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                    <text>&lt;p&gt;10th EDITION 
&lt;/p&gt;&lt;p&gt;OUR COUNTRY'S PLACE. 
&lt;/p&gt;&lt;p&gt;J. Queen Del &amp;amp; Lith.
&lt;/p&gt;&lt;p&gt;P.S. Duval &amp;amp; Son Lith. Philada.
&lt;/p&gt;&lt;p&gt;SONG COMPOSED &amp;amp; DEDICATED TO HIS EXCELLENCY ABRAHAM LINCOLN President of the United States by G. Gumpert. G. Andre &amp;amp; Co. 1104 Chestnut St. Philada.
&lt;/p&gt;&lt;p&gt;Tenor or Soprano, Alto or Baritone
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OUR COUNTRY'S FLAG.
&lt;/p&gt;&lt;p&gt;The poetry and Music by G.Gumpert.  Arranged for the Piano by F. Losse.
&lt;/p&gt;&lt;p&gt;Marciale e con spirit.
&lt;/p&gt;&lt;p&gt;1. Die Stern und Streifen zittern night Wenn der Verraether droht;
&lt;/p&gt;&lt;p&gt;2. Der Wahlsprunchheiszt Sieg oder Tod! Das Recht fuehrt uns zur schlacht.
&lt;/p&gt;&lt;p&gt;3. Fuerdich glorreicher Union Flieszt unswer Blut sogern!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. Beneath the Stars and Stripes there stand Our sons so nobly brave,
&lt;/p&gt;&lt;p&gt;2. Let traitors boast but for a while, We'll meet them on the field;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
helitig Band vereint dis Schar Sie furrebtet nicht den Tod.
&lt;/p&gt;&lt;p&gt;Pluribus. Unum", unser Ruf Der Herrict uns'r Macht.
&lt;/p&gt;&lt;p&gt;Erbthit unsrer Vaeter ist Der Feiheit goldner Stern.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
United by a holy band, Their courage fears no grave. Our
&lt;/p&gt;&lt;p&gt;The Stars and Stripes know naught of guile, For freedom is our shield. Our
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by G. Andrea &amp;amp; Co. in the Clerk's Office of the District Court of the Eastern district of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. fuerhtet der Nerrathers Spiel Wenn es der Wehrlieit glit? Die
&lt;/p&gt;&lt;p&gt;2. Heldwen folgt dem Schlachtenruf, Legt Schwert und Panzer an! Der
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
country's flag let proudly wave, For freedom is our shield; the
&lt;/p&gt;&lt;p&gt;3. Fluchtrifft des Verraethers Haupt, sein spillist trug and sebein Wie
&lt;/p&gt;&lt;p&gt;Stern' und streifen zittern niebt, Dis Freiheit ist ibr Schild.
&lt;/p&gt;&lt;p&gt;Vater Bild begeist' reuns Wir straiten Mano fuer mann.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Union must and shall be save, We'll never never yield.
&lt;/p&gt;&lt;p&gt;kaempfen fuer der Wahrheit Recht, Der Sieg wird unser sein!
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor 1. Tenor 2.
&lt;/p&gt;&lt;p&gt;Our Country's flag let proudly wave, For freedom is our shield The
&lt;/p&gt;&lt;p&gt;Basso 1.  Basso 2.
&lt;/p&gt;&lt;p&gt;Die Freiheit und die Einheit ruft, Laszt stolz die Fahnen wehn! So 
&lt;/p&gt;&lt;p&gt;G.A &amp;amp; Co. 608
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Union must and shall be saved, We'll never never yield.
&lt;/p&gt;&lt;p&gt;lang ein Arm das Banner haelt, Wird sein Symbol bestehn.
&lt;/p&gt;&lt;p&gt;3. We'll fight to conquer or to die, Our cause is just and right; "E Pluribus Unum" is our cry--The Lord with us is might.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;4. Rally, ye sons, ye noble men! Buckle the armor on; Follow your father's footsteps, then The battle will be won.  Chorus.
&lt;/p&gt;&lt;p&gt;5. O glorious Union, happy land, We'll shed our blood for thee; Thou sacred gift of father's hand Thou land of liberty. Chorus.
&lt;/p&gt;&lt;p&gt;6. We'll soon disperse our country's gloom, We are and will be free; The curse of God, the traitor's doom Awaits our enemy.  Chorus.
&lt;/p&gt;&lt;p&gt;G.A. &amp;amp; Co. 608
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>The cover states this is the "10th edition"&amp;nbsp; of a "Song Composed and Dedicated to his Excellency Abraham Lincoln President of the United States." Cover art depicts a Union camp and two soldiers. One soldier holds an American flag while the other stands guard.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Gumpert. G.</text>
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                <text>C. Andre &amp;amp; Company</text>
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                <text>Philadelphia</text>
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                <text>1861</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;10th EDITION 
&lt;/p&gt;&lt;p&gt;OUR COUNTRY'S PLACE. 
&lt;/p&gt;&lt;p&gt;J. Queen Del &amp;amp; Lith.
&lt;/p&gt;&lt;p&gt;P.S. Duval &amp;amp; Son Lith. Philada.
&lt;/p&gt;&lt;p&gt;SONG COMPOSED &amp;amp; DEDICATED TO HIS EXCELLENCY ABRAHAM LINCOLN President of the United States by G. Gumpert. G. Andre &amp;amp; Co. 1104 Chestnut St. Philada.
&lt;/p&gt;&lt;p&gt;Tenor or Soprano, Alto or Baritone
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OUR COUNTRY'S FLAG.
&lt;/p&gt;&lt;p&gt;The poetry and Music by G.Gumpert.  Arranged for the Piano by F. Losse.
&lt;/p&gt;&lt;p&gt;Marciale e con spirit.
&lt;/p&gt;&lt;p&gt;1. Die Stern und Streifen zittern night Wenn der Verraether droht;
&lt;/p&gt;&lt;p&gt;2. Der Wahlsprunchheiszt Sieg oder Tod! Das Recht fuehrt uns zur schlacht.
&lt;/p&gt;&lt;p&gt;3. Fuerdich glorreicher Union Flieszt unswer Blut sogern!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. Beneath the Stars and Stripes there stand Our sons so nobly brave,
&lt;/p&gt;&lt;p&gt;2. Let traitors boast but for a while, We'll meet them on the field;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
helitig Band vereint dis Schar Sie furrebtet nicht den Tod.
&lt;/p&gt;&lt;p&gt;Pluribus. Unum", unser Ruf Der Herrict uns'r Macht.
&lt;/p&gt;&lt;p&gt;Erbthit unsrer Vaeter ist Der Feiheit goldner Stern.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
United by a holy band, Their courage fears no grave. Our
&lt;/p&gt;&lt;p&gt;The Stars and Stripes know naught of guile, For freedom is our shield. Our
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by G. Andrea &amp;amp; Co. in the Clerk's Office of the District Court of the Eastern district of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. fuerhtet der Nerrathers Spiel Wenn es der Wehrlieit glit? Die
&lt;/p&gt;&lt;p&gt;2. Heldwen folgt dem Schlachtenruf, Legt Schwert und Panzer an! Der
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
country's flag let proudly wave, For freedom is our shield; the
&lt;/p&gt;&lt;p&gt;3. Fluchtrifft des Verraethers Haupt, sein spillist trug and sebein Wie
&lt;/p&gt;&lt;p&gt;Stern' und streifen zittern niebt, Dis Freiheit ist ibr Schild.
&lt;/p&gt;&lt;p&gt;Vater Bild begeist' reuns Wir straiten Mano fuer mann.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Union must and shall be save, We'll never never yield.
&lt;/p&gt;&lt;p&gt;kaempfen fuer der Wahrheit Recht, Der Sieg wird unser sein!
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor 1. Tenor 2.
&lt;/p&gt;&lt;p&gt;Our Country's flag let proudly wave, For freedom is our shield The
&lt;/p&gt;&lt;p&gt;Basso 1.  Basso 2.
&lt;/p&gt;&lt;p&gt;Die Freiheit und die Einheit ruft, Laszt stolz die Fahnen wehn! So 
&lt;/p&gt;&lt;p&gt;G.A &amp;amp; Co. 608
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Union must and shall be saved, We'll never never yield.
&lt;/p&gt;&lt;p&gt;lang ein Arm das Banner haelt, Wird sein Symbol bestehn.
&lt;/p&gt;&lt;p&gt;3. We'll fight to conquer or to die, Our cause is just and right; "E Pluribus Unum" is our cry--The Lord with us is might.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;4. Rally, ye sons, ye noble men! Buckle the armor on; Follow your father's footsteps, then The battle will be won.  Chorus.
&lt;/p&gt;&lt;p&gt;5. O glorious Union, happy land, We'll shed our blood for thee; Thou sacred gift of father's hand Thou land of liberty. Chorus.
&lt;/p&gt;&lt;p&gt;6. We'll soon disperse our country's gloom, We are and will be free; The curse of God, the traitor's doom Awaits our enemy.  Chorus.
&lt;/p&gt;&lt;p&gt;G.A. &amp;amp; Co. 608
&lt;/p&gt;
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        <src>https://www.chroniclingillinois.org/files/original/b7aed941913ff17ce29a98bbbe9ae9d3.pdf</src>
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                    <text>&lt;p&gt;On, on, on, the Boys came Marching!
&lt;/p&gt;&lt;p&gt;OR THE PRISONER FREE.
&lt;/p&gt;&lt;p&gt;(Sequel to "Tramp, Tramp, Tramp.")
&lt;/p&gt;&lt;p&gt;Words and Music by GEO. F .ROOT
&lt;/p&gt;&lt;p&gt;1.  O! the day it came at last, When the glo-rious tramp was heard, And the 
boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we
ut-tered not a word, As the boom-ing of our can-non rolled a-long!
&lt;/p&gt;&lt;p&gt;2.   O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we
heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no
longer-should en-dure, When the hosts of free-dom reached our pris-on cell!
&lt;/p&gt;&lt;p&gt;3.  O! the war is ov-er now, And we're safe at home a-gain, And the
cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our 
woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they 
dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free!
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>2</text>
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              <text>34 cm</text>
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                <text>On, On, On, the Boys Came Marching!</text>
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                <text>Also known as "The Prisoner Free and a sequel to "Tramp, Tramp, Tramp," the song takes the perspective of Union prisoners of war waiting in expectation for their liberation.</text>
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                <text>Root, George Frederick, 1820-1895</text>
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                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Root, George F. (Frederick)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Root &amp;amp; Cady</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="171860">
                <text>Chicago</text>
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            <name>Date</name>
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              <elementText elementTextId="171861">
                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;On, on, on, the Boys came Marching!
&lt;/p&gt;&lt;p&gt;OR THE PRISONER FREE.
&lt;/p&gt;&lt;p&gt;(Sequel to "Tramp, Tramp, Tramp.")
&lt;/p&gt;&lt;p&gt;Words and Music by GEO. F .ROOT
&lt;/p&gt;&lt;p&gt;1.  O! the day it came at last, When the glo-rious tramp was heard, And the 
boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we
ut-tered not a word, As the boom-ing of our can-non rolled a-long!
&lt;/p&gt;&lt;p&gt;2.   O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we
heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no
longer-should en-dure, When the hosts of free-dom reached our pris-on cell!
&lt;/p&gt;&lt;p&gt;3.  O! the war is ov-er now, And we're safe at home a-gain, And the
cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our 
woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they 
dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free!
&lt;/p&gt;
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                <text>Complete</text>
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                <text>100</text>
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                    <text>&lt;p&gt;TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON: Published by Oliver Ditson &amp;amp; Co., 277 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. A. Pond &amp;amp; Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861, by O. Ditson &amp;amp; Co., in the Clerk's office of the District Court of Mass.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper 43 Centre St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLE SHADY. THE SONG OF THE CONTRABAND.
&lt;/p&gt;&lt;p&gt;Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. "
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. "
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson &amp;amp; Co., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War.
&lt;/p&gt;&lt;p&gt;"*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P. King. 30  "His saddle is empty, and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseilllaise. H.Von Elmer. 30  "Under our flag beat the long call once more, Call up the north as you called her before."
&lt;/p&gt;&lt;p&gt;Away Goes Cuffee. Humorous. L.B. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert. 30
&lt;/p&gt;&lt;p&gt;Close his Eyes, His Work is Done. Song &amp;amp; Chorus. Hutchinson. 30
&lt;/p&gt;&lt;p&gt;Cuffee's War Song. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. Boott. 30  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus. 30  "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartette. N. Baker. 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson. 30  "O, de Yanks hab come and gone and went, And done it down in Dixie."
&lt;/p&gt;&lt;p&gt;How Do you Like It, Jefferson, D.? Amos Patton. 30  "O, how do you like it as far as you've got? Jefferson D? Jefferson D?"
&lt;/p&gt;&lt;p&gt;If I Sleep, Will Mother Come? C.A. Shaw. 30  The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending O'er Me? J.C. Johnson. 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. Hanby. 30  "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North. 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. Song &amp;amp; Chorus. J.C. Johnson. 30 
&lt;/p&gt;&lt;p&gt;Our Volunteers. Song &amp;amp; Chorus. A. Baumbach. 30  "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More for Brave Boys Gone. Song &amp;amp; Chorus. R.Z. Salem. 30
&lt;/p&gt;&lt;p&gt;Picket Guard. Song &amp;amp; Quartet. W. H. Goodwin. 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury. 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or, Marching Home. Song &amp;amp; Chorus. R.R. Trench. 30
&lt;/p&gt;&lt;p&gt;Tenting on the old Camp Ground. W. Kittredge. 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark. 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield. 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley. 30  "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;New Songs of Home.
&lt;/p&gt;&lt;p&gt;"*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the Storm. Scared. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E.L. Hine. 30  "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod. 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt. 35
&lt;/p&gt;&lt;p&gt;Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life has Set. J.C. Meininger. 30  "Ah me! my heart is sad to-night."
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;For Thee, and Only Thee. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land. 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal. 30
&lt;/p&gt;&lt;p&gt;Home Delights. Song &amp;amp; Chorus. Ordway. 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger. 30
&lt;/p&gt;&lt;p&gt;I Live for Those Who Love Me. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge. 30
&lt;/p&gt;&lt;p&gt;I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share. L.P. Whitney. 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz Abt. 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30  "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;Language of the Eye. C.J. Dorr. 30
&lt;/p&gt;&lt;p&gt;Last Tear. F. Hoffman. 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer. 30 "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel. 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song and Chorus. F. Nava. 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.C. Whittredge. 30
&lt;/p&gt;&lt;p&gt;Mother, Dear, I'm Thinking of You.  Song and Chorus.  J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O.   H. Hyatt. 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J. P. King. 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds are Blowing. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. song and chorus. J. P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz. 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart. 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert. 30  "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover. 35  "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet be thy Dreams. F.W. Smith. 30
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light Beyond the River. B. Covert. 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;'Tis Sweet to be Remembered. H.M. Rogers. 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson. 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;New Songs by Eminent Composers.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust."
&lt;/p&gt;&lt;p&gt;Chanson du Roi de Thule. (The King of Thule.) 30
&lt;/p&gt;&lt;p&gt;Gloire Immortelle. (Glory Immortal.) 35
&lt;/p&gt;&lt;p&gt;Le Parlate d'Amor. (In the Language of Love.) 35
&lt;/p&gt;&lt;p&gt;Salut O mon dernier Matin. (All hail, welcome to thee.) 30
&lt;/p&gt;&lt;p&gt;Tardi si fa addio. (The hour is late, adieu.) 50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn. 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe. 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60
&lt;/p&gt;&lt;p&gt;Slumber song. Taubert. 35 "Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn. 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;New Comic Songs.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song. 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson. 30  "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived A Maiden. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;I'm a Young Man from the Country. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Isabella, With the Gingham Umbrella. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley, Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding. 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott. 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35.
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt. 30  "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="171845">
              <text>5</text>
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            <elementText elementTextId="171846">
              <text>34 cm</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="171833">
                <text>301102</text>
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              <elementText elementTextId="171834">
                <text>18063326</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171835">
                <text>Ole Shady</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171836">
                <text>Song sung from the perspective of former slave or "Contraband" who has recently found security and freedom behind Union lines. &lt;br /&gt;&lt;br /&gt;The song is dedicated to Union general Benjamin F. Butler, who was the first Union commander to allow escaped slaves to stay within Union lines. Claiming the former slaves were "contraband of war," Butler used the Confederates' insistance that slaves were property against them. He claimed that as property they could be legally "confiscated" under the rules of war. Butler's policy allowed thousands of slaves to find safety behind Union lines and influenced Lincoln's later decision to issue the Emancipation Proclamation."</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171837">
                <text>Butler, Benjamin Franklin (1818-1893)</text>
              </elementText>
              <elementText elementTextId="171838">
                <text>Sheet music</text>
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              <elementText elementTextId="171839">
                <text>Fugitive slaves</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171841">
                <text>Publisher information not available.</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171842">
                <text>Oliver Ditson &amp;amp; Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="171843">
                <text>Boston</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171844">
                <text>1861</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="171848">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171850">
                <text>en</text>
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            <description>A written representation of a document or a page.</description>
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              <elementText elementTextId="624167">
                <text>&lt;p&gt;TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON: Published by Oliver Ditson &amp;amp; Co., 277 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. A. Pond &amp;amp; Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861, by O. Ditson &amp;amp; Co., in the Clerk's office of the District Court of Mass.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper 43 Centre St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLE SHADY. THE SONG OF THE CONTRABAND.
&lt;/p&gt;&lt;p&gt;Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. "
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. "
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson &amp;amp; Co., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War.
&lt;/p&gt;&lt;p&gt;"*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P. King. 30  "His saddle is empty, and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseilllaise. H.Von Elmer. 30  "Under our flag beat the long call once more, Call up the north as you called her before."
&lt;/p&gt;&lt;p&gt;Away Goes Cuffee. Humorous. L.B. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert. 30
&lt;/p&gt;&lt;p&gt;Close his Eyes, His Work is Done. Song &amp;amp; Chorus. Hutchinson. 30
&lt;/p&gt;&lt;p&gt;Cuffee's War Song. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. Boott. 30  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus. 30  "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartette. N. Baker. 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson. 30  "O, de Yanks hab come and gone and went, And done it down in Dixie."
&lt;/p&gt;&lt;p&gt;How Do you Like It, Jefferson, D.? Amos Patton. 30  "O, how do you like it as far as you've got? Jefferson D? Jefferson D?"
&lt;/p&gt;&lt;p&gt;If I Sleep, Will Mother Come? C.A. Shaw. 30  The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending O'er Me? J.C. Johnson. 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. Hanby. 30  "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North. 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. Song &amp;amp; Chorus. J.C. Johnson. 30 
&lt;/p&gt;&lt;p&gt;Our Volunteers. Song &amp;amp; Chorus. A. Baumbach. 30  "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More for Brave Boys Gone. Song &amp;amp; Chorus. R.Z. Salem. 30
&lt;/p&gt;&lt;p&gt;Picket Guard. Song &amp;amp; Quartet. W. H. Goodwin. 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury. 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or, Marching Home. Song &amp;amp; Chorus. R.R. Trench. 30
&lt;/p&gt;&lt;p&gt;Tenting on the old Camp Ground. W. Kittredge. 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark. 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield. 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley. 30  "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;New Songs of Home.
&lt;/p&gt;&lt;p&gt;"*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the Storm. Scared. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E.L. Hine. 30  "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod. 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt. 35
&lt;/p&gt;&lt;p&gt;Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life has Set. J.C. Meininger. 30  "Ah me! my heart is sad to-night."
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;For Thee, and Only Thee. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land. 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal. 30
&lt;/p&gt;&lt;p&gt;Home Delights. Song &amp;amp; Chorus. Ordway. 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger. 30
&lt;/p&gt;&lt;p&gt;I Live for Those Who Love Me. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge. 30
&lt;/p&gt;&lt;p&gt;I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share. L.P. Whitney. 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz Abt. 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30  "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;Language of the Eye. C.J. Dorr. 30
&lt;/p&gt;&lt;p&gt;Last Tear. F. Hoffman. 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer. 30 "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel. 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song and Chorus. F. Nava. 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.C. Whittredge. 30
&lt;/p&gt;&lt;p&gt;Mother, Dear, I'm Thinking of You.  Song and Chorus.  J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O.   H. Hyatt. 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J. P. King. 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds are Blowing. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. song and chorus. J. P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz. 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart. 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert. 30  "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover. 35  "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet be thy Dreams. F.W. Smith. 30
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light Beyond the River. B. Covert. 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;'Tis Sweet to be Remembered. H.M. Rogers. 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson. 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;New Songs by Eminent Composers.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust."
&lt;/p&gt;&lt;p&gt;Chanson du Roi de Thule. (The King of Thule.) 30
&lt;/p&gt;&lt;p&gt;Gloire Immortelle. (Glory Immortal.) 35
&lt;/p&gt;&lt;p&gt;Le Parlate d'Amor. (In the Language of Love.) 35
&lt;/p&gt;&lt;p&gt;Salut O mon dernier Matin. (All hail, welcome to thee.) 30
&lt;/p&gt;&lt;p&gt;Tardi si fa addio. (The hour is late, adieu.) 50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn. 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe. 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60
&lt;/p&gt;&lt;p&gt;Slumber song. Taubert. 35 "Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn. 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;New Comic Songs.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song. 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson. 30  "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived A Maiden. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;I'm a Young Man from the Country. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Isabella, With the Gingham Umbrella. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley, Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding. 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott. 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35.
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt. 30  "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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                <text>100</text>
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                <text>20</text>
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                  <elementText elementTextId="624179">
                    <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE
&lt;/p&gt;&lt;p&gt;Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S.
NEW YORK Published by FIRTH, POND &amp;amp; CO 547 Broadway
Boston. O.DITSON &amp;amp; CO.  Cincinnati. C.Y. FONDA.   Pittsburgh. H. KLEBER &amp;amp; BRO.
Entered according to Act of Congress in the Year 1860 by Firth Pond &amp;amp; Co in the Clerks Office of the District Court of the Southn District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;
&lt;pre&gt;"OLD HONEST ABE FOR ME"  SONG AND CHORUS  ARRANGED BY G.D.S.
&lt;/pre&gt;
&lt;p&gt;4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will
1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the
2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of
3. VER. The Dem-o-crats are fall-ing back They know their time has
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD1850 by Firth, Pond &amp;amp; Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y.
4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;4
&lt;/pre&gt;
&lt;p&gt;fly Our chief will split them up like rails And
fight, Fling out your ban-ners to the breeze, The
Maine With these for lea-ders in the fight, The
come, Then at them with un-bro-ken fronts, And
&lt;/p&gt;&lt;p&gt;leave them out to dry, Far up salt ri-ver's
foe is now in sight. Your voi-ces raise in
vic-try we shall gain And in the con-flict
for the right strike home For we are free-men
&lt;/p&gt;&lt;p&gt;gloo-my banks And then from sea to sea A-
notes of joy And spread from sea to sea The
loud and clear, Our bat-tle cry shall be Re-
and would keep Our land for-ev-er free, Then
&lt;/p&gt;&lt;p&gt;gain the shout shall long ring out Old hon-est Abe for me.
gal-lant shout of free-men bold, Old hon-est Abe for me.
soun-ding far o'er hill and dale, Old hon-est Abe for me.
ring the shout in thun-der tones Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;5
&lt;/pre&gt;
&lt;p&gt;CHORUS
Old hon-est Abe for me my boys, Old hon-est Abe for me, The 
Old hon-est Abe for me my boys, Old hon-est Abe for me, The
&lt;/p&gt;&lt;p&gt;gal-lant shout of free-men bold Old hon-est Abe for me.
gal-lant shout of free-men bold Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="171827">
              <text>4</text>
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              <text>36 cm</text>
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            <name>Identifier</name>
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          <element elementId="50">
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                <text>Old Honest Abe For Me</text>
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                <text>"Dedication on cover: "To the Young Men's Republican Club of Rockland, Me. And Republicans Everywhere." Republican campaign song urging the election of Abraham Linocoln and his vice presidential running mate, Hannibal Hamlin.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
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                <text>C. D. S.</text>
              </elementText>
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                <text>Republican Party (U.S. : 1854-)</text>
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                <text>Sheet music</text>
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                <text>Campaign songs</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>G. D. S.</text>
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                <text>Firth, Pond &amp;amp; Company</text>
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              <elementText elementTextId="171825">
                <text>New York</text>
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              <elementText elementTextId="171826">
                <text>1860</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
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              <elementText elementTextId="171832">
                <text>en</text>
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              <elementText elementTextId="624180">
                <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE
&lt;/p&gt;&lt;p&gt;Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S.
NEW YORK Published by FIRTH, POND &amp;amp; CO 547 Broadway
Boston. O.DITSON &amp;amp; CO.  Cincinnati. C.Y. FONDA.   Pittsburgh. H. KLEBER &amp;amp; BRO.
Entered according to Act of Congress in the Year 1860 by Firth Pond &amp;amp; Co in the Clerks Office of the District Court of the Southn District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;
&lt;pre&gt;"OLD HONEST ABE FOR ME"  SONG AND CHORUS  ARRANGED BY G.D.S.
&lt;/pre&gt;
&lt;p&gt;4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will
1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the
2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of
3. VER. The Dem-o-crats are fall-ing back They know their time has
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD1850 by Firth, Pond &amp;amp; Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y.
4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;4
&lt;/pre&gt;
&lt;p&gt;fly Our chief will split them up like rails And
fight, Fling out your ban-ners to the breeze, The
Maine With these for lea-ders in the fight, The
come, Then at them with un-bro-ken fronts, And
&lt;/p&gt;&lt;p&gt;leave them out to dry, Far up salt ri-ver's
foe is now in sight. Your voi-ces raise in
vic-try we shall gain And in the con-flict
for the right strike home For we are free-men
&lt;/p&gt;&lt;p&gt;gloo-my banks And then from sea to sea A-
notes of joy And spread from sea to sea The
loud and clear, Our bat-tle cry shall be Re-
and would keep Our land for-ev-er free, Then
&lt;/p&gt;&lt;p&gt;gain the shout shall long ring out Old hon-est Abe for me.
gal-lant shout of free-men bold, Old hon-est Abe for me.
soun-ding far o'er hill and dale, Old hon-est Abe for me.
ring the shout in thun-der tones Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;5
&lt;/pre&gt;
&lt;p&gt;CHORUS
Old hon-est Abe for me my boys, Old hon-est Abe for me, The 
Old hon-est Abe for me my boys, Old hon-est Abe for me, The
&lt;/p&gt;&lt;p&gt;gal-lant shout of free-men bold Old hon-est Abe for me.
gal-lant shout of free-men bold Old hon-est Abe for me.
&lt;/p&gt;&lt;p&gt;4949
&lt;/p&gt;
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                <text>100</text>
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        <src>https://www.chroniclingillinois.org/files/original/6883194056e485d92f25f95318c55a5d.pdf</src>
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                    <text>&lt;p&gt;The OLD CHIEFTAIN.
&lt;/p&gt;&lt;p&gt;Song and Chorus.
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for me,
&lt;/p&gt;&lt;p&gt;However long or lean he may be,
&lt;/p&gt;&lt;p&gt;He's honest and bold, he never fails,
&lt;/p&gt;&lt;p&gt;He knows how to fight, and split oak-rails.
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for me,
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for thee,
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for all,
&lt;/p&gt;&lt;p&gt;He can whip old Jeff and old Stonewall.
&lt;/p&gt;&lt;p&gt;Words and Music by Edwin Henry.
&lt;/p&gt;&lt;p&gt;1862.
&lt;/p&gt;&lt;p&gt;Philadelphia:  
&lt;/p&gt;&lt;p&gt;Published by Lee &amp;amp; Walker, No. 722 Chestnut Street.
&lt;/p&gt;&lt;p&gt;Lincoln
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"The Old Chieftain."
&lt;/p&gt;&lt;p&gt;Song &amp;amp; Chorus.
&lt;/p&gt;&lt;p&gt;Words and Music By Edwin Henry.
&lt;/p&gt;&lt;p&gt;Spirited.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;1. Old Abe Lincoln is the man for me, However long or lean he may be, He's
&lt;/p&gt;&lt;p&gt;2. When old Abe puts his foot to the ground, It sticks right fast and never turns round, He
&lt;/p&gt;&lt;p&gt;3. He cracks his jokes and he makes us smile, But he's in earnest all the while, They
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;&lt;p&gt;honest and bold, he never fails, He knows how to fight and split oak rails.
&lt;/p&gt;&lt;p&gt;hears what the others have to say And then goes on in his good old way.
&lt;/p&gt;&lt;p&gt;say that he has a narrow soul, But it can take in the Union Whole.
&lt;/p&gt;&lt;p&gt;8755.4.
&lt;/p&gt;&lt;p&gt;Enterere according to Act of Congress A.D. 1862 at the Clerk's Office of the Dt. Ct. of the En. Dt. of Pa. by Lee &amp;amp; Walker.
&lt;/p&gt;&lt;p&gt;180462
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Treble. Old Abe Lincoln is the man for me, Old Abe Lincoln is the man for thee:
&lt;/p&gt;&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Tenor. Old Abe Lincoln is the man for me, Old Abe Lincoln is the man for thee:
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for all, He can whip old Jeff and old Stonewall.
&lt;/p&gt;&lt;p&gt;Old Abe Lincoln is the man for all, He can whip old Jeff and old Stonewall.
&lt;/p&gt;&lt;p&gt;8755.4.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;4th. 5th. &amp;amp; 6th Verses.
&lt;/p&gt;&lt;p&gt;Voice
&lt;/p&gt;&lt;p&gt;4. He means to do what he always said, He
&lt;/p&gt;&lt;p&gt;5. The proclamation the last and the best, Is
&lt;/p&gt;&lt;p&gt;6. God bless the old man and all his folks,
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;sticks to the notions in his head, The good old Union must
&lt;/p&gt;&lt;p&gt;liked first rate both east and west, But Richmond gets quite red
&lt;/p&gt;&lt;p&gt;recesh will find out that he's not a hoax, He's soft in words but he's 
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;stay just so, For it wont do to break it in two.
&lt;/p&gt;&lt;p&gt;in the face, To learn of the Nigger's day of grace.
&lt;/p&gt;&lt;p&gt;hard in blows, He can whip whoever may oppose.
&lt;/p&gt;&lt;p&gt;8755.4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A list of 
&lt;/p&gt;&lt;p&gt;Songs, Waltzes, Polkas, Marches, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;embellished with handsome lithographs,
&lt;/p&gt;&lt;p&gt;Published and for sale by
&lt;/p&gt;&lt;p&gt;Lee &amp;amp; Walker, 
&lt;/p&gt;&lt;p&gt;No. 722 Chestnut Street, Philadelphia.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;American Flag. Words by Drake,Music by Bellini  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;A Little more Grape, Captain Bragg.  W.J. Lemon, 25
&lt;/p&gt;&lt;p&gt;Age (The) of Gold, California,  Pearce, 25
&lt;/p&gt;&lt;p&gt;Alma Mater,  F.F. Hagen, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;America. Words by Lewis Dels,  Cunnington, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Banner of the Sea,  Gen. W. Hewitt, 50
&lt;/p&gt;&lt;p&gt;Beautiful is the Sea,  J.W. Cherry, 35
&lt;/p&gt;&lt;p&gt;Benny Jenny Dean. Words by Lewis Dels,  C. Clifford, 25
&lt;/p&gt;&lt;p&gt;Beautiful Venice,  J.P. Knight, 25
&lt;/p&gt;&lt;p&gt;Benny Flora May,  O.P. Perry, 25
&lt;/p&gt;&lt;p&gt;Child of the Regiment, Donivetti, 25
&lt;/p&gt;&lt;p&gt;Come when you will, I've a welcome for you. Likeness of A. Patti,  W. Lansdon, 30
&lt;/p&gt;&lt;p&gt;Cavalier,  C.W. Glover, 25
&lt;/p&gt;&lt;p&gt;Cow and the Ass,  S. Glover, 25
&lt;/p&gt;&lt;p&gt;Columbia, the Gem of the Ocean, D.T. Shaw, 25
&lt;/p&gt;&lt;p&gt;Dream (The), (Jenny Lind,) Dearest, I am ever Thine,  E.L. Walker, 50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Dog and Cat, (Comic,)  H. Walker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Dreams of Home,  A.B. Durand, 35
&lt;/p&gt;&lt;p&gt;Day of Parting; or, I must leave Thee, Dearest,  E. Luckman, 25
&lt;/p&gt;&lt;p&gt;Dear Mary, Smile,  G. Anton, 25
&lt;/p&gt;&lt;p&gt;Dear Summer Morn,  S. Glover, 25
&lt;/p&gt;&lt;p&gt;Farewell, my Fatherland, (Jenny Lind,) 25
&lt;/p&gt;&lt;p&gt;Fall of Mischief,  F. Drayton, 25
&lt;/p&gt;&lt;p&gt;Flower-Girl (The), (La Florja,) Arr. by C. Everest,  P. [Citantti?,] 40
&lt;/p&gt;&lt;p&gt;Folks that Put on Airs, (Comic,)  W.H. Carlson, 25
&lt;/p&gt;&lt;p&gt;For you I Live,  J.C. Meininger, 25
&lt;/p&gt;&lt;p&gt;First of April, (Comic,)  C. Minard, 40
&lt;/p&gt;&lt;p&gt;Golden Moon,  A. Hawthorne, 25
&lt;/p&gt;&lt;p&gt;Gentle Maiden, W.J. Lemon, 35
&lt;/p&gt;&lt;p&gt;Gentle Warning, (plain,)  J.J. Haman, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Gentle Warning,  " 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Gideon's Band,  C.R. Dodworth, 30
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;"Guardian Angel,"  J. Blockley, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Hail, Columbia,  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Hail, Columbia, (as sung by Parodi,) 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;He sleeps, but not amid the Arctic Snows,  J.C. Beckel, 25
&lt;/p&gt;&lt;p&gt;Happy as a Queen,  F. Drayton, 25
&lt;/p&gt;&lt;p&gt;Hopity Kickety -- High and Low. A Regular Cure. (As sung by Frank Drew,) 30
&lt;/p&gt;&lt;p&gt;Hope on, and yet Rejoice,  W.C. Glover, 25
&lt;/p&gt;&lt;p&gt;Home, Sweet Home,  H.R. Bishop, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;How Sweet are the Roses,  A. Hawthorne, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I've left my Snow-Clad Hills, (Jenny Lind,)  G. Linley, 25
&lt;/p&gt;&lt;p&gt;I am not the Wild Creature I seem,  J. Daly, 50
&lt;/p&gt;&lt;p&gt;Ida May,  N. Morton, 25
&lt;/p&gt;&lt;p&gt;Isolitan, (English, German, and Italian words,)  Sigelli, 40
&lt;/p&gt;&lt;p&gt;I would I were a Bird, Dearest,  T.A. Burke, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Juaran Colm's fair Isle,  S. Winner, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Keepsake, (a sequel to The Cavalier,)  C.W. Glover, 25
&lt;/p&gt;&lt;p&gt;Kissing thro' the Bars,  S. Winner, 25
&lt;/p&gt;&lt;p&gt;Kitty Tyrrell,  " 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Love's Perfect Cure, (sung by Frank Drew,)  30
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Ladies' Opportunity (The),  Minazi, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lord's Prayer, (Sacred,)  S. Glover, 50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Lord's Prayer, (Sacred,)  " 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Laurie's Cottage,  S. Markstein, 25
&lt;/p&gt;&lt;p&gt;Lowland Sallie,  C. Clifford, 25
&lt;/p&gt;&lt;p&gt;Like the Song of Birds in Summer, J.W. Cherry, 25
&lt;/p&gt;&lt;p&gt;My New England Home,  L. Wade, 25
&lt;/p&gt;&lt;p&gt;My Southern Home, J.T.S. Sullivan, 25
&lt;/p&gt;&lt;p&gt;My Cottage Home,  A. Hawthorne, 25
&lt;/p&gt;&lt;p&gt;My Home, my Happy Home, (Jenny Lind,)  G.A. Hodsom, 25
&lt;/p&gt;&lt;p&gt;My Good Old Darkey Home,  J.A. Janke, 25
&lt;/p&gt;&lt;p&gt;My Old Thatched Cot,  F. Drayton, 25
&lt;/p&gt;&lt;p&gt;Mother (The) and her Child, (sung by Gazzanigs,) English, French, and German words,  C. Donizetti, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Marseillaise (La) Hymn,  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Marseillaise Hymn, (sung by Parodi,)  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Maid in the Moon,  H. Walker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Maiden of the Sunny Clime,  F. Romer, 35
&lt;/p&gt;&lt;p&gt;National Union,  C. Collins, 25
&lt;/p&gt;&lt;p&gt;Nothing to Wear, (Comic,)  S. Winner, 25
&lt;/p&gt;&lt;p&gt;Nobody's Boy,  f. Drayton, 25
&lt;/p&gt;&lt;p&gt;Octoroon,  A. Steele, 50
&lt;/p&gt;&lt;p&gt;Our Good Old Friends,  A. Hawthorne, 25
&lt;/p&gt;&lt;p&gt;Oh, Woo me not from my Cottage Home,  J.C. Beckel, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Only a Child,  A. Hawthorne, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Old Ironsides,  C.T. Frey, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Officer's Funeral, (Song or Quartette.)  Mrs. Norton, 35
&lt;/p&gt;&lt;p&gt;Only Waiting, (Sung by Miss C. Richings,)  Geo. Kunkel, 40
&lt;/p&gt;&lt;p&gt;Old Maid,  E. Winner, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pin-Money, H. Walker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Pet of the Cradle,  A. Hawthorne, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Resting-Place of Washington,  D.T. Shaw, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Red, White, and Blue of '61,  A. Bachman, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Robin (The),  S. Glover,  35
&lt;/p&gt;&lt;p&gt;Rock beside the Sea,  C. Converse,
&lt;/p&gt;&lt;p&gt;Rataplan, (Jenny Lind,)  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Stir the Fire, Composer of "Old Chimney Corner,"  50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Shells of Ocean,  J.W. Cherry, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Soldier's Vision,  C. Everest, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Sporting of the Village Green,  E. Glover, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sweet Women,  J.L. Emerson, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Stars and Stripes,  L. Benkert, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt; Stars and Stripes Forever,  W.J. Lemon, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Star-Spangled Banner,  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Star-Spangled Banner, (as sung by Paroll,)  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of the Farmer,  A. Hawthorne, 25
&lt;/p&gt;&lt;p&gt;Saucy Kate,  W.P. Cunnington, 25
&lt;/p&gt;&lt;p&gt;Sea-King's Bride, (Jenny Lind,)  Ahlstroun,  25
&lt;/p&gt;&lt;p&gt;Stars of Heaven are gleaming, (Jenny Lind,)  Ahlstroun,  25
&lt;/p&gt;&lt;p&gt;Search Thro' the Wide World, (Jenny Lind,) 25
&lt;/p&gt;&lt;p&gt;Secret Flowers,  F. Drayton, 25
&lt;/p&gt;&lt;p&gt;Silver Spring,  Haas, 25
&lt;/p&gt;&lt;p&gt;Sleep, my child! (La Jeune Mere),  Schubert, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Tribute to the memory of Col. Ellsworth,  W.J. Lemon, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twinkle, twinkle, Little Star,  S. Glover, 25
&lt;/p&gt;&lt;p&gt;Uncle Sam,  H. Paul, 35
&lt;/p&gt;&lt;p&gt;We do think of thee at Home,  C. Everest, 30
&lt;/p&gt;&lt;p&gt;"We praise thee, O God," (Sacred,)  25
&lt;/p&gt;&lt;p&gt;Welcome to Florence, A. Neumayer, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Washington's Tomb,  C. Clifford, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Who'll come and play with me?  S. Glover, 25
&lt;/p&gt;&lt;p&gt;Wife's dream,  M.H. Cross, 25
&lt;/p&gt;&lt;p&gt;Would I were with thee,  Bosetti, 25
&lt;/p&gt;&lt;p&gt;Won't you come along?  F. Drayton, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Waves of Ocean,  F. Shrival, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Yankee Doodle,  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Yankee Doodle, (as sung by Parodi,)  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;WALTZES &amp;amp; REDOWAS.
&lt;/p&gt;&lt;p&gt;Beautiful is the Sea,  De Bubna, 25
&lt;/p&gt;&lt;p&gt;Ballet, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;&lt;p&gt;Corinne,  L. Wallis, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Clorinda,  Gaston de Lille, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Emma, (likeness of Miss Emma Taylor,)  Candidus, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Florentine (La),  F. Burgmuller, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Flower of the Field,  Chaz. V Albert, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Fontaine (La) aux Perles,  F. Burgmuller, 25
&lt;/p&gt;&lt;p&gt;Grandfather,  W. Fisher, 25
&lt;/p&gt;&lt;p&gt;Grandmother,  W. Fisher, 25
&lt;/p&gt;&lt;p&gt;Galante (La),  C. Marcailhou, 15
&lt;/p&gt;&lt;p&gt;Hero and Leander Waltzes, C.V. Albert 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Moselle,  Gaston de Lille, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Modeste (La),  C. Marcailhou, 15
&lt;/p&gt;&lt;p&gt;Malvina,  G. Blessner, 25
&lt;/p&gt;&lt;p&gt;Prude (La),  C. Marcailhou, 15
&lt;/p&gt;&lt;p&gt;Princess of Belgium,  Musard, 50
&lt;/p&gt;&lt;p&gt;Remembrance Waltzes,  R.F. Hunt, 50
&lt;/p&gt;&lt;p&gt;Romarin (La), or Rosemary, Trou, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Shells of Ocean Redowa Waltz, C. Grube, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Three Sisters, (three waltzes,)  A. Le Carpentier, 
&lt;/p&gt;&lt;p&gt;No. 1 Antonia, 25
&lt;/p&gt;&lt;p&gt;No. 2 Aurelie, 25
&lt;/p&gt;&lt;p&gt;No. 3. Clara, 25
&lt;/p&gt;&lt;p&gt;Thalberg Waltzes, C.D. Albert, 50
&lt;/p&gt;&lt;p&gt;United States Grand,  C. Grobe, 25
&lt;/p&gt;&lt;p&gt;Verona,  W. Smallwood, 50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Vert Vert Redowa, C. Marcailhou, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Wyoming,  S.W., 25
&lt;/p&gt;&lt;p&gt;Wedding,  C. Sahm, 35
&lt;/p&gt;&lt;p&gt;GALOPS.
&lt;/p&gt;&lt;p&gt;Chao Kang, (Galop Chinois,)  G. Blezzner, 25
&lt;/p&gt;&lt;p&gt;Departure, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Emperor's  C.D. Albert, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Fast Line,  J.N. Beck, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Japanese,  E.M. Porter, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sunny South, (La Halans,)  Wm. S. Ewing, Jr., 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Snow-Drift,  Gaston de Lille, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Tamberlik, (good likeness of Tamberlik,)  Musard, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;POLKAS AND MAZURKAS.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;April Shower Mazurka,  E. Mack, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Banjo, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;&lt;p&gt;Bath Springs, L.O. Tombler, 35
&lt;/p&gt;&lt;p&gt;Bloomer,  M. Keller, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Camille, (good likeness of Mrs. Bowers,)  C. Grobe, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;City Museum,  A. Scherzer, 25
&lt;/p&gt;&lt;p&gt;Carte Blanche Mazurka, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Cygnet,  J.N. Beck, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Danse des Roses, C. Marcailhou, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Diana,  Musard, 40
&lt;/p&gt;&lt;p&gt;Dilettanti Polka Mazurka,  H.D. Hewitt, 25
&lt;/p&gt;&lt;p&gt;Girard House,  C.F. Stein, 25
&lt;/p&gt;&lt;p&gt;Gazzaniga Polka Redowa,  L. Albiters, 30
&lt;/p&gt;&lt;p&gt;Graziella,  C. Sahm, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Homage,  A. Raffelin, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Identical,  J.A. Darling, 25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Japanese, (correct view of Jeddo,)  Gaston de Lille, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Jessamine,  N. Goodman, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Leon Polka,  M. Malcomb, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Mnieteer,  L. Williams, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Old North State,  M.M. Warner, 35
&lt;/p&gt;&lt;p&gt;Our American Cousin Polka,  C. Jarvis, 35
&lt;/p&gt;&lt;p&gt;Pierre (La) Polka,  H.C. Harris, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Prairie Flower,  F.F. Meroeron, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Plough Boy,  J. Parry, 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Photographie,  M.H. Cross, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Patriotic,  H. Prince, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Pierre de Medicis Polka Mazurka,  Musard, 40
&lt;/p&gt;&lt;p&gt;Prince Royal,  C. Grobe, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Prince Royal,  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Printanieres (Les), three Polkas,  F. Burgmuller, 
&lt;/p&gt;&lt;p&gt;No. 1. Eglantine, 15
&lt;/p&gt;&lt;p&gt;No. 2. Brunette, 15
&lt;/p&gt;&lt;p&gt;No. 3 Benedetta, 15
&lt;/p&gt;&lt;p&gt;Riense (La),  C. Sahm, 25
&lt;/p&gt;&lt;p&gt;Rosa's, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;&lt;p&gt;Rustic,  F. Drayton, 25
&lt;/p&gt;&lt;p&gt;Sea-Beach Polka,  G.L. Walker, 50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Syren,  M. Schneider, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Sontag, (2 or 4 hands,)  D. Albert, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Scotch.  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;St. Lawrence Tubular Bridge Polka Mazurka, W.H., 35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tommy,  C. Grobe, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Tommy,  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Vaillance,  J. Ascher, 25
&lt;/p&gt;&lt;p&gt;Wissahickon, (2 or 4 hands,)  F. Drayton, 25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Winter's Night,  Gaston de Lille, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Woodburn,  Gen. L. Walker, 20
&lt;/p&gt;&lt;p&gt;White Violet, (Parlor Music,)  C. Grobe, 25
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;
</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Lincoln Sheet Music Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="171808">
              <text>5</text>
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            <elementText elementTextId="171809">
              <text>33 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="171796">
                <text>301100</text>
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              <elementText elementTextId="171797">
                <text>180865877</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171798">
                <text>The Old Chieftain</text>
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            <description>An account of the resource</description>
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                <text>Song calling for continued support for Lincoln's leadership of the Union war effort.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Henry, Edwin</text>
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                <text>Sheet music</text>
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                <text>Henry, Edwin</text>
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          <element elementId="37">
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Lee &amp;amp; Walker</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="171806">
                <text>Philadelphia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171807">
                <text>1862</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="171810">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="171811">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="171813">
                <text>en</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
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              <elementText elementTextId="641069">
                <text>Continue Transcribing</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <elementText elementTextId="641070">
                <text>2000</text>
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                    <text>&lt;p&gt;OLD ABE POLKA Composed for Piano
&lt;/p&gt;&lt;p&gt;for B. Leidersdorf &amp;amp; Co. Manufacturers of Old Abe Tobaccos
&lt;/p&gt;&lt;p&gt;We extend our compliments to all friends of Honest 'Old Abe' who is the patron of the 'Old Abe' Chewing &amp;amp; Smoking Tobaccos so popular all over the country. We bespeak your friendship for it and remain Yours very truly B. Leidersdorf &amp;amp; Co. Sole proprietors and Manufacturers.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLD ABE POLKA
&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Old Abe Polka</text>
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                <text>Cover depicts pictures of Abraham Lincoln and uses his image for advirtisements for tobacco products. The cover also depicts pictures of African American slaves. B. Leidersdorf manufactures of Old Abe Tobaccos. "We extend our compliments to all friends of Honest Old Abe who is the patron of the Old Abe chewing and smoking tobaccos so popular all over the country. We bespeak your friendship and remain.."</text>
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            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Leidersdorf B. and co</text>
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                <text>Sheet music</text>
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                <text>Polka (Dance)</text>
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            <name>Creator</name>
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                <text>No information avaiable on the composer.</text>
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                <text>Litho. &amp;amp; Engr. Company</text>
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            <name>Coverage</name>
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                <text>Milwaukee</text>
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                <text>1880</text>
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            <name>Format</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;OLD ABE POLKA Composed for Piano
&lt;/p&gt;&lt;p&gt;for B. Leidersdorf &amp;amp; Co. Manufacturers of Old Abe Tobaccos
&lt;/p&gt;&lt;p&gt;We extend our compliments to all friends of Honest 'Old Abe' who is the patron of the 'Old Abe' Chewing &amp;amp; Smoking Tobaccos so popular all over the country. We bespeak your friendship for it and remain Yours very truly B. Leidersdorf &amp;amp; Co. Sole proprietors and Manufacturers.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLD ABE POLKA
&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[sheet music]
&lt;/p&gt;
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                <text>100</text>
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                <text>20</text>
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                    <text>&lt;p&gt;Old Abe has gone &amp;amp; did it, boys.  Song &amp;amp; Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago. Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OLD ABE HAS GONE AND DID IT, BOYS.  Song &amp;amp; Chorus.
&lt;/p&gt;&lt;p&gt;Words by S. Fillmore Bennett. Music by J.P. Webster.
&lt;/p&gt;&lt;p&gt;Calore.
&lt;/p&gt;&lt;p&gt;1. O, ye niggers, come along For I's
&lt;/p&gt;&lt;p&gt;2. Now I tell you, by de way, Massa
&lt;/p&gt;&lt;p&gt;3. Massa Burnside take de view, Dat de
&lt;/p&gt;&lt;p&gt;4. But McClellan tho't de way, Was to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gwine to sing a song, An' I warn you dat you keep it mighty still; But dis
&lt;/p&gt;&lt;p&gt;Fremont first did say, In Missouri, where de bellien was so strong, Dat de
&lt;/p&gt;&lt;p&gt;nigger am as true As de white folks, or as any oder man; So he
&lt;/p&gt;&lt;p&gt;hab de niggers stay, Diggin' trenches for de rebels in de sun, While de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill.
&lt;/p&gt;&lt;p&gt;nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong.
&lt;/p&gt;&lt;p&gt;nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan.
&lt;/p&gt;&lt;p&gt;Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air.
1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum!  Ole 2. But now he's gone &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Alto.
3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;9. For Ole Abe has gone an' did it, boys, 
&lt;/p&gt;&lt;p&gt;Tenor.
&lt;/p&gt;&lt;p&gt;1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Bass.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Glory, Glory
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But  Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;9
&lt;/p&gt;&lt;p&gt;Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it boys.
&lt;/p&gt;&lt;p&gt;Pearson
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171772">
              <text>5</text>
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                <text>Old Abe Has Gone &amp;amp; Did It, Boys</text>
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                <text>Satirical song about Union policies towards slaves. &lt;br /&gt;&lt;br /&gt;</text>
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          <element elementId="49">
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                <text>Bennett, Sanford Fillmore, 1836-1898</text>
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                <text>Webster, Joseph Phillbrick, 1819-1875</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="171766">
                <text>Slaves--Emancipation</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Bennett, S. Fillmore and Webster, J. P.</text>
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            <name>Contributor</name>
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                <text>H. M. Higgins</text>
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            <name>Coverage</name>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Old Abe has gone &amp;amp; did it, boys.  Song &amp;amp; Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2
&lt;/p&gt;&lt;p&gt;Chicago. Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OLD ABE HAS GONE AND DID IT, BOYS.  Song &amp;amp; Chorus.
&lt;/p&gt;&lt;p&gt;Words by S. Fillmore Bennett. Music by J.P. Webster.
&lt;/p&gt;&lt;p&gt;Calore.
&lt;/p&gt;&lt;p&gt;1. O, ye niggers, come along For I's
&lt;/p&gt;&lt;p&gt;2. Now I tell you, by de way, Massa
&lt;/p&gt;&lt;p&gt;3. Massa Burnside take de view, Dat de
&lt;/p&gt;&lt;p&gt;4. But McClellan tho't de way, Was to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gwine to sing a song, An' I warn you dat you keep it mighty still; But dis
&lt;/p&gt;&lt;p&gt;Fremont first did say, In Missouri, where de bellien was so strong, Dat de
&lt;/p&gt;&lt;p&gt;nigger am as true As de white folks, or as any oder man; So he
&lt;/p&gt;&lt;p&gt;hab de niggers stay, Diggin' trenches for de rebels in de sun, While de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill.
&lt;/p&gt;&lt;p&gt;nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong.
&lt;/p&gt;&lt;p&gt;nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan.
&lt;/p&gt;&lt;p&gt;Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air.
1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum!  Ole 2. But now he's gone &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Alto.
3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;9. For Ole Abe has gone an' did it, boys, 
&lt;/p&gt;&lt;p&gt;Tenor.
&lt;/p&gt;&lt;p&gt;1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Bass.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's
&lt;/p&gt;&lt;p&gt;Glory, Glory
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ole Abe has gone an' did it, boys.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But  Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;9
&lt;/p&gt;&lt;p&gt;Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Ole Abe has gone an' did it boys.
&lt;/p&gt;&lt;p&gt;Pearson
&lt;/p&gt;
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                    <text>&lt;p&gt;To The Afflicted
&lt;/p&gt;&lt;p&gt;OIL ON THE BRAIN
&lt;/p&gt;&lt;p&gt;The Yankees boast that they make Clocks. Which "just beat all creation." They never made one could keep time. With our great Speculation Our stocks like clocks go with a spring Wind up run down again. But all our strikes are sure to cause Oil on the Brain. Stock's par--Stock's up. Then on the wane. Every body's troubled with Oil on the Brain.
&lt;/p&gt;&lt;p&gt;Song and Chorus by Eastburn
&lt;/p&gt;&lt;p&gt;Philadelphia J. MARSH 1102 Chestnut St. New York S. T. Gordon Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress A.D. 1864 by J. Marsh in the Clerks Office of the Dist. Court for En Dt of Pa
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"OIL ON THE BRAIN" a COMIC BALLAD. Words and Music by Eastburn.
&lt;/p&gt;&lt;p&gt;Lively.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;Ent'd according to act of Congress A.D. 1864 by J. Marsh in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;1st.  The Yankees boast that they make clocks Which "just beat all creation," They
&lt;/p&gt;&lt;p&gt;2.nd. There's various kinds of oil afloat, Cod liver, Castor, Sweet; Which
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never made one could keep time, With our great speculation. Our
&lt;/p&gt;&lt;p&gt;tend to make a sick man well And set him on his feet. But
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stocks like clocks, go with a spring, Wind up run down again; But
&lt;/p&gt;&lt;p&gt;ours a curious feat performs, We just a well obtain. And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all our strikes are sure to cause Oil on the brain.
&lt;/p&gt;&lt;p&gt;set the people crazy with Oil on the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;ALTO. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;TENOR. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;BASS. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's trouble with, Oil on the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. There's neigbor Smith a poor young man, Who couldn't raise a dime; Had clothes which boasted many rents, And took his "nip" on time. But now he's clad in Dandy style, Sports diamonds, kids, and cane; And his success was owing to, Oil on the brain. Chorus. Stock's par. &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. Miss Simple drives her coach and four, and dresses in high style; And Mr. Shoddy courts her strong. Because her "Dad's struck ile." Her jewels, laces, velvets, silks, Of which she is so vain; Were bought by "Dad" the time he had Oil on the brain. Chorus. Stock's par, &amp;amp;c
&lt;/p&gt;&lt;p&gt;5. You meet a friend upon the street, He greets you with a smile; And tells you in a hurried way, He's "just gone into ile." He buttonholes you half an hour--of course you can't complain--For you can see the fellow has, Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. The Lawyers, Doctors, Hatters, Clerks, Industrious and lazy; Have put their money all in stock's, In fact have gone "oil crazy" They'd better stick to briefs and pills, Hot irons, ink and pen Or they will "kick the bucket" from Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7. Poor Mrs. Jones was taken ill, The Doctors gave her up; They lost the confidence they had, in lancet, leech, and cup. "Affliction sore, long time she bore, Physicians were in vain;" And she at last expired of, Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8. There's "Maple shade," "Excelsior," "Bull creek," "Big tank," "Dalzell," And "Keystone," "Star," Venango," "Briggs," "Organic" and "Farrell," "Petroleum," "Saint Nicholas," "Corn Planter," "New Creek vein," Sure 'tis no wonder many have Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Must be a fact, author saw it in the Ledger.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171753">
              <text>5</text>
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              <text>36 cm</text>
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                <text>Satirical song about the speculation craze in the burgeoning oil industry during the Civil War.</text>
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                <text>Eastburn, 1837-1918</text>
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                <text>J. Marsh</text>
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                <text>Philadelphia</text>
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                <text>1864</text>
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                <text>&lt;p&gt;To The Afflicted
&lt;/p&gt;&lt;p&gt;OIL ON THE BRAIN
&lt;/p&gt;&lt;p&gt;The Yankees boast that they make Clocks. Which "just beat all creation." They never made one could keep time. With our great Speculation Our stocks like clocks go with a spring Wind up run down again. But all our strikes are sure to cause Oil on the Brain. Stock's par--Stock's up. Then on the wane. Every body's troubled with Oil on the Brain.
&lt;/p&gt;&lt;p&gt;Song and Chorus by Eastburn
&lt;/p&gt;&lt;p&gt;Philadelphia J. MARSH 1102 Chestnut St. New York S. T. Gordon Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress A.D. 1864 by J. Marsh in the Clerks Office of the Dist. Court for En Dt of Pa
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"OIL ON THE BRAIN" a COMIC BALLAD. Words and Music by Eastburn.
&lt;/p&gt;&lt;p&gt;Lively.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;Ent'd according to act of Congress A.D. 1864 by J. Marsh in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;1st.  The Yankees boast that they make clocks Which "just beat all creation," They
&lt;/p&gt;&lt;p&gt;2.nd. There's various kinds of oil afloat, Cod liver, Castor, Sweet; Which
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never made one could keep time, With our great speculation. Our
&lt;/p&gt;&lt;p&gt;tend to make a sick man well And set him on his feet. But
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stocks like clocks, go with a spring, Wind up run down again; But
&lt;/p&gt;&lt;p&gt;ours a curious feat performs, We just a well obtain. And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all our strikes are sure to cause Oil on the brain.
&lt;/p&gt;&lt;p&gt;set the people crazy with Oil on the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;ALTO. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;TENOR. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;BASS. Stock's par, Stock's up, Then on the wane;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's troubled with, Oil on the brain.
&lt;/p&gt;&lt;p&gt;Ev'ry body's trouble with, Oil on the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. There's neigbor Smith a poor young man, Who couldn't raise a dime; Had clothes which boasted many rents, And took his "nip" on time. But now he's clad in Dandy style, Sports diamonds, kids, and cane; And his success was owing to, Oil on the brain. Chorus. Stock's par. &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. Miss Simple drives her coach and four, and dresses in high style; And Mr. Shoddy courts her strong. Because her "Dad's struck ile." Her jewels, laces, velvets, silks, Of which she is so vain; Were bought by "Dad" the time he had Oil on the brain. Chorus. Stock's par, &amp;amp;c
&lt;/p&gt;&lt;p&gt;5. You meet a friend upon the street, He greets you with a smile; And tells you in a hurried way, He's "just gone into ile." He buttonholes you half an hour--of course you can't complain--For you can see the fellow has, Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. The Lawyers, Doctors, Hatters, Clerks, Industrious and lazy; Have put their money all in stock's, In fact have gone "oil crazy" They'd better stick to briefs and pills, Hot irons, ink and pen Or they will "kick the bucket" from Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7. Poor Mrs. Jones was taken ill, The Doctors gave her up; They lost the confidence they had, in lancet, leech, and cup. "Affliction sore, long time she bore, Physicians were in vain;" And she at last expired of, Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8. There's "Maple shade," "Excelsior," "Bull creek," "Big tank," "Dalzell," And "Keystone," "Star," Venango," "Briggs," "Organic" and "Farrell," "Petroleum," "Saint Nicholas," "Corn Planter," "New Creek vein," Sure 'tis no wonder many have Oil on the brain. Chorus. Stock's par, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Must be a fact, author saw it in the Ledger.
&lt;/p&gt;
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. OH, WHY SHOULD THE SPIRIT OF MORTALS BE PROUD.
&lt;/p&gt;&lt;p&gt;MUSIC Composed and Inscribed to the American Nation, by A. Sedgwick.  3 1/2
&lt;/p&gt;&lt;p&gt;F.B. Carpenter, Esq., the celebrated painter of the "Emancipation Proclamation before the Cabinet," related an interesting anecdote of the President in reference to this poem, much admired by Mr. Lincoln. He says:
&lt;/p&gt;&lt;p&gt;"I have been urged by several friends to send you the inclosed poem, written down by myself from Mr. Lincoln's lips; and although it may not be new to all of your readers, the events of the last week give it now a peculiar interest:
&lt;/p&gt;&lt;p&gt;"The circumstances under which this copy was written are these: I was with the President alone one evening in his room, during the time I was painting my large picture at the White House last year.  He presently threw aside his pen and papers, and began to talk to me of Shakespeare. He sent little 'Tad,' his son, to the library to bring a copy of the plays, and then read to me several of his favorite passages, showing genuine appreciation of the great poet. Relapsing into a sadder strain, he laid the book aside, and leaning back in his chair, said: 
&lt;/p&gt;&lt;p&gt;"There is a poem which has been a great favorite with me for years, which was first shown to me when a young man by a friend, and which I afterwards saw and cut from a newspaper and learned by heart. I would, he continued, 'give a great deal to know who wrote it, but I have never been able to ascertain.'
&lt;/p&gt;&lt;p&gt;"Then, half closing his eyes, he repeated to me the lines which I enclose to you. Greatly pleased and interested, I told him I would like, if ever an opportunity occurred, to write them down from his lips. He said he would some time try to give them to me. A few days afterwards he asked me to accompany him to the temporary studio of Mr. Swayne the Sculptor, who was making a bust of him at the Treasury Department. While he was sitting for the bust, I was suddenly reminded of the poem, and said to him that then would be a good time to dictate it to me. He complied, and sitting upon some books at his feet, as nearly as I can remember, I wrote the lines down one by one, from his lips."
&lt;/p&gt;&lt;p&gt;New York: Published by Wm. A. Pond &amp;amp; Co., No. 547 Broadway.  Boston: O. Ditson &amp;amp; Co. Chicago: Root &amp;amp; Cady. Milwaukee: H.N. Hempstead. Cincinnati: C.Y. Fonda.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by A. Sedgwick, in the Clerk's Office of the District of the United States for the Eastern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?  A. SEDGWICK.
&lt;/p&gt;&lt;p&gt;Andante cantabile.
&lt;/p&gt;&lt;p&gt;Oh! why should the spirit of mortal be proud? Like a swift fleeting meteor, a fast flying cloud, A flash of the lightning, a break of the wave, He
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;passeth from life to his rest in the grave! The leaves of the oak, and the willow shall fade, Be scatter'd around and together be laid; And the young and the old, and the low and the high, Shall moulder to dust, together shall lie. The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;infant and mother attended and lov'd, The mother and infant's affection who prov'd, The husband that mother and infant who bless'd, Each, all, are away to their dwellings of rest!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;2. The hand of the king, that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage, and the heart of the brave, Are hidden and lost in the depths of the grave. The peasant, whose lot was to sow and to reap, The herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread Have faded away like the grass that we tread. So the multitude goes, like the flow'r or the weed That withers away to let others succeed; So the multitude comes, even those we behold, To repeat ev'ry tale that has often been told!
&lt;/p&gt;&lt;p&gt;3. For we are the same, our father's have been; We see the same sights our father's have seen; We drink the same stream and view the same sun, And run the same course our father's have run. The thoughts we are thinking our father's would think; From the death we are shrinking our fathers would shrink; To the life we are clinging, they also would cling, But it speeds for us all--like a bird on the wing! They loved! but the story we cannot unfold; They scorned! but the heart of the haughty is cold; They grieved! but no wail from their slumber will come; They joyed! but the tongue of their gladness is dumb!
&lt;/p&gt;&lt;p&gt;4. They died!--aye! they died; we things that are now, That walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met, on their pilgrimage road. Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear--the song and the dirge, Still follow each other like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossom of health to the paleness of death; From the gilded saloon, to the bier and the shroud! Oh! why should the spirit of mortal be proud?
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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              <text>33 cm</text>
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              <elementText elementTextId="171724">
                <text>Oh! Why Should The Spirit of Mortal Be Proud?</text>
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                <text>Song based on William Knox's poem "Mortality," which became better known by its first line: "Oh! Why should the spirit of mortal be proud?" According to artist Francis Bicknell Carpenter, Lincoln, who Carpenter often interacted with while painting the picture "First Reading of the Emancipation Proclamation," referred to Knox's poem as his favoite and proceeded to recite all six stanzas to the awed artist.&lt;br /&gt;&lt;br /&gt;The poem was set to music following Lincoln's death.</text>
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                <text>Lincoln, Abraham,1809-1865</text>
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                <text>Sedgwick, A. and Knox William</text>
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                <text>Wm. A. Pond &amp;amp; Company</text>
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                <text>New York</text>
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                <text>1865</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. OH, WHY SHOULD THE SPIRIT OF MORTALS BE PROUD.
&lt;/p&gt;&lt;p&gt;MUSIC Composed and Inscribed to the American Nation, by A. Sedgwick.  3 1/2
&lt;/p&gt;&lt;p&gt;F.B. Carpenter, Esq., the celebrated painter of the "Emancipation Proclamation before the Cabinet," related an interesting anecdote of the President in reference to this poem, much admired by Mr. Lincoln. He says:
&lt;/p&gt;&lt;p&gt;"I have been urged by several friends to send you the inclosed poem, written down by myself from Mr. Lincoln's lips; and although it may not be new to all of your readers, the events of the last week give it now a peculiar interest:
&lt;/p&gt;&lt;p&gt;"The circumstances under which this copy was written are these: I was with the President alone one evening in his room, during the time I was painting my large picture at the White House last year.  He presently threw aside his pen and papers, and began to talk to me of Shakespeare. He sent little 'Tad,' his son, to the library to bring a copy of the plays, and then read to me several of his favorite passages, showing genuine appreciation of the great poet. Relapsing into a sadder strain, he laid the book aside, and leaning back in his chair, said: 
&lt;/p&gt;&lt;p&gt;"There is a poem which has been a great favorite with me for years, which was first shown to me when a young man by a friend, and which I afterwards saw and cut from a newspaper and learned by heart. I would, he continued, 'give a great deal to know who wrote it, but I have never been able to ascertain.'
&lt;/p&gt;&lt;p&gt;"Then, half closing his eyes, he repeated to me the lines which I enclose to you. Greatly pleased and interested, I told him I would like, if ever an opportunity occurred, to write them down from his lips. He said he would some time try to give them to me. A few days afterwards he asked me to accompany him to the temporary studio of Mr. Swayne the Sculptor, who was making a bust of him at the Treasury Department. While he was sitting for the bust, I was suddenly reminded of the poem, and said to him that then would be a good time to dictate it to me. He complied, and sitting upon some books at his feet, as nearly as I can remember, I wrote the lines down one by one, from his lips."
&lt;/p&gt;&lt;p&gt;New York: Published by Wm. A. Pond &amp;amp; Co., No. 547 Broadway.  Boston: O. Ditson &amp;amp; Co. Chicago: Root &amp;amp; Cady. Milwaukee: H.N. Hempstead. Cincinnati: C.Y. Fonda.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by A. Sedgwick, in the Clerk's Office of the District of the United States for the Eastern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?  A. SEDGWICK.
&lt;/p&gt;&lt;p&gt;Andante cantabile.
&lt;/p&gt;&lt;p&gt;Oh! why should the spirit of mortal be proud? Like a swift fleeting meteor, a fast flying cloud, A flash of the lightning, a break of the wave, He
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;passeth from life to his rest in the grave! The leaves of the oak, and the willow shall fade, Be scatter'd around and together be laid; And the young and the old, and the low and the high, Shall moulder to dust, together shall lie. The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;infant and mother attended and lov'd, The mother and infant's affection who prov'd, The husband that mother and infant who bless'd, Each, all, are away to their dwellings of rest!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;2. The hand of the king, that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage, and the heart of the brave, Are hidden and lost in the depths of the grave. The peasant, whose lot was to sow and to reap, The herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread Have faded away like the grass that we tread. So the multitude goes, like the flow'r or the weed That withers away to let others succeed; So the multitude comes, even those we behold, To repeat ev'ry tale that has often been told!
&lt;/p&gt;&lt;p&gt;3. For we are the same, our father's have been; We see the same sights our father's have seen; We drink the same stream and view the same sun, And run the same course our father's have run. The thoughts we are thinking our father's would think; From the death we are shrinking our fathers would shrink; To the life we are clinging, they also would cling, But it speeds for us all--like a bird on the wing! They loved! but the story we cannot unfold; They scorned! but the heart of the haughty is cold; They grieved! but no wail from their slumber will come; They joyed! but the tongue of their gladness is dumb!
&lt;/p&gt;&lt;p&gt;4. They died!--aye! they died; we things that are now, That walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met, on their pilgrimage road. Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear--the song and the dirge, Still follow each other like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossom of health to the paleness of death; From the gilded saloon, to the bier and the shroud! Oh! why should the spirit of mortal be proud?
&lt;/p&gt;
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. COPIED BY F.B. CARPENTER, ESQ., WHILE OUR LAMENTED CHIEF WAS RECITING IT.
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?
&lt;/p&gt;&lt;p&gt;1, Oh! why should the spirit of mortal be proud? Like a swift, fleeting meteor, a fast-flying cloud, A flash of the lightning, a break of the wave, He passeth from life to his rest in the grave. The leaves of the oak and willow shall fade, Be scattered around and together be laid, And the young and the old, and the low and the high, Shall moulder to dust, and together shall lie.
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The mother that infant's affection who proved; The husband that mother and infant who blessed, Each, all, are away to their dwellings of rest. The hand of the king that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage and the heart of the brave, Are hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; the herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread, Have faded away like the grass that we tread. So the multitude goes, like the flower of the weed, That withers away to let others succeed; So the multitude comes, even those we behold, To repeat every tale that has often been told.
&lt;/p&gt;&lt;p&gt;4. For we are the same our fathers have been; We see the same sights our fathers have seen; We drink the same stream and view the same sun And run the same course our fathers have run. The thoughts we are thinking our fathers would think; From the death we are shrinking our fathers would shrink; To the life we are clinging they also would cling: But it speeds from us all, like a bird on the wing.
&lt;/p&gt;&lt;p&gt;5. They loved, but the story we cannot unfold; They scorned, but the heart of the haughty is cold; They grieved, but no wail from their slumber will come; They joyed, but the tongue of their gladness is dumb. They died: ay! they died; we things that are now, that walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met on their pilgrimage road.
&lt;/p&gt;&lt;p&gt;6.Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear, the song and the dirge, Still follow each other, like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossoms of health to the paleness of death; From the gilded saloon to the bier and the shroud. Oh! why should the spirit of mortal be proud?
&lt;/p&gt;&lt;p&gt;Adapted to Music expressly composed by C. EVEREST.  3
&lt;/p&gt;&lt;p&gt;Philadelphia: LEE &amp;amp; WALKER, 722 Chestnut St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year [1865] by C. EVEREST in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OR MORTAL BE PROUD? President Lincoln's Favorite Poem. Music by C. Everest.
&lt;/p&gt;&lt;p&gt;VOICE. Moderato. PIANO
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest in the Clerk's Office of the District Court for the Eastern District of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Oh! why should the spit [spirit] of mortal be proud? Like a
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
swift fleeting meteor, a fast flying cloud, A flash of the lightning, a
&lt;/p&gt;&lt;p&gt;mother that infant's affection who proved. The husband that mother and
&lt;/p&gt;&lt;p&gt;herdsman, who climed with his goats up the steep; the beggar, who wandered in
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
break of the wave, He passeth from life to his rest in the grave. The
&lt;/p&gt;&lt;p&gt;infant who bless'd, Each, all, are away to their dwellings of rest. The
&lt;/p&gt;&lt;p&gt;search of his bread, Have faded away like the grass that we tread. So the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;leaves of the oak and willow shall fade, Be scatter'd around and together
&lt;/p&gt;&lt;p&gt;hand of the king that the sceptre hath borne; The brow of the priest that the
&lt;/p&gt;&lt;p&gt;multitude goes, like the flow'r of the week, That withers away to let
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
be laid; And the young and the old, and the low and the high, Shall
&lt;/p&gt;&lt;p&gt;mitre hath worn; The eye of the sage and the heart of the brave, Are
&lt;/p&gt;&lt;p&gt;others succeed; So the multitude comes, even those we behold, To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
moulder to dust and together shall lie.
&lt;/p&gt;&lt;p&gt;hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;repeat ev'ry tale that has often been told.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I did for my country."  Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad in my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief; it has reached the one hundredth thousand, and the demand is no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys,--viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY. To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child, will 'rock thee to sleep'."  A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. EVEREST. Price, 30 cents. "Never despond! joys are for thee; Time will reveal them, though hidden they be; Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHTS GEMS OF THE EARTH! Song with chorus. Words and Music composed by J.S.C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music of B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"  "Oh, would there were some kind one Who, on this Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one to grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this is one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents. "Trend lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."  A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN!  Song and chorus. Written and composed by C. Everest. Price 30 cents.  "Ever since from me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing Shall we meet again!"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171716">
              <text>5</text>
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              <elementText elementTextId="171706">
                <text>Oh! Why Should The Spirit of Mortal Be Proud?</text>
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                <text>Song based on William Knox's poem "Mortality," which became better known by its first line: "Oh! Why should the spirit of mortal be proud?" According to artist Francis Bicknell Carpenter, Lincoln, who Carpenter often interacted with while painting the picture "First Reading of the Emancipation Proclamation," referred to Knox's poem as his favoite and proceeded to recite all six stanzas to an awed artist.&lt;br /&gt;&lt;br /&gt;The poem was set to music following Lincoln's death</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Everest, C. and Knox William</text>
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                <text>Lee &amp;amp; Walker</text>
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                <text>Philadelphia</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. COPIED BY F.B. CARPENTER, ESQ., WHILE OUR LAMENTED CHIEF WAS RECITING IT.
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?
&lt;/p&gt;&lt;p&gt;1, Oh! why should the spirit of mortal be proud? Like a swift, fleeting meteor, a fast-flying cloud, A flash of the lightning, a break of the wave, He passeth from life to his rest in the grave. The leaves of the oak and willow shall fade, Be scattered around and together be laid, And the young and the old, and the low and the high, Shall moulder to dust, and together shall lie.
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The mother that infant's affection who proved; The husband that mother and infant who blessed, Each, all, are away to their dwellings of rest. The hand of the king that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage and the heart of the brave, Are hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; the herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread, Have faded away like the grass that we tread. So the multitude goes, like the flower of the weed, That withers away to let others succeed; So the multitude comes, even those we behold, To repeat every tale that has often been told.
&lt;/p&gt;&lt;p&gt;4. For we are the same our fathers have been; We see the same sights our fathers have seen; We drink the same stream and view the same sun And run the same course our fathers have run. The thoughts we are thinking our fathers would think; From the death we are shrinking our fathers would shrink; To the life we are clinging they also would cling: But it speeds from us all, like a bird on the wing.
&lt;/p&gt;&lt;p&gt;5. They loved, but the story we cannot unfold; They scorned, but the heart of the haughty is cold; They grieved, but no wail from their slumber will come; They joyed, but the tongue of their gladness is dumb. They died: ay! they died; we things that are now, that walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met on their pilgrimage road.
&lt;/p&gt;&lt;p&gt;6.Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear, the song and the dirge, Still follow each other, like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossoms of health to the paleness of death; From the gilded saloon to the bier and the shroud. Oh! why should the spirit of mortal be proud?
&lt;/p&gt;&lt;p&gt;Adapted to Music expressly composed by C. EVEREST.  3
&lt;/p&gt;&lt;p&gt;Philadelphia: LEE &amp;amp; WALKER, 722 Chestnut St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year [1865] by C. EVEREST in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OR MORTAL BE PROUD? President Lincoln's Favorite Poem. Music by C. Everest.
&lt;/p&gt;&lt;p&gt;VOICE. Moderato. PIANO
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest in the Clerk's Office of the District Court for the Eastern District of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Oh! why should the spit [spirit] of mortal be proud? Like a
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
swift fleeting meteor, a fast flying cloud, A flash of the lightning, a
&lt;/p&gt;&lt;p&gt;mother that infant's affection who proved. The husband that mother and
&lt;/p&gt;&lt;p&gt;herdsman, who climed with his goats up the steep; the beggar, who wandered in
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
break of the wave, He passeth from life to his rest in the grave. The
&lt;/p&gt;&lt;p&gt;infant who bless'd, Each, all, are away to their dwellings of rest. The
&lt;/p&gt;&lt;p&gt;search of his bread, Have faded away like the grass that we tread. So the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;leaves of the oak and willow shall fade, Be scatter'd around and together
&lt;/p&gt;&lt;p&gt;hand of the king that the sceptre hath borne; The brow of the priest that the
&lt;/p&gt;&lt;p&gt;multitude goes, like the flow'r of the week, That withers away to let
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
be laid; And the young and the old, and the low and the high, Shall
&lt;/p&gt;&lt;p&gt;mitre hath worn; The eye of the sage and the heart of the brave, Are
&lt;/p&gt;&lt;p&gt;others succeed; So the multitude comes, even those we behold, To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
moulder to dust and together shall lie.
&lt;/p&gt;&lt;p&gt;hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;repeat ev'ry tale that has often been told.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I did for my country."  Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad in my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief; it has reached the one hundredth thousand, and the demand is no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys,--viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY. To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child, will 'rock thee to sleep'."  A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. EVEREST. Price, 30 cents. "Never despond! joys are for thee; Time will reveal them, though hidden they be; Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHTS GEMS OF THE EARTH! Song with chorus. Words and Music composed by J.S.C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music of B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"  "Oh, would there were some kind one Who, on this Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one to grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this is one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents. "Trend lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."  A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN!  Song and chorus. Written and composed by C. Everest. Price 30 cents.  "Ever since from me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing Shall we meet again!"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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                    <text>&lt;p&gt;Respectfully dedicated to Mrs. Abraham Lincoln. OH! SPEAK TO ME ONCE MORE! Written by W. Dexter Smith Jr. MUSIC BY HENRI CROMWELL.
&lt;/p&gt;&lt;p&gt;Boston. G. D. Russell &amp;amp; Company 126 Tremont. OppTark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the year 1865 by G.D. Russell &amp;amp; Company in the Clerk's office of the Dist court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Oh! SPEAK TO ME ONCE MORE"!*
&lt;/p&gt;&lt;p&gt;Words by W. Dexter Smith Jr. Music by Henri Cromwell.
&lt;/p&gt;&lt;p&gt;Andante. con espressione
&lt;/p&gt;&lt;p&gt;Voice.
&lt;/p&gt;&lt;p&gt;1. Oh! speak to me once  2. Oh! speak to me once  3. Oh! speak to me once
&lt;/p&gt;&lt;p&gt;Style of a chant.
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;more, And let thy blessing fall Upon thy wife and
&lt;/p&gt;&lt;p&gt;more, Say but a single word, 'Twill be the sweetest
&lt;/p&gt;&lt;p&gt;more, Nay, all my tears are vain, The lips of one we
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The exclamation of Mrs. LINCOLN, as she bent over her dying husband.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;child, Who love thee more than all; Tell
&lt;/p&gt;&lt;p&gt;sound That we have ever heard; 'Twill
&lt;/p&gt;&lt;p&gt;love Will never speak again; Yet
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;us we still are dear Oh! hear me, I implore, Smile
&lt;/p&gt;&lt;p&gt;be a song of love, No mortal heard before, Oh!
&lt;/p&gt;&lt;p&gt;we shall meet again Upon the golden shore, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
on us once again, Oh! speak to me once more!
&lt;/p&gt;&lt;p&gt;listen to my prayer, Oh! speak to me once more!
&lt;/p&gt;&lt;p&gt;one, we love so well, Shall speak to us once more!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS. SOPRANO.
&lt;/p&gt;&lt;p&gt;Yet we shall meet again, Upon the golden
&lt;/p&gt;&lt;p&gt;ALTO. TENOR.
&lt;/p&gt;&lt;p&gt;Yet we shall meet again, Upon the golden
&lt;/p&gt;&lt;p&gt;BASS. PIANO.
&lt;/p&gt;&lt;p&gt;shore, And one, we love so well, Shall speak to us once more!
&lt;/p&gt;&lt;p&gt;shore, And one, we love so well, Shall speak to us once more!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Oh! Speak To Me Once More</text>
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                <text>"Respectfully dedicated to Mrs. Abraham Lincoln," "Oh speak to me once more" was reportedly said by Mary Lincoln at her husband's deathbed.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Cromwell, Henri</text>
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                <text>Cromwell, Henri and Smith, W. Dexter Jr.</text>
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              <elementText elementTextId="171695">
                <text>Russell &amp;amp; Company</text>
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            <name>Coverage</name>
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                <text>Boston</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>&lt;p&gt;Respectfully dedicated to Mrs. Abraham Lincoln. OH! SPEAK TO ME ONCE MORE! Written by W. Dexter Smith Jr. MUSIC BY HENRI CROMWELL.
&lt;/p&gt;&lt;p&gt;Boston. G. D. Russell &amp;amp; Company 126 Tremont. OppTark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the year 1865 by G.D. Russell &amp;amp; Company in the Clerk's office of the Dist court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Oh! SPEAK TO ME ONCE MORE"!*
&lt;/p&gt;&lt;p&gt;Words by W. Dexter Smith Jr. Music by Henri Cromwell.
&lt;/p&gt;&lt;p&gt;Andante. con espressione
&lt;/p&gt;&lt;p&gt;Voice.
&lt;/p&gt;&lt;p&gt;1. Oh! speak to me once  2. Oh! speak to me once  3. Oh! speak to me once
&lt;/p&gt;&lt;p&gt;Style of a chant.
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;more, And let thy blessing fall Upon thy wife and
&lt;/p&gt;&lt;p&gt;more, Say but a single word, 'Twill be the sweetest
&lt;/p&gt;&lt;p&gt;more, Nay, all my tears are vain, The lips of one we
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The exclamation of Mrs. LINCOLN, as she bent over her dying husband.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;child, Who love thee more than all; Tell
&lt;/p&gt;&lt;p&gt;sound That we have ever heard; 'Twill
&lt;/p&gt;&lt;p&gt;love Will never speak again; Yet
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;us we still are dear Oh! hear me, I implore, Smile
&lt;/p&gt;&lt;p&gt;be a song of love, No mortal heard before, Oh!
&lt;/p&gt;&lt;p&gt;we shall meet again Upon the golden shore, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
on us once again, Oh! speak to me once more!
&lt;/p&gt;&lt;p&gt;listen to my prayer, Oh! speak to me once more!
&lt;/p&gt;&lt;p&gt;one, we love so well, Shall speak to us once more!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS. SOPRANO.
&lt;/p&gt;&lt;p&gt;Yet we shall meet again, Upon the golden
&lt;/p&gt;&lt;p&gt;ALTO. TENOR.
&lt;/p&gt;&lt;p&gt;Yet we shall meet again, Upon the golden
&lt;/p&gt;&lt;p&gt;BASS. PIANO.
&lt;/p&gt;&lt;p&gt;shore, And one, we love so well, Shall speak to us once more!
&lt;/p&gt;&lt;p&gt;shore, And one, we love so well, Shall speak to us once more!
&lt;/p&gt;
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                <text>Complete</text>
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            <name>Percent Completed</name>
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              <elementText elementTextId="624213">
                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://www.chroniclingillinois.org/files/original/37c4ddc2a0e250328c64514ea7166df5.pdf</src>
        <authentication>74f96b8211515fecca8266446264dc41</authentication>
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              <element elementId="138">
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                <elementTextContainer>
                  <elementText elementTextId="608129">
                    <text>&lt;p&gt;To the OFFICERS &amp;amp; MEN OF THE 113 Reg Ills Vols.
&lt;/p&gt;&lt;p&gt;Oh! Bury the Brave Where they Fall.  Song &amp;amp; Chorus Written &amp;amp; composed by Lieut. Henrie L. Frisbie. of the 113th Ills Infs Vols.
&lt;/p&gt;&lt;p&gt;Chicago Published by Root &amp;amp; Cady 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court in the North Dist of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;BURY THE BRAVE WHERE THEY FALL.  H.L. FRISBIE.
&lt;/p&gt;&lt;p&gt;Espressivo.
&lt;/p&gt;&lt;p&gt;1. Oh bury the brave on the
2. Though nameless the graves where their
3. The sunlight and rain will
&lt;/p&gt;&lt;p&gt;field where they fall; Let them sleep beneath the sod, That
&lt;/p&gt;&lt;p&gt;ashes repose All unhallowed by tears, Their
&lt;/p&gt;&lt;p&gt;awaken the flow'rs That in beauty o'er them wave,. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
drank up their blood in the deadly affray, When their spirits went home to
&lt;/p&gt;&lt;p&gt;laurels are fadeless, they never can die, While we measure the fleeting
&lt;/p&gt;&lt;p&gt;soft whispering breezes a requiem sad, Murm'ring over their lonely
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
God: Let their resting place be where their brave deeds were done, With the
&lt;/p&gt;&lt;p&gt;years; Though no marble may rise o'er their low lonely beds, There to
&lt;/p&gt;&lt;p&gt;grave; But we mourn for them not as all calmly they sleep, far 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;banner the banner for their shroud; And its stars shall keep watch as they
&lt;/p&gt;&lt;p&gt;point out the sacred sacred spot, Yet the hearts of the nation their
&lt;/p&gt;&lt;p&gt;Away from the loving household band, For the brave and the noble die
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
peacefully sleep, Far away from the gathering crowd.
&lt;/p&gt;&lt;p&gt;memory will keep, Its dead heroes are never forgot.
&lt;/p&gt;&lt;p&gt;never in vain, When they die for their native land.
&lt;/p&gt;&lt;p&gt;CHORUS. Repeat pp.
&lt;/p&gt;&lt;p&gt;AIR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;ALTO. Then sleep on sleep on soft be thy repose,
&lt;/p&gt;&lt;p&gt;TENOR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;BASE. PIANO
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars of our
&lt;/p&gt;&lt;p&gt;The glorious stars shall
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars shall
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
banner shall watch O'er the graves where the heroes rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch softly rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch O'er the graves where the heroes rest.
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171679">
              <text>5</text>
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              <text>34 cm</text>
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                <text>Oh! Bury The Brave Where They Fall</text>
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                <text>"To the officers and men of the 113th Reg. Ill. Vols."</text>
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            <description>The topic of the resource</description>
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                <text>Frisbie, Henrie L.</text>
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                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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            <name>Creator</name>
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                <text>Frisbie, Henrie L.</text>
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                <text>Root &amp;amp; Cady</text>
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            <name>Coverage</name>
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                <text>Chicago</text>
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            <name>Date</name>
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              <elementText elementTextId="171678">
                <text>1863</text>
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                <text>pdf</text>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>&lt;p&gt;To the OFFICERS &amp;amp; MEN OF THE 113 Reg Ills Vols.
&lt;/p&gt;&lt;p&gt;Oh! Bury the Brave Where they Fall.  Song &amp;amp; Chorus Written &amp;amp; composed by Lieut. Henrie L. Frisbie. of the 113th Ills Infs Vols.
&lt;/p&gt;&lt;p&gt;Chicago Published by Root &amp;amp; Cady 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court in the North Dist of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;BURY THE BRAVE WHERE THEY FALL.  H.L. FRISBIE.
&lt;/p&gt;&lt;p&gt;Espressivo.
&lt;/p&gt;&lt;p&gt;1. Oh bury the brave on the
2. Though nameless the graves where their
3. The sunlight and rain will
&lt;/p&gt;&lt;p&gt;field where they fall; Let them sleep beneath the sod, That
&lt;/p&gt;&lt;p&gt;ashes repose All unhallowed by tears, Their
&lt;/p&gt;&lt;p&gt;awaken the flow'rs That in beauty o'er them wave,. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
drank up their blood in the deadly affray, When their spirits went home to
&lt;/p&gt;&lt;p&gt;laurels are fadeless, they never can die, While we measure the fleeting
&lt;/p&gt;&lt;p&gt;soft whispering breezes a requiem sad, Murm'ring over their lonely
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
God: Let their resting place be where their brave deeds were done, With the
&lt;/p&gt;&lt;p&gt;years; Though no marble may rise o'er their low lonely beds, There to
&lt;/p&gt;&lt;p&gt;grave; But we mourn for them not as all calmly they sleep, far 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;banner the banner for their shroud; And its stars shall keep watch as they
&lt;/p&gt;&lt;p&gt;point out the sacred sacred spot, Yet the hearts of the nation their
&lt;/p&gt;&lt;p&gt;Away from the loving household band, For the brave and the noble die
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
peacefully sleep, Far away from the gathering crowd.
&lt;/p&gt;&lt;p&gt;memory will keep, Its dead heroes are never forgot.
&lt;/p&gt;&lt;p&gt;never in vain, When they die for their native land.
&lt;/p&gt;&lt;p&gt;CHORUS. Repeat pp.
&lt;/p&gt;&lt;p&gt;AIR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;ALTO. Then sleep on sleep on soft be thy repose,
&lt;/p&gt;&lt;p&gt;TENOR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;BASE. PIANO
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars of our
&lt;/p&gt;&lt;p&gt;The glorious stars shall
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars shall
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
banner shall watch O'er the graves where the heroes rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch softly rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch O'er the graves where the heroes rest.
&lt;/p&gt;
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                    <text>&lt;p&gt;Three Offerings to Thee, Goddess of Liberty.
&lt;/p&gt;&lt;p&gt;To thee, fair Goddess our offerings we bring. Accept them though humble they be. For gladly we trust to thy keeping the flag. That waves o'er the brave and the free.
&lt;/p&gt;&lt;p&gt;Words by Chas. Haynes  Music by J.E. Haynes.
&lt;/p&gt;&lt;p&gt;NOMINATION SONG.
GRAND RALLYING SONG FOR OUR VOLUNTEERS. 
WELCOME TO THE RETURNED VOLUNTEERS.
&lt;/p&gt;&lt;p&gt;CHICAGO Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD 1864 by H.M. Higgins in the Clerk's Office of the Dist Court of the North' Dist of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;NOMINATION SONG
&lt;/p&gt;&lt;p&gt;Words by Charles Haynes Music by James Edward Haynes.
&lt;/p&gt;&lt;p&gt;Piano. Moderato.
&lt;/p&gt;&lt;p&gt;Once more noble Chieftain we hail thee so true, Our nation's great hope and her pride, You have gallantly stood by the Red, White and Blue, And you check'd the rebellious mad tide. Come
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD. 1964 by H.M. Higgins, in the Clerk's office of the Dist of the Northern Dist of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;pin animato.
&lt;/p&gt;&lt;p&gt;up to the work boys, stand firm at the wheel, We'll vote for our nation's bright star, While our soldiers fight traitors abroad with their steel, We will crush them at home 'neath our car.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Air. 
Then rally again from the prairie and wood, We will fight for the land we love best, We will
&lt;/p&gt;&lt;p&gt;Alto. Tenor.
&lt;/p&gt;&lt;p&gt;Then rally again from the prairie and wood, We will fight for the land we love best, We will
&lt;/p&gt;&lt;p&gt;Bass. 
&lt;/p&gt;&lt;p&gt;Nomination song
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;stand by our Chieftain so great and so good, Gallant Abe! Honest Abe of the West.
&lt;/p&gt;&lt;p&gt;stand by our Chieftain so great and so good, Gallant Abe! Honest Abe of the West.
&lt;/p&gt;&lt;p&gt;2.  Yes hail! noble Chieftain in honor we hail! Now boys we will try him again; He is driving the Wedge in the Tyrant's great Rail, And he'll soon split Rebellion in twain. Then fall into line boys our nation doth call, And Traitors at home shall soon feel That our Chieftain shall triumph, the Dragon shall fall, And his head shall be crushed 'neath your heel.  Chorus. Then rally again, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3.  Come up to the polls then from mountain and glen, Stand firm boys and work for the right, We will show the bold Traitors we'll triumph again, When we face him once more in fight; Now forward brave boys and press hard the great Tower, And the foeman within shall soon see That his dart cannot harm us, we hail the glad hour When the nation forever is free. Chorus. Then rally again, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Nomination song
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171662">
              <text>4</text>
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              <text>36 cm</text>
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                <text>Nomination Song</text>
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                <text>The sheet music publication "Three offerings to thee, goddess of liberty" contained three Union Civil War songs; however, only one of the three, "Nomination Song," is contained in the item presented here. The other two songs were "Grand Rallying Song for Our Volunteers" and "Welcome to the Returned Volunteers." All three songs were published in support of the reelection of Lincoln in 1864.&lt;br /&gt;&lt;br /&gt;On cover: "To thee fair goddess our offerings we bring. Accept them though humble they be. For Gladly we trust to they keeping of the flag. That waves o're the brave and the free"</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Haynes, Charles</text>
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                <text>Haynes, J. E.(James Edward)</text>
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                <text>Sheet music</text>
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                <text>Campaign songs</text>
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                <text>Republican Party (U.S. : 1854- )</text>
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                <text>Haynes. Charles and Haynes. J. E. (James Edward)</text>
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                <text>H. M. Higgins</text>
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                <text>Chicago</text>
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                <text>1864</text>
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            <name>Publisher</name>
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            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Three Offerings to Thee, Goddess of Liberty.
&lt;/p&gt;&lt;p&gt;To thee, fair Goddess our offerings we bring. Accept them though humble they be. For gladly we trust to thy keeping the flag. That waves o'er the brave and the free.
&lt;/p&gt;&lt;p&gt;Words by Chas. Haynes  Music by J.E. Haynes.
&lt;/p&gt;&lt;p&gt;NOMINATION SONG.
GRAND RALLYING SONG FOR OUR VOLUNTEERS. 
WELCOME TO THE RETURNED VOLUNTEERS.
&lt;/p&gt;&lt;p&gt;CHICAGO Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Ent'd according to Act of Congress AD 1864 by H.M. Higgins in the Clerk's Office of the Dist Court of the North' Dist of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;NOMINATION SONG
&lt;/p&gt;&lt;p&gt;Words by Charles Haynes Music by James Edward Haynes.
&lt;/p&gt;&lt;p&gt;Piano. Moderato.
&lt;/p&gt;&lt;p&gt;Once more noble Chieftain we hail thee so true, Our nation's great hope and her pride, You have gallantly stood by the Red, White and Blue, And you check'd the rebellious mad tide. Come
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD. 1964 by H.M. Higgins, in the Clerk's office of the Dist of the Northern Dist of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;pin animato.
&lt;/p&gt;&lt;p&gt;up to the work boys, stand firm at the wheel, We'll vote for our nation's bright star, While our soldiers fight traitors abroad with their steel, We will crush them at home 'neath our car.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Air. 
Then rally again from the prairie and wood, We will fight for the land we love best, We will
&lt;/p&gt;&lt;p&gt;Alto. Tenor.
&lt;/p&gt;&lt;p&gt;Then rally again from the prairie and wood, We will fight for the land we love best, We will
&lt;/p&gt;&lt;p&gt;Bass. 
&lt;/p&gt;&lt;p&gt;Nomination song
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;stand by our Chieftain so great and so good, Gallant Abe! Honest Abe of the West.
&lt;/p&gt;&lt;p&gt;stand by our Chieftain so great and so good, Gallant Abe! Honest Abe of the West.
&lt;/p&gt;&lt;p&gt;2.  Yes hail! noble Chieftain in honor we hail! Now boys we will try him again; He is driving the Wedge in the Tyrant's great Rail, And he'll soon split Rebellion in twain. Then fall into line boys our nation doth call, And Traitors at home shall soon feel That our Chieftain shall triumph, the Dragon shall fall, And his head shall be crushed 'neath your heel.  Chorus. Then rally again, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3.  Come up to the polls then from mountain and glen, Stand firm boys and work for the right, We will show the bold Traitors we'll triumph again, When we face him once more in fight; Now forward brave boys and press hard the great Tower, And the foeman within shall soon see That his dart cannot harm us, we hail the glad hour When the nation forever is free. Chorus. Then rally again, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Nomination song
&lt;/p&gt;
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  <item itemId="20046" public="1" featured="0">
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                    <text>&lt;p&gt;The National Whig Song.
&lt;/p&gt;&lt;p&gt;Written by William Hayden, Esq. and respectfully dedicated to the Whigs of the United States.
&lt;/p&gt;&lt;p&gt;Price 25 cts. [illegible]
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Parker &amp;amp; Ditson, 135 Washington St.
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The National Whig Song.
&lt;/p&gt;&lt;p&gt;Written by W. Hayden, Esq. adapted to a Popular Air.
&lt;/p&gt;&lt;p&gt;Allegretto.
&lt;/p&gt;&lt;p&gt;I'll sing you now a new Whig song, made to a good old rhyme, Of a
&lt;/p&gt;&lt;p&gt;fine true-hearted gen-tel-man all of the old-en time; By
&lt;/p&gt;&lt;p&gt;birth and blood, by kith and kin, a sound true Whig was he, For his father signed the charter, that
&lt;/p&gt;&lt;p&gt;made our country free.  Like a fine true-hearted gentleman, All of the old-en time,
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1840 by Parker &amp;amp; Ditson, in the Clerk's Office of the District Court of Massachusetts
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;National Whig Song.
&lt;/p&gt;&lt;p&gt;I'll sing you now a new Whig song, made to a good old rhyme
&lt;/p&gt;&lt;p&gt;Of a fine, true-hearted gentleman, all of the olden time;
&lt;/p&gt;&lt;p&gt;By birth and blood, by kith and kind, a sound, true Whig was he
&lt;/p&gt;&lt;p&gt;For his father signed the charter that made our country free.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;In youth, upon the tented field, his laurels he did gain,
&lt;/p&gt;&lt;p&gt;No Chief so many battles fought, that never fought in vain;
&lt;/p&gt;&lt;p&gt;In peace, the quiet Statesman he; but when grim war arose,
&lt;/p&gt;&lt;p&gt;He buckled on his armor then, to meet his country's foes.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;And when he'd served his country well, in senate and in field,
&lt;/p&gt;&lt;p&gt;The honors that awaited him most freely did he yield;
&lt;/p&gt;&lt;p&gt;He turned him to his home again, and sought a Farmer's toils,
&lt;/p&gt;&lt;p&gt;For, though he'd filled the offices, he never took the spoils.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;And when the People, in their might, have put their solemn ban
&lt;/p&gt;&lt;p&gt;Upon the arch Magician and on all his tory clan,
&lt;/p&gt;&lt;p&gt;To manage well their state affairs, with one accord they'll send
&lt;/p&gt;&lt;p&gt;For another Cincinnatus, the Farmer of the North Bend.
&lt;/p&gt;&lt;p&gt;For he's a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;When in the youthful Warrior's hand his country placed the sword,
&lt;/p&gt;&lt;p&gt;He conquered all her enemies, that threatened from abroad;
&lt;/p&gt;&lt;p&gt;And now, when with domestic foes her highest places teem,
&lt;/p&gt;&lt;p&gt;The land the gallant Soldier saved, the Statesman must redeem.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;Let every sound, true-hearted Whig now raise his voice on high,
&lt;/p&gt;&lt;p&gt;And, for the triumph of the cause, join Freedom's loudest cry;
&lt;/p&gt;&lt;p&gt;Come to the fight, we'll win the field - away with doubts and fears;
&lt;/p&gt;&lt;p&gt;The People's man is Harrison - let's give him three good cheers,
&lt;/p&gt;&lt;p&gt;For he's a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time!
&lt;/p&gt;&lt;p&gt;N.B. - The Author has kindly furnished the above words, for which the Publishers have secured a copy-right.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171643">
              <text>3</text>
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              <text>35 cm</text>
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            <name>Identifier</name>
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                <text>The National Whig Song</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>"Respectfully dedicated to the Whigs of the United States," the cover depicts a picture of President William Henry Harrison, the first Whig party candidate elected president. The Whigs being the predecessors of the Republicans, the song is a rallying tune for the Republican party in the election of 1864.</text>
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                <text>Harrison, William Henry, 1773-1841</text>
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                <text>Hayden, William</text>
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                <text>Sheet music</text>
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                <text>Political ballads and songs</text>
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                <text>Hayden, William</text>
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                <text>Parker &amp;amp; Ditson</text>
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                <text>Boston</text>
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                <text>1840</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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                <text>&lt;p&gt;The National Whig Song.
&lt;/p&gt;&lt;p&gt;Written by William Hayden, Esq. and respectfully dedicated to the Whigs of the United States.
&lt;/p&gt;&lt;p&gt;Price 25 cts. [illegible]
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Parker &amp;amp; Ditson, 135 Washington St.
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The National Whig Song.
&lt;/p&gt;&lt;p&gt;Written by W. Hayden, Esq. adapted to a Popular Air.
&lt;/p&gt;&lt;p&gt;Allegretto.
&lt;/p&gt;&lt;p&gt;I'll sing you now a new Whig song, made to a good old rhyme, Of a
&lt;/p&gt;&lt;p&gt;fine true-hearted gen-tel-man all of the old-en time; By
&lt;/p&gt;&lt;p&gt;birth and blood, by kith and kin, a sound true Whig was he, For his father signed the charter, that
&lt;/p&gt;&lt;p&gt;made our country free.  Like a fine true-hearted gentleman, All of the old-en time,
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1840 by Parker &amp;amp; Ditson, in the Clerk's Office of the District Court of Massachusetts
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;National Whig Song.
&lt;/p&gt;&lt;p&gt;I'll sing you now a new Whig song, made to a good old rhyme
&lt;/p&gt;&lt;p&gt;Of a fine, true-hearted gentleman, all of the olden time;
&lt;/p&gt;&lt;p&gt;By birth and blood, by kith and kind, a sound, true Whig was he
&lt;/p&gt;&lt;p&gt;For his father signed the charter that made our country free.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;In youth, upon the tented field, his laurels he did gain,
&lt;/p&gt;&lt;p&gt;No Chief so many battles fought, that never fought in vain;
&lt;/p&gt;&lt;p&gt;In peace, the quiet Statesman he; but when grim war arose,
&lt;/p&gt;&lt;p&gt;He buckled on his armor then, to meet his country's foes.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;And when he'd served his country well, in senate and in field,
&lt;/p&gt;&lt;p&gt;The honors that awaited him most freely did he yield;
&lt;/p&gt;&lt;p&gt;He turned him to his home again, and sought a Farmer's toils,
&lt;/p&gt;&lt;p&gt;For, though he'd filled the offices, he never took the spoils.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;And when the People, in their might, have put their solemn ban
&lt;/p&gt;&lt;p&gt;Upon the arch Magician and on all his tory clan,
&lt;/p&gt;&lt;p&gt;To manage well their state affairs, with one accord they'll send
&lt;/p&gt;&lt;p&gt;For another Cincinnatus, the Farmer of the North Bend.
&lt;/p&gt;&lt;p&gt;For he's a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;When in the youthful Warrior's hand his country placed the sword,
&lt;/p&gt;&lt;p&gt;He conquered all her enemies, that threatened from abroad;
&lt;/p&gt;&lt;p&gt;And now, when with domestic foes her highest places teem,
&lt;/p&gt;&lt;p&gt;The land the gallant Soldier saved, the Statesman must redeem.
&lt;/p&gt;&lt;p&gt;Like a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time.
&lt;/p&gt;&lt;p&gt;Let every sound, true-hearted Whig now raise his voice on high,
&lt;/p&gt;&lt;p&gt;And, for the triumph of the cause, join Freedom's loudest cry;
&lt;/p&gt;&lt;p&gt;Come to the fight, we'll win the field - away with doubts and fears;
&lt;/p&gt;&lt;p&gt;The People's man is Harrison - let's give him three good cheers,
&lt;/p&gt;&lt;p&gt;For he's a fine, true-hearted gentleman,
&lt;/p&gt;&lt;p&gt;All of the olden time!
&lt;/p&gt;&lt;p&gt;N.B. - The Author has kindly furnished the above words, for which the Publishers have secured a copy-right.
&lt;/p&gt;
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <elementText elementTextId="624397">
                <text>20</text>
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        <src>https://www.chroniclingillinois.org/files/original/0b96b45cbd7c0101408bd97597986d5e.pdf</src>
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                <elementTextContainer>
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                    <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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            <element elementId="50">
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <name>Document</name>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="171624">
              <text>4</text>
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              <text>34 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>A Nation Weeps</text>
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            </elementTextContainer>
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                <text>A "Dirge on the death of Abraham Lincoln." Also known as "The Death of President Lincoln."</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="171616">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
              <elementText elementTextId="171617">
                <text>Turner, J. (Joseph) W.</text>
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                <text>Sheet music</text>
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                <text>Funeral music</text>
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            <name>Creator</name>
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                <text>Turner, J. (Joseph) W.</text>
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            <name>Contributor</name>
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                <text>Oliver Ditson &amp;amp; Company</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="171622">
                <text>Boston</text>
              </elementText>
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            <name>Date</name>
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                <text>1865</text>
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                <text>pdf</text>
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            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="171629">
                <text>en</text>
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              <elementText elementTextId="624398">
                <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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                    <text>&lt;p&gt;IN MEMORY OF ABRAHAM LINCOLN Sixteenth President of the United States.
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER MARTYR'D SON ("An Honest Man's the noblest work of God") words by Alice Hawthorne music by Sep. Winner.
&lt;/p&gt;&lt;p&gt;Philadelphia. Published by Sep. Winner 933 Sp. Garden St.
&lt;/p&gt;&lt;p&gt;Ent according to Act of Congress A.D. 1865 by Sep. Winner in the Clerk's Office of the Dist Court for En Dist of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OUR NATION MOURNS HER MARTYR'D SON. Words by Alice Hawthorne. Music by Sep. Winner.
.
Moderato. VOICE. PIANO
&lt;/p&gt;&lt;p&gt;A Nation mourns her martyr'd Son. From many hearts there comes a sigh; For him whose days on earth are done Whose name and deeds can never die. Oh
&lt;/p&gt;&lt;p&gt;Entd. according to act of Congress A.D. 1865 by Sep. Winner in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;weep for him whose patient heart, Gave pardon to a fallen foe; Who acted well a manly part, Tow'rds those who plann'd the fatal blow.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. TENOR. BASS. PIANO.
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;2. His weary work on earth is done, His toil and trials now are o'er. Yet in the hearts of many a one His deeds shall live for ever more! Toll on ye melancholy bells, Tho' sad your mournful tones may be; The heart with sorrow sadly swells, To hear thy mournful melody.
&lt;/p&gt;&lt;p&gt;3. Oh why, my Country must thou bleed, For deeds that rebels madly plan? The time shall come when they may need Just such a heart, just such a man! Roll on ye muffled drums, roll on, While hearts still mourn this sad event Our land shall never own a son As better man or President.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SOMETHNG NEW; WINNER'S PATENT SELF-INSTRUCTING KEY-BOARD SCALE FOR THE PIANO AND MELODEON. PRICE $1.00 SENT BY MAIL FOR $1.25.
&lt;/p&gt;&lt;p&gt;This valuable invention consists of sections, which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when struck. It is highly recommended by all professors of high standing, enabling the learner at once to find the notes required, without the assistance of any book or explanation from a teacher. Too much cannot be said in favor of this "new idea." It saves the learner the necessity of constantly referring to an instruction-book; for, at a single glance, every note required can be found, with the proper key immediately underneath for executing it. It insures the pupil a rapid and easy progress without the vexation of a long and tedious study.
&lt;/p&gt;&lt;p&gt;Persons wishing "to play a little" merely for amusement or pastime can readily perform the ordinary tunes of the day, by placing the Scale upon the keys and following the music with the corresponding notes upon the board. It does not interfere in any way with the execution of the performer. It is made to fit any instrument, being a light and ornamental addition, easily placed or removed in the shortest possible time. In fact, it is quite a curiosity, and should be attached to every piano, for the accommodation of all learners and amateurs. For sale at the principal music-stores in the United States. Sent by mail to any address, postpaid, on receipt of one dollar and twenty-five cents ($1.25). Address SEP. WINNER, 933 Spring Garden Street, Philadelphia, Pa.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS. POPULAR BALLADS.
&lt;/p&gt;&lt;p&gt;Look with thy Fond Eyes upon me. A sweet and charming song. 30 cts.
&lt;/p&gt;&lt;p&gt;Pretty to Me. Graceful melody, with cheerful chorus. 35 cts.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. Song and chorus for the family circle. 30 cts.
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. New edition, one sharp, easy arrangement. 30 cts.
&lt;/p&gt;&lt;p&gt;My Barque is on the Deep Deep Sea. Fairy-song, with an effective accompaniment. 30 cts.
&lt;/p&gt;&lt;p&gt;Parting Whispers. vocal duet; very sweet and pathetic. 35 cts.
&lt;/p&gt;&lt;p&gt;Good-Night, Sweet Love. Quartette, for serenading. 30 cts.
&lt;/p&gt;&lt;p&gt;Love's Farewell. Companion-song to "Love's Chidings." 30 cts.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! Subject from the story of "East Lynne." 30 cts.
&lt;/p&gt;&lt;p&gt;Song of Jokes. New comic medley, full of fun. 40 cts.
&lt;/p&gt;&lt;p&gt;Gone to the Arms of Abraham. Comic war-ballad, with chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Der Deitcher's Dog. Comic song and chorus. the laugh comes in. 30 cts.
&lt;/p&gt;&lt;p&gt;The World is Topsy-Turvy. Comic song: tune of "Polly Perkins." 30 cts
&lt;/p&gt;&lt;p&gt;Give me a Noble Fellow. "With a bucktail in his hat." 30 cts.
&lt;/p&gt;&lt;p&gt;Pray Tell me the Wish of thy Heart. Charming vocal duet: uncommonly good. 40 cts.
&lt;/p&gt;&lt;p&gt;Song of Enoch Arden. Very popular sentimental ballad. 35 cts.
&lt;/p&gt;&lt;p&gt;Thou art so Near, and yet so Far. Music of a classical order. 40 cts.
&lt;/p&gt;&lt;p&gt;The Good-Bye at the Door. A favorite song in all quarters. 30 cts.
&lt;/p&gt;&lt;p&gt;Over my Heart. A splendid song, admired by all. 30 cts.
&lt;/p&gt;&lt;p&gt;Yes, I would the War were Over. Beautiful patriotic song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Flag o'er Georgia waves again. Inspiriting words; glorious melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. With Union words; popular edition. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Nation calls for Peace again. "Blessed are the peacemakers." 30 cts.
&lt;/p&gt;&lt;p&gt;Down with the Stars and Bars!  Spirited song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Eyes will Watch for thee. Words and music very good. "Ah! wherefore art thou absent? Come back, come back to me! The heart will count the moments, And eyes will watch for thee."
&lt;/p&gt;&lt;p&gt;SELECT PIECES.
&lt;/p&gt;&lt;p&gt;Rosine Waltzes. Airs of more than ordinary beauty. 40 cts.
&lt;/p&gt;&lt;p&gt;Rebus Polka. Easy air, expressly for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Gymnasium Schottische. Neat and pretty; sure to please. 30 cts.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. With a beautiful cross-hand movement. 30 cts.
&lt;/p&gt;&lt;p&gt;Flash Schottische. Brilliant composition; light and showy. 30 cts.
&lt;/p&gt;&lt;p&gt;Comet Waltz. Beautiful melody; free and flowing. 30 cts.
&lt;/p&gt;&lt;p&gt;Alpha-Delta Schottische. Delicate, and very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. First-class descriptive piece. 60 cts.
&lt;/p&gt;&lt;p&gt;Race-Horse Galop. Lively, sprightly; remarkable good. 30 cts.
&lt;/p&gt;&lt;p&gt;White Star Schottische. Plain and easy for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Fair Oaks Grand March. A good composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth Cadets' Polka. Dashy, flashy, and full of life.  35 cts.
&lt;/p&gt;&lt;p&gt;French Polka. A good dancing-piece. 30 cts.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. Pretty melody, with easy bass. 30 cts.
&lt;/p&gt;&lt;p&gt;Passaic Waltz. Flowing melody; very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Winona Polka. Tip-top composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Morrie Schottische. Brilliant air; good for practice.  30 cts.
&lt;/p&gt;&lt;p&gt;Banner March. Introducing "The Captain with his Whiskers." 30 cts.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. Dashing, cheerful composition. 30 cts.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. Easy piece for pupils.  20 cts.
&lt;/p&gt;&lt;p&gt;Danish Dance. New arrangement, in 2 sharps. 30 cts.
&lt;/p&gt;&lt;p&gt;Winner's Guitar Gems. Pretty airs, arranged progressively. 50 cts.
&lt;/p&gt;&lt;p&gt;Faust March. Easy arrangement; full melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. A pretty collection of melodies. 35 cts.
&lt;/p&gt;&lt;p&gt;Nine-Pin Cotillions. With Lanigan's Ball, Hopity Kickity," &amp;amp;c. 35 cts.
&lt;/p&gt;&lt;p&gt;Scottish Marsh. An old tune, but excellent. 20 cts.
&lt;/p&gt;&lt;p&gt;Faust Galop. Best arrangement ever issued. 30 cts.
&lt;/p&gt;&lt;p&gt;Rochester Schottische. Correct and desirable edition. 30 cts.
&lt;/p&gt;&lt;p&gt;First Love Redowa. Sweet and flowing melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Bacio or Kiss Waltz. A great favorite with all. 30 cts.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copies of the above pieces sent by mail, postpaid. Address SEP. WINNER, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171606">
              <text>5</text>
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                <text>A Nation Mourns Her Martyr'd Son</text>
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                <text>"In memory of Abraham Lincoln Sixteenth president of the United States" "(An honest man's the noblest work of god)"</text>
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                <text>Winner, Septimus</text>
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                <text>Philadelphia</text>
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                <text>&lt;p&gt;IN MEMORY OF ABRAHAM LINCOLN Sixteenth President of the United States.
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER MARTYR'D SON ("An Honest Man's the noblest work of God") words by Alice Hawthorne music by Sep. Winner.
&lt;/p&gt;&lt;p&gt;Philadelphia. Published by Sep. Winner 933 Sp. Garden St.
&lt;/p&gt;&lt;p&gt;Ent according to Act of Congress A.D. 1865 by Sep. Winner in the Clerk's Office of the Dist Court for En Dist of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OUR NATION MOURNS HER MARTYR'D SON. Words by Alice Hawthorne. Music by Sep. Winner.
.
Moderato. VOICE. PIANO
&lt;/p&gt;&lt;p&gt;A Nation mourns her martyr'd Son. From many hearts there comes a sigh; For him whose days on earth are done Whose name and deeds can never die. Oh
&lt;/p&gt;&lt;p&gt;Entd. according to act of Congress A.D. 1865 by Sep. Winner in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;weep for him whose patient heart, Gave pardon to a fallen foe; Who acted well a manly part, Tow'rds those who plann'd the fatal blow.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. TENOR. BASS. PIANO.
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;2. His weary work on earth is done, His toil and trials now are o'er. Yet in the hearts of many a one His deeds shall live for ever more! Toll on ye melancholy bells, Tho' sad your mournful tones may be; The heart with sorrow sadly swells, To hear thy mournful melody.
&lt;/p&gt;&lt;p&gt;3. Oh why, my Country must thou bleed, For deeds that rebels madly plan? The time shall come when they may need Just such a heart, just such a man! Roll on ye muffled drums, roll on, While hearts still mourn this sad event Our land shall never own a son As better man or President.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SOMETHNG NEW; WINNER'S PATENT SELF-INSTRUCTING KEY-BOARD SCALE FOR THE PIANO AND MELODEON. PRICE $1.00 SENT BY MAIL FOR $1.25.
&lt;/p&gt;&lt;p&gt;This valuable invention consists of sections, which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when struck. It is highly recommended by all professors of high standing, enabling the learner at once to find the notes required, without the assistance of any book or explanation from a teacher. Too much cannot be said in favor of this "new idea." It saves the learner the necessity of constantly referring to an instruction-book; for, at a single glance, every note required can be found, with the proper key immediately underneath for executing it. It insures the pupil a rapid and easy progress without the vexation of a long and tedious study.
&lt;/p&gt;&lt;p&gt;Persons wishing "to play a little" merely for amusement or pastime can readily perform the ordinary tunes of the day, by placing the Scale upon the keys and following the music with the corresponding notes upon the board. It does not interfere in any way with the execution of the performer. It is made to fit any instrument, being a light and ornamental addition, easily placed or removed in the shortest possible time. In fact, it is quite a curiosity, and should be attached to every piano, for the accommodation of all learners and amateurs. For sale at the principal music-stores in the United States. Sent by mail to any address, postpaid, on receipt of one dollar and twenty-five cents ($1.25). Address SEP. WINNER, 933 Spring Garden Street, Philadelphia, Pa.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS. POPULAR BALLADS.
&lt;/p&gt;&lt;p&gt;Look with thy Fond Eyes upon me. A sweet and charming song. 30 cts.
&lt;/p&gt;&lt;p&gt;Pretty to Me. Graceful melody, with cheerful chorus. 35 cts.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. Song and chorus for the family circle. 30 cts.
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. New edition, one sharp, easy arrangement. 30 cts.
&lt;/p&gt;&lt;p&gt;My Barque is on the Deep Deep Sea. Fairy-song, with an effective accompaniment. 30 cts.
&lt;/p&gt;&lt;p&gt;Parting Whispers. vocal duet; very sweet and pathetic. 35 cts.
&lt;/p&gt;&lt;p&gt;Good-Night, Sweet Love. Quartette, for serenading. 30 cts.
&lt;/p&gt;&lt;p&gt;Love's Farewell. Companion-song to "Love's Chidings." 30 cts.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! Subject from the story of "East Lynne." 30 cts.
&lt;/p&gt;&lt;p&gt;Song of Jokes. New comic medley, full of fun. 40 cts.
&lt;/p&gt;&lt;p&gt;Gone to the Arms of Abraham. Comic war-ballad, with chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Der Deitcher's Dog. Comic song and chorus. the laugh comes in. 30 cts.
&lt;/p&gt;&lt;p&gt;The World is Topsy-Turvy. Comic song: tune of "Polly Perkins." 30 cts
&lt;/p&gt;&lt;p&gt;Give me a Noble Fellow. "With a bucktail in his hat." 30 cts.
&lt;/p&gt;&lt;p&gt;Pray Tell me the Wish of thy Heart. Charming vocal duet: uncommonly good. 40 cts.
&lt;/p&gt;&lt;p&gt;Song of Enoch Arden. Very popular sentimental ballad. 35 cts.
&lt;/p&gt;&lt;p&gt;Thou art so Near, and yet so Far. Music of a classical order. 40 cts.
&lt;/p&gt;&lt;p&gt;The Good-Bye at the Door. A favorite song in all quarters. 30 cts.
&lt;/p&gt;&lt;p&gt;Over my Heart. A splendid song, admired by all. 30 cts.
&lt;/p&gt;&lt;p&gt;Yes, I would the War were Over. Beautiful patriotic song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Flag o'er Georgia waves again. Inspiriting words; glorious melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. With Union words; popular edition. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Nation calls for Peace again. "Blessed are the peacemakers." 30 cts.
&lt;/p&gt;&lt;p&gt;Down with the Stars and Bars!  Spirited song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Eyes will Watch for thee. Words and music very good. "Ah! wherefore art thou absent? Come back, come back to me! The heart will count the moments, And eyes will watch for thee."
&lt;/p&gt;&lt;p&gt;SELECT PIECES.
&lt;/p&gt;&lt;p&gt;Rosine Waltzes. Airs of more than ordinary beauty. 40 cts.
&lt;/p&gt;&lt;p&gt;Rebus Polka. Easy air, expressly for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Gymnasium Schottische. Neat and pretty; sure to please. 30 cts.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. With a beautiful cross-hand movement. 30 cts.
&lt;/p&gt;&lt;p&gt;Flash Schottische. Brilliant composition; light and showy. 30 cts.
&lt;/p&gt;&lt;p&gt;Comet Waltz. Beautiful melody; free and flowing. 30 cts.
&lt;/p&gt;&lt;p&gt;Alpha-Delta Schottische. Delicate, and very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. First-class descriptive piece. 60 cts.
&lt;/p&gt;&lt;p&gt;Race-Horse Galop. Lively, sprightly; remarkable good. 30 cts.
&lt;/p&gt;&lt;p&gt;White Star Schottische. Plain and easy for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Fair Oaks Grand March. A good composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth Cadets' Polka. Dashy, flashy, and full of life.  35 cts.
&lt;/p&gt;&lt;p&gt;French Polka. A good dancing-piece. 30 cts.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. Pretty melody, with easy bass. 30 cts.
&lt;/p&gt;&lt;p&gt;Passaic Waltz. Flowing melody; very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Winona Polka. Tip-top composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Morrie Schottische. Brilliant air; good for practice.  30 cts.
&lt;/p&gt;&lt;p&gt;Banner March. Introducing "The Captain with his Whiskers." 30 cts.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. Dashing, cheerful composition. 30 cts.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. Easy piece for pupils.  20 cts.
&lt;/p&gt;&lt;p&gt;Danish Dance. New arrangement, in 2 sharps. 30 cts.
&lt;/p&gt;&lt;p&gt;Winner's Guitar Gems. Pretty airs, arranged progressively. 50 cts.
&lt;/p&gt;&lt;p&gt;Faust March. Easy arrangement; full melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. A pretty collection of melodies. 35 cts.
&lt;/p&gt;&lt;p&gt;Nine-Pin Cotillions. With Lanigan's Ball, Hopity Kickity," &amp;amp;c. 35 cts.
&lt;/p&gt;&lt;p&gt;Scottish Marsh. An old tune, but excellent. 20 cts.
&lt;/p&gt;&lt;p&gt;Faust Galop. Best arrangement ever issued. 30 cts.
&lt;/p&gt;&lt;p&gt;Rochester Schottische. Correct and desirable edition. 30 cts.
&lt;/p&gt;&lt;p&gt;First Love Redowa. Sweet and flowing melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Bacio or Kiss Waltz. A great favorite with all. 30 cts.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copies of the above pieces sent by mail, postpaid. Address SEP. WINNER, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                    <text>&lt;p&gt;A nation mourns her chief
&lt;/p&gt;&lt;p&gt;Twine our flag with deaths dark emblem. Mingle crape and laurel leaf. Weep true heart and pay  thy homage. See a nation mourn her chief.
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC
&lt;/p&gt;&lt;p&gt;H.S. Thompson.
&lt;/p&gt;&lt;p&gt;AUTHOR OF LILLY DALE, ANNIE LISLE, MARION LEE, I AM LONELY SINCE MY MOTHER DIED, etc.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;St. LOUIS
&lt;/p&gt;&lt;p&gt;Published by BALMER &amp;amp; WEBER 56th Foorth St.
&lt;/p&gt;&lt;p&gt;26549
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER CHIEF
&lt;/p&gt;&lt;p&gt;Words and Music by H. S. Thompson
&lt;/p&gt;&lt;p&gt;1V. While a country's heart was throbbing, Full of Joy, for victories won, While the stars and stripes were waving, O'er each cottage, ship and dome; Come upon the winged lightning, Words that turned each joy to dread, Froze with horror, a we listen, Our loved Chiftain Lincoln's dead.
&lt;/p&gt;&lt;p&gt;2V. War's dark cloud, that long hung o'er us, Rolled their gloomy folds away, All the  world seemed anxious waiting, For the promised, peaceful day, But the fearful blow impending, Fell on his de- -vo- - ted head, And from every town and hamlet, Comes the wail Our Chiftain's dead.
&lt;/p&gt;&lt;p&gt;3V. Weep, oh weep poor bleeding nation, For the patriot spir-it fled, All un-told our coun-try's fu-ture, Bur- - - ied whith the silent dead, God of nations, God of bat-tles, To our Coun- - try send re- - lief, Turn be-  reavement to a blessing, While we mourn our murder'd Chief.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865 by H.S. Thompson in the Clerks Office of the US Court for the East Dist of Mo.
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Twine our flag with death's dark Emblem, twine it,      Mingle crape and Laurel-leaf, twine it,      Twine our flag with death's dark Emblem, twine it,    Mingle crape and laurel-leaf,  Weep true heart and pay homage,  For a nation mourns her Chief, Weep true heart and pay  thy homage, For a nation mourns her Chief, her Chief.
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>1865</text>
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                <text>&lt;p&gt;A nation mourns her chief
&lt;/p&gt;&lt;p&gt;Twine our flag with deaths dark emblem. Mingle crape and laurel leaf. Weep true heart and pay  thy homage. See a nation mourn her chief.
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC
&lt;/p&gt;&lt;p&gt;H.S. Thompson.
&lt;/p&gt;&lt;p&gt;AUTHOR OF LILLY DALE, ANNIE LISLE, MARION LEE, I AM LONELY SINCE MY MOTHER DIED, etc.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;St. LOUIS
&lt;/p&gt;&lt;p&gt;Published by BALMER &amp;amp; WEBER 56th Foorth St.
&lt;/p&gt;&lt;p&gt;26549
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER CHIEF
&lt;/p&gt;&lt;p&gt;Words and Music by H. S. Thompson
&lt;/p&gt;&lt;p&gt;1V. While a country's heart was throbbing, Full of Joy, for victories won, While the stars and stripes were waving, O'er each cottage, ship and dome; Come upon the winged lightning, Words that turned each joy to dread, Froze with horror, a we listen, Our loved Chiftain Lincoln's dead.
&lt;/p&gt;&lt;p&gt;2V. War's dark cloud, that long hung o'er us, Rolled their gloomy folds away, All the  world seemed anxious waiting, For the promised, peaceful day, But the fearful blow impending, Fell on his de- -vo- - ted head, And from every town and hamlet, Comes the wail Our Chiftain's dead.
&lt;/p&gt;&lt;p&gt;3V. Weep, oh weep poor bleeding nation, For the patriot spir-it fled, All un-told our coun-try's fu-ture, Bur- - - ied whith the silent dead, God of nations, God of bat-tles, To our Coun- - try send re- - lief, Turn be-  reavement to a blessing, While we mourn our murder'd Chief.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865 by H.S. Thompson in the Clerks Office of the US Court for the East Dist of Mo.
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Twine our flag with death's dark Emblem, twine it,      Mingle crape and Laurel-leaf, twine it,      Twine our flag with death's dark Emblem, twine it,    Mingle crape and laurel-leaf,  Weep true heart and pay homage,  For a nation mourns her Chief, Weep true heart and pay  thy homage, For a nation mourns her Chief, her Chief.
&lt;/p&gt;
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                    <text>&lt;p&gt;THE NATION IN TEARS IN MEMORIAN
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. MAY BE SUNG AS A SOLO, TRIO, DUETT OR FULL CHORUS. ARRANGED FOR THE PIANO OR ORGAN
&lt;/p&gt;&lt;p&gt;WORDS BY R.C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE NATION IN TEARS! A DIRGE, IN MEMORY OF THE NATION'S CHIEF.
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. WORDS BY R. C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1. Toll! toll! toll! on every hand, on every hand, Ye bells, ye bells thro'out the land, Ye
&lt;/p&gt;&lt;p&gt;2. Weep! weep! weep! on every hand, on every hand, Ye heroes, heroes of the land, Ye
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;3. Mourn! mourn! mourn! on every hand, on every hand Ye patriots, patriots of the land, Ye
&lt;/p&gt;&lt;p&gt;1. Ye bells throughout, throughout
&lt;/p&gt;&lt;p&gt;bells thro'out the land; Our noble leader, noble leader in his glory lies; The damp of death, the
&lt;/p&gt;&lt;p&gt;heroes of the land; Our chieftain's dead, chieftain's dead, Great God, and can it be! Alas, how brief, Alas
&lt;/p&gt;&lt;p&gt;patriots of the land; No more, no more his honest face will greet the sun, His day, his day, his
&lt;/p&gt;&lt;p&gt;out the land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;damp of death upon his sealed eyes, A martyr true, a martyr true to liberty he dies. Toll! toll!
&lt;/p&gt;&lt;p&gt;how brief is our mortality! Our Father, help, O help, and bless to us this agony. Weep!  weep!
&lt;/p&gt;&lt;p&gt;day is finished, and his labor done, A crown of glory, crown of glory rests his brow upon. Mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
toll! on every hand, on every hand, Ye bells thro'out  thro'out the land. Toll! toll! toll!
&lt;/p&gt;&lt;p&gt;weep! on every hand, on every hand, Ye heroes, heroes in the land. Weep! weep! weep!
&lt;/p&gt;&lt;p&gt;mourn! on every hand, on every hand, Ye patriots, patriots in the land. Mourn! mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the year 1863, by W. Jennison Demordent, in the Clerk's Office of the District Court of the U.S.  for the Southern District of N.Y.
&lt;/p&gt;
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          <element elementId="50">
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                <text>The Nation In Tears</text>
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            <description>An account of the resource</description>
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                <text>"In memorian Abraham Lincoln. Maybe sung as a solo, trio , duett or full chorus." Demorest's Illustrated Monthly, June, 1865 - Handwritten on side of cover. Cover depicts a picture of Abraham Lincoln. Back cover depicts picture of Lincoln funeral procession.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Treuer, Konrad</text>
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                <text>R.C.</text>
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                <text>Sheet music</text>
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                <text>Funeral music</text>
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              <elementText elementTextId="171565">
                <text>Treuer, Konrad and R. C.</text>
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                <text>Demorest</text>
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                <text>New York</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;THE NATION IN TEARS IN MEMORIAN
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. MAY BE SUNG AS A SOLO, TRIO, DUETT OR FULL CHORUS. ARRANGED FOR THE PIANO OR ORGAN
&lt;/p&gt;&lt;p&gt;WORDS BY R.C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE NATION IN TEARS! A DIRGE, IN MEMORY OF THE NATION'S CHIEF.
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. WORDS BY R. C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1. Toll! toll! toll! on every hand, on every hand, Ye bells, ye bells thro'out the land, Ye
&lt;/p&gt;&lt;p&gt;2. Weep! weep! weep! on every hand, on every hand, Ye heroes, heroes of the land, Ye
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;3. Mourn! mourn! mourn! on every hand, on every hand Ye patriots, patriots of the land, Ye
&lt;/p&gt;&lt;p&gt;1. Ye bells throughout, throughout
&lt;/p&gt;&lt;p&gt;bells thro'out the land; Our noble leader, noble leader in his glory lies; The damp of death, the
&lt;/p&gt;&lt;p&gt;heroes of the land; Our chieftain's dead, chieftain's dead, Great God, and can it be! Alas, how brief, Alas
&lt;/p&gt;&lt;p&gt;patriots of the land; No more, no more his honest face will greet the sun, His day, his day, his
&lt;/p&gt;&lt;p&gt;out the land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;damp of death upon his sealed eyes, A martyr true, a martyr true to liberty he dies. Toll! toll!
&lt;/p&gt;&lt;p&gt;how brief is our mortality! Our Father, help, O help, and bless to us this agony. Weep!  weep!
&lt;/p&gt;&lt;p&gt;day is finished, and his labor done, A crown of glory, crown of glory rests his brow upon. Mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
toll! on every hand, on every hand, Ye bells thro'out  thro'out the land. Toll! toll! toll!
&lt;/p&gt;&lt;p&gt;weep! on every hand, on every hand, Ye heroes, heroes in the land. Weep! weep! weep!
&lt;/p&gt;&lt;p&gt;mourn! on every hand, on every hand, Ye patriots, patriots in the land. Mourn! mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the year 1863, by W. Jennison Demordent, in the Clerk's Office of the District Court of the U.S.  for the Southern District of N.Y.
&lt;/p&gt;
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                    <text>&lt;p&gt;MY HEART IS WITH THE NORTH! SONG AND CHORUS. Composed by Dr. J. Haynes. Arranged by J. W. Turner.
&lt;/p&gt;&lt;p&gt;Boston: Published by Oliver Ditson &amp;amp; Co., 277 Washington Street. Lyon &amp;amp; Healy, Chicago. J. E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston. W.A. Pond &amp;amp; Co., New York.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1864, by J. Watson, in the Clerk's office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;MY HEART IS WITH THE NORTH. Poetry and Melody by Dr. J. Haynes. Arranged by J.W. Turner. 
&lt;/p&gt;&lt;p&gt;Introduction. Voice. Piano.
&lt;/p&gt;&lt;p&gt;1. When the champions of Right heard first the trumpet's call, To
&lt;/p&gt;&lt;p&gt;2. When the Traitors engaged to sevor this our land, And
&lt;/p&gt;&lt;p&gt;3. From the mountains and plains a million hearts went forth To
&lt;/p&gt;&lt;p&gt;4. Now let the Nations know the triumphs of the Free, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
battle for the Flag, it roused them one and all; to trample Treason down, our
&lt;/p&gt;&lt;p&gt;trample down our Flag, (a bold and reckless band); The Freemen of the North swooped
&lt;/p&gt;&lt;p&gt;conquer or to die--all heroes of the North: And half a million more, all
&lt;/p&gt;&lt;p&gt;potency of Right o'er every land and sea; Let loyal hearts rejoice, let
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;armies all went forth, -- I said, God bless the braves! my heart was with the North!
&lt;/p&gt;&lt;p&gt;o'er the mighty plain, And flung their banners out o'er the rebellious slain!
&lt;/p&gt;&lt;p&gt;from the distant West, Joined in the battle cry, to make their country blest.
&lt;/p&gt;&lt;p&gt;patriots all break forth And sing, God bless the braves!--my heart is with the North!
&lt;/p&gt;&lt;p&gt;Chorus. Air. Alto.
&lt;/p&gt;&lt;p&gt;The drums they shall beat, and the fifes they shall play, And our
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;The drums they shall beat, and the fifes they shall play, And our
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;armies with banners march forth; We'll give them three cheers, they're
&lt;/p&gt;&lt;p&gt;armies with banners march forth; We'll give them three cheers, they're
&lt;/p&gt;&lt;p&gt;on their winding way--Hurrah, hurrah, hurrah! My heart is with the North!
&lt;/p&gt;&lt;p&gt;on their winding way--Hurrah, hurrah, hurrah! My heart is with the North!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by OLIVER DITSON &amp;amp; CO., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War. The  following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P.King, 30 "His saddle is empty and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseillaise. H. Von Elsner, 30. "Under our flag beat the long call once more, Call up the North as you called her before."
&lt;/p&gt;&lt;p&gt;Away goes Cuffee. Humorous. L.B. Starkweather, 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert., 30
&lt;/p&gt;&lt;p&gt;Close His Eyes, His Wok is Done. Song &amp;amp; Chorus. Hutchinson, 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. [Doott?], 30.  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus, 30. "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartet. N. Baker, 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson, 30. "O, how do you like it as far as you've got? Jefferson D! Jefferson D!"
&lt;/p&gt;&lt;p&gt;If I sleep, Will Mother Come? C.A. Shaw, 30. The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending o'er Me? J.C. Johnson, 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner, 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side, Let your sabres be flashing in the sun, for we'll charge the Rebel crew, with our Yankee Doddle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. [Hanby?], 30.  "O, yah, yah, darkies, laugh wid me, For de white folks say Old Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North, 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. song and chorus. J.C. Johnson, 30
&lt;/p&gt;&lt;p&gt;Our Volunteers. song and chorus. A. Baumbach, 30. "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor spring Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More For Brave Boys gone. song &amp;amp; chorus. R.Z. Salem, 30
&lt;/p&gt;&lt;p&gt;Picket Guard. song &amp;amp; quartet. W.H. Goodwin, 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury, 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift him with Care. Prof. C.S. Harrington, 30.  "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or Marching Home. Song &amp;amp; chorus. R.R. Trench, 30
&lt;/p&gt;&lt;p&gt;Tenting on the Old Camp Ground. W. Kittredge, 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge, 30. A laughable dialogue between a Yankee and a [Secesh?] Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield, 30
&lt;/p&gt;&lt;p&gt;Volunteer's Call to Arms. Mrs. L.A. Allen, 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley, 30. "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;NEW SONGS OF HOME. The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the  Storm. Sacred. A. Bendelari, 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E. L. Hine, 30. "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod, 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt, 35
&lt;/p&gt;&lt;p&gt;Hurry Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner, 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni, 35. "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life Has Set. J.C. Meininger, 30
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song &amp;amp; chorus. W.O. Fiske, 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker, 30. "They sailed away in a gallant lark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song &amp;amp; Chorus. Fred. Buckley, 30. "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land, 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal, 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger, 30
&lt;/p&gt;&lt;p&gt;I Live for Those who Love Me. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge, 30
&lt;/p&gt;&lt;p&gt;I'm Lonely since my Mother Died. Song &amp;amp; Chorus, H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share.  L.P. Whitney, 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz. Abt, 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley, 30. "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;Kiss Me Once More, Mother. H.S. Thompson, 30. "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. J. Geraldy, 30
&lt;/p&gt;&lt;p&gt;Language of the Eye. C. J. Dorr, 30
&lt;/p&gt;&lt;p&gt;Last Year. F. Hoffman, 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred. Buckley, 30. "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer, 30. "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel, 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred. Buckley, 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song &amp;amp; Chorus. F. Nova, 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.c. Whittredge, 30
&lt;/p&gt;&lt;p&gt;Mother Dear, I'm Thinking of You. Song and Chorus. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton, 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O. H. Hyatt, 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J.P. King, 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton, 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred. Buckley, 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul, 30. "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce, 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds Are Blowing. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. Song and Chorus.  J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz, 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart, 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert, 30. "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover, 35. "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert, 30.  "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light beyond the River. B. Covert, 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will rock Thee to Sleep. Lesta Vese, 30. Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;"Tis Sweet to be Remembered. H.M. Rogers, 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway, 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson, 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;World Would Be the Better for It. B. Covert, 30. "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari, 35
&lt;/p&gt;&lt;p&gt;NEW SONGS BY EMINENT COMPOSERS.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust." Chanson du roi de Thule. (The King of Thule.) 30. Gloire Immortelle. (Glory Immortal.) 35. LeParlate d'Amor. (In the Language of Love.) 35. Salut O mon dernier Matin. (All hail, welcome to thee.) 30. Tardi si fa addio. (The hour is late, adieu.)  50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn, 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert, 35. "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe, 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantez, Riez, Dormez.) Celebrated Serenade, by Gounod, 60
&lt;/p&gt;&lt;p&gt;Slumber Song. Taubert, 35. (Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn, 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;NEW COMIC SONGS.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song, 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson, 30. "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, dressed in blue. H. Clifton, 30. "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived a Maiden. Song &amp;amp; Chorus. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley, 30
&lt;/p&gt;&lt;p&gt;I'm a young man from the country. H. Clifton, 30
&lt;/p&gt;&lt;p&gt;Isabella, with the Gingham Umbrella. H. Clifton, 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams, 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley. Song and Chorus. F. Wilder, 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding, 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott, 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt, 30. "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder, 30
&lt;/p&gt;&lt;p&gt;Wouldn't You like to know? R. Ball, 30. "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="171550">
              <text>5</text>
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            <elementText elementTextId="171551">
              <text>35 cm</text>
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                <text>My Heart Is With The North</text>
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                <text>A patriotic song in praise of the Union, its people, and its armies.</text>
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                <text>Haynes, J.</text>
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                <text>Turner, J. (Joseph) W.</text>
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                <text>American Civil War ( 1861-1865)</text>
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                <text>Haynes, J. and Turner, J. (Joseph) W.</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>Boston</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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              <elementText elementTextId="171555">
                <text>en</text>
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                <text>&lt;p&gt;MY HEART IS WITH THE NORTH! SONG AND CHORUS. Composed by Dr. J. Haynes. Arranged by J. W. Turner.
&lt;/p&gt;&lt;p&gt;Boston: Published by Oliver Ditson &amp;amp; Co., 277 Washington Street. Lyon &amp;amp; Healy, Chicago. J. E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston. W.A. Pond &amp;amp; Co., New York.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1864, by J. Watson, in the Clerk's office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;MY HEART IS WITH THE NORTH. Poetry and Melody by Dr. J. Haynes. Arranged by J.W. Turner. 
&lt;/p&gt;&lt;p&gt;Introduction. Voice. Piano.
&lt;/p&gt;&lt;p&gt;1. When the champions of Right heard first the trumpet's call, To
&lt;/p&gt;&lt;p&gt;2. When the Traitors engaged to sevor this our land, And
&lt;/p&gt;&lt;p&gt;3. From the mountains and plains a million hearts went forth To
&lt;/p&gt;&lt;p&gt;4. Now let the Nations know the triumphs of the Free, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
battle for the Flag, it roused them one and all; to trample Treason down, our
&lt;/p&gt;&lt;p&gt;trample down our Flag, (a bold and reckless band); The Freemen of the North swooped
&lt;/p&gt;&lt;p&gt;conquer or to die--all heroes of the North: And half a million more, all
&lt;/p&gt;&lt;p&gt;potency of Right o'er every land and sea; Let loyal hearts rejoice, let
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;armies all went forth, -- I said, God bless the braves! my heart was with the North!
&lt;/p&gt;&lt;p&gt;o'er the mighty plain, And flung their banners out o'er the rebellious slain!
&lt;/p&gt;&lt;p&gt;from the distant West, Joined in the battle cry, to make their country blest.
&lt;/p&gt;&lt;p&gt;patriots all break forth And sing, God bless the braves!--my heart is with the North!
&lt;/p&gt;&lt;p&gt;Chorus. Air. Alto.
&lt;/p&gt;&lt;p&gt;The drums they shall beat, and the fifes they shall play, And our
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;The drums they shall beat, and the fifes they shall play, And our
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;armies with banners march forth; We'll give them three cheers, they're
&lt;/p&gt;&lt;p&gt;armies with banners march forth; We'll give them three cheers, they're
&lt;/p&gt;&lt;p&gt;on their winding way--Hurrah, hurrah, hurrah! My heart is with the North!
&lt;/p&gt;&lt;p&gt;on their winding way--Hurrah, hurrah, hurrah! My heart is with the North!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by OLIVER DITSON &amp;amp; CO., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War. The  following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P.King, 30 "His saddle is empty and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseillaise. H. Von Elsner, 30. "Under our flag beat the long call once more, Call up the North as you called her before."
&lt;/p&gt;&lt;p&gt;Away goes Cuffee. Humorous. L.B. Starkweather, 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert., 30
&lt;/p&gt;&lt;p&gt;Close His Eyes, His Wok is Done. Song &amp;amp; Chorus. Hutchinson, 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. [Doott?], 30.  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus, 30. "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartet. N. Baker, 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson, 30. "O, how do you like it as far as you've got? Jefferson D! Jefferson D!"
&lt;/p&gt;&lt;p&gt;If I sleep, Will Mother Come? C.A. Shaw, 30. The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending o'er Me? J.C. Johnson, 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner, 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side, Let your sabres be flashing in the sun, for we'll charge the Rebel crew, with our Yankee Doddle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. [Hanby?], 30.  "O, yah, yah, darkies, laugh wid me, For de white folks say Old Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North, 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. song and chorus. J.C. Johnson, 30
&lt;/p&gt;&lt;p&gt;Our Volunteers. song and chorus. A. Baumbach, 30. "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor spring Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More For Brave Boys gone. song &amp;amp; chorus. R.Z. Salem, 30
&lt;/p&gt;&lt;p&gt;Picket Guard. song &amp;amp; quartet. W.H. Goodwin, 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury, 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift him with Care. Prof. C.S. Harrington, 30.  "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or Marching Home. Song &amp;amp; chorus. R.R. Trench, 30
&lt;/p&gt;&lt;p&gt;Tenting on the Old Camp Ground. W. Kittredge, 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge, 30. A laughable dialogue between a Yankee and a [Secesh?] Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield, 30
&lt;/p&gt;&lt;p&gt;Volunteer's Call to Arms. Mrs. L.A. Allen, 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley, 30. "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;NEW SONGS OF HOME. The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the  Storm. Sacred. A. Bendelari, 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E. L. Hine, 30. "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod, 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt, 35
&lt;/p&gt;&lt;p&gt;Hurry Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner, 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni, 35. "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life Has Set. J.C. Meininger, 30
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song &amp;amp; chorus. W.O. Fiske, 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker, 30. "They sailed away in a gallant lark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song &amp;amp; Chorus. Fred. Buckley, 30. "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land, 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal, 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger, 30
&lt;/p&gt;&lt;p&gt;I Live for Those who Love Me. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge, 30
&lt;/p&gt;&lt;p&gt;I'm Lonely since my Mother Died. Song &amp;amp; Chorus, H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share.  L.P. Whitney, 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz. Abt, 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley, 30. "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;Kiss Me Once More, Mother. H.S. Thompson, 30. "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. J. Geraldy, 30
&lt;/p&gt;&lt;p&gt;Language of the Eye. C. J. Dorr, 30
&lt;/p&gt;&lt;p&gt;Last Year. F. Hoffman, 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred. Buckley, 30. "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer, 30. "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel, 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred. Buckley, 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song &amp;amp; Chorus. F. Nova, 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.c. Whittredge, 30
&lt;/p&gt;&lt;p&gt;Mother Dear, I'm Thinking of You. Song and Chorus. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton, 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O. H. Hyatt, 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J.P. King, 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton, 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred. Buckley, 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul, 30. "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce, 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds Are Blowing. J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. Song and Chorus.  J.P. Ordway, 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz, 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart, 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert, 30. "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover, 35. "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert, 30.  "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light beyond the River. B. Covert, 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will rock Thee to Sleep. Lesta Vese, 30. Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;"Tis Sweet to be Remembered. H.M. Rogers, 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway, 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson, 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;World Would Be the Better for It. B. Covert, 30. "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari, 35
&lt;/p&gt;&lt;p&gt;NEW SONGS BY EMINENT COMPOSERS.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust." Chanson du roi de Thule. (The King of Thule.) 30. Gloire Immortelle. (Glory Immortal.) 35. LeParlate d'Amor. (In the Language of Love.) 35. Salut O mon dernier Matin. (All hail, welcome to thee.) 30. Tardi si fa addio. (The hour is late, adieu.)  50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn, 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert, 35. "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe, 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantez, Riez, Dormez.) Celebrated Serenade, by Gounod, 60
&lt;/p&gt;&lt;p&gt;Slumber Song. Taubert, 35. (Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn, 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;NEW COMIC SONGS.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song, 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson, 30. "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, dressed in blue. H. Clifton, 30. "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived a Maiden. Song &amp;amp; Chorus. H.S. Thompson, 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley, 30
&lt;/p&gt;&lt;p&gt;I'm a young man from the country. H. Clifton, 30
&lt;/p&gt;&lt;p&gt;Isabella, with the Gingham Umbrella. H. Clifton, 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams, 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley. Song and Chorus. F. Wilder, 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding, 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott, 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt, 30. "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder, 30
&lt;/p&gt;&lt;p&gt;Wouldn't You like to know? R. Ball, 30. "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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                <text>Complete</text>
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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              <elementText elementTextId="624424">
                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <elementText elementTextId="624425">
                <text>20</text>
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                    <text>&lt;p&gt;THE MUDSILLS ARE COMING. A NEW ARMY SONG As sung with great applause at Morris Bros. Pell and Trowbridge's Opera House Written by E. Bowers, Music by G. L. J. 
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1881 by Russell &amp;amp; Patee in the Dist Clerk Office of the Dist Court of [unintelligible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MUDSILLS ARE COMING. Words by E. Bowers. Music by G. L. J.
&lt;/p&gt;&lt;p&gt;March movement
&lt;/p&gt;&lt;p&gt;1. The Union, the Union we're called on to save, Fall in the ranks to join our brothers brave; Chivalry, Chivalry, Old Abe's not a funning, For six hundred thousand Mudsills are coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;pre&gt;Air. Now up, up, my boys, and be tramping along; We
&lt;/pre&gt;
&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Ten. Now up, up, my boys, and be tramping along; We
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Coming, we are Coming, Father Abe now calls; Crush foul rebellion or gloriously fall; Brave Halleck, our Chieftain, with Pope in the throng, Will lead us to conquer, so be tramping along.
&lt;/p&gt;&lt;p&gt;3. That proud flag of freedom shall float in the breeze, Respect it ye nations o'er land and o'er seas; Let none dare assail it, our numbers are strong, Who have sworn to defend it and be tramping along.
&lt;/p&gt;&lt;p&gt;4. Remember, foul traitors, when this Flag you view, With thirty-four stars in its Union of blue, No star from our Union shall be suffered to fly, They are fixed to remain like the stars in the sky.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>A mudsill is a sill or timber placed on or buried under the ground to support a structure. Southerners sometimes referred to Northerners as "mudsills," in derision of what they saw as the lowly social status of most Northern men. During the Civil War, Union soldiers took pride in the term to contrast themselves against their supposedly more high born and gentlemanly opponents.</text>
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                <text>&lt;p&gt;THE MUDSILLS ARE COMING. A NEW ARMY SONG As sung with great applause at Morris Bros. Pell and Trowbridge's Opera House Written by E. Bowers, Music by G. L. J. 
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1881 by Russell &amp;amp; Patee in the Dist Clerk Office of the Dist Court of [unintelligible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MUDSILLS ARE COMING. Words by E. Bowers. Music by G. L. J.
&lt;/p&gt;&lt;p&gt;March movement
&lt;/p&gt;&lt;p&gt;1. The Union, the Union we're called on to save, Fall in the ranks to join our brothers brave; Chivalry, Chivalry, Old Abe's not a funning, For six hundred thousand Mudsills are coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;pre&gt;Air. Now up, up, my boys, and be tramping along; We
&lt;/pre&gt;
&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Ten. Now up, up, my boys, and be tramping along; We
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;ne'er will return till the victory's won; We come from the mountains, the
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;&lt;p&gt;dells, and the hills, To show Southern Chivalry Northern Mudsills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Coming, we are Coming, Father Abe now calls; Crush foul rebellion or gloriously fall; Brave Halleck, our Chieftain, with Pope in the throng, Will lead us to conquer, so be tramping along.
&lt;/p&gt;&lt;p&gt;3. That proud flag of freedom shall float in the breeze, Respect it ye nations o'er land and o'er seas; Let none dare assail it, our numbers are strong, Who have sworn to defend it and be tramping along.
&lt;/p&gt;&lt;p&gt;4. Remember, foul traitors, when this Flag you view, With thirty-four stars in its Union of blue, No star from our Union shall be suffered to fly, They are fixed to remain like the stars in the sky.
&lt;/p&gt;
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                    <text>&lt;p&gt;Inscribed to the FALLEN BRAVES IN OUR COUNTRY'S CAUSE. MOURNFUL SOUNDS. GRAND HEROIC FUNERAL MARCH IN MEMORY OF ABRAHAM LINCOLN BY LOUIS PIKET. Published. 
&lt;/p&gt;&lt;p&gt;Cincinnati A.C. PETERS &amp;amp; BRO. __ J.L. PETERS &amp;amp; BRO. St. Louis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;MOURNFUL SOUNDS. GRAND HEROIC FUNERAL MARCH. BY LOUIS PIKET.
&lt;/p&gt;&lt;p&gt;Andante.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865 by A.C. Peters &amp;amp; Bro. in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Hymn.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[music]
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                <text>&lt;p&gt;Inscribed to the FALLEN BRAVES IN OUR COUNTRY'S CAUSE. MOURNFUL SOUNDS. GRAND HEROIC FUNERAL MARCH IN MEMORY OF ABRAHAM LINCOLN BY LOUIS PIKET. Published. 
&lt;/p&gt;&lt;p&gt;Cincinnati A.C. PETERS &amp;amp; BRO. __ J.L. PETERS &amp;amp; BRO. St. Louis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;MOURNFUL SOUNDS. GRAND HEROIC FUNERAL MARCH. BY LOUIS PIKET.
&lt;/p&gt;&lt;p&gt;Andante.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865 by A.C. Peters &amp;amp; Bro. in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Hymn.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[music]
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                <text>20</text>
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                    <text>&lt;p&gt;MOURN NOT! OH, YE PEOPLE, AS THOSE WITHOUT HOPE. (A TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN.)
&lt;/p&gt;&lt;p&gt;Words by Mrs. M. A. KIDDER, MUSIC BY MRS. E. A. PARKHURST, Author of "A Home on the Mountain," Richmond is ours," "President Lincoln's Funeral March," "Oh, send me one flower from his grave." &amp;amp;c.
&lt;/p&gt;&lt;p&gt;NEW YORK: Published by HORACE WATERS, No. 481 Broadway. Boston: O. Ditson &amp;amp; Co. Philadelphia: Lee &amp;amp; Walker. Chicago: Root &amp;amp; Cady. Cincinnati: J. Church, Jr.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865, by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MOURN NOT! OH YE PEOPLE, AS THOSE WITHOUT HOPE. TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;Words by Mrs. M.A. Kidder. Music by Mrs. E. A. Parkhurst.
&lt;/p&gt;&lt;p&gt;Slow with expression. Moderato.
&lt;/p&gt;&lt;p&gt;1. Mourn not! oh ye  2.  This grief stricken
&lt;/p&gt;&lt;p&gt;people, as those without hope, Though your sorrow and
&lt;/p&gt;&lt;p&gt;nation can never forget, The blow the assassin
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the Dist Court of the United States for the Southern Dist. of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;tears, tell the heart rending story, How your leader was
&lt;/p&gt;&lt;p&gt;sin hath dealt her, no never; And the name, Abraham
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
slain by a traitor's foul hand, While resting in peace, 'neath his
&lt;/p&gt;&lt;p&gt;Lincoln, will quicken and thrill The heart and the pulse of the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bright wreath of glory, A Martyr sublime, In the fullness of
&lt;/p&gt;&lt;p&gt;country forever, A man tried and true, In the favor he
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
time, He has gone from our sight, to a beautiful clime, Yes, the
&lt;/p&gt;&lt;p&gt;grew, Till his friends they were many, his enemies few, But the &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;&lt;p&gt;3. A man of the people his spirit o'er flowed, With love for his kind in no matter what station, Yet kindness was tempered with justice and right, For deep at his heart lay his country's salvation, A patriot brave, a friend to the slave, 'Mid wars deepest conflicts his counsel he gave, But the swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;&lt;p&gt;4.  Weep not, oh! ye people, our chief is at rest, His spirit hath passed through the angelic portal, Around him the heroes of ages now stand, His victory's complete and his glory immortal. Then blessed by God, we bow to the rod, Though hallowed the place where our Lincoln hath trod. Lo! the swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1. SELECT CATALOGUE OF NEW MUSIC, No. 1. PUBLISHED BY HORACE WATERS, 481 BROADWAY, N.Y.
&lt;/p&gt;&lt;p&gt;1865. Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865.
&lt;/p&gt;&lt;p&gt;And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Pianist in attendance to try new Music. Music mailed free.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;A Dream of my Mother and my Home. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;A Home on the Mountain. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Mary. Mrs. Parkhurst. 30
&lt;/p&gt;&lt;p&gt;A penny for your thoughts. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Atlanta's ours and fairly won. A.K. Virgil, 30
&lt;/p&gt;&lt;p&gt;Bear this gently to my mother. Russell. 30
&lt;/p&gt;&lt;p&gt;Beautiful Annie. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;Better times are coming. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Bread and Cheese and Kisses (Comic). J.J. Daly, 30
&lt;/p&gt;&lt;p&gt;Bury me in the morning, Mother. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;By the lone river side. Sullivan, 30
&lt;/p&gt;&lt;p&gt;Christ will care of Mother now.  Who will care for Mother now: Reply to Weston, 30
&lt;/p&gt;&lt;p&gt;Come into the Garden, Maud. Balfe, 50
&lt;/p&gt;&lt;p&gt;Come sing with me. Solo and Trio. Hyatt, 30
&lt;/p&gt;&lt;p&gt;Come, rally Freemen, rally. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Chicago Copperhead. J.G. Glark 20
&lt;/p&gt;&lt;p&gt;Copperhead of 1864. " ", 30
&lt;/p&gt;&lt;p&gt;Copperhead of 1865. " ", 20
&lt;/p&gt;&lt;p&gt;Dear One, I think of thee. Laurence. 30
&lt;/p&gt;&lt;p&gt;They said we wouldn't fight. Mrs. Parkhurst
&lt;/p&gt;&lt;p&gt;Did you mean what you said? J.S. Cox 35
&lt;/p&gt;&lt;p&gt;Do they remember me? W.O. Fiske, 20
&lt;/p&gt;&lt;p&gt;Do they love me still as ever? Mrs. Parkhurst. 30
&lt;/p&gt;&lt;p&gt;Dreams of happier days. Hobson, 30
&lt;/p&gt;&lt;p&gt;Dying Soldier Boy. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;Evacuation. Father Reed, 30
&lt;/p&gt;&lt;p&gt;Evening Blessing. Solo or Quartette. Keller. 30
&lt;/p&gt;&lt;p&gt;Fighting for the Flag, Day and Night. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Flirtation. H. Tucker, 30
&lt;/p&gt;&lt;p&gt;Fiora Lyle. Keller, 30
&lt;/p&gt;&lt;p&gt;Friends of the Union, Adapted to "Pirate's Chorus" by Smith, 30
&lt;/p&gt;&lt;p&gt;Forget if you can, but forgive. J.R. Thomas, 20
&lt;/p&gt;&lt;p&gt;Give this to Mother (Lith.) S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;God save our noble Union. Martin, 30
&lt;/p&gt;&lt;p&gt;Golden Dreams and Fairy Castles. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Home is Home. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;How goes the Money (Humorous), Hutchinson, 20
&lt;/p&gt;&lt;p&gt;How softly on the bruised heart. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;I can't forget. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;If you've only got a Moustache (Comic) S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;I'd dream forever more. T.B. Bishop, 30
&lt;/p&gt;&lt;p&gt;I hear sweet voices singing. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;I'll wait at the Gate for Thee. Ho der. 30
&lt;/p&gt;&lt;p&gt;I'm returning to thee Annie. Barker, 30
&lt;/p&gt;&lt;p&gt;I'm willing to wait (Old Maid's song) Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;In Childhood's calm and sinless bloom. Benedict, 30
&lt;/p&gt;&lt;p&gt;Irene, the little Queen. Keller, 30
&lt;/p&gt;&lt;p&gt;I will be true to thee. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;I will be true to the Stripes and the Stars, S.J. Vail, 35
&lt;/p&gt;&lt;p&gt;Jenn's coming o'er the green. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Johnny is my Darling (Lith) Adapted by Father Reed, 40
&lt;/p&gt;&lt;p&gt;Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Kindly Words and Smiling Faces. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;Leave me with my Mother. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Clark, 30
&lt;/p&gt;&lt;p&gt;Little Jenny Dow. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Little Joe, the Contraband. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Lizzie Dies tonight. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Lizzie Lee. Keller, 30
&lt;/p&gt;&lt;p&gt;Lord's Prayer, Anthem. S. K. Whiting, 30
&lt;/p&gt;&lt;p&gt;Mary Fay. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Maryland's Free! M.A. Fortune, 30
&lt;/p&gt;&lt;p&gt;Merry little Birds are we (Lively) S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Me too. Coffin, 30
&lt;/p&gt;&lt;p&gt;Moonlight and Starlight. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;Mother is the Battle over? [Roess?], 30
&lt;/p&gt;&lt;p&gt;Mother's Love is True. Keller, 30
&lt;/p&gt;&lt;p&gt;My Country dear, I die for thee (Lith.). Ballard, 40
&lt;/p&gt;&lt;p&gt;My Jamie is a Soldier Brave. Wallace, 30
&lt;/p&gt;&lt;p&gt;My Jamie's on the Battle Field. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;My Little Angel. Hutchinson, 30
&lt;/p&gt;&lt;p&gt;My Village Home. J.W. Cherry, 30
&lt;/p&gt;&lt;p&gt;My Wife is a most Knowing Woman. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;New Emancipation Song. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Norah Dearest. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;No Slave beneath that Starry Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! why am I so happy? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Oh! could I but recall the hours. Swain, 30
&lt;/p&gt;&lt;p&gt;Oh! take me to thy heart again. [Balfe?], 30
&lt;/p&gt;&lt;p&gt;Oh! send me one flower from his grave. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! there's no such Girl as Mine. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;O, meet me, dear Mother. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Only You and I. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Our Dear New England Boys. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;One by one the Stars of Evening. Laurence, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Our Flag, Our Army and Our President. Perry, 30.
&lt;/p&gt;&lt;p&gt;One by one Stars of Evening. Laurence, 30
&lt;/p&gt;&lt;p&gt;One magic Kiss. Keller, 30
&lt;/p&gt;&lt;p&gt;Patrick MaCushia. Barker, 30
&lt;/p&gt;&lt;p&gt;Picking Berries, or Jenny Davis and I. Perkins, 30
&lt;/p&gt;&lt;p&gt;Pleasant words for all. Roberts, 30
&lt;/p&gt;&lt;p&gt;Prayer. [Selie?], 30
&lt;/p&gt;&lt;p&gt;Rock me to sleep, Mother. Hyatt, 30
&lt;/p&gt;
&lt;pre&gt;"  ".  O'Donnell, 30
&lt;/pre&gt;
&lt;p&gt;Robert, Idol of my heart. Meyerbeer, 40
&lt;/p&gt;&lt;p&gt;Rose of Clifton Dale.  Laurence, 30
&lt;/p&gt;&lt;p&gt;Sabbath Bells, chime on. Lowry, 30
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Lowry, 30
&lt;/p&gt;&lt;p&gt;Shall we meet beyond the river? Bates, 30
&lt;/p&gt;&lt;p&gt;She was all the world to me. The last Song of the late S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Slumber my Darling, (Cradle Song). S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Song of the Mountain Girl. Perkins, 30
&lt;/p&gt;&lt;p&gt;Song of the Sailor Boy. C. H. Rodwell, 30
&lt;/p&gt;&lt;p&gt;Song of the 35th Reg. N.Y. Vols., by a member (Lith.),  50
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet Evelina. Arr'd by Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet little Nell (Lively). Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet Love, Forget me Not. Keller, 30
&lt;/p&gt;&lt;p&gt;The Angels are hovering near. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Beautiful Angel Band. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Blind Girl's Lament. C. Kalisch, 30
&lt;/p&gt;&lt;p&gt;The Dying Drummer. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Flowers bloom in Linden Vale. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Girls are not so green. A. Cull, 30
&lt;/p&gt;&lt;p&gt;The Haunted Stream. Barker, 30
&lt;/p&gt;&lt;p&gt;The Little Ballad Girl. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Love I bear to Thee. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Morning is Dawning. H.S. Leland, 30
&lt;/p&gt;&lt;p&gt;The Pure, the Bright, the Beautiful. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Soldier's Dying Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Sweetest Flower. M. Keller, 30
&lt;/p&gt;&lt;p&gt;The Tear of Love. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Union Medley. Mrs Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Violet. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Voice of the Army. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Young Volunteer. J.R. Osgood, 30
&lt;/p&gt;&lt;p&gt;There are plenty of Fish in the Sea (Comic). S. C. Foster, 30
&lt;/p&gt;&lt;p&gt;There are Voices, Spirit Voices. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;There's a Path by the River. Loder, 35
&lt;/p&gt;&lt;p&gt;There's no such Girl as Mine. (Comic). Foster, 30
&lt;/p&gt;&lt;p&gt;There's rest for all in Heaven. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;They tell me I'll forget thee. " ", 30
&lt;/p&gt;&lt;p&gt;They worked me all the day. " ", 30
&lt;/p&gt;&lt;p&gt;This hand never struck me, Mother. " ", 30
&lt;/p&gt;&lt;p&gt;Thou art Dreaming (Serenade). Crilley, 30
&lt;/p&gt;&lt;p&gt;Thou art so near and yet so far. Reichardt, 35
&lt;/p&gt;&lt;p&gt;Tim Green, or I've a Guinea I can spend. Chamberlin, 30
&lt;/p&gt;&lt;p&gt;'Tis hard to give the hand where the heart can never be. Glover, 30
&lt;/p&gt;&lt;p&gt;Valley of Chamouni. Glover, 30
&lt;/p&gt;&lt;p&gt;Wait, my Little one, wait. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Weep no more for Lilly. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;We'll all go home again. Whitlock, 30
&lt;/p&gt;&lt;p&gt;We parted with a cheerful smile. Keller, 30
&lt;/p&gt;&lt;p&gt;Were I but his own Wife. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;What is home without the Children? Keller, 30
&lt;/p&gt;&lt;p&gt;When Dear Friends are gone. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;When Old Friends were here. One of the last two Songs of the late S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;When this dreadful war is ended. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Why am I so happy? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Wilt thou be true? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Your Fortune is too small for me. Maurice, 30
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS.
&lt;/p&gt;&lt;p&gt;All quiet along the Potomac. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Atlanta's ours and fairly won! A.K. Virgil, 30
&lt;/p&gt;&lt;p&gt;Bear this gently to my Mother, Russell, 30
&lt;/p&gt;&lt;p&gt;Better times are coming. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40
&lt;/p&gt;&lt;p&gt;Christ will care for Mother now. Reply to Who will care for Mother now? Weston, 30
&lt;/p&gt;&lt;p&gt;Come rally, Freemen, rally. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Chicago Copperhead. J.G. Clark, 20
&lt;/p&gt;&lt;p&gt;Copperhead of 1864. " ", 30
&lt;/p&gt;&lt;p&gt;Copperhead of 1865. " ", 20
&lt;/p&gt;&lt;p&gt;Dey said we wouldn't fight. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Dying Soldier Boy. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;Fighting for the Flag, day and night. Foster, 30
&lt;/p&gt;&lt;p&gt;Flag of our Union. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;For the dear old Flag I die. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Freedom, Truth and Right. C. Heineman, 35
&lt;/p&gt;&lt;p&gt;Freeman's Gathering. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30
&lt;/p&gt;&lt;p&gt;Give this to Mother (Lith.) S.C. Foster, 40
&lt;/p&gt;&lt;p&gt;God save our Land. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;God save our noble Union. Martin, 30
&lt;/p&gt;&lt;p&gt;Hail Columbia. 30
&lt;/p&gt;&lt;p&gt;Hark! the Signal. Bomherdt, 30
&lt;/p&gt;&lt;p&gt;I will be True to the Stripes and the Stars. S. J. Vall, 35
&lt;/p&gt;&lt;p&gt;Land of the Brave and Free, G.S. Plumley, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Clark, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Quartette. J.G. Clark, 35
&lt;/p&gt;&lt;p&gt;Little Joe the Contraband. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Madmen! spare that Flag. A. Cull, 30
&lt;/p&gt;&lt;p&gt;March on. German air. 30
&lt;/p&gt;&lt;p&gt;Maryland's Free! M.A. Fortune, 30
&lt;/p&gt;&lt;p&gt;Mother is the Battle over? [Roess?], 30
&lt;/p&gt;&lt;p&gt;My country dear, I die for thee (Lith.) Ballard, 40
&lt;/p&gt;&lt;p&gt;My Jamie is a soldier Brave. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;My Jamie's on the Battle Field. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;My Country 'tis of thee. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;New Emancipation Song. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;No Slave beneath that Starry Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! send me one Flower from his Grave. 30
&lt;/p&gt;&lt;p&gt;Our Banner. Converse, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. Dayton, 30
&lt;/p&gt;&lt;p&gt;Our Country now and ever. K. Merz, 30
&lt;/p&gt;&lt;p&gt;Our Flag, Our Army, and Our President. Perry, 30
&lt;/p&gt;&lt;p&gt;Rally 'round the Flag Boys. Fackrell, 30
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Star Spangled Banner. 50
&lt;/p&gt;&lt;p&gt;The Drummer Boy of the National Greys. A. Cull, 30
&lt;/p&gt;&lt;p&gt;The Dying Drummer. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Dying Volunteer. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;The Soldier's Dying Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Union Medley. Mrs. Parkhurst, 60
&lt;/p&gt;&lt;p&gt;The Voice of the Army. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Volunteer Yankee Doodle of '61. Selle, 30
&lt;/p&gt;&lt;p&gt;Three Cheers for our Banner. Allen, 30
&lt;/p&gt;&lt;p&gt;To Arms! To Arms! W.F. Otten, 40
&lt;/p&gt;&lt;p&gt;War Song of the 69th Regiment. A. Cull, 30
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;We are coming Father Abraham. A. Cull, 30
&lt;/p&gt;&lt;p&gt;We'll all go Home again. Whitlock, 30
&lt;/p&gt;&lt;p&gt;Yankee Doodle. 30
&lt;/p&gt;&lt;p&gt;When the dreadful War is ended. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;GUITAR SONGS.
&lt;/p&gt;&lt;p&gt;Bear this gently to my Mother. G.A. Russell, 30
&lt;/p&gt;&lt;p&gt;Christ will care for Mother now. " ", 30
&lt;/p&gt;&lt;p&gt;Dost thou ever think of me, Love? " ", 30
&lt;/p&gt;&lt;p&gt;I will be true to thee. " ", 20
&lt;/p&gt;&lt;p&gt;Lizzie Dies tonight. Underhill, 20
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Bloomer, 30
&lt;/p&gt;&lt;p&gt;Sweet Evelina. E.N., 30
&lt;/p&gt;&lt;p&gt;Sweet Little Nell. G.A. Russell, 30
&lt;/p&gt;&lt;p&gt;They tell me I'll forget thee. " ", 20
&lt;/p&gt;&lt;p&gt;When old Friends were here. " ", 20
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone? " ", 30
&lt;/p&gt;&lt;p&gt;DUETS AND QUARTETTES.
&lt;/p&gt;&lt;p&gt;All quiet along the Potomac. Quartette. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Come down by the silvery Brook, Love. Comic Duet. Cull, 30
&lt;/p&gt;&lt;p&gt;Evening Blessing. Quartette. Keller, 30
&lt;/p&gt;&lt;p&gt;Glowing Star of gentle Evening. Duet. S. Laurence, 35
&lt;/p&gt;&lt;p&gt;Hymn of the Nation. Quartette. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;Let all the People praise Thee, O! God. Quartette. J.R. Osgood, 35
&lt;/p&gt;&lt;p&gt;Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;Mr. and Mrs. Brown. comic Duet. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. Quartet. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Rose of Clifton Dale. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;Skating. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Lord's Prayer. Anthem. S.K. Whiting, 60
&lt;/p&gt;&lt;p&gt;Vesperi. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;POLKAS, MAZURKAS &amp;amp; REDOWAS.
&lt;/p&gt;&lt;p&gt;Betrothed. Mazurka. Ruboti, 30
&lt;/p&gt;&lt;p&gt;Blondette Polka. Thos. Baker, 30
&lt;/p&gt;&lt;p&gt;Chemical Polka. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Columbia College Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum, 40
&lt;/p&gt;&lt;p&gt;Czarina Mazurka. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Fort Preble Polka. Borland, 35
&lt;/p&gt;&lt;p&gt;Francis Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;Gaetana Mazurka. E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Golden Bow Mazurka. J.D. Kerrison, 40
&lt;/p&gt;&lt;p&gt;Golden Cross Polka. J.D. Kerrison, 40
&lt;/p&gt;&lt;p&gt;Idylwild Polka Caprice. Keller, 50
&lt;/p&gt;&lt;p&gt;La Czarina Mazurka. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Le Pari Polka. J.G. Barnard, 30
&lt;/p&gt;&lt;p&gt;Little Jenny Dow. Polka. Sunny Side Set, No. 1. Beliak, 20
&lt;/p&gt;&lt;p&gt;Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Minnie Polka. A. Cull, 30
&lt;/p&gt;&lt;p&gt;New Sparling Polka, Cloy, 30
&lt;/p&gt;&lt;p&gt;Sanitary Fair Polka. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;They worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Three Roguish Chaps. Polka. Sunny Side Set, No. 4. Bellak, 20
&lt;/p&gt;&lt;p&gt;Volunteer Polka. R. Goldbeck, 30
&lt;/p&gt;&lt;p&gt;Volunteer Polka. Sunny Side Set, No. 10. J. Bellak, 20
&lt;/p&gt;&lt;p&gt;When this dreadful War is ended. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Yacht Club. Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;DANCES.
&lt;/p&gt;&lt;p&gt;Farmer Stubb's Visit to N.Y. City. Mrs Parkhurst, 20
&lt;/p&gt;&lt;p&gt;The Evacuation. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Les Lanciers. J. Munck, 35
&lt;/p&gt;&lt;p&gt;Review. S. Glover, 50
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Christmas Carol. T. Baker, 35
&lt;/p&gt;&lt;p&gt;Comet. T. Baker, 30
&lt;/p&gt;&lt;p&gt;Humbug. Keller, 30
&lt;/p&gt;&lt;p&gt;Lorette. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Morning Dew. Sunny Side Set, No. 8. Bellak, 20
&lt;/p&gt;&lt;p&gt;My loved ones gone. Sunny Side Set, No. 2. Bellak, 20
&lt;/p&gt;&lt;p&gt;New Katy-Did. H. Piano, 30
&lt;/p&gt;&lt;p&gt;Tender Glance. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;GALOPS.
&lt;/p&gt;&lt;p&gt;Cannon. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60
&lt;/p&gt;&lt;p&gt;La Belle. T. W. Morris, 30
&lt;/p&gt;&lt;p&gt;Laughing (un Ballo in Maschera). T. Baker, 30
&lt;/p&gt;&lt;p&gt;Music Box. C.E. Hering, 40
&lt;/p&gt;&lt;p&gt;On to Richmond. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Summer House of Roses. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;There's no such Girl as mine. S.S.S. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Whirlwind. Macdonald, 30
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;Faust (Simple). Lanner, 20
&lt;/p&gt;&lt;p&gt;Frederica. Barnard, 40
&lt;/p&gt;&lt;p&gt;Heart Chimings (Sentimental). Keller, 30
&lt;/p&gt;&lt;p&gt;Holiday. Jehl, 30
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Ketterer, 60
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Lanner, 20
&lt;/p&gt;&lt;p&gt;King Redowa Waltz. J. Munck, 35
&lt;/p&gt;&lt;p&gt;L'Amitie. Barnard, 40
&lt;/p&gt;&lt;p&gt;L'Etoile de la Mer. Spencer, 35
&lt;/p&gt;&lt;p&gt;Little Bird. Sunny Side Set, No. 7. Bellak, 20
&lt;/p&gt;&lt;p&gt;Livingston Waltzes. J. Munck, 50
&lt;/p&gt;&lt;p&gt;Love. T. Baker, 40
&lt;/p&gt;&lt;p&gt;Ometepe. Apellas, 35
&lt;/p&gt;&lt;p&gt;Right of Line. Morris, 30
&lt;/p&gt;&lt;p&gt;Sign in the Heart (Sentimental) Mrs. Parkhurst, 35
&lt;/p&gt;&lt;p&gt;Starlight. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Souvenir de Owego. Jos. Raff, 50
&lt;/p&gt;&lt;p&gt;Sweet Evelina. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Sweet Little Nell. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Union. LaGrassa, 30
&lt;/p&gt;&lt;p&gt;What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Young America. 4 Waltzes (Lith.) Weiner, 40
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;British Volunteers. A. Cull, 40
&lt;/p&gt;&lt;p&gt;Continental Guard. Powell, 30
&lt;/p&gt;&lt;p&gt;Farewell Quickstep (Air How can I leave thee). Hancox, 30
&lt;/p&gt;&lt;p&gt;Faust. Lanner, 30
&lt;/p&gt;&lt;p&gt;Freedom, Truth and the Right (Lith.). Heineman, 50
&lt;/p&gt;&lt;p&gt;Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40
&lt;/p&gt;&lt;p&gt;Gen. Grant's (Vig. of Gen. Grant). Jos. Raff, 40
&lt;/p&gt;&lt;p&gt;Gen. Scott's Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Gen. Sheridan's Quickstep. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 20
&lt;/p&gt;&lt;p&gt;[Hillside?] Polka-Quickstep. Powell, 30
&lt;/p&gt;&lt;p&gt;Marching along and Glory Hallelujah. A. Cull, 30
&lt;/p&gt;&lt;p&gt;Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Marche Sacre, or Peter the Great's March. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Leave me with my Mother. March. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;My Country's. S. Side Set, No. 3. Bellak, 20
&lt;/p&gt;&lt;p&gt;Norah Dearest. March. Sunny Side Set. Mrs Parkhurst, 20
&lt;/p&gt;&lt;p&gt;O.F. March. T. Baker, 30
&lt;/p&gt;&lt;p&gt;Our Generals Quickstep (Lith.) [Graffula?], 50
&lt;/p&gt;&lt;p&gt;President Lincoln's (Vignette of Pres. L.) Helmsmuller, 50
&lt;/p&gt;&lt;p&gt;Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40
&lt;/p&gt;&lt;p&gt;There's plenty of Fish in the Sea. quickstep. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? " ", 20
&lt;/p&gt;&lt;p&gt;Weep no more for Lilly, S.S.S. " ", 20
&lt;/p&gt;&lt;p&gt;West Point. Barnard, 30
&lt;/p&gt;&lt;p&gt;FOUR HAND PIECES.
&lt;/p&gt;&lt;p&gt;Faust. March. (Lanner.). Arr'd by Cramer, 30
&lt;/p&gt;&lt;p&gt;Idylwild Polka. (Keller.) Arr'd by Rimbault, 50
&lt;/p&gt;&lt;p&gt;Juanita. (B. Richards). Arr'd by Rimbault, 50
&lt;/p&gt;&lt;p&gt;New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40
&lt;/p&gt;&lt;p&gt;On to Richmond Galop. Mrs. Parkhurst, 40
&lt;/p&gt;&lt;p&gt;Sanitary Fair Polka. " ", 40
&lt;/p&gt;&lt;p&gt;Sigh in the heart. Waltz. " ", 40
&lt;/p&gt;&lt;p&gt;Tender Glance. Schottische. " ", 40
&lt;/p&gt;&lt;p&gt;Vienna March. Czerny, 20
&lt;/p&gt;&lt;p&gt;Warblings at Eve. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Wedding March. Mendelssohn, 50
&lt;/p&gt;&lt;p&gt;RONDOS, VARIATIONS, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Always look on the Sunny Side. Brilliant Variations. Grobe, 50
&lt;/p&gt;&lt;p&gt;Answer to Maiden's Prayer. Badarzewska, 35
&lt;/p&gt;&lt;p&gt;Charity Variations. Miszner, 40
&lt;/p&gt;&lt;p&gt;Chime Again. Beautiful Bells. B. Richards, 35
&lt;/p&gt;&lt;p&gt;Cloud with a Silver Lining. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Don Sebastian (Donizetti) Muller, 75
&lt;/p&gt;&lt;p&gt;Dream of the Wanderer. B. Richards, 35
&lt;/p&gt;&lt;p&gt;Echoes of Killarney. " ", 35
&lt;/p&gt;&lt;p&gt;Fall of Richmond. Jos. Raff, 50
&lt;/p&gt;&lt;p&gt;Fairy's Dream. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Fairy Whispers. Nocturne. Sydney Smith, 50
&lt;/p&gt;&lt;p&gt;Faust. Fantasie Brilliant. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Faust. Fantasie Elegant. Leybach, 60
&lt;/p&gt;&lt;p&gt;Faust. Transcription. Krug, 40
&lt;/p&gt;&lt;p&gt;Faust. Potpourri. Lanner, 60
&lt;/p&gt;&lt;p&gt;Floating on the Wind. B. Richards, 30
&lt;/p&gt;&lt;p&gt;Florence. Nocturne. " ", 50
&lt;/p&gt;&lt;p&gt;Gazelle, La. Hoffman, 35
&lt;/p&gt;&lt;p&gt;Grazioso (Morceau de Danse) Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Her bright Smile haunts me still. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Home, Sweet Home. " ", 50
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Transcript'n Ketterer, 60
&lt;/p&gt;&lt;p&gt;I'm leaving thee in Sorrow, Annie. B. Richards, 30
&lt;/p&gt;&lt;p&gt;Juanita (Spanish Melody). " ", 35
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen. " ", 50
&lt;/p&gt;&lt;p&gt;Last Rose of Summer. " ", 50
&lt;/p&gt;&lt;p&gt;Long, long weary Day. (Opus 130). T. Oesters, 30
&lt;/p&gt;&lt;p&gt;Morning Prayer. For an Album. (Published together). Muller, 30
&lt;/p&gt;&lt;p&gt;Pirates Chorus. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Prayer granted. Reply to Maiden's Prayer. Badarzewska, 35
&lt;/p&gt;&lt;p&gt;Shadow Air (Dinorah). B. Richards, 50
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Var. Grobe, 50
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Sicilian Vespers (Bolero). B. Richards, 60
&lt;/p&gt;&lt;p&gt;Soldiers Chorus (Faust). " ", 50
&lt;/p&gt;&lt;p&gt;Soldiers Chorus (Simple) (Faust). Rimbault, 30
&lt;/p&gt;&lt;p&gt;Star Spangled Banner. Var. A. Cull, 40
&lt;/p&gt;&lt;p&gt;St. Patrick's Day. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Sunny side Rondo. S.S. Set, No. 5. Bellak, 20
&lt;/p&gt;&lt;p&gt;The Last Rose of Summer. B. Richards, 50
&lt;/p&gt;&lt;p&gt;The Voice of the Heart. O. Commetant, 35
&lt;/p&gt;&lt;p&gt;Thou art so Near and yet so Far. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Warblings at Eve. " ", 35
&lt;/p&gt;&lt;p&gt;Warblings at Morn. " ", 40
&lt;/p&gt;&lt;p&gt;We are Coming Father Abraham. Var. Grobe, 50
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward Fly. Oesten, 50
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone. Var. Grobe, 50
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171495">
              <text>5</text>
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              <text>35 cm</text>
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          <element elementId="50">
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                <text>Mourn Not! Oh, Ye People, As Those Without Hope</text>
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                <text>Subtitled "A tribute to the memory of Abraham Lincoln," the song was written and composed by two women. The composer, "Mrs. E. A. Parkhurst," was Susan McFarland Parkhurst, a friend of Stephen Foster's and the author of several Civil War songs. She began composing after her husband died in the war in 1864. Mary Ann Kidder was a prolific songwriter, composing dozens of hymns and songs with a religious theme.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Kidder, Mary Ann, 1820-1905</text>
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                <text>Parkurst, Mrs. E. A., 1836-1918</text>
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                <text>Sheet music</text>
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                <text>Kidder, Mary Ann And Parkhurst, E.A. Mrs.</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="171492">
                <text>Horace Waters</text>
              </elementText>
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                <text>New York</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;MOURN NOT! OH, YE PEOPLE, AS THOSE WITHOUT HOPE. (A TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN.)
&lt;/p&gt;&lt;p&gt;Words by Mrs. M. A. KIDDER, MUSIC BY MRS. E. A. PARKHURST, Author of "A Home on the Mountain," Richmond is ours," "President Lincoln's Funeral March," "Oh, send me one flower from his grave." &amp;amp;c.
&lt;/p&gt;&lt;p&gt;NEW YORK: Published by HORACE WATERS, No. 481 Broadway. Boston: O. Ditson &amp;amp; Co. Philadelphia: Lee &amp;amp; Walker. Chicago: Root &amp;amp; Cady. Cincinnati: J. Church, Jr.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865, by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MOURN NOT! OH YE PEOPLE, AS THOSE WITHOUT HOPE. TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;Words by Mrs. M.A. Kidder. Music by Mrs. E. A. Parkhurst.
&lt;/p&gt;&lt;p&gt;Slow with expression. Moderato.
&lt;/p&gt;&lt;p&gt;1. Mourn not! oh ye  2.  This grief stricken
&lt;/p&gt;&lt;p&gt;people, as those without hope, Though your sorrow and
&lt;/p&gt;&lt;p&gt;nation can never forget, The blow the assassin
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the Dist Court of the United States for the Southern Dist. of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;tears, tell the heart rending story, How your leader was
&lt;/p&gt;&lt;p&gt;sin hath dealt her, no never; And the name, Abraham
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
slain by a traitor's foul hand, While resting in peace, 'neath his
&lt;/p&gt;&lt;p&gt;Lincoln, will quicken and thrill The heart and the pulse of the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bright wreath of glory, A Martyr sublime, In the fullness of
&lt;/p&gt;&lt;p&gt;country forever, A man tried and true, In the favor he
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
time, He has gone from our sight, to a beautiful clime, Yes, the
&lt;/p&gt;&lt;p&gt;grew, Till his friends they were many, his enemies few, But the &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;&lt;p&gt;3. A man of the people his spirit o'er flowed, With love for his kind in no matter what station, Yet kindness was tempered with justice and right, For deep at his heart lay his country's salvation, A patriot brave, a friend to the slave, 'Mid wars deepest conflicts his counsel he gave, But the swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;&lt;p&gt;4.  Weep not, oh! ye people, our chief is at rest, His spirit hath passed through the angelic portal, Around him the heroes of ages now stand, His victory's complete and his glory immortal. Then blessed by God, we bow to the rod, Though hallowed the place where our Lincoln hath trod. Lo! the swift wings of angels have carried him home, To the land where no strife is, and wars never come.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1. SELECT CATALOGUE OF NEW MUSIC, No. 1. PUBLISHED BY HORACE WATERS, 481 BROADWAY, N.Y.
&lt;/p&gt;&lt;p&gt;1865. Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865.
&lt;/p&gt;&lt;p&gt;And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Pianist in attendance to try new Music. Music mailed free.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;A Dream of my Mother and my Home. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;A Home on the Mountain. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Mary. Mrs. Parkhurst. 30
&lt;/p&gt;&lt;p&gt;A penny for your thoughts. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Atlanta's ours and fairly won. A.K. Virgil, 30
&lt;/p&gt;&lt;p&gt;Bear this gently to my mother. Russell. 30
&lt;/p&gt;&lt;p&gt;Beautiful Annie. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;Better times are coming. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Bread and Cheese and Kisses (Comic). J.J. Daly, 30
&lt;/p&gt;&lt;p&gt;Bury me in the morning, Mother. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;By the lone river side. Sullivan, 30
&lt;/p&gt;&lt;p&gt;Christ will care of Mother now.  Who will care for Mother now: Reply to Weston, 30
&lt;/p&gt;&lt;p&gt;Come into the Garden, Maud. Balfe, 50
&lt;/p&gt;&lt;p&gt;Come sing with me. Solo and Trio. Hyatt, 30
&lt;/p&gt;&lt;p&gt;Come, rally Freemen, rally. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Chicago Copperhead. J.G. Glark 20
&lt;/p&gt;&lt;p&gt;Copperhead of 1864. " ", 30
&lt;/p&gt;&lt;p&gt;Copperhead of 1865. " ", 20
&lt;/p&gt;&lt;p&gt;Dear One, I think of thee. Laurence. 30
&lt;/p&gt;&lt;p&gt;They said we wouldn't fight. Mrs. Parkhurst
&lt;/p&gt;&lt;p&gt;Did you mean what you said? J.S. Cox 35
&lt;/p&gt;&lt;p&gt;Do they remember me? W.O. Fiske, 20
&lt;/p&gt;&lt;p&gt;Do they love me still as ever? Mrs. Parkhurst. 30
&lt;/p&gt;&lt;p&gt;Dreams of happier days. Hobson, 30
&lt;/p&gt;&lt;p&gt;Dying Soldier Boy. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;Evacuation. Father Reed, 30
&lt;/p&gt;&lt;p&gt;Evening Blessing. Solo or Quartette. Keller. 30
&lt;/p&gt;&lt;p&gt;Fighting for the Flag, Day and Night. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Flirtation. H. Tucker, 30
&lt;/p&gt;&lt;p&gt;Fiora Lyle. Keller, 30
&lt;/p&gt;&lt;p&gt;Friends of the Union, Adapted to "Pirate's Chorus" by Smith, 30
&lt;/p&gt;&lt;p&gt;Forget if you can, but forgive. J.R. Thomas, 20
&lt;/p&gt;&lt;p&gt;Give this to Mother (Lith.) S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;God save our noble Union. Martin, 30
&lt;/p&gt;&lt;p&gt;Golden Dreams and Fairy Castles. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Home is Home. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;How goes the Money (Humorous), Hutchinson, 20
&lt;/p&gt;&lt;p&gt;How softly on the bruised heart. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;I can't forget. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;If you've only got a Moustache (Comic) S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;I'd dream forever more. T.B. Bishop, 30
&lt;/p&gt;&lt;p&gt;I hear sweet voices singing. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;I'll wait at the Gate for Thee. Ho der. 30
&lt;/p&gt;&lt;p&gt;I'm returning to thee Annie. Barker, 30
&lt;/p&gt;&lt;p&gt;I'm willing to wait (Old Maid's song) Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;In Childhood's calm and sinless bloom. Benedict, 30
&lt;/p&gt;&lt;p&gt;Irene, the little Queen. Keller, 30
&lt;/p&gt;&lt;p&gt;I will be true to thee. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;I will be true to the Stripes and the Stars, S.J. Vail, 35
&lt;/p&gt;&lt;p&gt;Jenn's coming o'er the green. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Johnny is my Darling (Lith) Adapted by Father Reed, 40
&lt;/p&gt;&lt;p&gt;Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Kindly Words and Smiling Faces. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;Leave me with my Mother. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Clark, 30
&lt;/p&gt;&lt;p&gt;Little Jenny Dow. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Little Joe, the Contraband. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Lizzie Dies tonight. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Lizzie Lee. Keller, 30
&lt;/p&gt;&lt;p&gt;Lord's Prayer, Anthem. S. K. Whiting, 30
&lt;/p&gt;&lt;p&gt;Mary Fay. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Maryland's Free! M.A. Fortune, 30
&lt;/p&gt;&lt;p&gt;Merry little Birds are we (Lively) S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Me too. Coffin, 30
&lt;/p&gt;&lt;p&gt;Moonlight and Starlight. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;Mother is the Battle over? [Roess?], 30
&lt;/p&gt;&lt;p&gt;Mother's Love is True. Keller, 30
&lt;/p&gt;&lt;p&gt;My Country dear, I die for thee (Lith.). Ballard, 40
&lt;/p&gt;&lt;p&gt;My Jamie is a Soldier Brave. Wallace, 30
&lt;/p&gt;&lt;p&gt;My Jamie's on the Battle Field. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;My Little Angel. Hutchinson, 30
&lt;/p&gt;&lt;p&gt;My Village Home. J.W. Cherry, 30
&lt;/p&gt;&lt;p&gt;My Wife is a most Knowing Woman. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;New Emancipation Song. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Norah Dearest. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;No Slave beneath that Starry Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! why am I so happy? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Oh! could I but recall the hours. Swain, 30
&lt;/p&gt;&lt;p&gt;Oh! take me to thy heart again. [Balfe?], 30
&lt;/p&gt;&lt;p&gt;Oh! send me one flower from his grave. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! there's no such Girl as Mine. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;O, meet me, dear Mother. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Only You and I. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Our Dear New England Boys. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;One by one the Stars of Evening. Laurence, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Our Flag, Our Army and Our President. Perry, 30.
&lt;/p&gt;&lt;p&gt;One by one Stars of Evening. Laurence, 30
&lt;/p&gt;&lt;p&gt;One magic Kiss. Keller, 30
&lt;/p&gt;&lt;p&gt;Patrick MaCushia. Barker, 30
&lt;/p&gt;&lt;p&gt;Picking Berries, or Jenny Davis and I. Perkins, 30
&lt;/p&gt;&lt;p&gt;Pleasant words for all. Roberts, 30
&lt;/p&gt;&lt;p&gt;Prayer. [Selie?], 30
&lt;/p&gt;&lt;p&gt;Rock me to sleep, Mother. Hyatt, 30
&lt;/p&gt;
&lt;pre&gt;"  ".  O'Donnell, 30
&lt;/pre&gt;
&lt;p&gt;Robert, Idol of my heart. Meyerbeer, 40
&lt;/p&gt;&lt;p&gt;Rose of Clifton Dale.  Laurence, 30
&lt;/p&gt;&lt;p&gt;Sabbath Bells, chime on. Lowry, 30
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Lowry, 30
&lt;/p&gt;&lt;p&gt;Shall we meet beyond the river? Bates, 30
&lt;/p&gt;&lt;p&gt;She was all the world to me. The last Song of the late S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Slumber my Darling, (Cradle Song). S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Song of the Mountain Girl. Perkins, 30
&lt;/p&gt;&lt;p&gt;Song of the Sailor Boy. C. H. Rodwell, 30
&lt;/p&gt;&lt;p&gt;Song of the 35th Reg. N.Y. Vols., by a member (Lith.),  50
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet Evelina. Arr'd by Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet little Nell (Lively). Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Sweet Love, Forget me Not. Keller, 30
&lt;/p&gt;&lt;p&gt;The Angels are hovering near. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Beautiful Angel Band. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Blind Girl's Lament. C. Kalisch, 30
&lt;/p&gt;&lt;p&gt;The Dying Drummer. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Flowers bloom in Linden Vale. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Girls are not so green. A. Cull, 30
&lt;/p&gt;&lt;p&gt;The Haunted Stream. Barker, 30
&lt;/p&gt;&lt;p&gt;The Little Ballad Girl. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Love I bear to Thee. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Morning is Dawning. H.S. Leland, 30
&lt;/p&gt;&lt;p&gt;The Pure, the Bright, the Beautiful. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;The Soldier's Dying Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Sweetest Flower. M. Keller, 30
&lt;/p&gt;&lt;p&gt;The Tear of Love. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Union Medley. Mrs Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Violet. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Voice of the Army. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Young Volunteer. J.R. Osgood, 30
&lt;/p&gt;&lt;p&gt;There are plenty of Fish in the Sea (Comic). S. C. Foster, 30
&lt;/p&gt;&lt;p&gt;There are Voices, Spirit Voices. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;There's a Path by the River. Loder, 35
&lt;/p&gt;&lt;p&gt;There's no such Girl as Mine. (Comic). Foster, 30
&lt;/p&gt;&lt;p&gt;There's rest for all in Heaven. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;They tell me I'll forget thee. " ", 30
&lt;/p&gt;&lt;p&gt;They worked me all the day. " ", 30
&lt;/p&gt;&lt;p&gt;This hand never struck me, Mother. " ", 30
&lt;/p&gt;&lt;p&gt;Thou art Dreaming (Serenade). Crilley, 30
&lt;/p&gt;&lt;p&gt;Thou art so near and yet so far. Reichardt, 35
&lt;/p&gt;&lt;p&gt;Tim Green, or I've a Guinea I can spend. Chamberlin, 30
&lt;/p&gt;&lt;p&gt;'Tis hard to give the hand where the heart can never be. Glover, 30
&lt;/p&gt;&lt;p&gt;Valley of Chamouni. Glover, 30
&lt;/p&gt;&lt;p&gt;Wait, my Little one, wait. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Weep no more for Lilly. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;We'll all go home again. Whitlock, 30
&lt;/p&gt;&lt;p&gt;We parted with a cheerful smile. Keller, 30
&lt;/p&gt;&lt;p&gt;Were I but his own Wife. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;What is home without the Children? Keller, 30
&lt;/p&gt;&lt;p&gt;When Dear Friends are gone. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;When Old Friends were here. One of the last two Songs of the late S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;When this dreadful war is ended. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Why am I so happy? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Wilt thou be true? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Your Fortune is too small for me. Maurice, 30
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS.
&lt;/p&gt;&lt;p&gt;All quiet along the Potomac. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Atlanta's ours and fairly won! A.K. Virgil, 30
&lt;/p&gt;&lt;p&gt;Bear this gently to my Mother, Russell, 30
&lt;/p&gt;&lt;p&gt;Better times are coming. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40
&lt;/p&gt;&lt;p&gt;Christ will care for Mother now. Reply to Who will care for Mother now? Weston, 30
&lt;/p&gt;&lt;p&gt;Come rally, Freemen, rally. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Chicago Copperhead. J.G. Clark, 20
&lt;/p&gt;&lt;p&gt;Copperhead of 1864. " ", 30
&lt;/p&gt;&lt;p&gt;Copperhead of 1865. " ", 20
&lt;/p&gt;&lt;p&gt;Dey said we wouldn't fight. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Dying Soldier Boy. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;Fighting for the Flag, day and night. Foster, 30
&lt;/p&gt;&lt;p&gt;Flag of our Union. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;For the dear old Flag I die. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Freedom, Truth and Right. C. Heineman, 35
&lt;/p&gt;&lt;p&gt;Freeman's Gathering. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30
&lt;/p&gt;&lt;p&gt;Give this to Mother (Lith.) S.C. Foster, 40
&lt;/p&gt;&lt;p&gt;God save our Land. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;God save our noble Union. Martin, 30
&lt;/p&gt;&lt;p&gt;Hail Columbia. 30
&lt;/p&gt;&lt;p&gt;Hark! the Signal. Bomherdt, 30
&lt;/p&gt;&lt;p&gt;I will be True to the Stripes and the Stars. S. J. Vall, 35
&lt;/p&gt;&lt;p&gt;Land of the Brave and Free, G.S. Plumley, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Clark, 30
&lt;/p&gt;&lt;p&gt;Let me Die with my Face to the Foe. Quartette. J.G. Clark, 35
&lt;/p&gt;&lt;p&gt;Little Joe the Contraband. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Madmen! spare that Flag. A. Cull, 30
&lt;/p&gt;&lt;p&gt;March on. German air. 30
&lt;/p&gt;&lt;p&gt;Maryland's Free! M.A. Fortune, 30
&lt;/p&gt;&lt;p&gt;Mother is the Battle over? [Roess?], 30
&lt;/p&gt;&lt;p&gt;My country dear, I die for thee (Lith.) Ballard, 40
&lt;/p&gt;&lt;p&gt;My Jamie is a soldier Brave. W. Virgil Wallace, 30
&lt;/p&gt;&lt;p&gt;My Jamie's on the Battle Field. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;My Country 'tis of thee. Arr'd by A. Cull, 30
&lt;/p&gt;&lt;p&gt;New Emancipation Song. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;No Slave beneath that Starry Flag. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Oh! send me one Flower from his Grave. 30
&lt;/p&gt;&lt;p&gt;Our Banner. Converse, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. Dayton, 30
&lt;/p&gt;&lt;p&gt;Our Country now and ever. K. Merz, 30
&lt;/p&gt;&lt;p&gt;Our Flag, Our Army, and Our President. Perry, 30
&lt;/p&gt;&lt;p&gt;Rally 'round the Flag Boys. Fackrell, 30
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Star Spangled Banner. 50
&lt;/p&gt;&lt;p&gt;The Drummer Boy of the National Greys. A. Cull, 30
&lt;/p&gt;&lt;p&gt;The Dying Drummer. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Dying Volunteer. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;The Soldier's Dying Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;The Union Medley. Mrs. Parkhurst, 60
&lt;/p&gt;&lt;p&gt;The Voice of the Army. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;The Volunteer Yankee Doodle of '61. Selle, 30
&lt;/p&gt;&lt;p&gt;Three Cheers for our Banner. Allen, 30
&lt;/p&gt;&lt;p&gt;To Arms! To Arms! W.F. Otten, 40
&lt;/p&gt;&lt;p&gt;War Song of the 69th Regiment. A. Cull, 30
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;We are coming Father Abraham. A. Cull, 30
&lt;/p&gt;&lt;p&gt;We'll all go Home again. Whitlock, 30
&lt;/p&gt;&lt;p&gt;Yankee Doodle. 30
&lt;/p&gt;&lt;p&gt;When the dreadful War is ended. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;GUITAR SONGS.
&lt;/p&gt;&lt;p&gt;Bear this gently to my Mother. G.A. Russell, 30
&lt;/p&gt;&lt;p&gt;Christ will care for Mother now. " ", 30
&lt;/p&gt;&lt;p&gt;Dost thou ever think of me, Love? " ", 30
&lt;/p&gt;&lt;p&gt;I will be true to thee. " ", 20
&lt;/p&gt;&lt;p&gt;Lizzie Dies tonight. Underhill, 20
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Bloomer, 30
&lt;/p&gt;&lt;p&gt;Sweet Evelina. E.N., 30
&lt;/p&gt;&lt;p&gt;Sweet Little Nell. G.A. Russell, 30
&lt;/p&gt;&lt;p&gt;They tell me I'll forget thee. " ", 20
&lt;/p&gt;&lt;p&gt;When old Friends were here. " ", 20
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone? " ", 30
&lt;/p&gt;&lt;p&gt;DUETS AND QUARTETTES.
&lt;/p&gt;&lt;p&gt;All quiet along the Potomac. Quartette. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Come down by the silvery Brook, Love. Comic Duet. Cull, 30
&lt;/p&gt;&lt;p&gt;Evening Blessing. Quartette. Keller, 30
&lt;/p&gt;&lt;p&gt;Glowing Star of gentle Evening. Duet. S. Laurence, 35
&lt;/p&gt;&lt;p&gt;Hymn of the Nation. Quartette. J.R. Thomas, 30
&lt;/p&gt;&lt;p&gt;Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30
&lt;/p&gt;&lt;p&gt;Let all the People praise Thee, O! God. Quartette. J.R. Osgood, 35
&lt;/p&gt;&lt;p&gt;Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30
&lt;/p&gt;&lt;p&gt;Mr. and Mrs. Brown. comic Duet. S.C. Foster, 30
&lt;/p&gt;&lt;p&gt;Our Comrade's Grave. Quartet. J. Dayton, 30
&lt;/p&gt;&lt;p&gt;Rose of Clifton Dale. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;Skating. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;The Lord's Prayer. Anthem. S.K. Whiting, 60
&lt;/p&gt;&lt;p&gt;Vesperi. Duet. Laurence, 30
&lt;/p&gt;&lt;p&gt;POLKAS, MAZURKAS &amp;amp; REDOWAS.
&lt;/p&gt;&lt;p&gt;Betrothed. Mazurka. Ruboti, 30
&lt;/p&gt;&lt;p&gt;Blondette Polka. Thos. Baker, 30
&lt;/p&gt;&lt;p&gt;Chemical Polka. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Columbia College Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum, 40
&lt;/p&gt;&lt;p&gt;Czarina Mazurka. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Fort Preble Polka. Borland, 35
&lt;/p&gt;&lt;p&gt;Francis Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;Gaetana Mazurka. E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Golden Bow Mazurka. J.D. Kerrison, 40
&lt;/p&gt;&lt;p&gt;Golden Cross Polka. J.D. Kerrison, 40
&lt;/p&gt;&lt;p&gt;Idylwild Polka Caprice. Keller, 50
&lt;/p&gt;&lt;p&gt;La Czarina Mazurka. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Le Pari Polka. J.G. Barnard, 30
&lt;/p&gt;&lt;p&gt;Little Jenny Dow. Polka. Sunny Side Set, No. 1. Beliak, 20
&lt;/p&gt;&lt;p&gt;Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Minnie Polka. A. Cull, 30
&lt;/p&gt;&lt;p&gt;New Sparling Polka, Cloy, 30
&lt;/p&gt;&lt;p&gt;Sanitary Fair Polka. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;They worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Three Roguish Chaps. Polka. Sunny Side Set, No. 4. Bellak, 20
&lt;/p&gt;&lt;p&gt;Volunteer Polka. R. Goldbeck, 30
&lt;/p&gt;&lt;p&gt;Volunteer Polka. Sunny Side Set, No. 10. J. Bellak, 20
&lt;/p&gt;&lt;p&gt;When this dreadful War is ended. Polka. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Yacht Club. Polka Redowa. J. Munck, 30
&lt;/p&gt;&lt;p&gt;DANCES.
&lt;/p&gt;&lt;p&gt;Farmer Stubb's Visit to N.Y. City. Mrs Parkhurst, 20
&lt;/p&gt;&lt;p&gt;The Evacuation. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Les Lanciers. J. Munck, 35
&lt;/p&gt;&lt;p&gt;Review. S. Glover, 50
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Christmas Carol. T. Baker, 35
&lt;/p&gt;&lt;p&gt;Comet. T. Baker, 30
&lt;/p&gt;&lt;p&gt;Humbug. Keller, 30
&lt;/p&gt;&lt;p&gt;Lorette. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Morning Dew. Sunny Side Set, No. 8. Bellak, 20
&lt;/p&gt;&lt;p&gt;My loved ones gone. Sunny Side Set, No. 2. Bellak, 20
&lt;/p&gt;&lt;p&gt;New Katy-Did. H. Piano, 30
&lt;/p&gt;&lt;p&gt;Tender Glance. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;GALOPS.
&lt;/p&gt;&lt;p&gt;Cannon. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60
&lt;/p&gt;&lt;p&gt;La Belle. T. W. Morris, 30
&lt;/p&gt;&lt;p&gt;Laughing (un Ballo in Maschera). T. Baker, 30
&lt;/p&gt;&lt;p&gt;Music Box. C.E. Hering, 40
&lt;/p&gt;&lt;p&gt;On to Richmond. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Summer House of Roses. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;There's no such Girl as mine. S.S.S. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Whirlwind. Macdonald, 30
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;Faust (Simple). Lanner, 20
&lt;/p&gt;&lt;p&gt;Frederica. Barnard, 40
&lt;/p&gt;&lt;p&gt;Heart Chimings (Sentimental). Keller, 30
&lt;/p&gt;&lt;p&gt;Holiday. Jehl, 30
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Ketterer, 60
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Lanner, 20
&lt;/p&gt;&lt;p&gt;King Redowa Waltz. J. Munck, 35
&lt;/p&gt;&lt;p&gt;L'Amitie. Barnard, 40
&lt;/p&gt;&lt;p&gt;L'Etoile de la Mer. Spencer, 35
&lt;/p&gt;&lt;p&gt;Little Bird. Sunny Side Set, No. 7. Bellak, 20
&lt;/p&gt;&lt;p&gt;Livingston Waltzes. J. Munck, 50
&lt;/p&gt;&lt;p&gt;Love. T. Baker, 40
&lt;/p&gt;&lt;p&gt;Ometepe. Apellas, 35
&lt;/p&gt;&lt;p&gt;Right of Line. Morris, 30
&lt;/p&gt;&lt;p&gt;Sign in the Heart (Sentimental) Mrs. Parkhurst, 35
&lt;/p&gt;&lt;p&gt;Starlight. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Souvenir de Owego. Jos. Raff, 50
&lt;/p&gt;&lt;p&gt;Sweet Evelina. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Sweet Little Nell. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Union. LaGrassa, 30
&lt;/p&gt;&lt;p&gt;What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Young America. 4 Waltzes (Lith.) Weiner, 40
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;British Volunteers. A. Cull, 40
&lt;/p&gt;&lt;p&gt;Continental Guard. Powell, 30
&lt;/p&gt;&lt;p&gt;Farewell Quickstep (Air How can I leave thee). Hancox, 30
&lt;/p&gt;&lt;p&gt;Faust. Lanner, 30
&lt;/p&gt;&lt;p&gt;Freedom, Truth and the Right (Lith.). Heineman, 50
&lt;/p&gt;&lt;p&gt;Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40
&lt;/p&gt;&lt;p&gt;Gen. Grant's (Vig. of Gen. Grant). Jos. Raff, 40
&lt;/p&gt;&lt;p&gt;Gen. Scott's Farewell. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Gen. Sheridan's Quickstep. Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 20
&lt;/p&gt;&lt;p&gt;[Hillside?] Polka-Quickstep. Powell, 30
&lt;/p&gt;&lt;p&gt;Marching along and Glory Hallelujah. A. Cull, 30
&lt;/p&gt;&lt;p&gt;Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Marche Sacre, or Peter the Great's March. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Leave me with my Mother. March. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;My Country's. S. Side Set, No. 3. Bellak, 20
&lt;/p&gt;&lt;p&gt;Norah Dearest. March. Sunny Side Set. Mrs Parkhurst, 20
&lt;/p&gt;&lt;p&gt;O.F. March. T. Baker, 30
&lt;/p&gt;&lt;p&gt;Our Generals Quickstep (Lith.) [Graffula?], 50
&lt;/p&gt;&lt;p&gt;President Lincoln's (Vignette of Pres. L.) Helmsmuller, 50
&lt;/p&gt;&lt;p&gt;Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40
&lt;/p&gt;&lt;p&gt;There's plenty of Fish in the Sea. quickstep. Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Was my Brother in the Battle? " ", 20
&lt;/p&gt;&lt;p&gt;Weep no more for Lilly, S.S.S. " ", 20
&lt;/p&gt;&lt;p&gt;West Point. Barnard, 30
&lt;/p&gt;&lt;p&gt;FOUR HAND PIECES.
&lt;/p&gt;&lt;p&gt;Faust. March. (Lanner.). Arr'd by Cramer, 30
&lt;/p&gt;&lt;p&gt;Idylwild Polka. (Keller.) Arr'd by Rimbault, 50
&lt;/p&gt;&lt;p&gt;Juanita. (B. Richards). Arr'd by Rimbault, 50
&lt;/p&gt;&lt;p&gt;New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40
&lt;/p&gt;&lt;p&gt;On to Richmond Galop. Mrs. Parkhurst, 40
&lt;/p&gt;&lt;p&gt;Sanitary Fair Polka. " ", 40
&lt;/p&gt;&lt;p&gt;Sigh in the heart. Waltz. " ", 40
&lt;/p&gt;&lt;p&gt;Tender Glance. Schottische. " ", 40
&lt;/p&gt;&lt;p&gt;Vienna March. Czerny, 20
&lt;/p&gt;&lt;p&gt;Warblings at Eve. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Wedding March. Mendelssohn, 50
&lt;/p&gt;&lt;p&gt;RONDOS, VARIATIONS, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Always look on the Sunny Side. Brilliant Variations. Grobe, 50
&lt;/p&gt;&lt;p&gt;Answer to Maiden's Prayer. Badarzewska, 35
&lt;/p&gt;&lt;p&gt;Charity Variations. Miszner, 40
&lt;/p&gt;&lt;p&gt;Chime Again. Beautiful Bells. B. Richards, 35
&lt;/p&gt;&lt;p&gt;Cloud with a Silver Lining. Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Don Sebastian (Donizetti) Muller, 75
&lt;/p&gt;&lt;p&gt;Dream of the Wanderer. B. Richards, 35
&lt;/p&gt;&lt;p&gt;Echoes of Killarney. " ", 35
&lt;/p&gt;&lt;p&gt;Fall of Richmond. Jos. Raff, 50
&lt;/p&gt;&lt;p&gt;Fairy's Dream. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Fairy Whispers. Nocturne. Sydney Smith, 50
&lt;/p&gt;&lt;p&gt;Faust. Fantasie Brilliant. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Faust. Fantasie Elegant. Leybach, 60
&lt;/p&gt;&lt;p&gt;Faust. Transcription. Krug, 40
&lt;/p&gt;&lt;p&gt;Faust. Potpourri. Lanner, 60
&lt;/p&gt;&lt;p&gt;Floating on the Wind. B. Richards, 30
&lt;/p&gt;&lt;p&gt;Florence. Nocturne. " ", 50
&lt;/p&gt;&lt;p&gt;Gazelle, La. Hoffman, 35
&lt;/p&gt;&lt;p&gt;Grazioso (Morceau de Danse) Jos. Raff, 30
&lt;/p&gt;&lt;p&gt;Her bright Smile haunts me still. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Home, Sweet Home. " ", 50
&lt;/p&gt;&lt;p&gt;Il Bacio (The Kiss). Transcript'n Ketterer, 60
&lt;/p&gt;&lt;p&gt;I'm leaving thee in Sorrow, Annie. B. Richards, 30
&lt;/p&gt;&lt;p&gt;Juanita (Spanish Melody). " ", 35
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen. " ", 50
&lt;/p&gt;&lt;p&gt;Last Rose of Summer. " ", 50
&lt;/p&gt;&lt;p&gt;Long, long weary Day. (Opus 130). T. Oesters, 30
&lt;/p&gt;&lt;p&gt;Morning Prayer. For an Album. (Published together). Muller, 30
&lt;/p&gt;&lt;p&gt;Pirates Chorus. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Prayer granted. Reply to Maiden's Prayer. Badarzewska, 35
&lt;/p&gt;&lt;p&gt;Shadow Air (Dinorah). B. Richards, 50
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Var. Grobe, 50
&lt;/p&gt;&lt;p&gt;Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20
&lt;/p&gt;&lt;p&gt;Sicilian Vespers (Bolero). B. Richards, 60
&lt;/p&gt;&lt;p&gt;Soldiers Chorus (Faust). " ", 50
&lt;/p&gt;&lt;p&gt;Soldiers Chorus (Simple) (Faust). Rimbault, 30
&lt;/p&gt;&lt;p&gt;Star Spangled Banner. Var. A. Cull, 40
&lt;/p&gt;&lt;p&gt;St. Patrick's Day. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Sunny side Rondo. S.S. Set, No. 5. Bellak, 20
&lt;/p&gt;&lt;p&gt;The Last Rose of Summer. B. Richards, 50
&lt;/p&gt;&lt;p&gt;The Voice of the Heart. O. Commetant, 35
&lt;/p&gt;&lt;p&gt;Thou art so Near and yet so Far. B. Richards, 50
&lt;/p&gt;&lt;p&gt;Warblings at Eve. " ", 35
&lt;/p&gt;&lt;p&gt;Warblings at Morn. " ", 40
&lt;/p&gt;&lt;p&gt;We are Coming Father Abraham. Var. Grobe, 50
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward Fly. Oesten, 50
&lt;/p&gt;&lt;p&gt;Why have my loved ones gone. Var. Grobe, 50
&lt;/p&gt;
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                    <text>&lt;p&gt;TO THE UNION "Mourn ye afflicted People--Mourn"
&lt;/p&gt;&lt;p&gt;MONODY ON THE DEATH OF A. LINCOLN Sixteenth President of the United States, Born Feb. 12th 1808 Died by the hand of an assassin April 15th 1865
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY J.C. BECKEL
&lt;/p&gt;&lt;p&gt;Song Funeral March
&lt;/p&gt;&lt;p&gt;Published by J.J. Dobmeyer &amp;amp; Co. Cincinnati St. Louis J.J. Dobmeyer &amp;amp; Co. Chicago De Motte Bros. New York J.L. Peters
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;MONODY.
&lt;/p&gt;&lt;p&gt;Written &amp;amp; Composed  J. C. Beckel.
&lt;/p&gt;&lt;p&gt;Lento con dolore. Piano
&lt;/p&gt;&lt;p&gt;2. Well may your sorrows brethren flow, Your tears your cheeks bedew,
&lt;/p&gt;&lt;p&gt;1. Not in the battle's strife he fell, Nor ling'ring couch of pain,
&lt;/p&gt;&lt;p&gt;For shared he not your ev'ry woe, And died he not for you.
&lt;/p&gt;&lt;p&gt;But by an impious fiend of hell, Shot! madly thro' the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 CHORUS
&lt;/p&gt;&lt;p&gt;L'istess tempo. AIR ALTO
&lt;/p&gt;&lt;p&gt;Mourne ye afflicted people mourne, Your shouts of joy give o'er, Sad
&lt;/p&gt;&lt;p&gt;TENOR BASS
&lt;/p&gt;&lt;p&gt;Mourne ye afflicted people mourne, Your shouts of joy give o'er Sad
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;news on passing breeze is borne, Your Chieftain is no more.
&lt;/p&gt;&lt;p&gt;news on passing breeze is borne, Your Chieftain is no more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. And you ye noble patriot band, Who stem'd rebellions tide, 4. But not in vain shall tears be shed Upon the Patriots grave.
&lt;/p&gt;&lt;p&gt;'Till shouts of vict'ry fill'd the land Weep ye! your friend is dead.
&lt;/p&gt;&lt;p&gt;Like HIM of old, he died and bled, A nation's life to save.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHOICE GEMS SELECTED FROM OLIVER DITSON COMPANY'S LATEST LISTS OF NEW MUSIC
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Song o' Cowans. Db.4. db to gb. McCartney 50. A pretty song, with words in the Scotch dialect. Suitable for a soprano voice; and, if we mistake not, a song that will be much in vogue among admirers of good modern vocal compositions.
&lt;/p&gt;&lt;p&gt;Maid Dreaming. G 4. d to g. Macy. 40. The oddness of style manifest in this new song, as well as the excellence of both poetry and melody, should place it at once among the most desirable of recent song productions. The piano accompaniment is of itself an attraction.
&lt;/p&gt;&lt;p&gt;On the Swinging Branches. F. 4. c to F. G.F. Wilson. 35. "On the Swinging Branches," or the "Song of the Bobolink," is one of the latest of Mr. Wilson's compositions.  It is of an unusually pleasing nature, tasteful and graceful, while the melodious waltz-refrain makes it specially attractive as to the popular requirements.
&lt;/p&gt;&lt;p&gt;Earth's Fairest Flower. Db. 4. c to F. Orton Bradley. 40. One of the best modern songs for mezzo-soprano or baritone.  It has a graceful movement in 9-8 tempo, with melody and piano accompaniment alike agreeable.
&lt;/p&gt;&lt;p&gt;Villanelle. (Peasant's Song.) Eb. 5. Eb to b. Dell' Acqua. 50. "Villanelle," or the peasant's song-- J'ai vu passer Hironelle ("I've seen the swallows pass by me")--is one of the most acceptable of the modern songs. The translation is by Harrison Millard. Both French and English version are given. It is recommended to sopranos.
&lt;/p&gt;&lt;p&gt;He Leadeth Me. Duet. Eb. 4. S. Salter. 35. A fine sacred duet for alto and tenor. We commend it to choir-singers. the accompaniment is for either piano or organ.
&lt;/p&gt;&lt;p&gt;There's a Friend for Little Children. C. 4. c to g. E.s. [Hosmer?]. 50. A solo which many who desire suitable pieces to be sung to a Sabbath gathering will be pleased to obtain. The accompaniment for either piano or organ is interesting. The piece can be used to advantage by a choir-soloist for special occasions. It is a gem for home use as well.  Try it.
&lt;/p&gt;&lt;p&gt;Titania's Cradle. Sopr. or Ten. F. 5. E to a. Lehman. 35
&lt;/p&gt;&lt;p&gt;Titania's Cradle. Mezzo-Sopr. or Bar. Eb. 5. d to g. Lehman. 35. The well-known words from Shakespeare's "Midsummer Night's Dream" ("I know a bank whereon the wild thyme blows") are here melodiously and artistically set by Liza Lehman. It is a good song for an experienced vocalist. Published in two different keys, as above.
&lt;/p&gt;&lt;p&gt;The Children's Hour. Eb. 4. bb to Eb. Peterson. 40. A pretty poem set to equally attractive and very tuneful music.
&lt;/p&gt;&lt;p&gt;'Tis that I Love Thee. Duet. D. 4. (Lohr.) Vane. 60. A most agreeable duet for two voices of medium compass. Try it.
&lt;/p&gt;&lt;p&gt;Love's Signal. Ab. 4. c to F. A.F. Burnett. 60. One of the most enjoyable of recent songs. The words are by Fred E. Weatherly, the well-known English writer, and the music by Burnett will find hosts of admirers among the lovers of the best English songs. The sentiment is very pretty:--
"Only a wee worn kerchief that lay in my trembling hands, As I sat by the Window dreaming and looked on the moonlit lands."
&lt;/p&gt;&lt;p&gt;Waiting to welcome her Boy. G. 2. d to F# J.W. Wheeler. 40. Popular song and chorus by a popular author. The sentiment is good and the song is worth a place in your collection of vocal gems of this kind.
&lt;/p&gt;&lt;p&gt;At the French Ball. Song with Dance. F. 3. c to F. D.F. Braham. 40.  "I went to the ball, the naughty French ball, And I danced with a little grisette; She was not over stout, and not very tall, And so pretty I soon called her 'pet'."
&lt;/p&gt;&lt;p&gt;The Darkey Musketeers. March-song. F. 3. c to F. V.W. Wheeler. 40. Another new comic song by the author of "The Colored Four Hundred." Bright and catchy.
&lt;/p&gt;&lt;p&gt;He isn't on the job just now. Eb. 2. Eb to F. McGlennon. 40. Humorous song. Just the kind to provoke merriment.
&lt;/p&gt;&lt;p&gt;Spanish Cradle Song. Fm. 4 Eb to Db. Boott. 35. One of Mr. Boott's latest contributions to the list of excellent modern songs. Both Spanish and English versions are given. The song is one of the most noticeable of recent compositions. It is for a voice of medium compass.
&lt;/p&gt;&lt;p&gt;As a Tale that is told. Bb. 4. bb to Eb. W.F. Sudds. 50. An excellent song for low voice, either alto or baritone, and we commend it to all who admire good verse set to equally good music.
&lt;/p&gt;&lt;p&gt;Sooner or Later. Eb. 4. bb to Eb. W. F. Sudds. 35. In this song Mr. Sudds has admirably set the verses of Stewart Allen to an original melody, which expresses the sentiment of the poem in a musicianly and agreeable manner.  The accompaniment is for either organ or piano. A fine song for low voice.
&lt;/p&gt;&lt;p&gt;Wit and Wine. G. 4. d to E. E. M. Chesham. 60. The story of an ancient king who made merry with his courtiers, and knighted his serving man. It is a fine, hearty, rollicking song for baritone. Try it.
&lt;/p&gt;&lt;p&gt;Sweetheart, my Song is come. F. 3. b to G.   F.S. Sommers. 35
&lt;/p&gt;&lt;p&gt;The Touch of the Wand. G. 3. d to E.    F.S. Sommers. 40
&lt;/p&gt;&lt;p&gt;Chansonette. Eb. 3. bb to Eb.  F.S. Sommers. 35. The above three songs by Frederick S. Sommers are the work of a musician whose music will repay the learner in the most agreeable manner. The piano parts are no less satisfactory and musicianly than the melody itself and the general treatment of the themes.
&lt;/p&gt;&lt;p&gt;Suffer Little Children. D. 4. c# to D. Roeder, 50. A new sacred song by Martin Roeder; teacher of singing at the N.E. Conservatory of Music.
&lt;/p&gt;&lt;p&gt;Her Last Good Bye. F. 2. c. to F. Delamere. 35.  A song and chorus in the popular vein. New and pleasing.
&lt;/p&gt;&lt;p&gt;Take up Thy Cross. Eb. 4. ab to F.  C.E. B. Price. 50. A sacred song for mezzo-soprano or baritone. Excellent for a choir soloist. Accompaniment suitable for either piano or organ.
&lt;/p&gt;&lt;p&gt;Forsaken. Ballad. G. 4. d to F# Millard. 40.  The good taste and exquisite treatment of the theme so beautifully expressed in the verses by Mary C. Preston, are characteristic of Harrison Millard. This is his latest song; and to all singers and mezzo-soprano or tenor voices we say, try this new ballad, and you will not regret the trial. The melody and the graceful, delicate piano accompaniment captivate the hearer at once. Don't fail to secure this latest song by Millard.
&lt;/p&gt;&lt;p&gt;The Boat with My True Love's Name. F. 2. c to D. Collin Coe. 40.  A new song by Collin Coe.  It has a pretty waltz-refrain, and will probably be popular as a light, melodious "boat-song," or a "catchy" song and refrain of the college type. Simple, dainty, and melodious. Here is a verse, to show the sentiment:--"My true heart is a brave, brave girl; She lives by the wide, wide sea, And when I sail on the ocen She watches and waits for me. I have a boat so trim and neat,--For sailing she's won her fame,--And I call my boat the 'Bonnie Bell,' For that's my true love's name." "Over the sea, over the sea, My Bonnie Bell goes sailing with me."
&lt;/p&gt;&lt;p&gt;There's a Green Hill far Away. Eb. 4 Eb to G.  J.C. Warren. 50. A sacred song for soprano. One of the very best of recent solos for choir singers. The familiar verse in a new musical setting.
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL.
&lt;/p&gt;&lt;p&gt;Gov. Russell's Grand March. Eb. 4. Grace Harding. 50. A captivating March for the piano. A good portrait of Gov. Russell adorns the title page.
&lt;/p&gt;&lt;p&gt;Stolen Kisses. Waltz. F. Bb and G. 4. Josephine Gro. 60. Good waltzes are always in demand. This set is very pretty, and we advise all who desire waltz-music for the piano to obtain a copy of it.
&lt;/p&gt;&lt;p&gt;Beacon Waltzes. Eb. 4. Lawrence Neebe. 60 Good melodious waltz-music for the piano. Try it.
&lt;/p&gt;&lt;p&gt;Figaro Waltzes. A. D. G. 4. Lombardero. 50. Fine Waltzes for the piano; not difficult, and well worth learning.
&lt;/p&gt;&lt;p&gt;Violanta Polka. G. 3. J. Knecht. 35. Spirited, bright, pretty dance music for the piano.
&lt;/p&gt;&lt;p&gt;Columbia. Fantasia-Polka. For the cornet. Rollinson. 75. An admirable solo in G for the Bb cornet. Fine piano accompaniment. The piece is dedicated to and played by John M. Flockton. It is one of Rollinson's best cornet solos.
&lt;/p&gt;&lt;p&gt;The Young Player. Selected Pianoforte Pieces for the Cultivation of a Refined Taste. The set comprises the following:--
Dear Memory. F. Thome. 25. Sweet Melody. F. Thome. 25. A Quaint Old Story. F. Thome. 25. Alsatian Dance. F. Thome. 25. Sleepy Eyes. (Cradle Song.) Ab. 2. P. Lacome. 25. Shady Nook. A. 2. P. Lacome. 25. Indian Dance. P. Lacome. 25 Merriment. A. 2. P. Lacome. 25. Jumping Jack. G. 2. E. Charagnat. 25. On tiptoe. D major. F minor. E. Charagnat. 25. Finger Tip Study. C. 2. E. Charagnat. 25. Happy Greeting. D. 2. E. Chavagnat. 25. The above named pieces are admirably adapted to the use of young players, especially pupils.
&lt;/p&gt;&lt;p&gt;Dancing on the Levee Schottisch. C. 3. Edwin Christie. 35. Captivating schottische for the piano.
&lt;/p&gt;&lt;p&gt;Old Hickory. Schottisch. C. 3. Percy Seymour. 50. A military schottische for the piano. It is not hard, even if it is old hickory. It is very pretty, and "catchy."
&lt;/p&gt;&lt;p&gt;American Beauties. C. 3. L.C. Jacoly. 40. A two-step dance movement for the piano. A charming piece for players who like light, melodious piano music with the true dance rhythm.
&lt;/p&gt;&lt;p&gt;Boston Belles. Morceau de Salon. Eb. 4. Goerdeler. 50  A brilliant morceau for piano, by an exceedingly popular composer. It is not too difficult for the average proficient pupil.
&lt;/p&gt;&lt;p&gt;The World's Fair. Six Easy Piano Pieces by Henry Lamb. 1. "Fair Columbia." Waltz. G. 2. "English Blonde." Polka. C. 3. "Italian Girl." York. G. 4. "Scotch Lassie." Galop. G. 5. "Chinese Maiden." March. C. 6. "Spanish Belle." Schottisch. C.  The above named six piano pieces are easy and suitable for young beginners. Each piece has the proper "fingering" indicated. The title-page of each is beautifully illustrated by characteristic faces of the different maidens whose nationality is given in the list. Send for the "The World's Fair" set of pieces by Henry Lamb.
&lt;/p&gt;&lt;p&gt;Six Easy Pieces. Chester Hatton. 1. "Eileen Mazurka." C. 2. 30. 2. "Fauntleroy March." Eb. 2. 30. 3. "Mystic Gavotte." G. c. 30. 4. "Summer Dreams." F. 2. 30.  5. "Minuet." D. 2. 30.  6. "Sarabande." F. 2. 30. A remarkable pleasing and well written set of piano pieces. Everybody who has tried them says so.
&lt;/p&gt;&lt;p&gt;Silver Chimes. Morceau for piano. Db. 4. G.D. Wilson. 60. A brilliant but not difficult piano-piece in the pleasing "fantasia" style. The correct fingering is given for the pupil's use.
&lt;/p&gt;&lt;p&gt;Societe de Bons Vivants. Piano Piece. G. 5. Sudds. 50. One of Mr. Sudd's best piano pieces. "Good Fellowship" is the English name for the piece.
&lt;/p&gt;&lt;p&gt;Enchanted Valley. Morceau for piano. Ab. 4. Gallgher. 60. A brilliant morceau, such as the average proficient amateur will enjoy.
&lt;/p&gt;&lt;p&gt;Playful Rondo. For Piano. G. 2.  C.W. Greene. 35. An excellent piece for a pupil. The correct (German) fingering is given.
&lt;/p&gt;&lt;p&gt;Congaree Dance. F. 5.  J.F. Gilder.60. The latest pianoforte composition of John Francis Gilder. It is in his usual "catchy" style.
&lt;/p&gt;&lt;p&gt;Esperanza. (Hope). Melodie for piano. Ab. 4. Klein. 40. Very pleasing.
&lt;/p&gt;&lt;p&gt;Electric Polka. For Piano. F. 2. Roeske. 35. Bright, jolly, catchy piano music.
&lt;/p&gt;&lt;p&gt;Electric Polka. With Toy Instruments. Roeske. 75. For schools or kindergartens, this piece, after the manner of Haydn's "Toy Symphony," has music for the Ocarina, Tin Whistle, Bells, Triangle, Violoncello, Drum, Violin, Autoharp, Pop-gun, Quail, and Clappers. The melody is played on the Piano, and the children accompany with the instruments mentioned. This piece was performed in a Boston Kindergarten with good effect.
&lt;/p&gt;&lt;p&gt;Les Fleurs. Valse for Piano. F. 3. Ludovic. 35. Easy and Pretty.
&lt;/p&gt;&lt;p&gt;Toreador. Waltz for Piano. D. 4.  T.P. Royle. 60. A showy waltz of medium difficulty.
&lt;/p&gt;&lt;p&gt;Colored Four Hundred. March for Piano. Bb. Knight. 40. The popular song arranged as a "two-step."
&lt;/p&gt;&lt;p&gt;Spring's Return. G. 4.  B.C. Klein. 40.
&lt;/p&gt;&lt;p&gt;Full of Joy. Waltz. G. 4. " " 50.
&lt;/p&gt;&lt;p&gt;Mabel Cay. G. and Bb. 4. " " 40.
&lt;/p&gt;&lt;p&gt;Sylphide. Polka-mazurka. G and Eb. 4. " " 40.
&lt;/p&gt;&lt;p&gt;FOR THE MANDOLIN:--
&lt;/p&gt;&lt;p&gt;Flight of Birds. Polka. (Waldteufel). Marcy. A fine polka for two mandolins, with guitar or piano accompaniment.
&lt;/p&gt;&lt;p&gt;FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT.
&lt;/p&gt;&lt;p&gt;Light Cavalry March (2 Mandolins) Vreeland. 60
&lt;/p&gt;&lt;p&gt;'Mid Bowers Fair. Waltzes. (2 Mandolins.) Vreeland. 60
&lt;/p&gt;&lt;p&gt;'Mid Bowers Fair. Waltzes. (solo). Vreeland. 40
&lt;/p&gt;&lt;p&gt;FOR VIOLIN AND PIANO:--
&lt;/p&gt;&lt;p&gt;Rienzi's Prayer. C. 4. Wagner. 40
&lt;/p&gt;&lt;p&gt;Le Hamac. F. 5. Dancia. 40
&lt;/p&gt;&lt;p&gt;Air Melodieux. F. 4. Bohm. 40
&lt;/p&gt;&lt;p&gt;Canzonetta. C. 3. Eichberg. 40
&lt;/p&gt;&lt;p&gt;Kinderlied. G. 2. David. 30
&lt;/p&gt;&lt;p&gt;Melodie. F. 3. Moszkowski. 40
&lt;/p&gt;&lt;p&gt;On the Lake. A. 2. Volkman. 35
&lt;/p&gt;&lt;p&gt;The above violin pieces, with piano accompaniment, are classics which every learner, as well as all violinists, should have.  The grading given above refers to the violin parts only. The piano accompaniments vary as to difficulty.
&lt;/p&gt;&lt;p&gt;BOSTON: OLIVER DITSON COMPANY
&lt;/p&gt;&lt;p&gt;New York C.H. Ditson &amp;amp; Co.  Chicago Lyon &amp;amp; Healy. Boston John C. Haynes &amp;amp; Co. Philadelphia J.E. Ditson &amp;amp; Co.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171476">
              <text>5</text>
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                <text>Monody On The Death of A. Lincoln</text>
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                <text>"To the Union, Mourn ye afflicted People-Mourn." "Sixteenth president of the United States, Born Feb. 12th 1808. Died by the hand of an assassin April 15th 1865."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Beckel, J.C. (James Cox)</text>
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                <text>Beckel, J. C. (James, Cox)</text>
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                <text>J.J. Dobmeyer &amp;amp; Comapny</text>
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                <text>Cincinnati</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;TO THE UNION "Mourn ye afflicted People--Mourn"
&lt;/p&gt;&lt;p&gt;MONODY ON THE DEATH OF A. LINCOLN Sixteenth President of the United States, Born Feb. 12th 1808 Died by the hand of an assassin April 15th 1865
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY J.C. BECKEL
&lt;/p&gt;&lt;p&gt;Song Funeral March
&lt;/p&gt;&lt;p&gt;Published by J.J. Dobmeyer &amp;amp; Co. Cincinnati St. Louis J.J. Dobmeyer &amp;amp; Co. Chicago De Motte Bros. New York J.L. Peters
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;MONODY.
&lt;/p&gt;&lt;p&gt;Written &amp;amp; Composed  J. C. Beckel.
&lt;/p&gt;&lt;p&gt;Lento con dolore. Piano
&lt;/p&gt;&lt;p&gt;2. Well may your sorrows brethren flow, Your tears your cheeks bedew,
&lt;/p&gt;&lt;p&gt;1. Not in the battle's strife he fell, Nor ling'ring couch of pain,
&lt;/p&gt;&lt;p&gt;For shared he not your ev'ry woe, And died he not for you.
&lt;/p&gt;&lt;p&gt;But by an impious fiend of hell, Shot! madly thro' the brain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 CHORUS
&lt;/p&gt;&lt;p&gt;L'istess tempo. AIR ALTO
&lt;/p&gt;&lt;p&gt;Mourne ye afflicted people mourne, Your shouts of joy give o'er, Sad
&lt;/p&gt;&lt;p&gt;TENOR BASS
&lt;/p&gt;&lt;p&gt;Mourne ye afflicted people mourne, Your shouts of joy give o'er Sad
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;news on passing breeze is borne, Your Chieftain is no more.
&lt;/p&gt;&lt;p&gt;news on passing breeze is borne, Your Chieftain is no more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. And you ye noble patriot band, Who stem'd rebellions tide, 4. But not in vain shall tears be shed Upon the Patriots grave.
&lt;/p&gt;&lt;p&gt;'Till shouts of vict'ry fill'd the land Weep ye! your friend is dead.
&lt;/p&gt;&lt;p&gt;Like HIM of old, he died and bled, A nation's life to save.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHOICE GEMS SELECTED FROM OLIVER DITSON COMPANY'S LATEST LISTS OF NEW MUSIC
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Song o' Cowans. Db.4. db to gb. McCartney 50. A pretty song, with words in the Scotch dialect. Suitable for a soprano voice; and, if we mistake not, a song that will be much in vogue among admirers of good modern vocal compositions.
&lt;/p&gt;&lt;p&gt;Maid Dreaming. G 4. d to g. Macy. 40. The oddness of style manifest in this new song, as well as the excellence of both poetry and melody, should place it at once among the most desirable of recent song productions. The piano accompaniment is of itself an attraction.
&lt;/p&gt;&lt;p&gt;On the Swinging Branches. F. 4. c to F. G.F. Wilson. 35. "On the Swinging Branches," or the "Song of the Bobolink," is one of the latest of Mr. Wilson's compositions.  It is of an unusually pleasing nature, tasteful and graceful, while the melodious waltz-refrain makes it specially attractive as to the popular requirements.
&lt;/p&gt;&lt;p&gt;Earth's Fairest Flower. Db. 4. c to F. Orton Bradley. 40. One of the best modern songs for mezzo-soprano or baritone.  It has a graceful movement in 9-8 tempo, with melody and piano accompaniment alike agreeable.
&lt;/p&gt;&lt;p&gt;Villanelle. (Peasant's Song.) Eb. 5. Eb to b. Dell' Acqua. 50. "Villanelle," or the peasant's song-- J'ai vu passer Hironelle ("I've seen the swallows pass by me")--is one of the most acceptable of the modern songs. The translation is by Harrison Millard. Both French and English version are given. It is recommended to sopranos.
&lt;/p&gt;&lt;p&gt;He Leadeth Me. Duet. Eb. 4. S. Salter. 35. A fine sacred duet for alto and tenor. We commend it to choir-singers. the accompaniment is for either piano or organ.
&lt;/p&gt;&lt;p&gt;There's a Friend for Little Children. C. 4. c to g. E.s. [Hosmer?]. 50. A solo which many who desire suitable pieces to be sung to a Sabbath gathering will be pleased to obtain. The accompaniment for either piano or organ is interesting. The piece can be used to advantage by a choir-soloist for special occasions. It is a gem for home use as well.  Try it.
&lt;/p&gt;&lt;p&gt;Titania's Cradle. Sopr. or Ten. F. 5. E to a. Lehman. 35
&lt;/p&gt;&lt;p&gt;Titania's Cradle. Mezzo-Sopr. or Bar. Eb. 5. d to g. Lehman. 35. The well-known words from Shakespeare's "Midsummer Night's Dream" ("I know a bank whereon the wild thyme blows") are here melodiously and artistically set by Liza Lehman. It is a good song for an experienced vocalist. Published in two different keys, as above.
&lt;/p&gt;&lt;p&gt;The Children's Hour. Eb. 4. bb to Eb. Peterson. 40. A pretty poem set to equally attractive and very tuneful music.
&lt;/p&gt;&lt;p&gt;'Tis that I Love Thee. Duet. D. 4. (Lohr.) Vane. 60. A most agreeable duet for two voices of medium compass. Try it.
&lt;/p&gt;&lt;p&gt;Love's Signal. Ab. 4. c to F. A.F. Burnett. 60. One of the most enjoyable of recent songs. The words are by Fred E. Weatherly, the well-known English writer, and the music by Burnett will find hosts of admirers among the lovers of the best English songs. The sentiment is very pretty:--
"Only a wee worn kerchief that lay in my trembling hands, As I sat by the Window dreaming and looked on the moonlit lands."
&lt;/p&gt;&lt;p&gt;Waiting to welcome her Boy. G. 2. d to F# J.W. Wheeler. 40. Popular song and chorus by a popular author. The sentiment is good and the song is worth a place in your collection of vocal gems of this kind.
&lt;/p&gt;&lt;p&gt;At the French Ball. Song with Dance. F. 3. c to F. D.F. Braham. 40.  "I went to the ball, the naughty French ball, And I danced with a little grisette; She was not over stout, and not very tall, And so pretty I soon called her 'pet'."
&lt;/p&gt;&lt;p&gt;The Darkey Musketeers. March-song. F. 3. c to F. V.W. Wheeler. 40. Another new comic song by the author of "The Colored Four Hundred." Bright and catchy.
&lt;/p&gt;&lt;p&gt;He isn't on the job just now. Eb. 2. Eb to F. McGlennon. 40. Humorous song. Just the kind to provoke merriment.
&lt;/p&gt;&lt;p&gt;Spanish Cradle Song. Fm. 4 Eb to Db. Boott. 35. One of Mr. Boott's latest contributions to the list of excellent modern songs. Both Spanish and English versions are given. The song is one of the most noticeable of recent compositions. It is for a voice of medium compass.
&lt;/p&gt;&lt;p&gt;As a Tale that is told. Bb. 4. bb to Eb. W.F. Sudds. 50. An excellent song for low voice, either alto or baritone, and we commend it to all who admire good verse set to equally good music.
&lt;/p&gt;&lt;p&gt;Sooner or Later. Eb. 4. bb to Eb. W. F. Sudds. 35. In this song Mr. Sudds has admirably set the verses of Stewart Allen to an original melody, which expresses the sentiment of the poem in a musicianly and agreeable manner.  The accompaniment is for either organ or piano. A fine song for low voice.
&lt;/p&gt;&lt;p&gt;Wit and Wine. G. 4. d to E. E. M. Chesham. 60. The story of an ancient king who made merry with his courtiers, and knighted his serving man. It is a fine, hearty, rollicking song for baritone. Try it.
&lt;/p&gt;&lt;p&gt;Sweetheart, my Song is come. F. 3. b to G.   F.S. Sommers. 35
&lt;/p&gt;&lt;p&gt;The Touch of the Wand. G. 3. d to E.    F.S. Sommers. 40
&lt;/p&gt;&lt;p&gt;Chansonette. Eb. 3. bb to Eb.  F.S. Sommers. 35. The above three songs by Frederick S. Sommers are the work of a musician whose music will repay the learner in the most agreeable manner. The piano parts are no less satisfactory and musicianly than the melody itself and the general treatment of the themes.
&lt;/p&gt;&lt;p&gt;Suffer Little Children. D. 4. c# to D. Roeder, 50. A new sacred song by Martin Roeder; teacher of singing at the N.E. Conservatory of Music.
&lt;/p&gt;&lt;p&gt;Her Last Good Bye. F. 2. c. to F. Delamere. 35.  A song and chorus in the popular vein. New and pleasing.
&lt;/p&gt;&lt;p&gt;Take up Thy Cross. Eb. 4. ab to F.  C.E. B. Price. 50. A sacred song for mezzo-soprano or baritone. Excellent for a choir soloist. Accompaniment suitable for either piano or organ.
&lt;/p&gt;&lt;p&gt;Forsaken. Ballad. G. 4. d to F# Millard. 40.  The good taste and exquisite treatment of the theme so beautifully expressed in the verses by Mary C. Preston, are characteristic of Harrison Millard. This is his latest song; and to all singers and mezzo-soprano or tenor voices we say, try this new ballad, and you will not regret the trial. The melody and the graceful, delicate piano accompaniment captivate the hearer at once. Don't fail to secure this latest song by Millard.
&lt;/p&gt;&lt;p&gt;The Boat with My True Love's Name. F. 2. c to D. Collin Coe. 40.  A new song by Collin Coe.  It has a pretty waltz-refrain, and will probably be popular as a light, melodious "boat-song," or a "catchy" song and refrain of the college type. Simple, dainty, and melodious. Here is a verse, to show the sentiment:--"My true heart is a brave, brave girl; She lives by the wide, wide sea, And when I sail on the ocen She watches and waits for me. I have a boat so trim and neat,--For sailing she's won her fame,--And I call my boat the 'Bonnie Bell,' For that's my true love's name." "Over the sea, over the sea, My Bonnie Bell goes sailing with me."
&lt;/p&gt;&lt;p&gt;There's a Green Hill far Away. Eb. 4 Eb to G.  J.C. Warren. 50. A sacred song for soprano. One of the very best of recent solos for choir singers. The familiar verse in a new musical setting.
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL.
&lt;/p&gt;&lt;p&gt;Gov. Russell's Grand March. Eb. 4. Grace Harding. 50. A captivating March for the piano. A good portrait of Gov. Russell adorns the title page.
&lt;/p&gt;&lt;p&gt;Stolen Kisses. Waltz. F. Bb and G. 4. Josephine Gro. 60. Good waltzes are always in demand. This set is very pretty, and we advise all who desire waltz-music for the piano to obtain a copy of it.
&lt;/p&gt;&lt;p&gt;Beacon Waltzes. Eb. 4. Lawrence Neebe. 60 Good melodious waltz-music for the piano. Try it.
&lt;/p&gt;&lt;p&gt;Figaro Waltzes. A. D. G. 4. Lombardero. 50. Fine Waltzes for the piano; not difficult, and well worth learning.
&lt;/p&gt;&lt;p&gt;Violanta Polka. G. 3. J. Knecht. 35. Spirited, bright, pretty dance music for the piano.
&lt;/p&gt;&lt;p&gt;Columbia. Fantasia-Polka. For the cornet. Rollinson. 75. An admirable solo in G for the Bb cornet. Fine piano accompaniment. The piece is dedicated to and played by John M. Flockton. It is one of Rollinson's best cornet solos.
&lt;/p&gt;&lt;p&gt;The Young Player. Selected Pianoforte Pieces for the Cultivation of a Refined Taste. The set comprises the following:--
Dear Memory. F. Thome. 25. Sweet Melody. F. Thome. 25. A Quaint Old Story. F. Thome. 25. Alsatian Dance. F. Thome. 25. Sleepy Eyes. (Cradle Song.) Ab. 2. P. Lacome. 25. Shady Nook. A. 2. P. Lacome. 25. Indian Dance. P. Lacome. 25 Merriment. A. 2. P. Lacome. 25. Jumping Jack. G. 2. E. Charagnat. 25. On tiptoe. D major. F minor. E. Charagnat. 25. Finger Tip Study. C. 2. E. Charagnat. 25. Happy Greeting. D. 2. E. Chavagnat. 25. The above named pieces are admirably adapted to the use of young players, especially pupils.
&lt;/p&gt;&lt;p&gt;Dancing on the Levee Schottisch. C. 3. Edwin Christie. 35. Captivating schottische for the piano.
&lt;/p&gt;&lt;p&gt;Old Hickory. Schottisch. C. 3. Percy Seymour. 50. A military schottische for the piano. It is not hard, even if it is old hickory. It is very pretty, and "catchy."
&lt;/p&gt;&lt;p&gt;American Beauties. C. 3. L.C. Jacoly. 40. A two-step dance movement for the piano. A charming piece for players who like light, melodious piano music with the true dance rhythm.
&lt;/p&gt;&lt;p&gt;Boston Belles. Morceau de Salon. Eb. 4. Goerdeler. 50  A brilliant morceau for piano, by an exceedingly popular composer. It is not too difficult for the average proficient pupil.
&lt;/p&gt;&lt;p&gt;The World's Fair. Six Easy Piano Pieces by Henry Lamb. 1. "Fair Columbia." Waltz. G. 2. "English Blonde." Polka. C. 3. "Italian Girl." York. G. 4. "Scotch Lassie." Galop. G. 5. "Chinese Maiden." March. C. 6. "Spanish Belle." Schottisch. C.  The above named six piano pieces are easy and suitable for young beginners. Each piece has the proper "fingering" indicated. The title-page of each is beautifully illustrated by characteristic faces of the different maidens whose nationality is given in the list. Send for the "The World's Fair" set of pieces by Henry Lamb.
&lt;/p&gt;&lt;p&gt;Six Easy Pieces. Chester Hatton. 1. "Eileen Mazurka." C. 2. 30. 2. "Fauntleroy March." Eb. 2. 30. 3. "Mystic Gavotte." G. c. 30. 4. "Summer Dreams." F. 2. 30.  5. "Minuet." D. 2. 30.  6. "Sarabande." F. 2. 30. A remarkable pleasing and well written set of piano pieces. Everybody who has tried them says so.
&lt;/p&gt;&lt;p&gt;Silver Chimes. Morceau for piano. Db. 4. G.D. Wilson. 60. A brilliant but not difficult piano-piece in the pleasing "fantasia" style. The correct fingering is given for the pupil's use.
&lt;/p&gt;&lt;p&gt;Societe de Bons Vivants. Piano Piece. G. 5. Sudds. 50. One of Mr. Sudd's best piano pieces. "Good Fellowship" is the English name for the piece.
&lt;/p&gt;&lt;p&gt;Enchanted Valley. Morceau for piano. Ab. 4. Gallgher. 60. A brilliant morceau, such as the average proficient amateur will enjoy.
&lt;/p&gt;&lt;p&gt;Playful Rondo. For Piano. G. 2.  C.W. Greene. 35. An excellent piece for a pupil. The correct (German) fingering is given.
&lt;/p&gt;&lt;p&gt;Congaree Dance. F. 5.  J.F. Gilder.60. The latest pianoforte composition of John Francis Gilder. It is in his usual "catchy" style.
&lt;/p&gt;&lt;p&gt;Esperanza. (Hope). Melodie for piano. Ab. 4. Klein. 40. Very pleasing.
&lt;/p&gt;&lt;p&gt;Electric Polka. For Piano. F. 2. Roeske. 35. Bright, jolly, catchy piano music.
&lt;/p&gt;&lt;p&gt;Electric Polka. With Toy Instruments. Roeske. 75. For schools or kindergartens, this piece, after the manner of Haydn's "Toy Symphony," has music for the Ocarina, Tin Whistle, Bells, Triangle, Violoncello, Drum, Violin, Autoharp, Pop-gun, Quail, and Clappers. The melody is played on the Piano, and the children accompany with the instruments mentioned. This piece was performed in a Boston Kindergarten with good effect.
&lt;/p&gt;&lt;p&gt;Les Fleurs. Valse for Piano. F. 3. Ludovic. 35. Easy and Pretty.
&lt;/p&gt;&lt;p&gt;Toreador. Waltz for Piano. D. 4.  T.P. Royle. 60. A showy waltz of medium difficulty.
&lt;/p&gt;&lt;p&gt;Colored Four Hundred. March for Piano. Bb. Knight. 40. The popular song arranged as a "two-step."
&lt;/p&gt;&lt;p&gt;Spring's Return. G. 4.  B.C. Klein. 40.
&lt;/p&gt;&lt;p&gt;Full of Joy. Waltz. G. 4. " " 50.
&lt;/p&gt;&lt;p&gt;Mabel Cay. G. and Bb. 4. " " 40.
&lt;/p&gt;&lt;p&gt;Sylphide. Polka-mazurka. G and Eb. 4. " " 40.
&lt;/p&gt;&lt;p&gt;FOR THE MANDOLIN:--
&lt;/p&gt;&lt;p&gt;Flight of Birds. Polka. (Waldteufel). Marcy. A fine polka for two mandolins, with guitar or piano accompaniment.
&lt;/p&gt;&lt;p&gt;FOR THE MANDOLIN WITH GUITAR ACCOMPANIMENT.
&lt;/p&gt;&lt;p&gt;Light Cavalry March (2 Mandolins) Vreeland. 60
&lt;/p&gt;&lt;p&gt;'Mid Bowers Fair. Waltzes. (2 Mandolins.) Vreeland. 60
&lt;/p&gt;&lt;p&gt;'Mid Bowers Fair. Waltzes. (solo). Vreeland. 40
&lt;/p&gt;&lt;p&gt;FOR VIOLIN AND PIANO:--
&lt;/p&gt;&lt;p&gt;Rienzi's Prayer. C. 4. Wagner. 40
&lt;/p&gt;&lt;p&gt;Le Hamac. F. 5. Dancia. 40
&lt;/p&gt;&lt;p&gt;Air Melodieux. F. 4. Bohm. 40
&lt;/p&gt;&lt;p&gt;Canzonetta. C. 3. Eichberg. 40
&lt;/p&gt;&lt;p&gt;Kinderlied. G. 2. David. 30
&lt;/p&gt;&lt;p&gt;Melodie. F. 3. Moszkowski. 40
&lt;/p&gt;&lt;p&gt;On the Lake. A. 2. Volkman. 35
&lt;/p&gt;&lt;p&gt;The above violin pieces, with piano accompaniment, are classics which every learner, as well as all violinists, should have.  The grading given above refers to the violin parts only. The piano accompaniments vary as to difficulty.
&lt;/p&gt;&lt;p&gt;BOSTON: OLIVER DITSON COMPANY
&lt;/p&gt;&lt;p&gt;New York C.H. Ditson &amp;amp; Co.  Chicago Lyon &amp;amp; Healy. Boston John C. Haynes &amp;amp; Co. Philadelphia J.E. Ditson &amp;amp; Co.
&lt;/p&gt;
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                    <text>&lt;p&gt;[in pencil: Miss Mary Theobalds P.A.M.]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MARYLAND, MY MARYLAND!
&lt;/p&gt;&lt;p&gt;UNION WORDS ADAPTED, 
AND
MUSIC ARRANGED BY
SEP. WINNER.
PIANO, 25.
PHILADELPHIA: PUBLISHED BY
LEE &amp;amp; WALKER,
No. 722 Chestnut Street, below Eighth.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARYLAND MY MARYLAND
ADAPTED &amp;amp; ARRANGED BY
SEP. WINNER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st.  The Rebel horde is on thy shore, Ma-ry-land! My Ma-ry-land! A-rise and drive him from thy door, Ma-ry-land! My Ma-ry-land! A-venge the foe thou must abhor, Who seeks thy fall oh Bal-ti-more, Drive back the ty--rant, peace restore, Ma-ry-land, My Ma-ry-land!
2nd.  Hark to a na-tion's warm ap-peal,  Ma-ry-land! My Ma-ry-land! And sister states that for thee feel, Ma-ry-land! My Ma-ry-land! Gird now thy sons with arms of steel, And heavy be the blows they deal, for traitors shall thy vengeance feel, Ma-ry-land! My Ma-ry-land!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3  Thou wilt not cower in the dust, Maryland_ Thy gleaming sword shall never rust, Maryland_ Thy sons shall battle with the just, And soon repel the traitor's thrust, For in their strength our state shall trust, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;4  Come! for thy men are bold and strong, Maryland_ Drive back the foe that would thee wrong, Maryland_ Come with thine own heroic throng, And as thy army moves along, Let Union be their constant song, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;5  Virginia feels the tyrants chain, Maryland_ Her children lie around her slain, Maryland_ Let Carolina call in vain, Our rights we know and will maintain, Our rise shall be her fall again. Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;8  I hear the distant battle's hum, Maryland  I hear the bugle, fife and drum, Maryland  Thou art not deaf, thou art not dumb, Thou wilt not falter nor succumb, I hear thee cry we come, we come! Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;7  Ten hundred thousand, brave and free, Maryland_ Are ready now to strike with thee, Maryland_ A Million more still yet agree, To help thee hold thy liberty, For thou shalt ever be, Maryland our Maryland!
&lt;/p&gt;&lt;p&gt;winner
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Maryland, My Maryland</text>
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                <text>"Maryland, My Maryland," has been the state song of Maryland since 1939. Based on "Maryland. My Maryland," an 1861 poem James Ryder Randall, the song decries Lincoln's use of Union troops in Maryland and calls on the state, one of the four border states, to secede. The song became one of the most popular songs in the Confederacy. &lt;br /&gt;&lt;br /&gt;The pro-Union version of the song presented here replaces the original anti-Lincoln and anti-Union verses with words favorable to the North and damning to the South.</text>
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                <text>Winner, Septimus, 1827-1902</text>
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                <text>Winner, Septimus</text>
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                <text>&lt;p&gt;[in pencil: Miss Mary Theobalds P.A.M.]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MARYLAND, MY MARYLAND!
&lt;/p&gt;&lt;p&gt;UNION WORDS ADAPTED, 
AND
MUSIC ARRANGED BY
SEP. WINNER.
PIANO, 25.
PHILADELPHIA: PUBLISHED BY
LEE &amp;amp; WALKER,
No. 722 Chestnut Street, below Eighth.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARYLAND MY MARYLAND
ADAPTED &amp;amp; ARRANGED BY
SEP. WINNER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st.  The Rebel horde is on thy shore, Ma-ry-land! My Ma-ry-land! A-rise and drive him from thy door, Ma-ry-land! My Ma-ry-land! A-venge the foe thou must abhor, Who seeks thy fall oh Bal-ti-more, Drive back the ty--rant, peace restore, Ma-ry-land, My Ma-ry-land!
2nd.  Hark to a na-tion's warm ap-peal,  Ma-ry-land! My Ma-ry-land! And sister states that for thee feel, Ma-ry-land! My Ma-ry-land! Gird now thy sons with arms of steel, And heavy be the blows they deal, for traitors shall thy vengeance feel, Ma-ry-land! My Ma-ry-land!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3  Thou wilt not cower in the dust, Maryland_ Thy gleaming sword shall never rust, Maryland_ Thy sons shall battle with the just, And soon repel the traitor's thrust, For in their strength our state shall trust, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;4  Come! for thy men are bold and strong, Maryland_ Drive back the foe that would thee wrong, Maryland_ Come with thine own heroic throng, And as thy army moves along, Let Union be their constant song, Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;5  Virginia feels the tyrants chain, Maryland_ Her children lie around her slain, Maryland_ Let Carolina call in vain, Our rights we know and will maintain, Our rise shall be her fall again. Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;8  I hear the distant battle's hum, Maryland  I hear the bugle, fife and drum, Maryland  Thou art not deaf, thou art not dumb, Thou wilt not falter nor succumb, I hear thee cry we come, we come! Maryland! my Maryland!
&lt;/p&gt;&lt;p&gt;7  Ten hundred thousand, brave and free, Maryland_ Are ready now to strike with thee, Maryland_ A Million more still yet agree, To help thee hold thy liberty, For thou shalt ever be, Maryland our Maryland!
&lt;/p&gt;&lt;p&gt;winner
&lt;/p&gt;
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                    <text>&lt;p&gt;The Martyred Patriot GRAND FUNERAL MARCH Performed on the reception of the remains of Our Beloved President Abraham Lincoln at Philad'a April 22, 1865 by J.W. PORTER.
&lt;/p&gt;&lt;p&gt;Philadelphia J. MARSH 1029 Chestnut St.
&lt;/p&gt;&lt;p&gt;New York S.T. Gordon. Boston O. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress A.D. 1865 by J. March in the Clerk's Office of the Dist Court for Eastn Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MARTYRED PATRIOT. GRAND FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;by James W. Porter.
&lt;/p&gt;&lt;p&gt;Andante con dolore. Op. 473  March
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entd. acc. to Act of Con. A.D. 1865 by J. Marsh in the Clks. Office of the D'. Ct. of the Eastern D'. of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Legato con espress. Trio.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1029 Chestnut Street, Philadelphia. Constantly publishing and receiving new music from all parts of the U.S.
&lt;/p&gt;&lt;p&gt;Dealers, Schools and Professors supplied on reasonable terms.
&lt;/p&gt;&lt;p&gt;MUSICAL INSTRUMENTS AND MUSICAL MERCHANDISE OF EVERY DESCRIPTION, WHOLESALE AND RETAIL.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Annie Worthington, Little, 30. A Song which we can heartily recommend.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Flat, 35. Wit Lithograph. Too well known to need comment.
&lt;/p&gt;&lt;p&gt;Clara Day, Frank, 30. A ballad which bids fair to become one of the most popular of the times.
&lt;/p&gt;&lt;p&gt;Dawn of Freedom, Ladd, 30. Song and Chorus, beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Drummer Boy of Vicksburg, DeGeer, 30. A very touching Song and Chorus.
&lt;/p&gt;&lt;p&gt;Grant's the Man, Darling, 30. A sprightly melody, fast growing into favor as an admirable army song.
&lt;/p&gt;&lt;p&gt;I can't love again, Hervey, 30. Graceful melody and excellent words.
&lt;/p&gt;&lt;p&gt;Little Mac! you're the very Man, Foster, 35. Song and Chorus. Always greeted with unbounded applause.
&lt;/p&gt;&lt;p&gt;Same with Lithograph Title, 50.
&lt;/p&gt;&lt;p&gt;Romping Bessie, Porter, 30. A merry ballad, with a sweet flowing melody, which never fails to please.
&lt;/p&gt;&lt;p&gt;Think not I'll forget Thee, Smith, 30. A charming melody, or more than ordinary merit, and has but to be heard to be admired.
&lt;/p&gt;&lt;p&gt;This Harp is Mute, Meignen, 30. Very fine and classical melody.
&lt;/p&gt;&lt;p&gt;The Soldier Boy, Everly, 30. To hear is to admire it.
&lt;/p&gt;&lt;p&gt;"Oil on the Brain," Eastburn, 35. Song and Chorus. Immensely popular.
&lt;/p&gt;&lt;p&gt;Home of my Youth, Winner, 30. Song. Easy and pretty.
&lt;/p&gt;&lt;p&gt;On to Richmond, Frank, 30. Song and Chorus. Stirring melody.
&lt;/p&gt;&lt;p&gt;Mother, how thy Love hath blest me, Ladd, 30. Song and Chorus. Beautiful and affecting.
&lt;/p&gt;&lt;p&gt;Sleep, Sweetly Sleep, Ladd, 30. Song and Chorus. Plaintive melody and fine words.
&lt;/p&gt;&lt;p&gt;"Stuck Ile," (Comic), Angelo, 35. Song and Chorus. Very amusing, and good melody.
&lt;/p&gt;&lt;p&gt;Sherman's Bonnie Boys in Blue, Angelo, 35. Song and Chorus. Soul-stirring melody, and appropriate words.
&lt;/p&gt;&lt;p&gt;Gal with her Hair cut Curly, Angelo, 35. Song and Chorus. Irresistibly funny.
&lt;/p&gt;&lt;p&gt;Wild Gazelle, Beckel, 30. Ballad. One of the author's happiest efforts.
&lt;/p&gt;&lt;p&gt;Fond thought of [Thee?], Rynder, 30. Song and Chorus. One of the finest songs issued, and destined to become very popular.
&lt;/p&gt;&lt;p&gt;Don't Strike a Man when he's Down, Cunningham, 30. Song and Chorus, Music as fine as the sentiment of the song.
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Schottische, Porter, 30. Introducing the popular melody of Bonnie Blue Flag. Simple yet pleasing.
&lt;/p&gt;&lt;p&gt;Chirping Bird Schottische, Orth, 30. An entirely original and novel style. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Loyal Schottische, Abbey, 30. Brilliant and beautiful.
&lt;/p&gt;&lt;p&gt;Schottische de Concert, Spencer, 35. A Grand Composition, one of which we never tire.
&lt;/p&gt;&lt;p&gt;Token Schottische, Rynder, 35.  A brilliant and effective Composition, with a beautiful cross-hand movement. Destined to become very popular.
&lt;/p&gt;&lt;p&gt;Washing Day Schottische, Winner, 30. Introducing the celebrated Melody of Washing Day, and is one of the best Dancing Schottisches ever issued.
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Eva Polka, Cockerille, 30. Very Sweet and Musical.
&lt;/p&gt;&lt;p&gt;Little Family Polka, Mach, 35. With beautiful Lithograph. A Melody which is destined to become as familiar as household words.
&lt;/p&gt;&lt;p&gt;Sleigh Bell Polka, Withers, 30. Cheerful and immensely popular.
&lt;/p&gt;&lt;p&gt;Wicomisco Polka, Bassler, 30. Sparkling and very showy, without being difficult; in fact, a decided success.
&lt;/p&gt;&lt;p&gt;Campaign Polka, Walsh, 35.  Sparkling Melody.
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;American Fleet Waltz, Smith, 50.  A piece which reflects great credit upon the author.
&lt;/p&gt;&lt;p&gt;Black Hawk Waltz, Walsh, 35. A fine melody, in the popular style, and one which we at times find ourselves unconsciously humming. Not difficult.
&lt;/p&gt;&lt;p&gt;Faust Waltz, DeBubna, 35. Finest arrangement published.
&lt;/p&gt;&lt;p&gt;Matinee Waltz, Orth, 35.  Neat and pretty Melody, not difficult.
&lt;/p&gt;&lt;p&gt;Sanitary Waltz, Rynder, 30. Brilliant and easy, good for dancing purposes.
&lt;/p&gt;&lt;p&gt;MARCHES &amp;amp; QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;Butler Quickstep, Mack, 30. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Com. Winslow's Grand Victory March, DeBubna, 50. With beautiful Lithograph. Very showy and fascinating melody.
&lt;/p&gt;&lt;p&gt;Flanker Quickstep, Withers, 35. Written in true Military style.
&lt;/p&gt;&lt;p&gt;Grand March and Soldiers' Chorus, DeBubna, 35.  From the Opera of Faust. A musical gem.
&lt;/p&gt;&lt;p&gt;Johnny's Return March, Mack 30. Simple, pleasing, and designed for beginners.
&lt;/p&gt;&lt;p&gt;Sensation March, Orth, 30.  A general favorite.
&lt;/p&gt;&lt;p&gt;RONDOS, &amp;amp;C.
&lt;/p&gt;&lt;p&gt;Captain and his Whiskers, Mack, 50.  Brilliant variations. The melody of the Captain being so familiar to the American public, needs no comment.
&lt;/p&gt;&lt;p&gt;Faust--Complete, DeBubna, $1.00. Being a fine arrangement of the March, Gallop Waltz and Soldiers' Chorus, from this beautiful Opera, blended in a masterly manner.
&lt;/p&gt;&lt;p&gt;Musical Volcano, DeBubna, 50. A Tremolo Etude, on a beautiful Air from Der Feen Reigen.
&lt;/p&gt;&lt;p&gt;West Point Cotillions, Orth, 30.  Danced at all principal Academies, and destined to become the most popular Sett out.
&lt;/p&gt;&lt;p&gt;Young Fairy's Quadrilles, Orth, 35. Suitable for either Plain or Polka Quadrilles. Same for Violin, 20.
&lt;/p&gt;&lt;p&gt;Faust Gallop, De Bubna, 35. Unsurpassed in brilliancy by any late issue and beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Summer Showers, Fantasie, Rynder, 50. An admirable composition, the pattering of the Rain Drops being distinctly heard throughout the Piece, yet so ingeniously introduced, as to form a part of the Melody.
&lt;/p&gt;&lt;p&gt;Oil Fever Gallop, Detta, 30.  Decidedly the best out.
&lt;/p&gt;&lt;p&gt;Mack's. Comprehensible Piano Forte School, $2.00. This book is precisely what its title claims, being decidedly the most comprehensible work to learners ever issued.
&lt;/p&gt;&lt;p&gt;MUSIC, MUSIC BOOKS, &amp;amp;c., from every catalogue in the United States, constantly on hand, and sent free of postage on receipt of price.  Music neatly bound. Strings and trimmings best quality for violins, guitars, banjos, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Sale agent for the Celebrated Boardman &amp;amp; Gray Piano Fortes, which are Unequalled in the World.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="171439">
              <text>5</text>
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              <text>29 cm</text>
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                <text>The Martyred Patriot Grand Funeral March</text>
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                <text>"Performed on the reception of the remains of our beloved president Abraham Lincoln at Philad'a April 22 1865"</text>
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                <text>Lincoln, Abraham 1809-1865</text>
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                <text>Porter, James W.</text>
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                <text>Sheet music</text>
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                <text>Porter, J. (James) W.</text>
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                <text>J. Marsh</text>
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              <elementText elementTextId="171437">
                <text>Philadelphia</text>
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              <elementText elementTextId="171438">
                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;The Martyred Patriot GRAND FUNERAL MARCH Performed on the reception of the remains of Our Beloved President Abraham Lincoln at Philad'a April 22, 1865 by J.W. PORTER.
&lt;/p&gt;&lt;p&gt;Philadelphia J. MARSH 1029 Chestnut St.
&lt;/p&gt;&lt;p&gt;New York S.T. Gordon. Boston O. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress A.D. 1865 by J. March in the Clerk's Office of the Dist Court for Eastn Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE MARTYRED PATRIOT. GRAND FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;by James W. Porter.
&lt;/p&gt;&lt;p&gt;Andante con dolore. Op. 473  March
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entd. acc. to Act of Con. A.D. 1865 by J. Marsh in the Clks. Office of the D'. Ct. of the Eastern D'. of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Legato con espress. Trio.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1029 Chestnut Street, Philadelphia. Constantly publishing and receiving new music from all parts of the U.S.
&lt;/p&gt;&lt;p&gt;Dealers, Schools and Professors supplied on reasonable terms.
&lt;/p&gt;&lt;p&gt;MUSICAL INSTRUMENTS AND MUSICAL MERCHANDISE OF EVERY DESCRIPTION, WHOLESALE AND RETAIL.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Annie Worthington, Little, 30. A Song which we can heartily recommend.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Flat, 35. Wit Lithograph. Too well known to need comment.
&lt;/p&gt;&lt;p&gt;Clara Day, Frank, 30. A ballad which bids fair to become one of the most popular of the times.
&lt;/p&gt;&lt;p&gt;Dawn of Freedom, Ladd, 30. Song and Chorus, beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Drummer Boy of Vicksburg, DeGeer, 30. A very touching Song and Chorus.
&lt;/p&gt;&lt;p&gt;Grant's the Man, Darling, 30. A sprightly melody, fast growing into favor as an admirable army song.
&lt;/p&gt;&lt;p&gt;I can't love again, Hervey, 30. Graceful melody and excellent words.
&lt;/p&gt;&lt;p&gt;Little Mac! you're the very Man, Foster, 35. Song and Chorus. Always greeted with unbounded applause.
&lt;/p&gt;&lt;p&gt;Same with Lithograph Title, 50.
&lt;/p&gt;&lt;p&gt;Romping Bessie, Porter, 30. A merry ballad, with a sweet flowing melody, which never fails to please.
&lt;/p&gt;&lt;p&gt;Think not I'll forget Thee, Smith, 30. A charming melody, or more than ordinary merit, and has but to be heard to be admired.
&lt;/p&gt;&lt;p&gt;This Harp is Mute, Meignen, 30. Very fine and classical melody.
&lt;/p&gt;&lt;p&gt;The Soldier Boy, Everly, 30. To hear is to admire it.
&lt;/p&gt;&lt;p&gt;"Oil on the Brain," Eastburn, 35. Song and Chorus. Immensely popular.
&lt;/p&gt;&lt;p&gt;Home of my Youth, Winner, 30. Song. Easy and pretty.
&lt;/p&gt;&lt;p&gt;On to Richmond, Frank, 30. Song and Chorus. Stirring melody.
&lt;/p&gt;&lt;p&gt;Mother, how thy Love hath blest me, Ladd, 30. Song and Chorus. Beautiful and affecting.
&lt;/p&gt;&lt;p&gt;Sleep, Sweetly Sleep, Ladd, 30. Song and Chorus. Plaintive melody and fine words.
&lt;/p&gt;&lt;p&gt;"Stuck Ile," (Comic), Angelo, 35. Song and Chorus. Very amusing, and good melody.
&lt;/p&gt;&lt;p&gt;Sherman's Bonnie Boys in Blue, Angelo, 35. Song and Chorus. Soul-stirring melody, and appropriate words.
&lt;/p&gt;&lt;p&gt;Gal with her Hair cut Curly, Angelo, 35. Song and Chorus. Irresistibly funny.
&lt;/p&gt;&lt;p&gt;Wild Gazelle, Beckel, 30. Ballad. One of the author's happiest efforts.
&lt;/p&gt;&lt;p&gt;Fond thought of [Thee?], Rynder, 30. Song and Chorus. One of the finest songs issued, and destined to become very popular.
&lt;/p&gt;&lt;p&gt;Don't Strike a Man when he's Down, Cunningham, 30. Song and Chorus, Music as fine as the sentiment of the song.
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Schottische, Porter, 30. Introducing the popular melody of Bonnie Blue Flag. Simple yet pleasing.
&lt;/p&gt;&lt;p&gt;Chirping Bird Schottische, Orth, 30. An entirely original and novel style. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Loyal Schottische, Abbey, 30. Brilliant and beautiful.
&lt;/p&gt;&lt;p&gt;Schottische de Concert, Spencer, 35. A Grand Composition, one of which we never tire.
&lt;/p&gt;&lt;p&gt;Token Schottische, Rynder, 35.  A brilliant and effective Composition, with a beautiful cross-hand movement. Destined to become very popular.
&lt;/p&gt;&lt;p&gt;Washing Day Schottische, Winner, 30. Introducing the celebrated Melody of Washing Day, and is one of the best Dancing Schottisches ever issued.
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Eva Polka, Cockerille, 30. Very Sweet and Musical.
&lt;/p&gt;&lt;p&gt;Little Family Polka, Mach, 35. With beautiful Lithograph. A Melody which is destined to become as familiar as household words.
&lt;/p&gt;&lt;p&gt;Sleigh Bell Polka, Withers, 30. Cheerful and immensely popular.
&lt;/p&gt;&lt;p&gt;Wicomisco Polka, Bassler, 30. Sparkling and very showy, without being difficult; in fact, a decided success.
&lt;/p&gt;&lt;p&gt;Campaign Polka, Walsh, 35.  Sparkling Melody.
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;American Fleet Waltz, Smith, 50.  A piece which reflects great credit upon the author.
&lt;/p&gt;&lt;p&gt;Black Hawk Waltz, Walsh, 35. A fine melody, in the popular style, and one which we at times find ourselves unconsciously humming. Not difficult.
&lt;/p&gt;&lt;p&gt;Faust Waltz, DeBubna, 35. Finest arrangement published.
&lt;/p&gt;&lt;p&gt;Matinee Waltz, Orth, 35.  Neat and pretty Melody, not difficult.
&lt;/p&gt;&lt;p&gt;Sanitary Waltz, Rynder, 30. Brilliant and easy, good for dancing purposes.
&lt;/p&gt;&lt;p&gt;MARCHES &amp;amp; QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;Butler Quickstep, Mack, 30. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Com. Winslow's Grand Victory March, DeBubna, 50. With beautiful Lithograph. Very showy and fascinating melody.
&lt;/p&gt;&lt;p&gt;Flanker Quickstep, Withers, 35. Written in true Military style.
&lt;/p&gt;&lt;p&gt;Grand March and Soldiers' Chorus, DeBubna, 35.  From the Opera of Faust. A musical gem.
&lt;/p&gt;&lt;p&gt;Johnny's Return March, Mack 30. Simple, pleasing, and designed for beginners.
&lt;/p&gt;&lt;p&gt;Sensation March, Orth, 30.  A general favorite.
&lt;/p&gt;&lt;p&gt;RONDOS, &amp;amp;C.
&lt;/p&gt;&lt;p&gt;Captain and his Whiskers, Mack, 50.  Brilliant variations. The melody of the Captain being so familiar to the American public, needs no comment.
&lt;/p&gt;&lt;p&gt;Faust--Complete, DeBubna, $1.00. Being a fine arrangement of the March, Gallop Waltz and Soldiers' Chorus, from this beautiful Opera, blended in a masterly manner.
&lt;/p&gt;&lt;p&gt;Musical Volcano, DeBubna, 50. A Tremolo Etude, on a beautiful Air from Der Feen Reigen.
&lt;/p&gt;&lt;p&gt;West Point Cotillions, Orth, 30.  Danced at all principal Academies, and destined to become the most popular Sett out.
&lt;/p&gt;&lt;p&gt;Young Fairy's Quadrilles, Orth, 35. Suitable for either Plain or Polka Quadrilles. Same for Violin, 20.
&lt;/p&gt;&lt;p&gt;Faust Gallop, De Bubna, 35. Unsurpassed in brilliancy by any late issue and beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Summer Showers, Fantasie, Rynder, 50. An admirable composition, the pattering of the Rain Drops being distinctly heard throughout the Piece, yet so ingeniously introduced, as to form a part of the Melody.
&lt;/p&gt;&lt;p&gt;Oil Fever Gallop, Detta, 30.  Decidedly the best out.
&lt;/p&gt;&lt;p&gt;Mack's. Comprehensible Piano Forte School, $2.00. This book is precisely what its title claims, being decidedly the most comprehensible work to learners ever issued.
&lt;/p&gt;&lt;p&gt;MUSIC, MUSIC BOOKS, &amp;amp;c., from every catalogue in the United States, constantly on hand, and sent free of postage on receipt of price.  Music neatly bound. Strings and trimmings best quality for violins, guitars, banjos, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Sale agent for the Celebrated Boardman &amp;amp; Gray Piano Fortes, which are Unequalled in the World.
&lt;/p&gt;
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                <text>100</text>
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