Then it was with hands so gently Placed up on my infant head, That she taught my lips to utter Carefully the words she said; Never can they be forgotten, Deep are they in mem'ry riven--"Hallowed be thy name, O, Father! Father! thou who are in heaven." 5. This she taught me, then she told me Of its import, great and deep--After which I learned to utter "Now I lay me down to sleep:" Then it was with hands uplifted, And in accents soft and mild, That my mother asked--"Our Father! Father! do you bless my child!" 6. Years have pass'd, and that dear mother, Long has moulder'd 'neath the sod, And I trust her sainted spirit Revels in the home of God: But that scene at summer twilight, Never has from mem'ry fled, And it comes in all its freshness When I see my trundle bed. Entered according to Act of Congress A.D. 1860, by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois <hr /> <hr /> My Trundle Bed. Among our latest publications will be found the following Patriotic pieces. General Sherman and his Boys in Blue, Price 40 cents. Come Back to Me, Mother, Price 35 cents. Richmond Prisoner, Price 30 cents. General Sherman's March to the Sea, Price 35 cents Our Boys are all Gone to the War, Price 40 cents Our Boys are Coming Home, Price 30 cents <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200180 Illinois Sheet Music Collection M-N Title A name given to the resource My Trundle Bed or Recollections of Childhood Description An account of the resource "As Sung by Lizzie Hutchinson, of the Hutchinson Family" Lyrics depict singer's childhood memories with mother at their bedside after finding their old bed in an attic. Subject The topic of the resource Sheet music Songs and music Hutchinson Family Singers (Minneapolis, Minn.) Children Mother-child relationship Nostalgia Nostalgia in music Hutchinson, Lizzie Creator An entity primarily responsible for making the resource  Baker, John C. Contributor An entity responsible for making contributions to the resource  Higgins, H. M. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. MY TRUNDLE BED; OR, RECOLLECTIONS OF A CHILDHOOD BALLAD AS SUNG BY Lizzie Hutchinson, of the Hutchinson family. COMPOSED BY JOHN C BAKER. CHICAGO: Published by H.M. Higgins, 117 Randolph St. Entered according to Act of Congress, A.D. 1860, by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> <hr /> MY TRUNDLE BED. Moderato. J. C. BAKER 1. As I rummag'd thro' the attic, List'ning to the falling rain, As it patter'd on the shingles And against the window pane; Peeping over chests and boxes, Which with dust were thickly spread; Saw I in the farthest corner What was once my trundle bed. 2. So I drew it from the recess, Where it had remain'd so long, Hearing all the while the music Of my mother's voice in song; As she sung in sweetest accents, What I since have often read--Hush, my dear, lie still and slumber, Holy angels guard thy bed." 3. As I listen'd, recollections, That I thought had been forgot, Came with all the gush of mem'ry, Rushing, thronging to the spot; And I wander'd back to childhood, To those merry days of yore, When I knelt beside my mother, By this bed upon the floor. 4. Then it was with hands so gently Placed up on my infant head, That she taught my lips to utter Carefully the words she said; Never can they be forgotten, Deep are they in mem'ry riven--"Hallowed be thy name, O, Father! Father! thou who are in heaven." 5. This she taught me, then she told me Of its import, great and deep--After which I learned to utter "Now I lay me down to sleep:" Then it was with hands uplifted, And in accents soft and mild, That my mother asked--"Our Father! Father! do you bless my child!" 6. Years have pass'd, and that dear mother, Long has moulder'd 'neath the sod, And I trust her sainted spirit Revels in the home of God: But that scene at summer twilight, Never has from mem'ry fled, And it comes in all its freshness When I see my trundle bed. Entered according to Act of Congress A.D. 1860, by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois <hr /> <hr /> My Trundle Bed. Among our latest publications will be found the following Patriotic pieces. General Sherman and his Boys in Blue, Price 40 cents. Come Back to Me, Mother, Price 35 cents. Richmond Prisoner, Price 30 cents. General Sherman's March to the Sea, Price 35 cents Our Boys are all Gone to the War, Price 40 cents Our Boys are Coming Home, Price 30 cents <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/95a0c9bcf99bf2427825ccb0278c56aa.pdf 86d7ca130d85226d57216dea77db894b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200179 Illinois Sheet Music Collection M-N Title A name given to the resource My Sweetheart Went Down With the Maine Description An account of the resource Lyrics depict singer mourning the final hours and death of lover on the U.S.S. Maine. Cover image depict a woman's portrait in the upper left corner, a photo of the U.S.S. Maine in the lower right corner, and a portrait of the composer on a banner in the lower left corner. All are surrounded by a border with bows in each corner. Subject The topic of the resource Sheet music Songs and music Man-woman relationship Love songs Maine (Battleship) Spanish-American War (1898) United States. Navy Creator An entity primarily responsible for making the resource Morgan, Bert Contributor An entity responsible for making contributions to the resource The Morgan Music Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Macomb, IL Date A point or period of time associated with an event in the lifecycle of the resource 1898 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/a73b38551cfb3a90c533bb2caf31aff0.pdf f30e65b20139440f10e9495c0df19a0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200178 Illinois Sheet Music Collection M-N Title A name given to the resource My Old Home of Long Ago Description An account of the resource Lyrics depict singer's happy memories of home at a younger age. Cover image depicts children picking flowers in front of two homes and a portrait of the lyricist/publisher in the lower left corner. Subject The topic of the resource Sheet music Songs and music Nostalgia Nostalgia in music Creator An entity primarily responsible for making the resource Durkin, Clara D. Alford, Harry L. Contributor An entity responsible for making contributions to the resource Durkin, Clara D. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Springfield, IL Date A point or period of time associated with an event in the lifecycle of the resource 1924 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/03257ea8e8b503f0a7b3bbc407256954.pdf 457b246039290fb9863f3aebb36c5a87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 7 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200177 Illinois Sheet Music Collection M-N Title A name given to the resource My Illinois Home Description An account of the resource "Dedicated to our Illinois State Park, Starved Rock, near Ottawa, Ill." Lyrics depict singer's life in Illinois and pride in the state. Cover image includes a photograph of Starved Rock with a man and woman in a canoe on the Illinois River below. Back cover includes photographs of Lovers Leap and French Canyon at Starved Rock State Park. Pages 2 and 6 include history of Starved Rock. Subject The topic of the resource Sheet music Songs and music Illinois Illinois--Starved Rock State Park Creator An entity primarily responsible for making the resource  Hayne, Edward Contributor An entity responsible for making contributions to the resource Hayne, Edward Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1915 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/774ae266c3772dd59039ad1acc6a6d9b.pdf cfaf0c03a70a2c3c34823cfb9289aedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200176 Illinois Sheet Music Collection M-N Title A name given to the resource My Heart Is Home in Illinois Description An account of the resource Lyrics depict singer traveling throughout the world and expressing a desire to always return home to Illinois. Cover image depicts the state of Illinois with a heart in the middle surrounded by drawings of Starved Rock, Lincoln's Tomb, Blackhawk Monument, and the Chicago Skyline circa 1934. Back cover lists a musical recitation to accompany the chorus. Subject The topic of the resource Sheet music Songs and music Illinois Creator An entity primarily responsible for making the resource Green, Grant Oehler, Dorene Tanner Contributor An entity responsible for making contributions to the resource Grant Green & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Joliet, IL Date A point or period of time associated with an event in the lifecycle of the resource 1934 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/f93acdce09cfcbe6867bc471aeb43896.pdf 89b2aa277cadbbee14d1aa749a61cb96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 30 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200175 Illinois Sheet Music Collection M-N Title A name given to the resource Moon Mullins Description An account of the resource Advertisement for "Moon Mullins" cartoon strip. "Note! This is the only authentic 'Moon Mullins' Song!" Page 3 contains "Moon Mullins" cartoon captioned "Moon Mullins-Join the Navy and See the World" above list entitled "Extra Catch Lines for 'Moon Mullins.'" Page 4 contains "Moon Mullins" cartoon captioned "Moon Mullins- Mr. Hangover Runs a Short Order House" above list entitled "Extra Catch Lines for 'Moon Mullins.'" Subject The topic of the resource Sheet music Songs and music Ingram, Grace Hill, George Comic books, strips, etc. Creator An entity primarily responsible for making the resource Ingram, Grace Hill, George Contributor An entity responsible for making contributions to the resource  Rossiter, Will Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource ca 1929 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/6482d3dec032cf5663b1d2c807dbe5b6.pdf 9a57cb53d32583e83b1b73678a6451fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200174 Illinois Sheet Music Collection M-N Title A name given to the resource May Polka Description An account of the resource Instrumental music. Front cover lists "Spring Waltz" and "May Polka" but sheet only includes "May Polka." Subject The topic of the resource Sheet music Songs and music Instrumental music Creator An entity primarily responsible for making the resource  Starck, C. Contributor An entity responsible for making contributions to the resource Higgins Brothers Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource ca 1858 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://www.chroniclingillinois.org/files/original/d203b19d30b951b31a576b94fba44162.pdf 1f34917f50d7a55baaaeeda75733c218 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 23 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200173 Illinois Sheet Music Collection M-N Title A name given to the resource Marching On With Horner Description An account of the resource Lyrics depict campaign song for Henry Horner during 1936 Illinois gubernatorial race and emphasizes Horner's support of veterans. "Dedicated and Distributed Free to All Illinois Veterans and their Friends by the Horner Veterans' Organization, Springfield, Ill." Cover image depicts portrait of Henry Horner next to the figure of a soldier. Subject The topic of the resource Sheet music Songs and music Soldiers Horner, Henry, 1878-1940 Campaign songs Governors -- Election Governors--Illinois Veterans Creator An entity primarily responsible for making the resource Nesgen. Paul G. McFadden, Ralph Contributor An entity responsible for making contributions to the resource Horner Veterans' Organization Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Springfield, IL Date A point or period of time associated with an event in the lifecycle of the resource ca 1936 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng