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              <text>4</text>
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                <text>The German Volunteers!</text>
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                <text>Sheet music</text>
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                <text>War songs</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>United States. Army</text>
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                <text>Sigel, Franz, 1824-1902</text>
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                <text>Song celebrating Union general Franz Sigel and his division of German volunteers.</text>
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                <text>Snelling, Anna L.</text>
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                <text>Wundermann, A.</text>
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                <text>Wundermann, P. A.</text>
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                <text>William Hall &amp;amp; Son</text>
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                <text>New York</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>1862</text>
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                    <text>&lt;p&gt;CAN THE SOLDIER FORGET?
&lt;/p&gt;&lt;p&gt;GEO. F. ROOT
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Yes, beloved ones at home remember Ah, how can the soldier forget? 
All the vows that were said when we part-ed Are 
sacred and dear to him yet. When the night throws its mantle a-
round us we dream neath the heav'n's starry dome; Of the
dear ones whose sweet spell has bound us, And whose voices shall welcome home.
&lt;/p&gt;&lt;p&gt;2. Of the deeds that are hallowed in story, We
think as we press on our way; And the pathway that leads on to glo---ry, Gleams
bright-ly be-fore us to--day For the millions that wait on our
ef--forts, And myriads the future shall claim; When the
pe-ans of victory are sound--ing, Shall most joy-ful-ly ech-o each name.
&lt;/p&gt;&lt;p&gt;3. Oh ye hearts that with anguish are swelling, Ye
eyes, that are darkened with fear, For the brave ones ye loved past the tell---ing The
fallen that sleep with us here, They have burst now the fetters that
bound them, And high mid the heav'n's brightest ray, E'en with
glories im-mor-tal a-round them, They are look-ing up-on us to-day.
&lt;/p&gt;&lt;p&gt;AIR.
Yes, be-loved ones at home we, re-mem-ber. Ah, how can the soldier for-
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.
&lt;/p&gt;&lt;p&gt;Yes, be-loved one at home we, re-mem-ber. Ah, how can the soldier for-
get, All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
BASE.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;398
&lt;/p&gt;&lt;p&gt;183417
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="413810">
              <text>4</text>
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              <text>36 x 28 cm</text>
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                <text>200101</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>CD</text>
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                <text>Can the Soldier Forget!</text>
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                <text>Lyrics describe memory and longing for loved ones. Music torn from songbook without notation of the book information.</text>
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            <name>Subject</name>
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                <text>Songs with piano</text>
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                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Memorial music</text>
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            <name>Creator</name>
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                <text>Root, George F. (George Frederick), 1820-1895</text>
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                <text>Boynton, Charles Brandon, 1806-1883</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>ca. 1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;CAN THE SOLDIER FORGET?
&lt;/p&gt;&lt;p&gt;GEO. F. ROOT
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Yes, beloved ones at home remember Ah, how can the soldier forget? 
All the vows that were said when we part-ed Are 
sacred and dear to him yet. When the night throws its mantle a-
round us we dream neath the heav'n's starry dome; Of the
dear ones whose sweet spell has bound us, And whose voices shall welcome home.
&lt;/p&gt;&lt;p&gt;2. Of the deeds that are hallowed in story, We
think as we press on our way; And the pathway that leads on to glo---ry, Gleams
bright-ly be-fore us to--day For the millions that wait on our
ef--forts, And myriads the future shall claim; When the
pe-ans of victory are sound--ing, Shall most joy-ful-ly ech-o each name.
&lt;/p&gt;&lt;p&gt;3. Oh ye hearts that with anguish are swelling, Ye
eyes, that are darkened with fear, For the brave ones ye loved past the tell---ing The
fallen that sleep with us here, They have burst now the fetters that
bound them, And high mid the heav'n's brightest ray, E'en with
glories im-mor-tal a-round them, They are look-ing up-on us to-day.
&lt;/p&gt;&lt;p&gt;AIR.
Yes, be-loved ones at home we, re-mem-ber. Ah, how can the soldier for-
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.
&lt;/p&gt;&lt;p&gt;Yes, be-loved one at home we, re-mem-ber. Ah, how can the soldier for-
get, All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
BASE.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;398
&lt;/p&gt;&lt;p&gt;183417
&lt;/p&gt;
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                <text>100</text>
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                <text>20</text>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;CHAPLAIN LOZIER'S "OLD GLORY" CAMPAIGN SONGS "ROUGH ON DemocRATS" for use of REPUBLICAN CAMPAIGN COMMITTEES AND GLEE CLUBS  Protection is our trademark
&lt;/p&gt;&lt;p&gt;Office 828 W. Madison St., Chicago. Published by Lozier Bros. Residence, Mt. Vernon, Iowa. General Agents: Chicago Music Co., 197 Wabash Ave. Chicago. W. A. Pond &amp;amp; Co. 25 Union Square, N.Y. Price 25 cents. Half doz. $1.00 mailed. Very liberal reduction to Committees, Agents and Singing Clubs on orders of 50 or more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;For the World's Fair, The Great Rock Island Route.  TWO GRAND TRAINS DIALY daily between the Foothills and the World's Fair City. One Night Out, or one Day Out. Take your choice. Business Demands it, and the People Must Have it.
&lt;/p&gt;&lt;p&gt;For many months to come the eyes of the Civilized World will be turned toward Chicago.  Millions of Visitors will flock thither. The "Silver States" that embosom the 'Rockies' and the "Golden States" beyond, will be represented there by their wealth of mines, fields, orchards and vines, as well as of intelligence and beauty.
&lt;/p&gt;&lt;p&gt;The Rock Island "Limiteds"--two "flyers" daily, each way--with their superb Drawing Room and Dining Car Service, combine the luxury of travel with the luxury of home.  Consult our maps and time tables and you cannot fail to see the superior advantages of the Great Rock Island Route.  JOHN SEBASTIAN, Gen. Ticket and Pas. Agt., Chicago. T. J. ANDERSON, Gen. Western Agt., Topeka.
&lt;/p&gt;&lt;p&gt;HAVE YOU HAD CHAPLAIN LOZIER IN YOUR LECTURE COURSE, OR FOR YOUR SOCIETY? If not, send stamp for his Prospectus, giving terms, etc. See the proper committee, or person, and don't rest till you secure him. Estimate no man by the price. Your ablest critics will say Chaplain Lozier's "Old Glory," or "Your Mother's Apron Strings," equals any $100 entertainment you ever had.
&lt;/p&gt;&lt;p&gt;SEND ALSO FOR CHAPLAIN LOZIER'S NEW SHEET MUSIC. HIS LATEST PUBLICATIONS ARE: 
&lt;/p&gt;&lt;p&gt;"The Veteran's Last Song" (Logan's Dying Sentiment). Song and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;"Bury Me With My Badge" (Grant's Dying Request). Solo, 40 c.
&lt;/p&gt;&lt;p&gt;"O, Guard That Banner While We Sleep" (P.O.S. of A. Song) Solo and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;The above are good for any Patriotic occasion--Specially Memorial Day, and Soldier's Burial occasions.
&lt;/p&gt;&lt;p&gt;"Over The School House That Banner Shall Wave." Song and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;"My Father's Flag and Mine." (National Song of the Sons and Daughters of Veterans). Solo and Chorus, 30 c.
&lt;/p&gt;&lt;p&gt;These two are splendid songs for "Flay Day" in our Public Schools.
&lt;/p&gt;&lt;p&gt;"Your Mother's Apron Strings." This, with "The Man of Galilee," are sung by Chaplain Lozier during the delivery of his great Satiric Poem "Your Mother's Apron Strings," should be sung in every home where there are children.  Price, together, 40 c.
&lt;/p&gt;&lt;p&gt;Also Chaplain Lozier's Book of Camp Fire Songs and Recitations, entitled "40 Rounds."--Containing The "Grayback" Poem, "Vot Did Dem Brivates Do?" etc., etc, 25 c.
&lt;/p&gt;&lt;p&gt;Usual Discount on above Sheet Music to Teachers and the Trade. CASH WITH ORDER.
&lt;/p&gt;&lt;p&gt;For Music, Address MT. VERNON, IOWA. For Entertainments, Address Mt. Vernon, or 828 W. Madison St., Chicago.  J. H. LOZIER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Veterans Hallelujah Chorus.  Air. -- "John Brown." Key of C.
&lt;/p&gt;&lt;p&gt;1. Fall in, Comrades, "rally once again!" What we won with bullets, our ballots will maintain; We'll "whoop it up" for Harrison from Oregon to Maine, As we go marching on!
&lt;/p&gt;&lt;p&gt;Cho.--Glory, glory hallelujah, shout the Loyal and the True, for The Eagle and the Flag downs the Rooster and the Rag, as we go marching on!
&lt;/p&gt;&lt;p&gt;2. Sons join your fathers, of soldier blood you're proud: Mothers and daughters will help to swell the crowd; Songs and shouts for Harrison will echo long and loud, As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;3. Farmers are with us, for they have brains to tell That closing manufactories cuts off their trade as well, The wages of the worker buy the "truck" they have to sell, As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;4. Laborers are with us, from bench and forge and shop; For they must have Protection, or see their wages drop! If Europe "floods the markets," our Industries must stop! As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;5. Men who won our victories, and men who "win" their bread, Men who feed the people, and people who are fed, Raise the shout for Harrison and "boom" him right ahead! As we go marching on!--Cho.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Stand, Patriot, Stand! Chaplain J.H. Lozier. Air: Old Boatman's Song. Arr. by Horace Lozier.
&lt;/p&gt;&lt;p&gt;1. 'Tis Free Trade here, and John Bull there, And Tamm'ny boodlers ev'rywhere. They
&lt;/p&gt;&lt;p&gt;2. Our grand Protection they reject, And say it never did protect, If
&lt;/p&gt;&lt;p&gt;3. We'll shut and lock Protection's door And let the British Lion roar; He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
want to put old Grover back And run Protection off the track.
&lt;/p&gt;&lt;p&gt;that be true, we'd like to know What makes old John Bull bellow so?
&lt;/p&gt;&lt;p&gt;can't come in without the key, Called Jim Blaine's "Reciprocity."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Stand, Patriots. Stand. Concluded.  Refrain.
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. Stand
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. No
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. We'll
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
by the brave who fought to save The Union and our Banner.
&lt;/p&gt;&lt;p&gt;Queens or Kings or trusts or rings Shall rule this Yankee Nation.
&lt;/p&gt;&lt;p&gt;win this mill with McKinley's bill, The next with Bill McKinley.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
High-ho! Here we go! To whoop it up for Harrison, *Reid and Co.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Note. In repeating the last measure, Glee Clubs in the several states may, if they choose, do as Grover and "General" Stevenson did, when the draft got after them.--put in substitutes for the names "Reid and Co." For example: in Illinois, make it "Private Joe." In Indianna, "Chase and Co." In Michigan, "Rich and Co." In Wisconsin, "Spooner and Co." In Nebraska, "Crounse and Co." In Kansas and New Hampshire, "Smith and Co." In Missouri, "Warner and Co." In Iowa, "Mc' and Co." In Minnesota, "Knute and Co.," In West Va., "Davis and Co." In Conn., "Merwin and Co." In Mass., "Haile and Co." Let McKinley's "Buckeyes" sing In O-H-I-O." And so on, East, West, and everywhere.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Where Am I At? Words by Chaplain LOZIER. Arr. by H. G. LOZIER.
&lt;/p&gt;&lt;p&gt;1. We have some "Bourbon" congressmen, Who love to take a spree, and
&lt;/p&gt;&lt;p&gt;2. And when "Old Glory" was assailed By treason's maddened crew, Our
&lt;/p&gt;&lt;p&gt;3. And when you met, ye war-scarred Braves, On Decoration Day, Upon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
when they make a speech they take A shade to much "cold tea." They
&lt;/p&gt;&lt;p&gt;"Ben" was there to do and dare, Among the "Boys in Blue." But
&lt;/p&gt;&lt;p&gt;on your fallen comrades' graves Your offerings to lay, Where
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sweat and swagger, howl and brag, And sip and sip away, And
&lt;/p&gt;&lt;p&gt;Grover and his "General," Where were they then? O, where? A
&lt;/p&gt;&lt;p&gt;was that fat Ex-President, Who now for votes appeals? The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Where Am I At. Concluded
&lt;/p&gt;&lt;p&gt;when they get to big a "jag" The stop and sagely say: --
&lt;/p&gt;&lt;p&gt;training with the Copperheads Who fought us in the rear!
&lt;/p&gt;&lt;p&gt;soldiers say he went that day A fishing after eels!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh! "where am I at?" Can you tell? The Republicans know by the smell! But the
&lt;/p&gt;&lt;p&gt;Oh! where were they at? You can tell! But their substitutes fought just as well. For a
&lt;/p&gt;&lt;p&gt;Oh! where was he at? Can you tell? While you mourn'd for the heroes fell? When the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
first democrat that you meet, ask him that, And the Tammany tiger will yell!
&lt;/p&gt;&lt;p&gt;poor substitute is as handy to shoot, Or to run at the first "rebel yell."
&lt;/p&gt;&lt;p&gt;fish didn't bite, did he let out his spite By vetoing pensions a "spell?"
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We'll Rally to the Flag.  Words by the "Silver Chaplain."* Arr. by Ada Lozier Pettyjohn.
&lt;/p&gt;&lt;p&gt;1. The bugle call is sounding, we'll rally once again,
&lt;/p&gt;&lt;p&gt;2. The "soldier's friends" are they, (if they wore the Rebel gray,)
&lt;/p&gt;&lt;p&gt;3. Old Johnny Bull and Grover are yoked together now,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
And we'll fight our old enemy oer. And the
&lt;/p&gt;&lt;p&gt;As the vetoes of Grover plainly show; For our
&lt;/p&gt;&lt;p&gt;To pull down the "fences" of Protection; But the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Boys" who wore the blue, to their Comrade will be true,
&lt;/p&gt;&lt;p&gt;pension bills he killed, and with "Rebs" our places filled,
&lt;/p&gt;&lt;p&gt;"sweating sons of the toil" their little scheme will spoil,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Chaplain Lozier was the only surviving officer of the first National Encampment, G.A.R. present at the "Silver Anniversaries" at Decatur and Detroit in 1891.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;We'll Rally to the Flag. Concluded
&lt;/p&gt;&lt;p&gt;And we'll finish "Free Trade" and old Grover.
&lt;/p&gt;&lt;p&gt;And he ordered back the flags that didn't go....
&lt;/p&gt;&lt;p&gt;By returning "Honest Ben" at next election!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;And we'll rally to the flag that down'd the Rebel rag, and then
&lt;/p&gt;&lt;p&gt;So we'll rally, etc.
&lt;/p&gt;&lt;p&gt;For we'll rally, etc.
&lt;/p&gt;&lt;p&gt;down'd the "Old Bandanna;" And tried and trusty Ben will
&lt;/p&gt;&lt;p&gt;take his seat again, And "that's what's the matter with Hanner."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The "Premium" Marching Through Georgia. Affectionately inscribed to the N.Y. World. Key of B flat.
&lt;/p&gt;&lt;p&gt;1. Bring along that Premium you offered for a song;--Something that would help to jog old Grover's cause along: Something that is "catchy" and "taking" too, and strong:--Something like "Marching through Georgia."
&lt;/p&gt;&lt;p&gt;Hurrah, hurrah, you want a jubilee, Hurrah, hurrah, John Bull and Tammany! Harrison is pushing you as lively as when he Proudly was marching through Georgia.
&lt;/p&gt;&lt;p&gt;2. Here's a song that "catchy" in just about the way That Grover had a "catchy" spell on "Decoration day," While patriots were honoring the "Boys" who whipped the "Gray," While we were marching through Georgia. Cho.
&lt;/p&gt;&lt;p&gt;3. Yes, and it is "witty" too; but never once pretends To match the wit that Grover with a veto message blends. It "flashes" like those Rebel Flags we captured from his friends, While we were marching through Georgia. Cho.
&lt;/p&gt;&lt;p&gt;4. Send along that "Premium" as quick as you can do 't! And if our song in some respects should happen not to suit, We'll do as he and Adlai did, just "send a Substitute"--While we were marching through Georgia!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Bye, Bye, Old Grover. Words by "The Chaplain." Tune--"Good-bye, my Lover, Good-bye.
&lt;/p&gt;&lt;p&gt;1. The boat is coming around the bend! Good-bye, old Grover, good-bye, She's crammed jamfull of Harrison men! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, what makes you sigh so? Bye, Grover, bye oh, good bye, Old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;2. She's nearing the White House every minute! Good-bye, old Grover, good-bye. And frankly, old Grover, you are not not in it, Good-bye old Grover, good bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, how's ammany? oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;3. The name of that boat is "Tippecanoe," Good-bye, old Grover, good bye. She's staunch and trim, and she'll "get there," too! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye. Grover, bye oh, don't her wheels fly, though! Bye, Grover, bye oh, good-bye old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;4. There are lots of soldiers among the crew, Good-bye, Grover, they're after you! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.-- Bye, Grover, bye oh. If they would die, oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;5. You love to veto the "Boys in Blue," Good-bye, old Grover, good-bye, But next November they'll veto you! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, Don't think we lie, oh! Bye, Grover, bye oh, good-bye old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;6. You promised "Reform" in '84, Good-bye, old Grover, good-bye, We've sampled your stock and we want no more! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, John Bull with cry, oh! Bye, Grover, bye oh, good bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;7. The kind of "Reform" you brought about, Good-bye, old Grover, good bye, Was the Rebels in and the Soldiers out, Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, how's that for high, oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;8. But not content with the blunders made, Good-bye, old Grover, good-bye, You bob up again with your fool "Free Trade"! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, Farmers are shy, oh! Bye, Grover, bye oh, good-bye old Grover, Good-bye.
&lt;/p&gt;&lt;p&gt;9. So pack your "Veto" and "Free Trade" tools, Good-bye, old Grover, good-bye.  And go a fishing for "suckers" and fools, Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, same to Adlai, oh! Salt River's nigh oh, good-bye, old Grover, good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Great Scenic and Historic Route
&lt;/p&gt;&lt;p&gt;BETWEEN THE METROPOLIS OF THE NATION, WASHINGTON CITY. AND THE METROPOLIS OF THE WORLD, The WORLD'S FAIR CITY. The Baltimore &amp;amp; Ohio R.R.
&lt;/p&gt;&lt;p&gt;Threading the Valley of the Potomac. Skirting the rugged "Maryland Heights." Catching a glimpse of the famous "Shenandoah." Halting in historic "Harper's Ferry." Climbing the towering "Cumberlands." Tracing from dizzy heights "Cheat River."
&lt;/p&gt;&lt;p&gt;Memorable to the Veterans of the First Battles of the War; and on and on, amid Scenes Unsurpassed and Indiscribable.
&lt;/p&gt;&lt;p&gt;TO THE TOURIST, LIFE IS INCOMPLETE WITHOUT A TRIP OVER THE PEERLESS AND PALATIALLY EQUIPPED "B. &amp;amp; O."
&lt;/p&gt;&lt;p&gt;Chas. O. Scull, G.P.A., Baltimore. O.P. McCarty, G.P.A., B. &amp;amp; O. S.-W., Cincinnati. L.S. Allen, Gen. Western Pass. Agt., Chicago.
&lt;/p&gt;&lt;p&gt;Hack &amp;amp; Anderson, Printers 167 Adams Street, Chicago.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="413830">
              <text>12</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>Old Glory Rough on Democrats Campaign Songs</text>
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                <text>Compilation of Republican campaign songs, including Veterans Hallelujah Chorus; Stand, Patriots, Stand!; Where Am I At; We'll Rally to the Flag; The "Premium" Marching Through Georgia; and Bye, Bye Old Grover.</text>
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                <text>Campaign songs</text>
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                <text>Songbook</text>
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                <text>Republican Party (U.S. : 1854- )</text>
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                <text>Lozier, John Hogarth</text>
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                <text>Chicago Music Company</text>
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                <text>Chicago</text>
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              <elementText elementTextId="413829">
                <text>1892</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;CHAPLAIN LOZIER'S "OLD GLORY" CAMPAIGN SONGS "ROUGH ON DemocRATS" for use of REPUBLICAN CAMPAIGN COMMITTEES AND GLEE CLUBS  Protection is our trademark
&lt;/p&gt;&lt;p&gt;Office 828 W. Madison St., Chicago. Published by Lozier Bros. Residence, Mt. Vernon, Iowa. General Agents: Chicago Music Co., 197 Wabash Ave. Chicago. W. A. Pond &amp;amp; Co. 25 Union Square, N.Y. Price 25 cents. Half doz. $1.00 mailed. Very liberal reduction to Committees, Agents and Singing Clubs on orders of 50 or more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;For the World's Fair, The Great Rock Island Route.  TWO GRAND TRAINS DIALY daily between the Foothills and the World's Fair City. One Night Out, or one Day Out. Take your choice. Business Demands it, and the People Must Have it.
&lt;/p&gt;&lt;p&gt;For many months to come the eyes of the Civilized World will be turned toward Chicago.  Millions of Visitors will flock thither. The "Silver States" that embosom the 'Rockies' and the "Golden States" beyond, will be represented there by their wealth of mines, fields, orchards and vines, as well as of intelligence and beauty.
&lt;/p&gt;&lt;p&gt;The Rock Island "Limiteds"--two "flyers" daily, each way--with their superb Drawing Room and Dining Car Service, combine the luxury of travel with the luxury of home.  Consult our maps and time tables and you cannot fail to see the superior advantages of the Great Rock Island Route.  JOHN SEBASTIAN, Gen. Ticket and Pas. Agt., Chicago. T. J. ANDERSON, Gen. Western Agt., Topeka.
&lt;/p&gt;&lt;p&gt;HAVE YOU HAD CHAPLAIN LOZIER IN YOUR LECTURE COURSE, OR FOR YOUR SOCIETY? If not, send stamp for his Prospectus, giving terms, etc. See the proper committee, or person, and don't rest till you secure him. Estimate no man by the price. Your ablest critics will say Chaplain Lozier's "Old Glory," or "Your Mother's Apron Strings," equals any $100 entertainment you ever had.
&lt;/p&gt;&lt;p&gt;SEND ALSO FOR CHAPLAIN LOZIER'S NEW SHEET MUSIC. HIS LATEST PUBLICATIONS ARE: 
&lt;/p&gt;&lt;p&gt;"The Veteran's Last Song" (Logan's Dying Sentiment). Song and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;"Bury Me With My Badge" (Grant's Dying Request). Solo, 40 c.
&lt;/p&gt;&lt;p&gt;"O, Guard That Banner While We Sleep" (P.O.S. of A. Song) Solo and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;The above are good for any Patriotic occasion--Specially Memorial Day, and Soldier's Burial occasions.
&lt;/p&gt;&lt;p&gt;"Over The School House That Banner Shall Wave." Song and Chorus, 40 c.
&lt;/p&gt;&lt;p&gt;"My Father's Flag and Mine." (National Song of the Sons and Daughters of Veterans). Solo and Chorus, 30 c.
&lt;/p&gt;&lt;p&gt;These two are splendid songs for "Flay Day" in our Public Schools.
&lt;/p&gt;&lt;p&gt;"Your Mother's Apron Strings." This, with "The Man of Galilee," are sung by Chaplain Lozier during the delivery of his great Satiric Poem "Your Mother's Apron Strings," should be sung in every home where there are children.  Price, together, 40 c.
&lt;/p&gt;&lt;p&gt;Also Chaplain Lozier's Book of Camp Fire Songs and Recitations, entitled "40 Rounds."--Containing The "Grayback" Poem, "Vot Did Dem Brivates Do?" etc., etc, 25 c.
&lt;/p&gt;&lt;p&gt;Usual Discount on above Sheet Music to Teachers and the Trade. CASH WITH ORDER.
&lt;/p&gt;&lt;p&gt;For Music, Address MT. VERNON, IOWA. For Entertainments, Address Mt. Vernon, or 828 W. Madison St., Chicago.  J. H. LOZIER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Veterans Hallelujah Chorus.  Air. -- "John Brown." Key of C.
&lt;/p&gt;&lt;p&gt;1. Fall in, Comrades, "rally once again!" What we won with bullets, our ballots will maintain; We'll "whoop it up" for Harrison from Oregon to Maine, As we go marching on!
&lt;/p&gt;&lt;p&gt;Cho.--Glory, glory hallelujah, shout the Loyal and the True, for The Eagle and the Flag downs the Rooster and the Rag, as we go marching on!
&lt;/p&gt;&lt;p&gt;2. Sons join your fathers, of soldier blood you're proud: Mothers and daughters will help to swell the crowd; Songs and shouts for Harrison will echo long and loud, As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;3. Farmers are with us, for they have brains to tell That closing manufactories cuts off their trade as well, The wages of the worker buy the "truck" they have to sell, As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;4. Laborers are with us, from bench and forge and shop; For they must have Protection, or see their wages drop! If Europe "floods the markets," our Industries must stop! As we go marching on!--Cho.
&lt;/p&gt;&lt;p&gt;5. Men who won our victories, and men who "win" their bread, Men who feed the people, and people who are fed, Raise the shout for Harrison and "boom" him right ahead! As we go marching on!--Cho.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Stand, Patriot, Stand! Chaplain J.H. Lozier. Air: Old Boatman's Song. Arr. by Horace Lozier.
&lt;/p&gt;&lt;p&gt;1. 'Tis Free Trade here, and John Bull there, And Tamm'ny boodlers ev'rywhere. They
&lt;/p&gt;&lt;p&gt;2. Our grand Protection they reject, And say it never did protect, If
&lt;/p&gt;&lt;p&gt;3. We'll shut and lock Protection's door And let the British Lion roar; He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
want to put old Grover back And run Protection off the track.
&lt;/p&gt;&lt;p&gt;that be true, we'd like to know What makes old John Bull bellow so?
&lt;/p&gt;&lt;p&gt;can't come in without the key, Called Jim Blaine's "Reciprocity."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Stand, Patriots. Stand. Concluded.  Refrain.
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. Stand
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. No
&lt;/p&gt;&lt;p&gt;Then stand Patriots, stand, Protect our glorious land. We'll
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
by the brave who fought to save The Union and our Banner.
&lt;/p&gt;&lt;p&gt;Queens or Kings or trusts or rings Shall rule this Yankee Nation.
&lt;/p&gt;&lt;p&gt;win this mill with McKinley's bill, The next with Bill McKinley.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
High-ho! Here we go! To whoop it up for Harrison, *Reid and Co.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Note. In repeating the last measure, Glee Clubs in the several states may, if they choose, do as Grover and "General" Stevenson did, when the draft got after them.--put in substitutes for the names "Reid and Co." For example: in Illinois, make it "Private Joe." In Indianna, "Chase and Co." In Michigan, "Rich and Co." In Wisconsin, "Spooner and Co." In Nebraska, "Crounse and Co." In Kansas and New Hampshire, "Smith and Co." In Missouri, "Warner and Co." In Iowa, "Mc' and Co." In Minnesota, "Knute and Co.," In West Va., "Davis and Co." In Conn., "Merwin and Co." In Mass., "Haile and Co." Let McKinley's "Buckeyes" sing In O-H-I-O." And so on, East, West, and everywhere.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Where Am I At? Words by Chaplain LOZIER. Arr. by H. G. LOZIER.
&lt;/p&gt;&lt;p&gt;1. We have some "Bourbon" congressmen, Who love to take a spree, and
&lt;/p&gt;&lt;p&gt;2. And when "Old Glory" was assailed By treason's maddened crew, Our
&lt;/p&gt;&lt;p&gt;3. And when you met, ye war-scarred Braves, On Decoration Day, Upon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
when they make a speech they take A shade to much "cold tea." They
&lt;/p&gt;&lt;p&gt;"Ben" was there to do and dare, Among the "Boys in Blue." But
&lt;/p&gt;&lt;p&gt;on your fallen comrades' graves Your offerings to lay, Where
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sweat and swagger, howl and brag, And sip and sip away, And
&lt;/p&gt;&lt;p&gt;Grover and his "General," Where were they then? O, where? A
&lt;/p&gt;&lt;p&gt;was that fat Ex-President, Who now for votes appeals? The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Where Am I At. Concluded
&lt;/p&gt;&lt;p&gt;when they get to big a "jag" The stop and sagely say: --
&lt;/p&gt;&lt;p&gt;training with the Copperheads Who fought us in the rear!
&lt;/p&gt;&lt;p&gt;soldiers say he went that day A fishing after eels!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh! "where am I at?" Can you tell? The Republicans know by the smell! But the
&lt;/p&gt;&lt;p&gt;Oh! where were they at? You can tell! But their substitutes fought just as well. For a
&lt;/p&gt;&lt;p&gt;Oh! where was he at? Can you tell? While you mourn'd for the heroes fell? When the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
first democrat that you meet, ask him that, And the Tammany tiger will yell!
&lt;/p&gt;&lt;p&gt;poor substitute is as handy to shoot, Or to run at the first "rebel yell."
&lt;/p&gt;&lt;p&gt;fish didn't bite, did he let out his spite By vetoing pensions a "spell?"
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We'll Rally to the Flag.  Words by the "Silver Chaplain."* Arr. by Ada Lozier Pettyjohn.
&lt;/p&gt;&lt;p&gt;1. The bugle call is sounding, we'll rally once again,
&lt;/p&gt;&lt;p&gt;2. The "soldier's friends" are they, (if they wore the Rebel gray,)
&lt;/p&gt;&lt;p&gt;3. Old Johnny Bull and Grover are yoked together now,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
And we'll fight our old enemy oer. And the
&lt;/p&gt;&lt;p&gt;As the vetoes of Grover plainly show; For our
&lt;/p&gt;&lt;p&gt;To pull down the "fences" of Protection; But the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Boys" who wore the blue, to their Comrade will be true,
&lt;/p&gt;&lt;p&gt;pension bills he killed, and with "Rebs" our places filled,
&lt;/p&gt;&lt;p&gt;"sweating sons of the toil" their little scheme will spoil,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Chaplain Lozier was the only surviving officer of the first National Encampment, G.A.R. present at the "Silver Anniversaries" at Decatur and Detroit in 1891.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;We'll Rally to the Flag. Concluded
&lt;/p&gt;&lt;p&gt;And we'll finish "Free Trade" and old Grover.
&lt;/p&gt;&lt;p&gt;And he ordered back the flags that didn't go....
&lt;/p&gt;&lt;p&gt;By returning "Honest Ben" at next election!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;And we'll rally to the flag that down'd the Rebel rag, and then
&lt;/p&gt;&lt;p&gt;So we'll rally, etc.
&lt;/p&gt;&lt;p&gt;For we'll rally, etc.
&lt;/p&gt;&lt;p&gt;down'd the "Old Bandanna;" And tried and trusty Ben will
&lt;/p&gt;&lt;p&gt;take his seat again, And "that's what's the matter with Hanner."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The "Premium" Marching Through Georgia. Affectionately inscribed to the N.Y. World. Key of B flat.
&lt;/p&gt;&lt;p&gt;1. Bring along that Premium you offered for a song;--Something that would help to jog old Grover's cause along: Something that is "catchy" and "taking" too, and strong:--Something like "Marching through Georgia."
&lt;/p&gt;&lt;p&gt;Hurrah, hurrah, you want a jubilee, Hurrah, hurrah, John Bull and Tammany! Harrison is pushing you as lively as when he Proudly was marching through Georgia.
&lt;/p&gt;&lt;p&gt;2. Here's a song that "catchy" in just about the way That Grover had a "catchy" spell on "Decoration day," While patriots were honoring the "Boys" who whipped the "Gray," While we were marching through Georgia. Cho.
&lt;/p&gt;&lt;p&gt;3. Yes, and it is "witty" too; but never once pretends To match the wit that Grover with a veto message blends. It "flashes" like those Rebel Flags we captured from his friends, While we were marching through Georgia. Cho.
&lt;/p&gt;&lt;p&gt;4. Send along that "Premium" as quick as you can do 't! And if our song in some respects should happen not to suit, We'll do as he and Adlai did, just "send a Substitute"--While we were marching through Georgia!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Bye, Bye, Old Grover. Words by "The Chaplain." Tune--"Good-bye, my Lover, Good-bye.
&lt;/p&gt;&lt;p&gt;1. The boat is coming around the bend! Good-bye, old Grover, good-bye, She's crammed jamfull of Harrison men! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, what makes you sigh so? Bye, Grover, bye oh, good bye, Old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;2. She's nearing the White House every minute! Good-bye, old Grover, good-bye. And frankly, old Grover, you are not not in it, Good-bye old Grover, good bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, how's ammany? oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;3. The name of that boat is "Tippecanoe," Good-bye, old Grover, good bye. She's staunch and trim, and she'll "get there," too! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye. Grover, bye oh, don't her wheels fly, though! Bye, Grover, bye oh, good-bye old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;4. There are lots of soldiers among the crew, Good-bye, Grover, they're after you! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.-- Bye, Grover, bye oh. If they would die, oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;5. You love to veto the "Boys in Blue," Good-bye, old Grover, good-bye, But next November they'll veto you! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, Don't think we lie, oh! Bye, Grover, bye oh, good-bye old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;6. You promised "Reform" in '84, Good-bye, old Grover, good-bye, We've sampled your stock and we want no more! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, John Bull with cry, oh! Bye, Grover, bye oh, good bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;7. The kind of "Reform" you brought about, Good-bye, old Grover, good bye, Was the Rebels in and the Soldiers out, Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, how's that for high, oh! Bye, Grover, bye oh, good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;8. But not content with the blunders made, Good-bye, old Grover, good-bye, You bob up again with your fool "Free Trade"! Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, Farmers are shy, oh! Bye, Grover, bye oh, good-bye old Grover, Good-bye.
&lt;/p&gt;&lt;p&gt;9. So pack your "Veto" and "Free Trade" tools, Good-bye, old Grover, good-bye.  And go a fishing for "suckers" and fools, Good-bye, old Grover, good-bye.
&lt;/p&gt;&lt;p&gt;Cho.--Bye, Grover, bye oh, same to Adlai, oh! Salt River's nigh oh, good-bye, old Grover, good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Great Scenic and Historic Route
&lt;/p&gt;&lt;p&gt;BETWEEN THE METROPOLIS OF THE NATION, WASHINGTON CITY. AND THE METROPOLIS OF THE WORLD, The WORLD'S FAIR CITY. The Baltimore &amp;amp; Ohio R.R.
&lt;/p&gt;&lt;p&gt;Threading the Valley of the Potomac. Skirting the rugged "Maryland Heights." Catching a glimpse of the famous "Shenandoah." Halting in historic "Harper's Ferry." Climbing the towering "Cumberlands." Tracing from dizzy heights "Cheat River."
&lt;/p&gt;&lt;p&gt;Memorable to the Veterans of the First Battles of the War; and on and on, amid Scenes Unsurpassed and Indiscribable.
&lt;/p&gt;&lt;p&gt;TO THE TOURIST, LIFE IS INCOMPLETE WITHOUT A TRIP OVER THE PEERLESS AND PALATIALLY EQUIPPED "B. &amp;amp; O."
&lt;/p&gt;&lt;p&gt;Chas. O. Scull, G.P.A., Baltimore. O.P. McCarty, G.P.A., B. &amp;amp; O. S.-W., Cincinnati. L.S. Allen, Gen. Western Pass. Agt., Chicago.
&lt;/p&gt;&lt;p&gt;Hack &amp;amp; Anderson, Printers 167 Adams Street, Chicago.
&lt;/p&gt;
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                    <text>&lt;p&gt;CHICAGO DAY WALTZ.  By G. Valisi
&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;Tempo di Valse  No. 1 Waltz
&lt;/p&gt;&lt;p&gt;Copyright, 1893, by Valisi Bros.
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&lt;/p&gt;
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                <text>&lt;p&gt;CHICAGO DAY WALTZ.  By G. Valisi
&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;Tempo di Valse  No. 1 Waltz
&lt;/p&gt;&lt;p&gt;Copyright, 1893, by Valisi Bros.
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&lt;p&gt;2  [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
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&lt;hr /&gt;
&lt;p&gt;4 [music]
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                    <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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                <text>Columbia's Guardian Angels</text>
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                <text>Lyrics depict hope for Union victory in battle. Cover depicts border of images depicting memories surrounding title.</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>Chicago</text>
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                <text>1863</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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                    <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>4</text>
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                <text>Come Home, Father</text>
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                <text>Children's song about father's absence</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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                <text>Love song about singer wanting to comfort loved one in loneliness.</text>
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                <text>Tosti, F. Paolo (Francesco Paolo), 1846-1916</text>
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                <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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                    <text>&lt;p&gt;POPULAR SONGS
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Annie Dear, I'm Called Away, Russell .40
&lt;/p&gt;&lt;p&gt;Daily Question, The  E. Meyer Helmund .40
&lt;/p&gt;&lt;p&gt;Good-Night, Farewell, Kucken .40
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts Me Still, Wrighton .40
&lt;/p&gt;&lt;p&gt;I Know That My Redeemer Liveth, Handel .40
&lt;/p&gt;&lt;p&gt;I Would That My Love, Mendelssohn  .40
&lt;/p&gt;&lt;p&gt;Let Me Come Home, Ford  .50
&lt;/p&gt;&lt;p&gt;Love's Golden Dream, Lennox  .40
&lt;/p&gt;&lt;p&gt;O That We Two Were Maying, Duet, Smith .50
&lt;/p&gt;&lt;p&gt;One Strain of Music, Blakely  .50
&lt;/p&gt;&lt;p&gt;Our Jack's Come Home To-day, Devers  .40
&lt;/p&gt;&lt;p&gt;Strangers Yet, Claribel .35
&lt;/p&gt;&lt;p&gt;They All Love Jack, Adams  .35
&lt;/p&gt;&lt;p&gt;Tyrolese and His Child, Lange  .30
&lt;/p&gt;&lt;p&gt;When The Lights Are Low, Lane .35
&lt;/p&gt;&lt;p&gt;Remember I'm Your Brother and Your Friend, Deagon  .50
&lt;/p&gt;&lt;p&gt;Tale of a Winter's Night, Nankeville  .50
&lt;/p&gt;&lt;p&gt;Only a Tear-Stained Message, Armstrong .50
&lt;/p&gt;&lt;p&gt;One Sweet Word, LaZelle  .50
&lt;/p&gt;&lt;p&gt;McKinley Music Co. Chicago. New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Daily Question. (Du Fragst Mich Taglich.)
&lt;/p&gt;&lt;p&gt;Erik Meyer-Helmund.
&lt;/p&gt;&lt;p&gt;Con molto espressione.
&lt;/p&gt;&lt;p&gt;Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly."  Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglick," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never? I've told my story to yonder moon;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja Alles dem Mond erzachlt
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;See, there she wanders above thee; Fly up, sweet maid, and bid the moon tell How
&lt;/p&gt;&lt;p&gt;von unserm Liebesgetriebe, Mein Schatz geh' hin und frag'den Mond, wie
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fervently I love thee! And if she will not tell thee
&lt;/p&gt;&lt;p&gt;innig ich dich liebe! Und sollte er's vergessen
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
truly, Then ask the stars that nightly shine; One summer eve I shew'd them all The
&lt;/p&gt;&lt;p&gt;haben, so frag die goldnen Sternelein! Ich weiht' sie eines Abends all' ins'
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-2.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;treasures of my secret shrine.
&lt;/p&gt;&lt;p&gt;susseste Geheimnis ein.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, Liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly." Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglich," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-3.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;never? I've plighted faith to thee my own sweet love;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja ew'ge Treu versprochen dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
My very soul to thee I've given! My glowing eyes may tell thee
&lt;/p&gt;&lt;p&gt;wohl unter heiseen Wonne kussen! in meinen Augen siehst du
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
more Than moon or stars in Heaven!
&lt;/p&gt;&lt;p&gt;mehr als Mond und Sterne wissen.
&lt;/p&gt;&lt;p&gt;562. 4-4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautiful and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU.  Chas. Bishop. Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spent with thee, dear heart, Are like a string of pearls to me,
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop.  Out on the deep, on the deep blue sea. Where the waves run high and the
&lt;/p&gt;&lt;p&gt;Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MY BABY'S KISS. M.E. Rourke. and L. Peasley.
&lt;/p&gt;&lt;p&gt;Press your ruby lips to mine Baby, baby dear. Dripping red with
&lt;/p&gt;&lt;p&gt;Does my little darling know Baby. baby dear. As each year you
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
KISS AND SAY GOOD NIGHT. R. M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHICAGO MCKINLEY MUSIC CO. NEW YORK
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
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&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;562. 4-1.
&lt;/p&gt;
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                <text>The Daily Question = Du fragst mich taglich</text>
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                <text>Meyer-Helmund, Erik, 1861-1932</text>
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                <text>&lt;p&gt;POPULAR SONGS
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Annie Dear, I'm Called Away, Russell .40
&lt;/p&gt;&lt;p&gt;Daily Question, The  E. Meyer Helmund .40
&lt;/p&gt;&lt;p&gt;Good-Night, Farewell, Kucken .40
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts Me Still, Wrighton .40
&lt;/p&gt;&lt;p&gt;I Know That My Redeemer Liveth, Handel .40
&lt;/p&gt;&lt;p&gt;I Would That My Love, Mendelssohn  .40
&lt;/p&gt;&lt;p&gt;Let Me Come Home, Ford  .50
&lt;/p&gt;&lt;p&gt;Love's Golden Dream, Lennox  .40
&lt;/p&gt;&lt;p&gt;O That We Two Were Maying, Duet, Smith .50
&lt;/p&gt;&lt;p&gt;One Strain of Music, Blakely  .50
&lt;/p&gt;&lt;p&gt;Our Jack's Come Home To-day, Devers  .40
&lt;/p&gt;&lt;p&gt;Strangers Yet, Claribel .35
&lt;/p&gt;&lt;p&gt;They All Love Jack, Adams  .35
&lt;/p&gt;&lt;p&gt;Tyrolese and His Child, Lange  .30
&lt;/p&gt;&lt;p&gt;When The Lights Are Low, Lane .35
&lt;/p&gt;&lt;p&gt;Remember I'm Your Brother and Your Friend, Deagon  .50
&lt;/p&gt;&lt;p&gt;Tale of a Winter's Night, Nankeville  .50
&lt;/p&gt;&lt;p&gt;Only a Tear-Stained Message, Armstrong .50
&lt;/p&gt;&lt;p&gt;One Sweet Word, LaZelle  .50
&lt;/p&gt;&lt;p&gt;McKinley Music Co. Chicago. New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Daily Question. (Du Fragst Mich Taglich.)
&lt;/p&gt;&lt;p&gt;Erik Meyer-Helmund.
&lt;/p&gt;&lt;p&gt;Con molto espressione.
&lt;/p&gt;&lt;p&gt;Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly."  Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglick," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never? I've told my story to yonder moon;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja Alles dem Mond erzachlt
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;See, there she wanders above thee; Fly up, sweet maid, and bid the moon tell How
&lt;/p&gt;&lt;p&gt;von unserm Liebesgetriebe, Mein Schatz geh' hin und frag'den Mond, wie
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fervently I love thee! And if she will not tell thee
&lt;/p&gt;&lt;p&gt;innig ich dich liebe! Und sollte er's vergessen
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
truly, Then ask the stars that nightly shine; One summer eve I shew'd them all The
&lt;/p&gt;&lt;p&gt;haben, so frag die goldnen Sternelein! Ich weiht' sie eines Abends all' ins'
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-2.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;treasures of my secret shrine.
&lt;/p&gt;&lt;p&gt;susseste Geheimnis ein.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, Liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly." Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglich," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-3.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;never? I've plighted faith to thee my own sweet love;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja ew'ge Treu versprochen dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
My very soul to thee I've given! My glowing eyes may tell thee
&lt;/p&gt;&lt;p&gt;wohl unter heiseen Wonne kussen! in meinen Augen siehst du
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
more Than moon or stars in Heaven!
&lt;/p&gt;&lt;p&gt;mehr als Mond und Sterne wissen.
&lt;/p&gt;&lt;p&gt;562. 4-4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautiful and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU.  Chas. Bishop. Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spent with thee, dear heart, Are like a string of pearls to me,
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop.  Out on the deep, on the deep blue sea. Where the waves run high and the
&lt;/p&gt;&lt;p&gt;Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MY BABY'S KISS. M.E. Rourke. and L. Peasley.
&lt;/p&gt;&lt;p&gt;Press your ruby lips to mine Baby, baby dear. Dripping red with
&lt;/p&gt;&lt;p&gt;Does my little darling know Baby. baby dear. As each year you
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
KISS AND SAY GOOD NIGHT. R. M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHICAGO MCKINLEY MUSIC CO. NEW YORK
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;562. 4-1.
&lt;/p&gt;
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                    <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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              <text>8</text>
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                <text>Lyrics describe memory of life in Illinois. Sheet includes letter from Senator Charles Percy</text>
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                <text>Shattinger</text>
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                <text>St. Louis</text>
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                <text>1953</text>
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                <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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                    <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>Lyrics describe worry for loved one</text>
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                <text>Estabrook, G.</text>
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                <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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                <text>Dirge for a Soldier</text>
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                <text>Funerary song for soldier</text>
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                <text>Funeral music</text>
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                <text>Sheet music</text>
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                <text>Gutterson, A. C.</text>
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                <text>Gutterson, &amp;nbsp;A. C.</text>
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              <elementText elementTextId="413981">
                <text>Higgins, H. M.</text>
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            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Chicago</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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                    <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                <text>Dixie Doodle: Rag-cake walk, march two-step</text>
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                <text>Rag-Cake Walk March-Two Step</text>
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                <text>Piano Music (Ragtime)</text>
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              <elementText elementTextId="413996">
                <text>Buchanan, C. N.</text>
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                <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5 [music]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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                <text>Dr. Keeley's Triumphal March</text>
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                <text>The Keeley Institute was founded in Dwight in 1879 by Leslie Keeley, and, until it closed its doors in 1965, offered treatment to cure alcoholism. At the peak of the institute's popularity, there were more than 200 locations across the U.S. and in Europe.</text>
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                <text>Cole, Amos O.</text>
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            <name>Coverage</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5 [music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
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&lt;hr /&gt;
&lt;p&gt;[music]
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&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>5</text>
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            <name>Identifier</name>
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                <text>200113</text>
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                <text>Illinois Sheet Music Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Douglas' Funeral March</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414037">
                <text>Instrumental music in honor of Stephen A. Douglas.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Instrumental music</text>
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              <elementText elementTextId="414039">
                <text>Funeral music</text>
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                <text>Douglas, Stephen A. (Stephen Arnold), 1813-1861</text>
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                <text>Sheet music</text>
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                <text>Funeral Music</text>
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                <text>Piano music</text>
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                <text>Marches (Piano)</text>
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                <text>&amp;nbsp;Grante, H.</text>
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                <text>&amp;nbsp;Higgins, A. Judson</text>
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                <text>Chicago</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="414054">
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="414056">
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                <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>3</text>
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            <name>Description</name>
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                <text>Lyrics refer to rivers in Illinois.</text>
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                <text>Folk music</text>
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                <text>Illinois</text>
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                <text>Stracke, Win</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
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              <elementText elementTextId="414076">
                <text>eng</text>
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                <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://www.chroniclingillinois.org/files/original/6573d23b50832fa0ab7b6304bf32d229.pdf</src>
        <authentication>924999361efe30645efb4b9897adf1ff</authentication>
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                    <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>8</text>
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                <text>200115</text>
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              <elementText elementTextId="414078">
                <text>Illinois Sheet Music Collection</text>
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                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Col Ellsworth Requiem March</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Instrumental music. "To the memory of Col E. E. Ellsworth who fell at Alexandria, VA. May 24, 1861." Cover depicts portrait of Col. Ellsworth with images of him in battle and crowds at grave surrounded by flags and vines. Name Emily M. Bristol (Robinson) written in pencil in upper right corner on front cover.</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="414082">
                <text>Ellsworth, C. E. (Elmer Ephraim), 1837-1861</text>
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              <elementText elementTextId="414083">
                <text>Songs and music</text>
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                <text>Sheet Music</text>
              </elementText>
              <elementText elementTextId="414085">
                <text>Marches (Piano)</text>
              </elementText>
              <elementText elementTextId="414086">
                <text>Funeral Music</text>
              </elementText>
              <elementText elementTextId="414087">
                <text>War songs</text>
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              <elementText elementTextId="414088">
                <text>War--Songs and Music</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="414089">
                <text>Vass, A. J.</text>
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            <name>Contributor</name>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="414092">
                <text>1866</text>
              </elementText>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="414096">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414098">
                <text>eng</text>
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            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="599574">
                <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts 
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham
&lt;/p&gt;&lt;p&gt;The Solo Shop Mail Address Lock Box 254 Charleston, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham  Piano score by Malcolm Lee
&lt;/p&gt;&lt;p&gt;Tempo di valse
&lt;/p&gt;&lt;p&gt;1. Fair Illinois! Majestic State Calm guardian of the inland gate. (1) Beneath the wide encirc'ling skies, Regal and beautiful you rise. The fruitful verdure of the plain Orchard and wood, and waving grain. Bright sparkling stream and jewelled lake, (2) Your lovely flowing garments make.
&lt;/p&gt;&lt;p&gt;2. My Illinois! Broad prairies fair Upon your comely head you bear. Proud as a queen, her jewelled crown; Hills storied of Galena (3)town. Where sunrise kindles wave and tow'r. (4) There surges with unwearying pow'r. Beneath the world's great teeming mart, (5) The singing current of your heart.
&lt;/p&gt;&lt;p&gt;3. Dear Illinois! Your arms clasp round The shrines on Sangamon's (6) hallowed ground; And where the mighty waters meet (7) Is set the imprint of your 
feet. O beautiful beloved land. In war, in peace, thus ever stand, and we your children pledge to you Our faith, our hope, our homage true.
&lt;/p&gt;&lt;p&gt;Copyright 1949 by Frank Cottingham, Elgin, Illinois. All rights reserved. Including the rights of public performance for profit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Legend: (1) City of Chicago. (2) Lake Michigan. (3) Home of former President Grant. (4) Lake front. (5) City of Chicago. (6) Springfield. New Salem. (7) Cairo-confluence of the Ohio and the Mississippi.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414114">
              <text>4</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="414099">
                <text>200116</text>
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                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414101">
                <text>CD</text>
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          <element elementId="50">
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                <text>Fair Illinois</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414103">
                <text>Lyrics depict Illinois geography, natural resources, and cities.</text>
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                <text>Music for piano</text>
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                <text>Songs with piano</text>
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              <elementText elementTextId="414106">
                <text>Illinois -- Songs and Music</text>
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                <text>Sheet music</text>
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            <name>Creator</name>
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                <text>Cottingham, Frank</text>
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              <elementText elementTextId="493805">
                <text>Roberts, Florence Cecelia</text>
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            <name>Contributor</name>
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                <text>The Solo Shop</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414112">
                <text>Charleston, IL</text>
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              <elementText elementTextId="414117">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="414119">
                <text>eng</text>
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          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
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                <text>&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts 
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham
&lt;/p&gt;&lt;p&gt;The Solo Shop Mail Address Lock Box 254 Charleston, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham  Piano score by Malcolm Lee
&lt;/p&gt;&lt;p&gt;Tempo di valse
&lt;/p&gt;&lt;p&gt;1. Fair Illinois! Majestic State Calm guardian of the inland gate. (1) Beneath the wide encirc'ling skies, Regal and beautiful you rise. The fruitful verdure of the plain Orchard and wood, and waving grain. Bright sparkling stream and jewelled lake, (2) Your lovely flowing garments make.
&lt;/p&gt;&lt;p&gt;2. My Illinois! Broad prairies fair Upon your comely head you bear. Proud as a queen, her jewelled crown; Hills storied of Galena (3)town. Where sunrise kindles wave and tow'r. (4) There surges with unwearying pow'r. Beneath the world's great teeming mart, (5) The singing current of your heart.
&lt;/p&gt;&lt;p&gt;3. Dear Illinois! Your arms clasp round The shrines on Sangamon's (6) hallowed ground; And where the mighty waters meet (7) Is set the imprint of your 
feet. O beautiful beloved land. In war, in peace, thus ever stand, and we your children pledge to you Our faith, our hope, our homage true.
&lt;/p&gt;&lt;p&gt;Copyright 1949 by Frank Cottingham, Elgin, Illinois. All rights reserved. Including the rights of public performance for profit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Legend: (1) City of Chicago. (2) Lake Michigan. (3) Home of former President Grant. (4) Lake front. (5) City of Chicago. (6) Springfield. New Salem. (7) Cairo-confluence of the Ohio and the Mississippi.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>20</text>
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        <src>https://www.chroniclingillinois.org/files/original/62bf3be1dd8ca94e479e9a18a2088d92.pdf</src>
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                    <text>&lt;p&gt;FAIRY WALTZ
&lt;/p&gt;&lt;p&gt;COMPOSED BY J. A. DOANE Professor of Music at Clark Seminar, Aurora, IL
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;Published by Lyoo [sic Lyon] &amp;amp; Healy Clark &amp;amp; Washington Sts.
&lt;/p&gt;&lt;p&gt;Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;New York T. Firth.
&lt;/p&gt;&lt;p&gt;Phila C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Cinn. I. Church Jr.
&lt;/p&gt;&lt;p&gt;Chicago Western News Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress 1866 by Lyon &amp;amp; Healy in the District Office of the Northern Court of Ill.[?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FAIRY WALTZ.
&lt;/p&gt;&lt;p&gt;J. A. DOANE.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;
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              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
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              <text>4</text>
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                <text>200117</text>
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                <text>Illinois Sheet Music Collection</text>
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              <elementText elementTextId="414122">
                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fairy Waltz</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Instrumental music. Cover depicts fairy in the middle of a lily pad</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="414126">
                <text>Instrumental music</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="414128">
                <text>Doane, J. A.</text>
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              <elementText elementTextId="414129">
                <text>Lynn &amp;amp; Healy</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414130">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414131">
                <text>1865</text>
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            </elementTextContainer>
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          <element elementId="42">
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            <elementTextContainer>
              <elementText elementTextId="414135">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414137">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
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                <text>&lt;p&gt;FAIRY WALTZ
&lt;/p&gt;&lt;p&gt;COMPOSED BY J. A. DOANE Professor of Music at Clark Seminar, Aurora, IL
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;Published by Lyoo [sic Lyon] &amp;amp; Healy Clark &amp;amp; Washington Sts.
&lt;/p&gt;&lt;p&gt;Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;New York T. Firth.
&lt;/p&gt;&lt;p&gt;Phila C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Cinn. I. Church Jr.
&lt;/p&gt;&lt;p&gt;Chicago Western News Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress 1866 by Lyon &amp;amp; Healy in the District Office of the Northern Court of Ill.[?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FAIRY WALTZ.
&lt;/p&gt;&lt;p&gt;J. A. DOANE.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;
</text>
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        <src>https://www.chroniclingillinois.org/files/original/999478c575764702cfe480794e499d57.pdf</src>
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                    <text>&lt;p&gt;THE FIRST BATTLE SONG
STEPHEN TAYLOR DEKINS.
COPYRIGHT 1897 
PUBLISHED BY 
STEPHEN TAYLOR DEKINS.
VIRGINIA, ILLS
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;1. The bright star of the west, Still shines a mid the gloom; Cheer up, ye honest working men, In nineteen hundred firmly stand A-gainst the gold-bugs of our land......
2. Mark Hanna and his little game, caused defeat in the last campaign, Intimidation was the plan--Plenty of money in his hand To overthrow the working man..........
3. Prosperity will never come, Unless we have sixteen to one; The battle cry has just begun, Nebraska's son is not outdone; In nineteen hundred he will run......
4. The second battle must be fought. And Bryan's book will be bought In nineteen hundred we will see, The gold and silver jubilee, And then we'll have prosperity........
&lt;/p&gt;&lt;p&gt;REFRAIN In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
SOPRANO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
ALTO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
TENOR In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1897, by Stephen Taylor Dekins
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <text>6</text>
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                <text>The First Battle Song</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>William Jennings Bryan campaign song for 1900 election. Cover depicts portrait of William Jennings Bryan and a drawing of justice.</text>
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                <text>Bryan, William Jennings, 1860-1925</text>
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                <text>Songs with piano</text>
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                <text>Campaign songs</text>
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                <text>Marches</text>
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                <text>Goddesses, Greek</text>
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                <text>Dekins, Stephen Taylor</text>
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                <text>Virginia, IL</text>
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                <text>1897</text>
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              <elementText elementTextId="414155">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                <text>&lt;p&gt;THE FIRST BATTLE SONG
STEPHEN TAYLOR DEKINS.
COPYRIGHT 1897 
PUBLISHED BY 
STEPHEN TAYLOR DEKINS.
VIRGINIA, ILLS
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;1. The bright star of the west, Still shines a mid the gloom; Cheer up, ye honest working men, In nineteen hundred firmly stand A-gainst the gold-bugs of our land......
2. Mark Hanna and his little game, caused defeat in the last campaign, Intimidation was the plan--Plenty of money in his hand To overthrow the working man..........
3. Prosperity will never come, Unless we have sixteen to one; The battle cry has just begun, Nebraska's son is not outdone; In nineteen hundred he will run......
4. The second battle must be fought. And Bryan's book will be bought In nineteen hundred we will see, The gold and silver jubilee, And then we'll have prosperity........
&lt;/p&gt;&lt;p&gt;REFRAIN In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
SOPRANO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
ALTO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
TENOR In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1897, by Stephen Taylor Dekins
&lt;/p&gt;
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                    <text>&lt;p&gt;Flag Ever Glorious
&lt;/p&gt;&lt;p&gt;ANTHEM
&lt;/p&gt;&lt;p&gt;Suitable for all Patriotic Occasions by William Dodd Chenery
&lt;/p&gt;&lt;p&gt;Flag ever glorious, flag of the free,
&lt;/p&gt;&lt;p&gt;Wave thou victorious o'er land, o'er sea;
&lt;/p&gt;&lt;p&gt;With thy appearing unbidden we rise,
&lt;/p&gt;&lt;p&gt;Hail thee, proud banner, aloft in the skies.
&lt;/p&gt;&lt;p&gt;Pines in the North thy great glories proclaim,
&lt;/p&gt;&lt;p&gt;Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;Out from the East rolls the anthem of praise,
&lt;/p&gt;&lt;p&gt;Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, thy colors bright,
&lt;/p&gt;&lt;p&gt;Herald the tidings of justice, of right;
&lt;/p&gt;&lt;p&gt;Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;Float on in triumph when tumult shall cease.
&lt;/p&gt;&lt;p&gt;Hail to thy Navy, its valor our pride,
&lt;/p&gt;&lt;p&gt;Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;Danger defying, defending thy land,
&lt;/p&gt;&lt;p&gt;Honor upholding united they stand.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, hail to thy worth,
&lt;/p&gt;&lt;p&gt;Gift of THE FATHER at Liberty's birth;
&lt;/p&gt;&lt;p&gt;In thy enfolding the weak, the opprest
&lt;/p&gt;&lt;p&gt;Find a safe haven, O, flag ever blest.
&lt;/p&gt;&lt;p&gt;Shine ye through all the night, O, radiant stars,
&lt;/p&gt;&lt;p&gt;Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;Waft thy glad message to each distant shore,
&lt;/p&gt;&lt;p&gt;"Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Published for
&lt;/p&gt;&lt;p&gt;Band .50
&lt;/p&gt;&lt;p&gt;Orchestra (Small) .50
&lt;/p&gt;&lt;p&gt;Orchestra (Large) .75
&lt;/p&gt;&lt;p&gt;PRICES
&lt;/p&gt;&lt;p&gt;Single copies, 25c postpaid
20 copies or more, 20c each
&lt;/p&gt;&lt;p&gt;Order from Distributor: BERNARD MUSIC SHOP 221 South Fifth St., Springfield, Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FLAG EVER GLORIOUS
&lt;/p&gt;&lt;p&gt;Words and Music by WILLIAM DODD CHENERY.
&lt;/p&gt;&lt;p&gt;1. Flag ever glorious, flag of the free, Wave thou victorious
&lt;/p&gt;&lt;p&gt;2. Flag ever glorious, thy colors bright, Herald the tidings of
&lt;/p&gt;&lt;p&gt;3. Flag ever glorious, hail to thy worth, Gift of THE FATHER at
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] o'er land o'er sea; With thy appearing, unbidden we rise,
&lt;/p&gt;&lt;p&gt;[2.] justice of right; Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;[3.] Liberty's birth; In thy enfolding the weak, the opprest,
&lt;/p&gt;&lt;p&gt;Copyright 1916 by William Dodd Chenery
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[1.] Hail thee, proud banner, aloft in the skies. Pines of the North thy great
&lt;/p&gt;&lt;p&gt;[2.] Float on in triumph when tumult shall cease. Hail to thy Navy, it's
&lt;/p&gt;&lt;p&gt;[3.] Find a safe haven, O! flag ever blest. Shine ye through all the night,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] glories proclaim, Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;[2.] valor our pride, Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;[3.] O! radiant stars, Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] Out from the East rolls the anthem of praise, Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;[2.] Danger defying, defending thy land, Honor upholding, united they stand.
&lt;/p&gt;&lt;p&gt;[3.] Waft thy glad message to each distant shore, "Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;H.S. Talbot &amp;amp; Co. Music Printers, Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414170">
              <text>4</text>
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            <elementText elementTextId="414171">
              <text>33 cm</text>
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                <text>Illinois Sheet Music Collection</text>
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              <elementText elementTextId="414160">
                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Flag Ever Glorious</text>
              </elementText>
            </elementTextContainer>
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            <description>An account of the resource</description>
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                <text>Lyrics depict American flag and its role in patriotism. "Suitable for all Patriotic Occasions" Lyrics on cover.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Patriotic music</text>
              </elementText>
              <elementText elementTextId="414164">
                <text>Flags--United States</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414166">
                <text>Chenery, W. D.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="414167">
                <text>Bernard Music Shop</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414168">
                <text>Springfield, IL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414169">
                <text>1916</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
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              <elementText elementTextId="414172">
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414173">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414175">
                <text>eng</text>
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            </elementTextContainer>
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            <description>A written representation of a document or a page.</description>
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              <elementText elementTextId="549105">
                <text>&lt;p&gt;Flag Ever Glorious
&lt;/p&gt;&lt;p&gt;ANTHEM
&lt;/p&gt;&lt;p&gt;Suitable for all Patriotic Occasions by William Dodd Chenery
&lt;/p&gt;&lt;p&gt;Flag ever glorious, flag of the free,
&lt;/p&gt;&lt;p&gt;Wave thou victorious o'er land, o'er sea;
&lt;/p&gt;&lt;p&gt;With thy appearing unbidden we rise,
&lt;/p&gt;&lt;p&gt;Hail thee, proud banner, aloft in the skies.
&lt;/p&gt;&lt;p&gt;Pines in the North thy great glories proclaim,
&lt;/p&gt;&lt;p&gt;Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;Out from the East rolls the anthem of praise,
&lt;/p&gt;&lt;p&gt;Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, thy colors bright,
&lt;/p&gt;&lt;p&gt;Herald the tidings of justice, of right;
&lt;/p&gt;&lt;p&gt;Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;Float on in triumph when tumult shall cease.
&lt;/p&gt;&lt;p&gt;Hail to thy Navy, its valor our pride,
&lt;/p&gt;&lt;p&gt;Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;Danger defying, defending thy land,
&lt;/p&gt;&lt;p&gt;Honor upholding united they stand.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, hail to thy worth,
&lt;/p&gt;&lt;p&gt;Gift of THE FATHER at Liberty's birth;
&lt;/p&gt;&lt;p&gt;In thy enfolding the weak, the opprest
&lt;/p&gt;&lt;p&gt;Find a safe haven, O, flag ever blest.
&lt;/p&gt;&lt;p&gt;Shine ye through all the night, O, radiant stars,
&lt;/p&gt;&lt;p&gt;Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;Waft thy glad message to each distant shore,
&lt;/p&gt;&lt;p&gt;"Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Published for
&lt;/p&gt;&lt;p&gt;Band .50
&lt;/p&gt;&lt;p&gt;Orchestra (Small) .50
&lt;/p&gt;&lt;p&gt;Orchestra (Large) .75
&lt;/p&gt;&lt;p&gt;PRICES
&lt;/p&gt;&lt;p&gt;Single copies, 25c postpaid
20 copies or more, 20c each
&lt;/p&gt;&lt;p&gt;Order from Distributor: BERNARD MUSIC SHOP 221 South Fifth St., Springfield, Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FLAG EVER GLORIOUS
&lt;/p&gt;&lt;p&gt;Words and Music by WILLIAM DODD CHENERY.
&lt;/p&gt;&lt;p&gt;1. Flag ever glorious, flag of the free, Wave thou victorious
&lt;/p&gt;&lt;p&gt;2. Flag ever glorious, thy colors bright, Herald the tidings of
&lt;/p&gt;&lt;p&gt;3. Flag ever glorious, hail to thy worth, Gift of THE FATHER at
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] o'er land o'er sea; With thy appearing, unbidden we rise,
&lt;/p&gt;&lt;p&gt;[2.] justice of right; Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;[3.] Liberty's birth; In thy enfolding the weak, the opprest,
&lt;/p&gt;&lt;p&gt;Copyright 1916 by William Dodd Chenery
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[1.] Hail thee, proud banner, aloft in the skies. Pines of the North thy great
&lt;/p&gt;&lt;p&gt;[2.] Float on in triumph when tumult shall cease. Hail to thy Navy, it's
&lt;/p&gt;&lt;p&gt;[3.] Find a safe haven, O! flag ever blest. Shine ye through all the night,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] glories proclaim, Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;[2.] valor our pride, Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;[3.] O! radiant stars, Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] Out from the East rolls the anthem of praise, Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;[2.] Danger defying, defending thy land, Honor upholding, united they stand.
&lt;/p&gt;&lt;p&gt;[3.] Waft thy glad message to each distant shore, "Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;H.S. Talbot &amp;amp; Co. Music Printers, Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;The Song with the "Punch" and "Pep"!
&lt;/p&gt;&lt;p&gt;FREEDOM AND GLORY (A Song for the Army and Navy)
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE 
&lt;/p&gt;&lt;p&gt;Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;Officially played by THE SOUSA BAND
&lt;/p&gt;&lt;p&gt;THE GREAT LAKES NAVAL TRAINING STATION BAND
&lt;/p&gt;&lt;p&gt;Directed by John Phillip Sousa
&lt;/p&gt;&lt;p&gt;THE REGIMENTAL BANDS OF CAMP GRANT
&lt;/p&gt;&lt;p&gt;Directed by Arthur Nevin and many other Naval and Military Bands throughout the World.
&lt;/p&gt;&lt;p&gt;Published for BAND and ORCH. 
&lt;/p&gt;&lt;p&gt;WILL ROSSITER "THE CHICAGO PUBLISHER" 71 W. Randolph St., CHICAGO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Dedicated, by permission, to Captain William A. Moffett, U.S.N.
&lt;/p&gt;&lt;p&gt;Freedom and Glory A Song for the Army and Navy
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE  Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;We are sons of the land that freed
Men and nations in crying need: Now on we speed to prove by deed New
faith in our old story. Off to France and the growl of wars,
On to batter the tyrants bars; Vowed to take the
stripes and stars to unstained glory.
&lt;/p&gt;&lt;p&gt;Men like us were with Washington,
Our own kind saw that Jackson won, And Mexico was left undone By
men of our same manner; Men like us were Grant and Lee,
Stonewall, Sheridan, Meade maybe: Theirs the flag set
Cuba free, our starbright banner.
&lt;/p&gt;&lt;p&gt;Men like us were with bold John Paul
Our own kind ran to Preble's call, Decatur, Lawrence, Perry all Who
make the nation glorious; David Farragut shared their fame,
Dewey fought with the same clear aim: Their old flag we'll
keep aflame and still victorious.
&lt;/p&gt;&lt;p&gt;Copyright, MCMXVII, by Will Rossiter, Chicago, Ill.
&lt;/p&gt;&lt;p&gt;British copyright secured  All rights reserved
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Freedom! Glory! off to war are we To
&lt;/p&gt;&lt;p&gt;fight the fight for God and right along the land and sea
&lt;/p&gt;&lt;p&gt;Freedom! Glory! join the great advance and bear a lance to fight for France and glory.
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414191">
              <text>4</text>
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            <elementText elementTextId="414192">
              <text>26 cm</text>
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                <text>200120</text>
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                <text>Illinois Sheet Music Collection</text>
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              <elementText elementTextId="414178">
                <text>CD</text>
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                <text>Freedom and Glory: A Song for the Army and Navy</text>
              </elementText>
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          <element elementId="41">
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                <text>Lyrics depict battles and roles of the Army and Navy. "Dedication, by permission, to Captain William A. Moffett, U.S.N."</text>
              </elementText>
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          <element elementId="49">
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                <text>Patriotic Song</text>
              </elementText>
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                <text>Military Song</text>
              </elementText>
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                <text>Marches</text>
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                <text>Moffett, William A.</text>
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          <element elementId="39">
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                <text>Kickmann, F. Henri (Frank Henri), 1885-1966</text>
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                <text>Will Rossiter</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
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                <text>Chicago</text>
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              <elementText elementTextId="414190">
                <text>ca. 1918</text>
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            <elementTextContainer>
              <elementText elementTextId="414194">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;The Song with the "Punch" and "Pep"!
&lt;/p&gt;&lt;p&gt;FREEDOM AND GLORY (A Song for the Army and Navy)
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE 
&lt;/p&gt;&lt;p&gt;Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;Officially played by THE SOUSA BAND
&lt;/p&gt;&lt;p&gt;THE GREAT LAKES NAVAL TRAINING STATION BAND
&lt;/p&gt;&lt;p&gt;Directed by John Phillip Sousa
&lt;/p&gt;&lt;p&gt;THE REGIMENTAL BANDS OF CAMP GRANT
&lt;/p&gt;&lt;p&gt;Directed by Arthur Nevin and many other Naval and Military Bands throughout the World.
&lt;/p&gt;&lt;p&gt;Published for BAND and ORCH. 
&lt;/p&gt;&lt;p&gt;WILL ROSSITER "THE CHICAGO PUBLISHER" 71 W. Randolph St., CHICAGO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Dedicated, by permission, to Captain William A. Moffett, U.S.N.
&lt;/p&gt;&lt;p&gt;Freedom and Glory A Song for the Army and Navy
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE  Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;We are sons of the land that freed
Men and nations in crying need: Now on we speed to prove by deed New
faith in our old story. Off to France and the growl of wars,
On to batter the tyrants bars; Vowed to take the
stripes and stars to unstained glory.
&lt;/p&gt;&lt;p&gt;Men like us were with Washington,
Our own kind saw that Jackson won, And Mexico was left undone By
men of our same manner; Men like us were Grant and Lee,
Stonewall, Sheridan, Meade maybe: Theirs the flag set
Cuba free, our starbright banner.
&lt;/p&gt;&lt;p&gt;Men like us were with bold John Paul
Our own kind ran to Preble's call, Decatur, Lawrence, Perry all Who
make the nation glorious; David Farragut shared their fame,
Dewey fought with the same clear aim: Their old flag we'll
keep aflame and still victorious.
&lt;/p&gt;&lt;p&gt;Copyright, MCMXVII, by Will Rossiter, Chicago, Ill.
&lt;/p&gt;&lt;p&gt;British copyright secured  All rights reserved
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Freedom! Glory! off to war are we To
&lt;/p&gt;&lt;p&gt;fight the fight for God and right along the land and sea
&lt;/p&gt;&lt;p&gt;Freedom! Glory! join the great advance and bear a lance to fight for France and glory.
&lt;/p&gt;
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                    <text>&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Composed by GEO. MAYWOOD.
&lt;/p&gt;&lt;p&gt;40
&lt;/p&gt;&lt;p&gt;Copyright, 1885, by National Music Co.  From Windsor &amp;amp; Music &amp;amp; Co., Chicago, Ills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Introduction.  Composed by Geo. Maywood.
&lt;/p&gt;&lt;p&gt;Muffled drums.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyrighted 1885 by The National Music Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                <text>General Grant's Funeral March</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="414201">
                <text>Instrumental music. Cover depicts portrait of Ulysses S. Grant surrounded by two crossed flags, a laurel, sword, and rifle.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="414202">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="414203">
                <text>Funeral Music</text>
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              <elementText elementTextId="414204">
                <text>Marches</text>
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              <elementText elementTextId="414205">
                <text>Grant, Ulysses S. (Ulysses Simpson), 1822-1885</text>
              </elementText>
              <elementText elementTextId="414206">
                <text>Songs and music</text>
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              <elementText elementTextId="414207">
                <text>Presidents</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="414209">
                <text>Maywood, George</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="414210">
                <text>Windsor Music Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414211">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="414212">
                <text>1885</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="414215">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414216">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="414218">
                <text>eng</text>
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                <text>&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Composed by GEO. MAYWOOD.
&lt;/p&gt;&lt;p&gt;40
&lt;/p&gt;&lt;p&gt;Copyright, 1885, by National Music Co.  From Windsor &amp;amp; Music &amp;amp; Co., Chicago, Ills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Introduction.  Composed by Geo. Maywood.
&lt;/p&gt;&lt;p&gt;Muffled drums.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyrighted 1885 by The National Music Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="599566">
                <text>Complete</text>
              </elementText>
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          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="599567">
                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <elementText elementTextId="599568">
                <text>20</text>
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                    <text>&lt;p&gt;GENERAL McCLERNAND'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;[LITHOGRAPH]
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; most respectfully dedicated to MAJ. GEN. JOHN A. McCLERNAND by LOUIS H. RINK. Published by ROOT &amp;amp; CADY 95 Clark St. Chicago.
&lt;/p&gt;&lt;p&gt;Geo. W. Chatterton. Springfield, Ill.  S. Brainard &amp;amp; Co. Cleveland. H.N. Hemsted. Milwaukee. J.H. Whittemore. Detroit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GEN. McCLERNAND'S GRAND MARCH.  L.H. RINK.
&lt;/p&gt;&lt;p&gt;March. [sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS.  
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., opposite Court House, Chicago, Ill. Dealers in every Description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET.
&lt;/p&gt;&lt;p&gt;Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott  25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song, Port Royal, 1861. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury  25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts. Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take your Gun and Go, John! Song and Chorus. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow  25 cts.  An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert 25 cts. For Tenor or Soprano. Exquisite, but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Sloepius  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are ye Sleeping, Maggie. Scotch Song 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.S.W. 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor 25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me. " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby, Sleep 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream Kitty. H.L. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song 25 cts.
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'eau. (Tremolo,) 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National Des Croates 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse. 25 cts.
&lt;/p&gt;
&lt;pre&gt;Spring Style Schottische. Freund 15 cts.
&lt;/pre&gt;
&lt;p&gt;North-Western Rifle March. By S.G.L. Arranged by Vaas 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner 25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.)
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner 30 cts.  Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) Vaas 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph) 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas 35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab 35 cts.
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;
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                    <text>Complete</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249726">
                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="414234">
              <text>5</text>
            </elementText>
            <elementText elementTextId="414235">
              <text>34 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="414219">
                <text>200122</text>
              </elementText>
              <elementText elementTextId="414220">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414221">
                <text>G</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414222">
                <text>General McClernand's Grand March</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414223">
                <text>Instrumental music. "Composed and most respectfully dedicated to Maj. Gen. John A. McClernand." Cover depicts portrait of John A. McClernand in military uniform.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414224">
                <text>McClernand, John A. (John Alexander), 1812-1900</text>
              </elementText>
              <elementText elementTextId="414225">
                <text>Marches</text>
              </elementText>
              <elementText elementTextId="414226">
                <text>American Civil War (1861-1865)</text>
              </elementText>
              <elementText elementTextId="414227">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="414228">
                <text>Songs and music</text>
              </elementText>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414230">
                <text>Rink, Louis H.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414231">
                <text>Root &amp;amp; Cady</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414232">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414233">
                <text>ca. 1862</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414236">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414237">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414239">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
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            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="624001">
                <text>&lt;p&gt;GENERAL McCLERNAND'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;[LITHOGRAPH]
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; most respectfully dedicated to MAJ. GEN. JOHN A. McCLERNAND by LOUIS H. RINK. Published by ROOT &amp;amp; CADY 95 Clark St. Chicago.
&lt;/p&gt;&lt;p&gt;Geo. W. Chatterton. Springfield, Ill.  S. Brainard &amp;amp; Co. Cleveland. H.N. Hemsted. Milwaukee. J.H. Whittemore. Detroit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GEN. McCLERNAND'S GRAND MARCH.  L.H. RINK.
&lt;/p&gt;&lt;p&gt;March. [sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS.  
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., opposite Court House, Chicago, Ill. Dealers in every Description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET.
&lt;/p&gt;&lt;p&gt;Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott  25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song, Port Royal, 1861. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury  25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts. Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take your Gun and Go, John! Song and Chorus. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow  25 cts.  An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert 25 cts. For Tenor or Soprano. Exquisite, but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Sloepius  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are ye Sleeping, Maggie. Scotch Song 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.S.W. 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor 25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me. " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby, Sleep 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream Kitty. H.L. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song 25 cts.
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'eau. (Tremolo,) 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National Des Croates 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse. 25 cts.
&lt;/p&gt;
&lt;pre&gt;Spring Style Schottische. Freund 15 cts.
&lt;/pre&gt;
&lt;p&gt;North-Western Rifle March. By S.G.L. Arranged by Vaas 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner 25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.)
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner 30 cts.  Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) Vaas 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph) 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas 35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab 35 cts.
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;
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              <text>6</text>
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                <text>General Sherman and His Boys in Blue</text>
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                <text>Lyrics depict William Tecumseh Sherman leading Union troops into battle at Shiloh, Vicksburg, Missionary Ridge, and Sherman's March to the Sea. Cover depicts William Tecumseh Sherman in military uniform. Page 2 is a compilation of songs for sale by publisher.</text>
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            <name>Subject</name>
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                <text>Sherman, William T. (William Tecumseh), 1820-1891</text>
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                <text>Songs and music</text>
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                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>United States. Army</text>
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                <text>Shiloh, Battle of (Tennessee : 1862)</text>
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                <text>Atlanta Campaign (1864)</text>
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                <text>War songs</text>
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                <text>War--Songs and Music</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Higgins, H. M. (Hiram M.)</text>
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                <text>Higgins, H. M.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="414262">
                <text>Chicago</text>
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            <name>Date</name>
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              <elementText elementTextId="414263">
                <text>ca. 1865</text>
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              <elementText elementTextId="414266">
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              <elementText elementTextId="414267">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
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                <text>eng</text>
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                    <text>&lt;p&gt;Augusta Georgia 
&lt;/p&gt;&lt;p&gt;Georgia Grand March 
&lt;/p&gt;&lt;p&gt;Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association, on their visit to Augusta Ga. Nov. 15, 1895.  Composed by Fred U. Haines.  
&lt;/p&gt;&lt;p&gt;Compliments of The Augusta Southern RailRoad
&lt;/p&gt;&lt;p&gt;James U. Jackson President.
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co., 267-269 Wabash Ave. Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GEORGIA GRAND MARCH. Composed by FREDERICK U. HAINES.
&lt;/p&gt;&lt;p&gt;Tempo di March Militaire
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Shoninger Pianos Endorsed by S.B. Mills Italo Campanini. Miss Emma Thursby
&lt;/p&gt;&lt;p&gt;Dudley Buck  Ida Klein. C.A. Cappa and many others. Renowned for Tone-Durability-Workmanship. B. Shoninger Co. Manufacturers established 1830. New York 96 Fifth Avenue  Chicago 267-269 Wabash Ave.
&lt;/p&gt;&lt;p&gt;Order your Sheet Music of the Strauss Music Co. 267-269 Wabash Ave. Everything in the Musical Line. One-Half off on all Sheet Music
&lt;/p&gt;&lt;p&gt;"Nowhere in these United States can a man with a family or a young man of enterprise with little capital obtain such an independence and positive certainty of success as by owning and working a small farm in Georgia."
&lt;/p&gt;&lt;p&gt;F.S. Mordaunt, Gen'l Northern Agt., 225 Dearborn Street, Chicago. 
&lt;/p&gt;&lt;p&gt;Walter M. Jackson, Commissioner of Immigration, ...Augusta, Ga.
&lt;/p&gt;&lt;p&gt;New Publications...Piano...
Seeboeck, W.C.E.--Minuet a l'Antico No. 3 $0.60
Rosenfeld, Maurice--Commencement March....  .50
Haines, Fred'K U--Royal Dragoons March, Petite Suite: 1. Melodie&amp;#160;; 2. Andante&amp;#160;; 3. Etude&amp;#160;; 4. Scherzo (in press)...    1.00
&lt;/p&gt;&lt;p&gt;Vocal
Seeboeck, W. C. E. (Four Songs) 1. Braham (Indian Song)...2. Alone....3. Be Thou Consoled O Quiet Heart Violin ob.  .75
&lt;/p&gt;&lt;p&gt;4. To the Last..  .50
&lt;/p&gt;&lt;p&gt;Schleiffarth, Geo.--One More Waltz ...  .40
&lt;/p&gt;&lt;p&gt;Wales, Leonard--Little Billie's Trilby, (Illustrated). Romania for Tenor   .60
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co. Publishers Importers  209 Wabash Ave. Chicago
&lt;/p&gt;&lt;p&gt;New!  New! New! New!
&lt;/p&gt;&lt;p&gt;Popular Waltz Song...by Schleiffarth entitled "One More Waltz" The Hit of the Season! 
&lt;/p&gt;&lt;p&gt;Catchy Words!  Catchy Music!  Price 40 cents. Published by The Strauss Music Co. 269 Wabash Avenue Chicago
&lt;/p&gt;
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              <text>6</text>
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                <text>Georgia Grand March</text>
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                <text>Instrumental music. "Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association on their visit to Augusta, Ga., Nov. 15, 1895." "Compliments of The Augusta Southern Railroad"</text>
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                <text>Marches</text>
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                <text>Piano music</text>
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                <text>Illinois. National Guard</text>
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                <text>Georgia--Augusta</text>
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                <text>Haines, Frederick U.</text>
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                <text>The Strauss Music Company</text>
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                <text>Chicago</text>
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                <text>1895</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Augusta Georgia 
&lt;/p&gt;&lt;p&gt;Georgia Grand March 
&lt;/p&gt;&lt;p&gt;Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association, on their visit to Augusta Ga. Nov. 15, 1895.  Composed by Fred U. Haines.  
&lt;/p&gt;&lt;p&gt;Compliments of The Augusta Southern RailRoad
&lt;/p&gt;&lt;p&gt;James U. Jackson President.
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co., 267-269 Wabash Ave. Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GEORGIA GRAND MARCH. Composed by FREDERICK U. HAINES.
&lt;/p&gt;&lt;p&gt;Tempo di March Militaire
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Shoninger Pianos Endorsed by S.B. Mills Italo Campanini. Miss Emma Thursby
&lt;/p&gt;&lt;p&gt;Dudley Buck  Ida Klein. C.A. Cappa and many others. Renowned for Tone-Durability-Workmanship. B. Shoninger Co. Manufacturers established 1830. New York 96 Fifth Avenue  Chicago 267-269 Wabash Ave.
&lt;/p&gt;&lt;p&gt;Order your Sheet Music of the Strauss Music Co. 267-269 Wabash Ave. Everything in the Musical Line. One-Half off on all Sheet Music
&lt;/p&gt;&lt;p&gt;"Nowhere in these United States can a man with a family or a young man of enterprise with little capital obtain such an independence and positive certainty of success as by owning and working a small farm in Georgia."
&lt;/p&gt;&lt;p&gt;F.S. Mordaunt, Gen'l Northern Agt., 225 Dearborn Street, Chicago. 
&lt;/p&gt;&lt;p&gt;Walter M. Jackson, Commissioner of Immigration, ...Augusta, Ga.
&lt;/p&gt;&lt;p&gt;New Publications...Piano...
Seeboeck, W.C.E.--Minuet a l'Antico No. 3 $0.60
Rosenfeld, Maurice--Commencement March....  .50
Haines, Fred'K U--Royal Dragoons March, Petite Suite: 1. Melodie&amp;#160;; 2. Andante&amp;#160;; 3. Etude&amp;#160;; 4. Scherzo (in press)...    1.00
&lt;/p&gt;&lt;p&gt;Vocal
Seeboeck, W. C. E. (Four Songs) 1. Braham (Indian Song)...2. Alone....3. Be Thou Consoled O Quiet Heart Violin ob.  .75
&lt;/p&gt;&lt;p&gt;4. To the Last..  .50
&lt;/p&gt;&lt;p&gt;Schleiffarth, Geo.--One More Waltz ...  .40
&lt;/p&gt;&lt;p&gt;Wales, Leonard--Little Billie's Trilby, (Illustrated). Romania for Tenor   .60
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co. Publishers Importers  209 Wabash Ave. Chicago
&lt;/p&gt;&lt;p&gt;New!  New! New! New!
&lt;/p&gt;&lt;p&gt;Popular Waltz Song...by Schleiffarth entitled "One More Waltz" The Hit of the Season! 
&lt;/p&gt;&lt;p&gt;Catchy Words!  Catchy Music!  Price 40 cents. Published by The Strauss Music Co. 269 Wabash Avenue Chicago
&lt;/p&gt;
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