293 25 22278 https://www.chroniclingillinois.org/files/original/16a87c87462e38d19ee21db5d05f52a0.pdf a525bb2c3bafdbe38bb2414e047baef6 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. ELLSWORTH'S AVENGERS SONG & CHORUS . Words by A. Lora Hudson, Music by S.L. Coe. Published for the Author. W. Williams. Utica. Newcomb & Co., Albany. A Crouse. Detroit. Oliver Ditson & Co. Boston. Entered according to act of Congress AD 1861 by S.L. Coe in the Clerk's Office of the Dis' Court for the South' Dist of N.Y. <hr /> 3 ELLSWORTH'S AVENGERS. S.L. COE. Down where the patriot army, Near Potomac's side 2. Entering the traitor city With his soldiers, true, Guards the glorious cause of freedom Gallant Ellsworth died. Leading up the Zouave column, Fix'd became his view <hr /> 4 Brave was the noble chieftain: At his country's call "See that Rebel flag is floating O'er yon building tall;" Hasten'd to the field of battle, And was first to fall. Spoke he, while his dark eye glisten'd "Boys that flag MUST fall!" 3. Quickly from its proud posttion, That base flag was torn, 4. First to fall, thou youthful martyr, Hapless was thy fate; 5. Traitors hands shall never sunder That for which you died, Trampled 'neath the feet of freemen, Circling Ellworth's form; Hasten we as thy avengers From thy native state. Hear the oath our lips now utter, Thou our nation's pride. See him bear it down the landing, Past the traitor's door Speed we on from town and city, Not for wealth or fame, By our hopes of yon bright heaven, By the land we love, Hear him groan! Oh, God, they've shot him! Ellsworth is no more! But because we love the Union, And our Ellsworth's name. By the God who reigns above us, We'll avenge thy blood. <hr /> 5 CHORUS. 1st Tenor. Strike freemen, for the Union! Sheathe your swords no more While remains in 2nd Tenor. 1st Bass. Strike freemen, for the Union! Sheathe your swords no more While remains in 2nd Bass. arms a traitor On Columbia's shore! arms a traitor On Columbia's shore! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300977 18063283 Title A name given to the resource Ellsworth's Avengers Description An account of the resource Song honors the memory of Colonel Elmer E. Ellsworth, whose death on May 24, 1861, became a rallying cry for the Union cause. A good friend of the Lincolns, Ellsworth was the first prominent Union soldier to die in the Civil war. Subject The topic of the resource Ellsworth, E. E. (Elmer Ephraim) 1837-1861 Coe, S. L. Hudson, A. Lora Sheet music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Hudson A. Lora and Coe, S. L. Contributor An entity responsible for making contributions to the resource A. Williams Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Utica Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. ELLSWORTH'S AVENGERS SONG & CHORUS . Words by A. Lora Hudson, Music by S.L. Coe. Published for the Author. W. Williams. Utica. Newcomb & Co., Albany. A Crouse. Detroit. Oliver Ditson & Co. Boston. Entered according to act of Congress AD 1861 by S.L. Coe in the Clerk's Office of the Dis' Court for the South' Dist of N.Y. <hr /> 3 ELLSWORTH'S AVENGERS. S.L. COE. Down where the patriot army, Near Potomac's side 2. Entering the traitor city With his soldiers, true, Guards the glorious cause of freedom Gallant Ellsworth died. Leading up the Zouave column, Fix'd became his view <hr /> 4 Brave was the noble chieftain: At his country's call "See that Rebel flag is floating O'er yon building tall;" Hasten'd to the field of battle, And was first to fall. Spoke he, while his dark eye glisten'd "Boys that flag MUST fall!" 3. Quickly from its proud posttion, That base flag was torn, 4. First to fall, thou youthful martyr, Hapless was thy fate; 5. Traitors hands shall never sunder That for which you died, Trampled 'neath the feet of freemen, Circling Ellworth's form; Hasten we as thy avengers From thy native state. Hear the oath our lips now utter, Thou our nation's pride. See him bear it down the landing, Past the traitor's door Speed we on from town and city, Not for wealth or fame, By our hopes of yon bright heaven, By the land we love, Hear him groan! Oh, God, they've shot him! Ellsworth is no more! But because we love the Union, And our Ellsworth's name. By the God who reigns above us, We'll avenge thy blood. <hr /> 5 CHORUS. 1st Tenor. Strike freemen, for the Union! Sheathe your swords no more While remains in 2nd Tenor. 1st Bass. Strike freemen, for the Union! Sheathe your swords no more While remains in 2nd Bass. arms a traitor On Columbia's shore! arms a traitor On Columbia's shore! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/ee84bbb9f73698d8e98604bae00e591d.pdf e797889e8f0261277b437233f7281913 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. DOUGLAS POLKA CINCINNATI Published by J. Church Jr 66 West Fourth St. O. Ditson & Co. Boston. Lee & Walker Philadelphia. Firth, Pond & Co. New York J. [Thobe?] [lithograph artist] [Ehrdorr [unintelligible] Lith. Cin. O <hr /> DOUGLAS POLKA. [sheet music] <hr /> 4 [sheet music] <hr /> 5 [sheet music] <hr /> 6 [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300976 275839787 Title A name given to the resource Douglas Polka Description An account of the resource Cover depicts a picture of Stephen A. Douglas. U.S. senator from Illinois, 1860 Democratic presidential nominee, and opponent of Abraham Lincoln in their famous series of 1858 debates, Douglas defended the Union cause and died on June 3, 1861, only a few weeks after the Civil war began. Subject The topic of the resource Douglas, Stephen A. (Stephen Arnold), 1813-1861 Polka (Dance) Sheet music Creator An entity primarily responsible for making the resource Church, J. Jr. Contributor An entity responsible for making contributions to the resource J. Chruch Jr. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cincinnati Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. DOUGLAS POLKA CINCINNATI Published by J. Church Jr 66 West Fourth St. O. Ditson & Co. Boston. Lee & Walker Philadelphia. Firth, Pond & Co. New York J. [Thobe?] [lithograph artist] [Ehrdorr [unintelligible] Lith. Cin. O <hr /> DOUGLAS POLKA. [sheet music] <hr /> 4 [sheet music] <hr /> 5 [sheet music] <hr /> 6 [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/72538d560988bec77f0ba1bd0f998f6b.pdf 83d0ba16a98587b5454c0f172195a3a4 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Very respectfully Inscribed to MRS. LINCOLN, widow of the late President of the United States, by the Author....with the assurance that he shares the Nation's Condolence. DIRGE. <pre>Our deeply lamented Martyred President! </pre> WORDS WRITTEN BY O. Wheelock MUSIC COMPOSED BY E. MACK. Geo. F. Swain 3 1/2 Philadelphia LEE & WALKER 722 Chestnut St. DIRGE OUR DEEPLY LAMENTED, MARTYRED PRESIDENT. Words by O. WHEELOCK. Music by E. MACK. Grave. Piano. Soprano/Alto. Man may die! still joined our hands! Lincoln falls! the U-nion stands! Saviour of our Land and Laws! Dies the Mar-tyr! lives the cause! Lincoln dies! the Good and Great! Waves our Flag o'er ev'-ry State! Wears a martyr's Crown on High! He whose name shall never die. O'er the dis-tant wase of Time, Freedom's bells his dirge shall chime, In the Belfry of his fame, An e-ter-nal tow'r of flame. Throwing out both sound and light, Sound for day ad light for night Guiding, cheering the oppress'd Freedom's Mec-ca of the West. Tenor/Bass. Man may die! still joined our hands! Lincoln falls! the U-nion stands! Saviour of our Land and Laws! Dies the Mar-tyr! lives the cause! Lincoln dies! the Good and Great! Waves our Flag o'er ev'-ry State! Wears a martyr's Crown on High! He whose name shall never die. O'er the dis-tant wase of Time, Freedom's bells his dirge shall chime, In the Belfry of his fame, An e-ter-nal tow'r of flame. Throwing out both sound and light, Sound for day ad light for night Guiding, cheering the oppress'd Freedom's Mec-ca of the West. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300975 83947986 Title A name given to the resource Dirge. Our Deeply Lamented Martyred President! Description An account of the resource "Very respectfully inscribed to Mrs. Lincoln, widow of the late President of the United States, by the Author_with the assurance that he shares the Nation's Condolence". Subject The topic of the resource Lincoln, Abraham, 1809-1865 Lincoln,Mary Todd, 1818-1882 Dirges Sheet music Funeral music Creator An entity primarily responsible for making the resource Wheelock, O. and Mack, E. Contributor An entity responsible for making contributions to the resource Lee & Walker Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Very respectfully Inscribed to MRS. LINCOLN, widow of the late President of the United States, by the Author....with the assurance that he shares the Nation's Condolence. DIRGE. <pre>Our deeply lamented Martyred President! </pre> WORDS WRITTEN BY O. Wheelock MUSIC COMPOSED BY E. MACK. Geo. F. Swain 3 1/2 Philadelphia LEE & WALKER 722 Chestnut St. DIRGE OUR DEEPLY LAMENTED, MARTYRED PRESIDENT. Words by O. WHEELOCK. Music by E. MACK. Grave. Piano. Soprano/Alto. Man may die! still joined our hands! Lincoln falls! the U-nion stands! Saviour of our Land and Laws! Dies the Mar-tyr! lives the cause! Lincoln dies! the Good and Great! Waves our Flag o'er ev'-ry State! Wears a martyr's Crown on High! He whose name shall never die. O'er the dis-tant wase of Time, Freedom's bells his dirge shall chime, In the Belfry of his fame, An e-ter-nal tow'r of flame. Throwing out both sound and light, Sound for day ad light for night Guiding, cheering the oppress'd Freedom's Mec-ca of the West. Tenor/Bass. Man may die! still joined our hands! Lincoln falls! the U-nion stands! Saviour of our Land and Laws! Dies the Mar-tyr! lives the cause! Lincoln dies! the Good and Great! Waves our Flag o'er ev'-ry State! Wears a martyr's Crown on High! He whose name shall never die. O'er the dis-tant wase of Time, Freedom's bells his dirge shall chime, In the Belfry of his fame, An e-ter-nal tow'r of flame. Throwing out both sound and light, Sound for day ad light for night Guiding, cheering the oppress'd Freedom's Mec-ca of the West. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/a7d5e87a5ae9fdf93d7abb829a776b1e.pdf 4f4188877de6ab91b626e017bdcccfd7 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To his Excellency. ANDREW G. CURTIN. Governor of Pennsylvania DIRGE SUNG AT THE CONSECRATION OF THE Soldiers' Cemetery at Gettysburg: (NOV: 19th 1863) Composed and arranged for Four Voices. BY ALFRED DELANEY. Geo. F. Swain 3 1/2 Philadelphia. LEE & WALKER. 722 Chestnut St. DIRGE SUNG AT THE CONSECRATION OF THE SOLDIER'S CEMETERY GETTYSBURG. Pa. Entered according to the Act of Congress A.D. 1863 by Lee & Walker at the Clerk's Office of the Dt.Ct. of the En.Dt. of Pa. The words by Jas.G. Percival. Music by Alfred Delaney. PIANO GRAVE. TREBLE/ALTO. O! it is great for our Country to die, whose ranks are con_tending, Bright is the wreath of our fame; glor_ry a-waits us for aye; Glory, that never is dim, Shining on with a light never ending, Glory, that never shall fade, nev_er O! never a_ _ way! TENOR/BASS. O! it is great for our Country to die, whose ranks are con_tending, Bright is the wreath of our fame; glor_ry a-waits us for aye; Glory, that never is dim, Shining on with the light never ending, Glory, that shall never fade, nev_er O! never a _ _ way! 2. O! it is sweet for our Country to die, how softly reposes Warrior youth on his bier, wet by the tears of his love, Wet by a mother's warm tears; they crown him with garlands of roses; Weep, and the joyously turn, bright where he triumphs above. 3. Not in Elysian fields, by the still oblivious river, Not in the Isles of the blest, over the blue rolling sea; But on Olympian heights shall dwell the devoted forever; There shall assemble the good, there the wise, valiant and free. 4. O! then how great for our Country to die, in the front rank to perish, Firm with our breast to the foe, victory's shout in our ear; Long they our statues shall crown, in songs our memory cherish; We shall look forth from our heaven, pleased the sweet music to hear. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300974 14003426 Title A name given to the resource Dirge Sung At The Consecration of the Soldiers' Cemetery at Gettysburg Description An account of the resource Cover dedication: "To his Excellency, Andrew G. Curtin, Governor of Pennsylvania." "Sung at the Consecration of the Soldiers' Cemetery at Gettysburg: (November 19th 1863)." Governor Curtin organized the effort to create a national soldiers' cemetery at Gettysburg. Subject The topic of the resource Dirges Percival, James G Delaney, Alfred Soldiers' National Cemetery (Gettysburg, Pa.) Sheet music Curtin, Andrew Gregg, 1815-1894 Creator An entity primarily responsible for making the resource Purcival, James G. and Delaney, Alfred Contributor An entity responsible for making contributions to the resource Lee & Walker Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To his Excellency. ANDREW G. CURTIN. Governor of Pennsylvania DIRGE SUNG AT THE CONSECRATION OF THE Soldiers' Cemetery at Gettysburg: (NOV: 19th 1863) Composed and arranged for Four Voices. BY ALFRED DELANEY. Geo. F. Swain 3 1/2 Philadelphia. LEE & WALKER. 722 Chestnut St. DIRGE SUNG AT THE CONSECRATION OF THE SOLDIER'S CEMETERY GETTYSBURG. Pa. Entered according to the Act of Congress A.D. 1863 by Lee & Walker at the Clerk's Office of the Dt.Ct. of the En.Dt. of Pa. The words by Jas.G. Percival. Music by Alfred Delaney. PIANO GRAVE. TREBLE/ALTO. O! it is great for our Country to die, whose ranks are con_tending, Bright is the wreath of our fame; glor_ry a-waits us for aye; Glory, that never is dim, Shining on with a light never ending, Glory, that never shall fade, nev_er O! never a_ _ way! TENOR/BASS. O! it is great for our Country to die, whose ranks are con_tending, Bright is the wreath of our fame; glor_ry a-waits us for aye; Glory, that never is dim, Shining on with the light never ending, Glory, that shall never fade, nev_er O! never a _ _ way! 2. O! it is sweet for our Country to die, how softly reposes Warrior youth on his bier, wet by the tears of his love, Wet by a mother's warm tears; they crown him with garlands of roses; Weep, and the joyously turn, bright where he triumphs above. 3. Not in Elysian fields, by the still oblivious river, Not in the Isles of the blest, over the blue rolling sea; But on Olympian heights shall dwell the devoted forever; There shall assemble the good, there the wise, valiant and free. 4. O! then how great for our Country to die, in the front rank to perish, Firm with our breast to the foe, victory's shout in our ear; Long they our statues shall crown, in songs our memory cherish; We shall look forth from our heaven, pleased the sweet music to hear. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/9d1b2012b8204d2df0e9f402e16a4340.pdf 638b8b692b54c4d9b720679e9e1a1028 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE DEATH KNELL IS TOLLING QUARTETTE A Requiem to the Memory of our late beloved President. Abraham Lincoln, Written by J.F. Fargo. 3 Chicago. Published by Lyon & Healy Cor. Clark & Washington Sts. Cinn. J. Church Jr. N. York. W.A. Pond & Co. Boston O. Ditson & Co. Boston. J.C. Haynes & Co. Phila. G.W.A. Trumpler. <hr /> 3 THE DEATH KNELL IS TOLLING. Words by Hon: H.H. Cody. Music by J.F. Fargo. Solemn. Soprano. 1. The death knell is tolling, the flag is half mast, The land drap'd in mourning, we Alto. 2. Yes, peacefully sleeps, heeding not the foul hand That is stain'd with the choicest life. Tenor. 3. O God of our Fathers! we look up to thee; In this honor of sadness, here <hr /> 4 all stand aghast, As the tidings so fearful are borne to our ears; And today we are blood of the land, Heeding not the wild waves of anguish that roll O'er the hearts of all bending the knee; We crave thy protection in the midst of the gloom, As we stand the third bending in sorrow and tears O'er a President's grave, 'round a newly wrought tomb, Made true men, chilling the soul, His mission accomplish'd, his life work is o'er, The time, by a President's tomb; Our way lies in darkness, and the old ship of State Droops <hr /> 5 by deeds of such darkness that horror and gloom, Spread a pall o'er the land while a great nation tumults of earth shall disturb him no more; Great Martyr of Freedom! he has gone to his colors in mourning o'er her Captain's sad fate; But with Thee at the helm, our flag shall still weeps, O'er the form of the dead who so peacefully sleeps. Sleep, sleep, sleep, Lincoln sleep, sleep. God, And we're left to weep, and "Pass under the rod." wave "O'er the land of the free, and the home of the brave." Sleep, sleep, sleep, Lincoln sleep, sleep. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300973 426058629 Title A name given to the resource The Death Knell is Tolling Description An account of the resource "Quartette" " A Requiem to the memory of our late beloved President Abraham Lincoln" Subject The topic of the resource Lincoln, Abraham, 1809-1865 Cody, H. H. Fargo, J. F. Funeral music Sheet music Creator An entity primarily responsible for making the resource Cody, H. H. and Fargo, J. F. Contributor An entity responsible for making contributions to the resource Lyon & Healy Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE DEATH KNELL IS TOLLING QUARTETTE A Requiem to the Memory of our late beloved President. Abraham Lincoln, Written by J.F. Fargo. 3 Chicago. Published by Lyon & Healy Cor. Clark & Washington Sts. Cinn. J. Church Jr. N. York. W.A. Pond & Co. Boston O. Ditson & Co. Boston. J.C. Haynes & Co. Phila. G.W.A. Trumpler. <hr /> 3 THE DEATH KNELL IS TOLLING. Words by Hon: H.H. Cody. Music by J.F. Fargo. Solemn. Soprano. 1. The death knell is tolling, the flag is half mast, The land drap'd in mourning, we Alto. 2. Yes, peacefully sleeps, heeding not the foul hand That is stain'd with the choicest life. Tenor. 3. O God of our Fathers! we look up to thee; In this honor of sadness, here <hr /> 4 all stand aghast, As the tidings so fearful are borne to our ears; And today we are blood of the land, Heeding not the wild waves of anguish that roll O'er the hearts of all bending the knee; We crave thy protection in the midst of the gloom, As we stand the third bending in sorrow and tears O'er a President's grave, 'round a newly wrought tomb, Made true men, chilling the soul, His mission accomplish'd, his life work is o'er, The time, by a President's tomb; Our way lies in darkness, and the old ship of State Droops <hr /> 5 by deeds of such darkness that horror and gloom, Spread a pall o'er the land while a great nation tumults of earth shall disturb him no more; Great Martyr of Freedom! he has gone to his colors in mourning o'er her Captain's sad fate; But with Thee at the helm, our flag shall still weeps, O'er the form of the dead who so peacefully sleeps. Sleep, sleep, sleep, Lincoln sleep, sleep. God, And we're left to weep, and "Pass under the rod." wave "O'er the land of the free, and the home of the brave." Sleep, sleep, sleep, Lincoln sleep, sleep. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/50e183bd84cfe7def49f47fc9aee423d.pdf dd55137a456397e6876aa97664439812 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WURZEL'S LIBERTY SONG De day ob Liberty's comin'. Words & Music by G. F. Wurzel. Published by ROOT & CADY 95 Clark St CHICAGO H.N.HEMPSTED.-Milwaukee. H.TOLMAN & CO. BOSTON S.BRAINARD & CO.-Cleveland. <hr /> 26530 3 "DE DAY OB LIBERTY'S COMIN'" G.F. WURZEL Allegretto. 4. O de Lord will bring it right De day ob Lib-er-ty's com-in', com-in', 1. Dar-keys dont you see de light, De day ob Lib-er-ty's com-in', com-in', 2. De Un - ion folks dey wait so long, We tink dey neb-er was com-in', com-in', 3. White folks let us help ye trou, De day ob Lib-er-ty's com-in', com-in', 224 4 <hr /> 4 From dis dref-ful blood- -y fight De day ob Lib-er-ty's com-in'. Al-most gone de gloom-y night, De day ob Lib-er-ty's com-in'. And Se-cesh he get so strong We tink dey neb-er was com-in'. We can fight and die for you, De day ob Lib-er-ty's com-in'. Shout, dar- -keys, shout and sing, Loud let your voi - ces ring, High! ho! de dar-keys sing, Loud! loud! dar voi - ces ring, Now Un- -cle Abe he say Come Mas - sa while you may, Yes! yes! we'll shout and sing, Loud! loud! our voi - ces ring, Soon! soon! de migh-ty King Will let His peo - ple go Good news de Lord he bring "Now let my peo - ple go." And for de slave we'll pay, For we must let him go. Soon! soon! de migh-ty King Will let His peo - ple go. 224 4 <hr /> CHORUS Commence soft and staccato, and increase. 5 AIR 1. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', ALTO 2. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', TENOR 3. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', BASE 4. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', Al - most gone de gloom - y night, De Day ob Lib-er-ty's com-in'. Oh! de bless-ed bless-ed sight, De Day ob Lib-er-ty's com-in'. Now we'll help dem Yan - kees fight, De Day ob Lib-er-ty's com-in'. Yes, de Lord will bring it right, De Day ob Lib-er-ty's com-in'. 224 4 Play the Prelude for an Interlude. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300972 69178781 Title A name given to the resource De Day ob Liberty's Comin Description An account of the resource "Wurzel's Liberty Song" Song depicts slaves looking forward to their liberation. Subject The topic of the resource Slaves--Emancipation Sheet music Stereotypes (Social psychology) American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Wurzel, G. F. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. WURZEL'S LIBERTY SONG De day ob Liberty's comin'. Words & Music by G. F. Wurzel. Published by ROOT & CADY 95 Clark St CHICAGO H.N.HEMPSTED.-Milwaukee. H.TOLMAN & CO. BOSTON S.BRAINARD & CO.-Cleveland. <hr /> 26530 3 "DE DAY OB LIBERTY'S COMIN'" G.F. WURZEL Allegretto. 4. O de Lord will bring it right De day ob Lib-er-ty's com-in', com-in', 1. Dar-keys dont you see de light, De day ob Lib-er-ty's com-in', com-in', 2. De Un - ion folks dey wait so long, We tink dey neb-er was com-in', com-in', 3. White folks let us help ye trou, De day ob Lib-er-ty's com-in', com-in', 224 4 <hr /> 4 From dis dref-ful blood- -y fight De day ob Lib-er-ty's com-in'. Al-most gone de gloom-y night, De day ob Lib-er-ty's com-in'. And Se-cesh he get so strong We tink dey neb-er was com-in'. We can fight and die for you, De day ob Lib-er-ty's com-in'. Shout, dar- -keys, shout and sing, Loud let your voi - ces ring, High! ho! de dar-keys sing, Loud! loud! dar voi - ces ring, Now Un- -cle Abe he say Come Mas - sa while you may, Yes! yes! we'll shout and sing, Loud! loud! our voi - ces ring, Soon! soon! de migh-ty King Will let His peo - ple go Good news de Lord he bring "Now let my peo - ple go." And for de slave we'll pay, For we must let him go. Soon! soon! de migh-ty King Will let His peo - ple go. 224 4 <hr /> CHORUS Commence soft and staccato, and increase. 5 AIR 1. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', ALTO 2. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', TENOR 3. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', BASE 4. Just you look and see dat light! De Day ob Lib-er-ty's com-in', com-in', Al - most gone de gloom - y night, De Day ob Lib-er-ty's com-in'. Oh! de bless-ed bless-ed sight, De Day ob Lib-er-ty's com-in'. Now we'll help dem Yan - kees fight, De Day ob Lib-er-ty's com-in'. Yes, de Lord will bring it right, De Day ob Lib-er-ty's com-in'. 224 4 Play the Prelude for an Interlude. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/8e3f09de388fc2fcecd7bfebb630a662.pdf c7ac1568b587daedcfedcc788feac843 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE COPPERHEAD OF 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. New York: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> THE COPPERHEAD OF 1865. Words by Futurity. Music by James G. Clark. 1. No part nor lot in the glorious work; No part nor lot had I: But I 2. No part nor lot in the glorious work; No part nor lot had I: But I 3. No part nor lot in the glorious work; No part nor lot had I: But I sat like a frog on an old hollow log, And croaked to the passers by, aimed my gun to the new-risen sun, And fired at his Godlike eye, trod the long grass where the patriots would pass, And sneered at their rallying cry, 4. No part nor lot in the glorious work; No part nor lot had I; 'Twas little I cared how the bondmen fared, Though his chains clanked under my eye. Clank--clank--clank--No matter how heavy the pain, No matter how cutting the steely lash That fell o'er the negro's brain. 5. No part nor lot in the glorious work; No part nor lot had I; And when the air swells with the music of bells I only look down with a sigh. Bells--bells--bells--They tell us the nation is free, And the noble achievers, co-workers with God--But Copperheads, what are we? Entered according to Act of Congress, A.D. 1864 by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York. <hr /> 3 Croak--Croak--Croak--There were many paused to hear, And Fire--fire--fire--We thought we were many and strong, And could Sneer--sneer--sneer--'Tis a word with a double edge, And before many more slackened their pace, And soon turned back in fear. humbug the nation with volleys of words to thinking right was wrong. it many a runner has turned To the homestead side of his hedge. <hr /> Some of the Last Songs of the Late Stephen C. Foster, Who died January 13th, 1864. HORACE WATERS PUBLISHER, 481 BROADWAY, NEW YORK. WHY HAVE MY LOVED ONES GONE? SONG AND CHORUS. This is a simple and touching melody, easily arranged, in the key of B flat. "Why have my loved ones gone? gone to return no more: Calmly gliding o'er a summer sea, Whilst I'm left plodding on the shore!" A PENNY FOR YOUR THOUGHTS. A charming ballad, in the key of C, simple and humorous. "A penny for your thoughts, For I know that you are dreaming; Love's little fickle darts are sporting with your brain. A penny for your thoughts: Thro' those eyes your heart is gleaming, Longing to welcome back the starry night again." JENNY'S COMING O'ER THE GREEN. A companion to the above. Key of E. flat. "Jenny's coming o'er the green; Fairer form was never seen; Winning is her gentle mein. Why do I love her so?" A DREAM OF MY MOTHER This is one of Foster's best compositions, very sweet and touching. It is arranged in the key of D. "My mother and my home, Ah! what pleasant words to me! They light up my drooping heart, Wherever I may be." MERRY LITTLE BIRDS ARE WE. A beautiful little song for children, and very easy. Arranged in the key of D. "The summer's coming on, And we warble in the tree, The wint'ry blasts have gone. Oh! what merry birds are we!" SLUMBER, MY DARLING. A sweet little cradle song, very pretty. Arranged in E flat. "Slumber, my darling; your mother is near, Guarding thy dreams from all terror and fear. sunlight has past and the twilight has gone, Slumber, my darling, the night's coming on." OH! THERE'S NO SUCH GIRL AS MINE! This is one of Foster's best comic songs, and is becoming popular. It is in the key of C. "Oh! there's no such girl as mine In all this wide world round, With her hair of gold so fine, And her voice of silver sound. Her eyes are as black as the sloe, Her lips in a small combine, Her breath is as pure as the snow. There no such girl as mine." WHEN THIS DREADFUL WAR IS ENDED. A patriotic ballad, and one that is deservedly popular. In the key of D. "When this dreadful war is ended, I will come again to thee. Tell me, dearest, ere we sever, Tell me, tell me you'll be true." WILT THOU BE TRUE? Another in the same style as the above, and a fitting companion for it. This is in B flat, and ranges from F to F. "Wilt thou be true, dearest, to me, Though I may wander far off from thee? Over my heart no gloom will come If thou art faithful wherever I roam." I WILL BE TRUE TO THEE. This is a very sweet and charming ballad, arranged in E flat, artistic, yet simple. "I will be true to thee, Though I share in thy worst despair. I will be true to thee, Though my own heart be bowed with care." MR. AND MRS. BROWN. A comic duet in the key of C. This is one of Foster's best compositions of the kind. "Mrs. Brown--so, Mr. Brown, You've come at last; I'm sure it's after two. Mr. Brown--Dear Mistress Brown, your clock is fast, I know as well as you." MY WIFE IS THE MOST KNOWING WOMAN. A humorous ballad, in E flat. "My wife is a most knowing woman; She always is finding me out; She never will hear explanations, But instantly puts me to rout." LITTLE JENNY DOW. An exquisite little ballad, in the key of A. "Little Jenny Dow lives beyond the mill, Her merry voice is heard all around, Her happy smiles are seen on the green-clad hill, Where'er the budding flowers are found." LIZZIE DIES TO-NIGHT. This is one of the most popular of Foster's ballads. It is a pure, sweet melody, and being founded upon an interesting incident, has a double charm. It is arranged easily in the key of D. "'Twas hard, our parting, Mother dear, It gave you untold pain; But hope was strong within our hearts, That we should meet again." BETTER TIMES ARE COMING. This is a stirring song and chorus, and well calculated to rouse the patriotic fire in every heart. It is in the key of C, and ranges from E to E. "There are voices of hope that are borne on the air, And our land will be freed from its clouds of despair For brave men and true men to battle are gone, And good times, good times are now coming on." WAS MY BROTHER IN THE BATTLE? Another of Foster's good patriotic ballads, simple but pleasing. Key of F, and ranges from F to F. "Tell me, tell me, weary soldier, From the rude and stirring wars, Was my brother in the battle Where you gained those noble scars?" THE LOVE I BEAR TO THEE. Both the words and music of this song are far superior to most ballads of the kind. It is artistic in style, but easy of execution. Key of B flat. "At midnight hour, when all alone, I often sit and think of thee, And wish that like a star I shone With brightness in thy memory." THERE ARE PLENTY OF FISH IN THE SEA. This is, as its title indicates, a humorous ballad, and fast becoming popular. Arranged in C, and has a gliding and easy movement. "A lady tossed her curls At all who came to woo; She laughed to scorn the vows From hearts though false or true." OH! WHY AM I SO HAPPY? Foster has a peculiar faculty of adapting music to words, and he never succeeded better than in this song. It is in [?], and is truly beautiful. "Oh! why am I so happy? Why these feelings of delight? And why does gladness cheer me? Why everything so bright!" IF YOU'VE ONLY GOT A MOUSTACHE. This is a comic song, in every sense of the word. Key of D, and prettily arranged. "Oh! all of you poor single men, Don't ever give up in despair; For there's always a chance while there's life, To capture the hearts of the fair." BURY ME IN THE MORNING MOTHER. A sweet and touching ballad, in the key of F, very easy. "Bury me in the morning, And mourn not at my loss; For I'll join the beautiful army That carries the Saviour's Cross." LEAVE ME WITH MY MOTHER. A charming little song, equal in beauty to the above. "Leave me with my mother, for I love her more, Far more, far more than you know." WHEN OLD FRIENDS WERE HERE. This is the last but one of Mr. Foster's compositions, written a few weeks before his death. It is very beautiful and touching. It is in B flat. "When old friends were here, In days that are flown, How fond were the hands Which oft clasped my own. The pathways of life Were pleasure's sunny hue, And voices were near, With tones warm and true." SHE WAS ALL THE WORLD TO ME. This is the last song ever written by this popular composer, and is doubly valuable on this account. It is arranged in E flat. "In the sad and mournful autumn, With the falling of the leaf, Death, the reaper, claimed our loved one, As the husbandman the sheaf. Cold and dark the day we laid her 'Neath the sighing cypress tree; For tho' nothing to another, She was all the world to me." The above Songs are 30 cents each, mailed free. The ATHENAEUM COLLECTION OF HYMNS AND TUNES FOR CHOIR, CHURCH AND SUNDAY-SCHOOL, IS NOW READY.--It contains 512 pages, and nearly 700 Hymns and Tunes, such as "Rest for the Weary," "Shining Shore," "Eden Above," "Shall we know each other there?" &c. Among the new and beautiful pieces we would name, "Dare to be Right," "Faint not, Weary Pilgrim," "Come to me," "Lion of Judah," "Shall we meet beyond the River?" "Lord, give us Faith," "There is a Land of Love," "Oh! 'tis Glorious," "We'll wait till Jesus comes," "A few more years shall [Roll?]," "Sabbath Bells Chime on," "Over the River," "Shall we meet no more to Part?" "The Vacant Chair," "Forever with the Lord," "Oh! say shall we meet you all there?" &c. Price, bound, 85 cents; $10 per dozen $80 per 100. Cloth bound, embossed gilt, $1.00. $11 per dozen; $90 per 100. Postage, 15 cents each. HORACE WATERS, No. 481 Broadway, New York. THE LATE STEPHEN C. FOSTER. HIS MUSICAL CAREER--THE FUNERAL CEREMONIES. On the tomb of Donizetti, in the cathedral at Bergamo, is a modest inscription, saying that the dead composer was "a finder of many melodies." The simple record--too unpretending for the merits of the Italian composer--will be peculiarly applicable to the late STEPHEN C. FOSTER, the song-writer, who died, on the 13th instant, in this city. Mr. Foster was born in Pittsburg, July 4, 1826, the same day on which Thomas Jefferson and John Adams died. His father was a well-to-do farmer, and laid out on his property a town, which he intended to call Fosterville, "Soon afterwards," says Mr. Charles McKnight, of the Pittsburg Evening Chronicle, in his interesting biographical notice of the late song-writer, "the gallant Captain Lawrence was killed, fighting his ship, the Chesapeake, and Mr. Foster patriotically changed the name of his town to Lawrenceville, adopting as the motto on the corporation seal the dying words of Lawrence, "Don't give up the ship." When seven years old, young Stephen Foster showed enough musical precocity to learn, unaided, the flagcolet; and later, he played other instruments, though, like most composers, he was never eminent as a performer. Like Moore, he was fond of singing his own songs, and when he accompanied himself on the piano or guitar, there was a charming and plaintive sadness in his voice which touched the hearts of his listeners. His melodies are so sweet, so simple, so unpretending, that new people supposed that he had studied music scientifically, and was familiar with the more classical works of Mozart, Beethoven and Weber. He, also, was a man of considerable versatility in other branches. He understood French and German, painted in water colors, was a good accountant, and wrote most of the words as well as the music of his songs. These words were in style almost identical with his melodies--sweet, simple, and no worse in rhyme or rhythm than the majority of popular lyrics. George Willig, the Baltimore music publisher, published his first song in 1812. It was called "Open thy lattice, love," and was followed by "Old Uncle Ned" and "Oh! Susanna," which were issued by Peters of Cincinnati. Then appeared "Louisiana Belle," "Nelly was a Lady," "Camptown Races," "My Old Kentucky Home," "Massa's in the Cold, Cold Ground, "Nelly Bly," "Oh, Boys, carry me 'long," "Old Folks at Home," and others. With these Foster established his reputation as a writer of negro minstrelsy, and at the same time made considerable money, his New York publishers, Firth, Pond & Co., paying him over $15,000 on "Old Folks at Home" alone--the most profitable piece of music ever published in this city. E.P. Christy paid Foster five hundred dollars for the privilege of having his name printed on one edition of this song. During the past ten years Foster's compositions were of a more sentimental and refined character. He dropped the burlesque negro words and wrote and composed such songs as "Willie, we have missed you," "Ellen Bayne," "Maggie by my Side," "Come where my love lies dreaming," "Little Ella," "Jennie with the light brown Hair," "Willie my brave," "Farewell, my little dear," "Oh, comrades, fill no glass for me," "Old Dog Tray," "Mollie, do you love me?" "Summer Breath," "Ah, may the red rose live always," "Come with thy sweet voice again," "I see her still in my dreams, etc. The following, all published by HORACE WATERS, are among his latest productions: "Why have my Loved ones Gone, I will be true to thee, Was my Brother in the Battle, Wilt thou be True, The Love I bear to Thee, A Dream of my Mother, Merry little Birds are we, Oh! there's no such Girl as mine, Oh! why am I so Happy, Slumber, my Darling, 'Lizzie dies to-night, Better Times are Coming, A Penny for your Thoughts, When this Dreadful War is ended, When Old Friends were here, and She was all the World to me, which is his last composition. The ANTHENAEUM COLLECTION, a new book for Church and Sunday School, published by Horace Waters, also contains all the following pieces, written expressly for this work by Mr. Foster. <pre>"While we work for the Lord, The Beautiful Shore, There is a Land of Love, Oh! 'tis Glorious, Tears brings Thoughts of Heaven, Willie's gone to Heaven, Suffer Little Children to come unto me, Bury me in the morning, Mother, Leave me with my Mother, He Leadeth me beside still Waters, Give us this day our daily Bread, Seek and ye shall find, We'll all meet our Saviour, We'll still keep marching on, The Angels are singing unto me, The Pure, the Bright, the Beautiful, Tell me of the Angels, Mother, What shall the Harvest be, Don't be Idle, Happy little ones are we, Music everywhere, that's why I love it so, Stand up for the Truth, Over the River, The Bright Hills of Glory," etc. </pre> His later works exhibit greater grace and tenderness than his earlier ones; and had he lived, and taken proper care of his health, he might have obtained the most enviable eminence as a musician. As it is, he had the blessed, heaven-sent gift of melody, and his compositions, if not his name, are known all over the world. Russians, Italians, Germans, French, and even Egyptian and Chinese, have heard and admired those sweet strains which made Stephen C. Foster pre-eminently the ballad writer of America. We hope his publishers will make a collection--if not of all--of his best songs and choruses, and publish them in some enduring form; for their popularity will not die with the man whose genial imagination gave them birth. Mr. Foster--who for the past three years had lived in this city--was buried at Pittsburg. The Evening Chronicle of that city says of his farewell: "His death took place on the 13th instant, in New York city. With praiseworthy state-pride, the President of the Pennsylvania Railroad Company gave orders that his remains and the party in charge of them, should be passed over the road free of charge. The Adams Express Company also declined to take any pay for conveying his remains from New York to Harrisburg. "As stated in the previous notice given of the deceased, he married a daughter of the late Dr. McDowell, who, with an interesting daughter of twelve years survives him. Some of his friends here, and other lovers of music, who acknowledge his numerous and valuable contributions to musical science and literature, have united in having impressive and appropriate ceremonies at his funeral. At Trinity Church the exercises were vocal, led by Mr. Kleber; at the grave they were instrumental, some of Mr. Foster's most popular airs having been introduced. Mr. Foster has won a fame which is undying. His influence extends over every land where there are voices to hymn forth sweet notes and bearers to be moved by them." N.Y. Evening Post. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300971 469812132 Title A name given to the resource The Copperhead of 1865 Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE COPPERHEAD OF 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. New York: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> THE COPPERHEAD OF 1865. Words by Futurity. Music by James G. Clark. 1. No part nor lot in the glorious work; No part nor lot had I: But I 2. No part nor lot in the glorious work; No part nor lot had I: But I 3. No part nor lot in the glorious work; No part nor lot had I: But I sat like a frog on an old hollow log, And croaked to the passers by, aimed my gun to the new-risen sun, And fired at his Godlike eye, trod the long grass where the patriots would pass, And sneered at their rallying cry, 4. No part nor lot in the glorious work; No part nor lot had I; 'Twas little I cared how the bondmen fared, Though his chains clanked under my eye. Clank--clank--clank--No matter how heavy the pain, No matter how cutting the steely lash That fell o'er the negro's brain. 5. No part nor lot in the glorious work; No part nor lot had I; And when the air swells with the music of bells I only look down with a sigh. Bells--bells--bells--They tell us the nation is free, And the noble achievers, co-workers with God--But Copperheads, what are we? Entered according to Act of Congress, A.D. 1864 by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York. <hr /> 3 Croak--Croak--Croak--There were many paused to hear, And Fire--fire--fire--We thought we were many and strong, And could Sneer--sneer--sneer--'Tis a word with a double edge, And before many more slackened their pace, And soon turned back in fear. humbug the nation with volleys of words to thinking right was wrong. it many a runner has turned To the homestead side of his hedge. <hr /> Some of the Last Songs of the Late Stephen C. Foster, Who died January 13th, 1864. HORACE WATERS PUBLISHER, 481 BROADWAY, NEW YORK. WHY HAVE MY LOVED ONES GONE? SONG AND CHORUS. This is a simple and touching melody, easily arranged, in the key of B flat. "Why have my loved ones gone? gone to return no more: Calmly gliding o'er a summer sea, Whilst I'm left plodding on the shore!" A PENNY FOR YOUR THOUGHTS. A charming ballad, in the key of C, simple and humorous. "A penny for your thoughts, For I know that you are dreaming; Love's little fickle darts are sporting with your brain. A penny for your thoughts: Thro' those eyes your heart is gleaming, Longing to welcome back the starry night again." JENNY'S COMING O'ER THE GREEN. A companion to the above. Key of E. flat. "Jenny's coming o'er the green; Fairer form was never seen; Winning is her gentle mein. Why do I love her so?" A DREAM OF MY MOTHER This is one of Foster's best compositions, very sweet and touching. It is arranged in the key of D. "My mother and my home, Ah! what pleasant words to me! They light up my drooping heart, Wherever I may be." MERRY LITTLE BIRDS ARE WE. A beautiful little song for children, and very easy. Arranged in the key of D. "The summer's coming on, And we warble in the tree, The wint'ry blasts have gone. Oh! what merry birds are we!" SLUMBER, MY DARLING. A sweet little cradle song, very pretty. Arranged in E flat. "Slumber, my darling; your mother is near, Guarding thy dreams from all terror and fear. sunlight has past and the twilight has gone, Slumber, my darling, the night's coming on." OH! THERE'S NO SUCH GIRL AS MINE! This is one of Foster's best comic songs, and is becoming popular. It is in the key of C. "Oh! there's no such girl as mine In all this wide world round, With her hair of gold so fine, And her voice of silver sound. Her eyes are as black as the sloe, Her lips in a small combine, Her breath is as pure as the snow. There no such girl as mine." WHEN THIS DREADFUL WAR IS ENDED. A patriotic ballad, and one that is deservedly popular. In the key of D. "When this dreadful war is ended, I will come again to thee. Tell me, dearest, ere we sever, Tell me, tell me you'll be true." WILT THOU BE TRUE? Another in the same style as the above, and a fitting companion for it. This is in B flat, and ranges from F to F. "Wilt thou be true, dearest, to me, Though I may wander far off from thee? Over my heart no gloom will come If thou art faithful wherever I roam." I WILL BE TRUE TO THEE. This is a very sweet and charming ballad, arranged in E flat, artistic, yet simple. "I will be true to thee, Though I share in thy worst despair. I will be true to thee, Though my own heart be bowed with care." MR. AND MRS. BROWN. A comic duet in the key of C. This is one of Foster's best compositions of the kind. "Mrs. Brown--so, Mr. Brown, You've come at last; I'm sure it's after two. Mr. Brown--Dear Mistress Brown, your clock is fast, I know as well as you." MY WIFE IS THE MOST KNOWING WOMAN. A humorous ballad, in E flat. "My wife is a most knowing woman; She always is finding me out; She never will hear explanations, But instantly puts me to rout." LITTLE JENNY DOW. An exquisite little ballad, in the key of A. "Little Jenny Dow lives beyond the mill, Her merry voice is heard all around, Her happy smiles are seen on the green-clad hill, Where'er the budding flowers are found." LIZZIE DIES TO-NIGHT. This is one of the most popular of Foster's ballads. It is a pure, sweet melody, and being founded upon an interesting incident, has a double charm. It is arranged easily in the key of D. "'Twas hard, our parting, Mother dear, It gave you untold pain; But hope was strong within our hearts, That we should meet again." BETTER TIMES ARE COMING. This is a stirring song and chorus, and well calculated to rouse the patriotic fire in every heart. It is in the key of C, and ranges from E to E. "There are voices of hope that are borne on the air, And our land will be freed from its clouds of despair For brave men and true men to battle are gone, And good times, good times are now coming on." WAS MY BROTHER IN THE BATTLE? Another of Foster's good patriotic ballads, simple but pleasing. Key of F, and ranges from F to F. "Tell me, tell me, weary soldier, From the rude and stirring wars, Was my brother in the battle Where you gained those noble scars?" THE LOVE I BEAR TO THEE. Both the words and music of this song are far superior to most ballads of the kind. It is artistic in style, but easy of execution. Key of B flat. "At midnight hour, when all alone, I often sit and think of thee, And wish that like a star I shone With brightness in thy memory." THERE ARE PLENTY OF FISH IN THE SEA. This is, as its title indicates, a humorous ballad, and fast becoming popular. Arranged in C, and has a gliding and easy movement. "A lady tossed her curls At all who came to woo; She laughed to scorn the vows From hearts though false or true." OH! WHY AM I SO HAPPY? Foster has a peculiar faculty of adapting music to words, and he never succeeded better than in this song. It is in [?], and is truly beautiful. "Oh! why am I so happy? Why these feelings of delight? And why does gladness cheer me? Why everything so bright!" IF YOU'VE ONLY GOT A MOUSTACHE. This is a comic song, in every sense of the word. Key of D, and prettily arranged. "Oh! all of you poor single men, Don't ever give up in despair; For there's always a chance while there's life, To capture the hearts of the fair." BURY ME IN THE MORNING MOTHER. A sweet and touching ballad, in the key of F, very easy. "Bury me in the morning, And mourn not at my loss; For I'll join the beautiful army That carries the Saviour's Cross." LEAVE ME WITH MY MOTHER. A charming little song, equal in beauty to the above. "Leave me with my mother, for I love her more, Far more, far more than you know." WHEN OLD FRIENDS WERE HERE. This is the last but one of Mr. Foster's compositions, written a few weeks before his death. It is very beautiful and touching. It is in B flat. "When old friends were here, In days that are flown, How fond were the hands Which oft clasped my own. The pathways of life Were pleasure's sunny hue, And voices were near, With tones warm and true." SHE WAS ALL THE WORLD TO ME. This is the last song ever written by this popular composer, and is doubly valuable on this account. It is arranged in E flat. "In the sad and mournful autumn, With the falling of the leaf, Death, the reaper, claimed our loved one, As the husbandman the sheaf. Cold and dark the day we laid her 'Neath the sighing cypress tree; For tho' nothing to another, She was all the world to me." The above Songs are 30 cents each, mailed free. The ATHENAEUM COLLECTION OF HYMNS AND TUNES FOR CHOIR, CHURCH AND SUNDAY-SCHOOL, IS NOW READY.--It contains 512 pages, and nearly 700 Hymns and Tunes, such as "Rest for the Weary," "Shining Shore," "Eden Above," "Shall we know each other there?" &c. Among the new and beautiful pieces we would name, "Dare to be Right," "Faint not, Weary Pilgrim," "Come to me," "Lion of Judah," "Shall we meet beyond the River?" "Lord, give us Faith," "There is a Land of Love," "Oh! 'tis Glorious," "We'll wait till Jesus comes," "A few more years shall [Roll?]," "Sabbath Bells Chime on," "Over the River," "Shall we meet no more to Part?" "The Vacant Chair," "Forever with the Lord," "Oh! say shall we meet you all there?" &c. Price, bound, 85 cents; $10 per dozen $80 per 100. Cloth bound, embossed gilt, $1.00. $11 per dozen; $90 per 100. Postage, 15 cents each. HORACE WATERS, No. 481 Broadway, New York. THE LATE STEPHEN C. FOSTER. HIS MUSICAL CAREER--THE FUNERAL CEREMONIES. On the tomb of Donizetti, in the cathedral at Bergamo, is a modest inscription, saying that the dead composer was "a finder of many melodies." The simple record--too unpretending for the merits of the Italian composer--will be peculiarly applicable to the late STEPHEN C. FOSTER, the song-writer, who died, on the 13th instant, in this city. Mr. Foster was born in Pittsburg, July 4, 1826, the same day on which Thomas Jefferson and John Adams died. His father was a well-to-do farmer, and laid out on his property a town, which he intended to call Fosterville, "Soon afterwards," says Mr. Charles McKnight, of the Pittsburg Evening Chronicle, in his interesting biographical notice of the late song-writer, "the gallant Captain Lawrence was killed, fighting his ship, the Chesapeake, and Mr. Foster patriotically changed the name of his town to Lawrenceville, adopting as the motto on the corporation seal the dying words of Lawrence, "Don't give up the ship." When seven years old, young Stephen Foster showed enough musical precocity to learn, unaided, the flagcolet; and later, he played other instruments, though, like most composers, he was never eminent as a performer. Like Moore, he was fond of singing his own songs, and when he accompanied himself on the piano or guitar, there was a charming and plaintive sadness in his voice which touched the hearts of his listeners. His melodies are so sweet, so simple, so unpretending, that new people supposed that he had studied music scientifically, and was familiar with the more classical works of Mozart, Beethoven and Weber. He, also, was a man of considerable versatility in other branches. He understood French and German, painted in water colors, was a good accountant, and wrote most of the words as well as the music of his songs. These words were in style almost identical with his melodies--sweet, simple, and no worse in rhyme or rhythm than the majority of popular lyrics. George Willig, the Baltimore music publisher, published his first song in 1812. It was called "Open thy lattice, love," and was followed by "Old Uncle Ned" and "Oh! Susanna," which were issued by Peters of Cincinnati. Then appeared "Louisiana Belle," "Nelly was a Lady," "Camptown Races," "My Old Kentucky Home," "Massa's in the Cold, Cold Ground, "Nelly Bly," "Oh, Boys, carry me 'long," "Old Folks at Home," and others. With these Foster established his reputation as a writer of negro minstrelsy, and at the same time made considerable money, his New York publishers, Firth, Pond & Co., paying him over $15,000 on "Old Folks at Home" alone--the most profitable piece of music ever published in this city. E.P. Christy paid Foster five hundred dollars for the privilege of having his name printed on one edition of this song. During the past ten years Foster's compositions were of a more sentimental and refined character. He dropped the burlesque negro words and wrote and composed such songs as "Willie, we have missed you," "Ellen Bayne," "Maggie by my Side," "Come where my love lies dreaming," "Little Ella," "Jennie with the light brown Hair," "Willie my brave," "Farewell, my little dear," "Oh, comrades, fill no glass for me," "Old Dog Tray," "Mollie, do you love me?" "Summer Breath," "Ah, may the red rose live always," "Come with thy sweet voice again," "I see her still in my dreams, etc. The following, all published by HORACE WATERS, are among his latest productions: "Why have my Loved ones Gone, I will be true to thee, Was my Brother in the Battle, Wilt thou be True, The Love I bear to Thee, A Dream of my Mother, Merry little Birds are we, Oh! there's no such Girl as mine, Oh! why am I so Happy, Slumber, my Darling, 'Lizzie dies to-night, Better Times are Coming, A Penny for your Thoughts, When this Dreadful War is ended, When Old Friends were here, and She was all the World to me, which is his last composition. The ANTHENAEUM COLLECTION, a new book for Church and Sunday School, published by Horace Waters, also contains all the following pieces, written expressly for this work by Mr. Foster. <pre>"While we work for the Lord, The Beautiful Shore, There is a Land of Love, Oh! 'tis Glorious, Tears brings Thoughts of Heaven, Willie's gone to Heaven, Suffer Little Children to come unto me, Bury me in the morning, Mother, Leave me with my Mother, He Leadeth me beside still Waters, Give us this day our daily Bread, Seek and ye shall find, We'll all meet our Saviour, We'll still keep marching on, The Angels are singing unto me, The Pure, the Bright, the Beautiful, Tell me of the Angels, Mother, What shall the Harvest be, Don't be Idle, Happy little ones are we, Music everywhere, that's why I love it so, Stand up for the Truth, Over the River, The Bright Hills of Glory," etc. </pre> His later works exhibit greater grace and tenderness than his earlier ones; and had he lived, and taken proper care of his health, he might have obtained the most enviable eminence as a musician. As it is, he had the blessed, heaven-sent gift of melody, and his compositions, if not his name, are known all over the world. Russians, Italians, Germans, French, and even Egyptian and Chinese, have heard and admired those sweet strains which made Stephen C. Foster pre-eminently the ballad writer of America. We hope his publishers will make a collection--if not of all--of his best songs and choruses, and publish them in some enduring form; for their popularity will not die with the man whose genial imagination gave them birth. Mr. Foster--who for the past three years had lived in this city--was buried at Pittsburg. The Evening Chronicle of that city says of his farewell: "His death took place on the 13th instant, in New York city. With praiseworthy state-pride, the President of the Pennsylvania Railroad Company gave orders that his remains and the party in charge of them, should be passed over the road free of charge. The Adams Express Company also declined to take any pay for conveying his remains from New York to Harrisburg. "As stated in the previous notice given of the deceased, he married a daughter of the late Dr. McDowell, who, with an interesting daughter of twelve years survives him. Some of his friends here, and other lovers of music, who acknowledge his numerous and valuable contributions to musical science and literature, have united in having impressive and appropriate ceremonies at his funeral. At Trinity Church the exercises were vocal, led by Mr. Kleber; at the grave they were instrumental, some of Mr. Foster's most popular airs having been introduced. Mr. Foster has won a fame which is undying. His influence extends over every land where there are voices to hymn forth sweet notes and bearers to be moved by them." N.Y. Evening Post. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/e571dafa6fbea92d3ed5636ad0c5a978.pdf 1ab222361d816a843059e3c8d8928ae6 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COME RALLY, FREEMEN RALLY. Campaign Song and Chorus. Words by John Adams, Music by Mrs. Parkhurst. "They tell me I'll forget." "A Home on the Mountain." "The Soldier's dying farewell." "Only you & I." "Sweet home of my earlier days." "The sigh in the Heart."/ Waltz Sentimental/ 3 NEW-YORK. Published by HORACE WATERS. 481 Broadway. Boston O Ditson & Co. Chicago Root & Cady. Cincin J. Church Jr. Toledo O. W.W. Whitney. [Entered according to act of Congress AD 1864 by Horace Waters in the Clerk's office of the Dist. Court of the Northern Dist of New York ?] <hr /> 2 COME RALLY FREEMEN, RALLY! CAMPAIGN SONG AND CHORUS. Words by John Adams. Music by Mrs. Parkhurst. Allegro. Solo. Come, rally freemen, rally! Ye loyal brave and true, Chorus. Hurrah boys! hurrah Hurrah boys! hurrah <hr /> 3 boys! Abe Lincoln is our candidate, And Andrew Johnson too. Chorus. Hurrah boys! Hurrah for the Union! Solo. They are true men, they are tried men, Our for the Union! country knows their call, Cho. Hurrah boys! hurrah boys! Their Hurrah boys! hurrah boys! <hr /> 4 battle cry is freedom, 'Tis Liberty to all. Cho. Hurrah for the Union! Hurrah for the Union! CHORUS. Hurrah boys! hurrah! We'll work with all our might, For Hurrah boys! hurrah! We'll work with all our might, For Lincoln and for Johnson, For Liberty and right! Lincoln and for Johnson, For Liberty and right! <hr /> 5 2. Come, rally freemen, rally, And hoist our banner high, Hurrah boys! hurrah boys! Our cause it is the right one, And for it we will die. Hurrah for the Union! Abraham and Johnson Will make the nation free, Hurrah boys! hurrah boys! We'll rally next November For them and Liberty. Hurrah for the Union! Chorus. 3. Come, rally freemen, rally! We'll whip the copperheads, Hurrah boys! hurrah boys! And plant our noble banner Where Afrie's sons have bled. Hurrah for the Union! Abraham and Johnson Our country knows are true, Hurrah boys! hurrah boys! Unfurl our starry banner The red, the white, the blue. Hurrah for the Union! Chorus. 4. Come, rally freemen, rally! We'll meet again next fall, Hurrah boys! hurrah boys! For Johnson and Abe Lincoln Gives freedom to us all. Hurrah for the Union! And while our precious banner Is floating neath the sky, Hurrah boys! hurrah boys! We'll struggle for our country, We'll conquer or we'll die. Hurrah for the Union! Chorus. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300970 180867135 Title A name given to the resource Come Rally, Freemen Rally Description An account of the resource Campaign song and chorus for Abraham Lincoln and Andrew Johnson Subject The topic of the resource Lincoln, Abraham 1809-1865 Johnson, Andrew 1808-1875 Sheet music Campaign songs Adams, John Parkhurst, E. A., Mrs. Creator An entity primarily responsible for making the resource Adams, John and Parkhurst, Mrs. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COME RALLY, FREEMEN RALLY. Campaign Song and Chorus. Words by John Adams, Music by Mrs. Parkhurst. "They tell me I'll forget." "A Home on the Mountain." "The Soldier's dying farewell." "Only you & I." "Sweet home of my earlier days." "The sigh in the Heart."/ Waltz Sentimental/ 3 NEW-YORK. Published by HORACE WATERS. 481 Broadway. Boston O Ditson & Co. Chicago Root & Cady. Cincin J. Church Jr. Toledo O. W.W. Whitney. [Entered according to act of Congress AD 1864 by Horace Waters in the Clerk's office of the Dist. Court of the Northern Dist of New York ?] <hr /> 2 COME RALLY FREEMEN, RALLY! CAMPAIGN SONG AND CHORUS. Words by John Adams. Music by Mrs. Parkhurst. Allegro. Solo. Come, rally freemen, rally! Ye loyal brave and true, Chorus. Hurrah boys! hurrah Hurrah boys! hurrah <hr /> 3 boys! Abe Lincoln is our candidate, And Andrew Johnson too. Chorus. Hurrah boys! Hurrah for the Union! Solo. They are true men, they are tried men, Our for the Union! country knows their call, Cho. Hurrah boys! hurrah boys! Their Hurrah boys! hurrah boys! <hr /> 4 battle cry is freedom, 'Tis Liberty to all. Cho. Hurrah for the Union! Hurrah for the Union! CHORUS. Hurrah boys! hurrah! We'll work with all our might, For Hurrah boys! hurrah! We'll work with all our might, For Lincoln and for Johnson, For Liberty and right! Lincoln and for Johnson, For Liberty and right! <hr /> 5 2. Come, rally freemen, rally, And hoist our banner high, Hurrah boys! hurrah boys! Our cause it is the right one, And for it we will die. Hurrah for the Union! Abraham and Johnson Will make the nation free, Hurrah boys! hurrah boys! We'll rally next November For them and Liberty. Hurrah for the Union! Chorus. 3. Come, rally freemen, rally! We'll whip the copperheads, Hurrah boys! hurrah boys! And plant our noble banner Where Afrie's sons have bled. Hurrah for the Union! Abraham and Johnson Our country knows are true, Hurrah boys! hurrah boys! Unfurl our starry banner The red, the white, the blue. Hurrah for the Union! Chorus. 4. Come, rally freemen, rally! We'll meet again next fall, Hurrah boys! hurrah boys! For Johnson and Abe Lincoln Gives freedom to us all. Hurrah for the Union! And while our precious banner Is floating neath the sky, Hurrah boys! hurrah boys! We'll struggle for our country, We'll conquer or we'll die. Hurrah for the Union! Chorus. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/2dadcb28843cf2a45c217c5bca181fba.pdf bac59a443c5e7b10440305e7ffbf8297 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864, The Chicago Copperhead, and The Copperhead of 1865. By James G. Clark. New York: Published by Horace Waters, 481 Broadway Entered according to act of Congress in A. D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York <hr /> The Copperhead of 1864. Words by John Holland. Music by James G. Clark. 1. Ther is a snake that haunts the grass, Des-pised by all men, white and red, Trod 'neath the hoofs of ox and ass- The glist-'ning, ven-omous copper-head. Through out three sea-sons of the year, The rat-tle-snake him-self hath fled; But when the ex-tra month ap-pear, His sut-ler is the copper-head- 2. 'Tis said that ev-ery creep-ing thing Has got some use-ful task a-head; But yet the bards have fail'd to sing One vir-tue in the copper-head, The an-cient snake in E-den's bowers From flow-'ry paths our pa-rents led; Ex - pe-rience in this age of ours Comes down up-on the copper-head- 3. But, glo-ry be to Is-rael's God! The Un-ion bird its wings has spread, Whose beak and claws shall rid the sod Of ev-'ry crawl-ing copper-head, The rat-tle-snake and cop-per-head Shall ne'er coil up fair Free-dom's bed; The Un-ion pole pokes ev-'ry hole That can co-tain a copper-head Chorus Air Oh!.................. The twist-ing, wrigg-ling cop-perhead; The glist-'ning ven-omous copperhead; The man of sense can fix the tense In which to kill the cop-per-head. Alto Oh!.................. The wal-lowing, spong-ing cop-perhead; The hiss-ing, spitt-ing copperhead From Un-ion hands it eats its bread, And bites for thanks the cop-per-head Tenor Oh!.................. A-las, a-las, the cop-erhead! The Un-ion stone has smashed its Head! We'll stuff its skin for men to grin At what was once a cop-per-head! Bass <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300969 839678669 Title A name given to the resource The Copperhead of 1864 Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864, The Chicago Copperhead, and The Copperhead of 1865. By James G. Clark. New York: Published by Horace Waters, 481 Broadway Entered according to act of Congress in A. D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York <hr /> The Copperhead of 1864. Words by John Holland. Music by James G. Clark. 1. Ther is a snake that haunts the grass, Des-pised by all men, white and red, Trod 'neath the hoofs of ox and ass- The glist-'ning, ven-omous copper-head. Through out three sea-sons of the year, The rat-tle-snake him-self hath fled; But when the ex-tra month ap-pear, His sut-ler is the copper-head- 2. 'Tis said that ev-ery creep-ing thing Has got some use-ful task a-head; But yet the bards have fail'd to sing One vir-tue in the copper-head, The an-cient snake in E-den's bowers From flow-'ry paths our pa-rents led; Ex - pe-rience in this age of ours Comes down up-on the copper-head- 3. But, glo-ry be to Is-rael's God! The Un-ion bird its wings has spread, Whose beak and claws shall rid the sod Of ev-'ry crawl-ing copper-head, The rat-tle-snake and cop-per-head Shall ne'er coil up fair Free-dom's bed; The Un-ion pole pokes ev-'ry hole That can co-tain a copper-head Chorus Air Oh!.................. The twist-ing, wrigg-ling cop-perhead; The glist-'ning ven-omous copperhead; The man of sense can fix the tense In which to kill the cop-per-head. Alto Oh!.................. The wal-lowing, spong-ing cop-perhead; The hiss-ing, spitt-ing copperhead From Un-ion hands it eats its bread, And bites for thanks the cop-per-head Tenor Oh!.................. A-las, a-las, the cop-erhead! The Un-ion stone has smashed its Head! We'll stuff its skin for men to grin At what was once a cop-per-head! Bass <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/a8395fcd7caa82aff34a0f510a557912.pdf 6817e7f0645e83a18243f891238daa3c Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COL. ELLSWORTH. FUNERAL MARCH. Philadelphia. LEE & WALKER, 722 Chesnut St. <hr /> COL. ELLSWORTH'S FUNERAL MARCH I am perfectly content to accept whatever my fortune may be, confident that he who noteth even the fall of a sparrow, will have some purpose even in the fate of one like me. Composed & respectively dedicated to Francis E. Brownell Esq. by Sep. Winner. Plain title. Colored Lithograph Philadelphia LEE & WALKER 722 Chesnut St. <hr /> 3 COL. ELLSWORTH'S FUNERAL MARCH. COMPOSED AND RESPECTFULLY DEDICATED TO Francis C. Brownell by Sep: Winner. Piano [sheet music] Entered according to Act of Congress A.D. 1861 by Lee & Walker at the Clerk's Office of the Dt.Ct. of the En. Dt. of Pa. <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300968 24620457 Title A name given to the resource Colonel Ellsworth's Funeral March Description An account of the resource Funeral march in honor of Colonel Elmer E. Ellsworth. The first Union martyr of the Civil War, Colonel Elmer Ellsworth accompanied Lincoln on his inaugural train trip to Washington, D.C.. After the war began, he organized the 11th New York Infantry, a regiment which Ellsworth outfitted in the distinctive outfit of the French North African Zouaves. Ellsworth was killed on May 24, 1861, during the Union's occupation of Alexandria, Virginia, where James W. Jackson, a diehard secessionist, shot Ellsworth as the later had just removed a Confederate from the top of Jackson's inn. President and Mrs. Lincoln grieved over Ellsworth, whose body lay in state at the White House. Ellsworth's death became a rallying symbol for the Union.  Several songs and poems were written in his memory. Subject The topic of the resource Ellsworth, E. E. (Elmer Ephraim) 1837-1861 Brownell, Francis C. Sheet music Funeral music United States. Army. New York Infantry Regiment, 11th (1861-1862) American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Winner, Septimus Contributor An entity responsible for making contributions to the resource Lee & Walker Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. COL. ELLSWORTH. FUNERAL MARCH. Philadelphia. LEE & WALKER, 722 Chesnut St. <hr /> COL. ELLSWORTH'S FUNERAL MARCH I am perfectly content to accept whatever my fortune may be, confident that he who noteth even the fall of a sparrow, will have some purpose even in the fate of one like me. Composed & respectively dedicated to Francis E. Brownell Esq. by Sep. Winner. Plain title. Colored Lithograph Philadelphia LEE & WALKER 722 Chesnut St. <hr /> 3 COL. ELLSWORTH'S FUNERAL MARCH. COMPOSED AND RESPECTFULLY DEDICATED TO Francis C. Brownell by Sep: Winner. Piano [sheet music] Entered according to Act of Congress A.D. 1861 by Lee & Walker at the Clerk's Office of the Dt.Ct. of the En. Dt. of Pa. <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/8edc6cb68fde07cdea7e1758ed6fd05c.pdf e16f8d271383ca0fb451f29571d0792a Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. NEW YORK: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> 2 THE CHICAGO COPPERHEADS. Written and adapted by James G. Clark. With energy 1. There is a band of Copperhead snakes, Crawling along the northern lakes, 2. There is a snake call'd "Little Mac!" Throwing himself upon his back, 3. The snakes are fill'd with fear and woe, Up salt river they're bound to go, 4. The snakes will all be buried this Fall, Abe is bruising them with his maul, Ev'ryone has got the shakes, Oh, see 'em crawling. Ev'ry time he take a tack, Oh, see him crawling. Satan has got them all in tow, Oh, see 'em crawling. Each one into his hole will crawl, Oh, see 'em crawling. <hr /> 3 Trio. Air. Tenor. There is a band of Copperhead snakes, Crawling along the Bass. There is a band of Copperhead snakes, Crawling along the Piano. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. <hr /> Select Catalogue of Mrs. E.A. Parkhurst's Compositions. 1864. Published by Horace Waters, 481 Broadway, N.Y. 1864. NORAH DEAREST Is a charming and popular song with chorus. It is simply arranged in the key of G. "When the stars are brightly shining For above my weary head Softly steal my thoughts to Norah, Norah, sleeping with the dead." HOW SOFTLY ON THE BRUISED HEART Is an exquisite little ballad and should be found in every household in the land. It is simple and full of feeling, and easily arranged in the key of B flat. "How softly on the bruised heart A word of kindness falls, And to the dry and parched soul The [?] tear drop falls." SWEET LITTLE NELL. This is a fitting companion to "Sweet Evelina," which has been so popular, and which was one of Mrs. Parkhurst's best arrangements. It is spirited in its movement and has a charming chorus. "Oh! talk not of daisies and violets of spring, Of rose-buds and dew-drops or any such thing; For the loveliest flow'ret that grows in the dell Is the dear bonnie maiden they call Little Nell." THE ANGELS ARE HOVERING NEAR. This song is beautiful beyond description. The melody is low and sweet, while the Piano accompaniment has a smooth, gliding movement, very charming in its effect. It is arranged in A flat. "When the glow of the sonnet is fused in the sky, And the creep of the twilight at evening is nigh, When the eyelids of darkness are wet with the dew, And the stars are ablaze in the [dawn?] of the blue, The angels are hovering near." THE BEAUTIFUL ANGEL BAND. This is another ballad in A flat. The words are very beautiful and the music is finely adapted. Mrs. Parkhurst possesses a most remarkable faculty of interblending words and melody, and she was never more successful than in this song. "Mother, dear Mother, they're calling me now; Behold is the beautiful west, With a [bright crown?] decking each youthful brow, They came down the land of the blest." I CAN'T FORGET. This ballad, although simple, is very artistic in style, and is destined to be a favorite in the concert room and parlor. The melody is pure, combined with the richest harmony. Key of C. "Do not chide if found affection Lingers still when hope is past, Weeping tears of deep dejection Where the wrecks of joy are met." DOST THOU EVER THINK OF ME, LOVE? This is a song and chorus of the sentimental order, and cannot fail to be popular. It has been pronounced by good judges to be one of the prettiest ballads published. It is in the key of G. "Dost thou every think of me, love? Dost thou ever think of me? Do you still my memory cherish, Though I'm far away from thee?" ANGEL MARY. This is a sweet and simple ballad in A flat. The words and music are by Mrs. Parkhurst, and are wedded in such a manner as to give a charm to both. "You are lying low down in your grave, darling, With the mould creeping over your face, And sadly the green willows wave, darling, And sigh o'er your lone resting place. You left us when summer was throwing O'er earth her bright mantle of flowers; But we know in our hearts you were going To a land that is fairer than ours." WEEP NO MORE FOR LILY. Song and Chorus in E flat. This is a light sparkling melody in the solo, while the chorus is solemn and rich in its harmony. It contains all the elements of popularity. "Lilly of the valley, modest, sweet and mild, Ever pure and lovely was the gentle child; Sunny hair had Lilly, eyes of azure blue, Footstep soft and gentle as the falling dew. Chorus--Weep no more for Lily: Lily's gone above; Angels came and bore her to their land of love." MARY FAY. This is a popular song among the Minstrel bands, and is very fine for a serenade. The chorus is particularly good. Key of B flat. 30 cents each. "Oh! where has she gone, my Mary Fay, My love, my joy, my [pain?]" I would go to the ends of the raging sea To hear her voice again." THE UNION MEDLEY. This is an ingenious combination of all the best patriotic songs of the day, and will be popular. 60 cents. THE TEAR OF LOVE. This is one of Mrs. Parkhurst's happiest efforts, and when sung by a sympathizing voice cannot fail to draw the tears from every eye. It is arranged in A flat, and ranges from E to F above. "Think not thou e'er hast won a heart, And that heart holds these dear, 'Till it shreds for thee, and thee alone, A pure and heartfelt tear; For a smile of love or a spoken word Ne'er yet affection provided: But when we mark the starting tear, Oh! than we are beloved." KATY DID, KATY DIDN'T. This is, as its name indicates, a comic song. It is designed more especially for children, and has elicited shouts of applause wherever it has been sung. It is in the key of D. "Katy did, Katy didn't, Katy did, Katy didn't, Katy did, Katy didn't, Katy didn't She didn't, I know. Katy had an ardent lover, " &c. THIS HAND NEVER STRUCK ME, MOTHER. This song is founded on a very beautiful incident, and cannot fail to be popular throughout the land. It is very simple and touching. Key of C. "Chorus.--Would that every loving sister Could say of her darling brother, Whether he were dead or living, This hand never struck me, mother." THEY DYING DRUMMER. This is a very touching song and chorus and will be a favorite in every household, particularly those made desolate by death upon the battlefield. It is arranged in the key of D. 30 cents each. "Chorus.--Have you come to see your darling Die upon the battlefield, Far from home, so sad and lonely? Have you come your boy to shield?" The following is a list of Mrs. Parkhurst's instrumental compositions:-- "Yankee Doodle," with variations, is not difficult, but very brilliant, and has been played by Mrs. Parkhurst with great applause at over one hundred concerts. "Morning Dreams," a collection of popular and [?] varied, and especially designed for teaching purposes, viz: "Away with Melancholy," rather difficult, and a most favorite among good players. "Blue Bells of Scotland," very showy, but not difficult. "Sweet Evelina," another great favorite, and exceedingly brilliant. "They Worked Me All the Day," showy and excellent practice for pupils somewhat advanced. The above pieces are 60 cents each. "Spirit Polka." This is one of the best and most popular polkas ever published. It is excellent for dancing and possesses the charm of never growing old. It is full of melody and easily arranged in A flat. "Summer House of Roses." A Galop very spirited and beautifully arranged. Key of C. "Airy Castles," a Romance. This is one of those charming, silvery pieces, that once heard cannot be forgotten, and will always be a favorite with the young ladies. "The Cloud with a Silver Lining." Another Romance of the same character as the above. "General Scott's Farewell March." As easy march and a fine arrangement for young pupils. 25 cents. "The Sanitary Fair Polka." Composed for the Sanitary Fair, and dedicated to the patrons. This is one of Mrs. Parkhurst's most successful efforts. It is simple, full of melody and exquisite harmony, and fine for dancing. 25 c. The Brooklyn Eagle says:-- "The music is bright, sparkling, attractive and "easily whistled," in other words. It has all the elements of popularity, and will undoubtedly extend the reputation of its accomplished author." "The Tender Glance Schottisch." Fine for dancing, quite easy and very beautiful. 30 cents each. New Music at Mrs. Parkhurst.--We cheerfully call attention to Mrs. Parkhurst's advertisement of new music, which appears in our columns to-day. There are some ten or fifteen compositions in all, many of which are exceedingly meritorious while all are above the average of such works. Mrs. Parkhurst is one of our most prolific native composers, many of her songs being familiar as household words. The fair author has a happy faculty of interblending word and melody, which results in most pleasing and memorable harmony, the benefits in most pleasing and memorable harmony, the benefits of which our readers may share by purchasing the music and studying the composition.--Brooklyn Eagle. VOCAL. THE NEW EMANCIPATION SONG. This is a stirring Song and Chorus, written for the Hutchinsons and sung by them throughout the land. It is well adapted to the times. "If you wish to be commended, Let not Slavery be extended, But its reign quickly ended, In these United States.' THE SOLDIER'S DYING FAREWELL. This is another of Mrs. Parkhurst's latest productions. It has a charming melody, with a chorus beautifully harmonized, and is having a large sale. Chorus--Don't you hear them singing, Mother, Listen to the music's swell, Now I leave thee, loving Mother. God be with you, fare you well. NO SLAVE BENEATH THAT STARRY FLAG. This is one of the best songs of the kind ever written. The words are by the Rev. George Lansing Taylor. It has a fine chorus, and when well sung is calculated to infuse patriotism into the heart of every listener. "No Slave beneath that starry flag, The emblem of the free. No fettered hand, shall wield the brand, That smites for Liberty." DEY SAID WE WOULDN'T FIGHT. A very amusing negro melody, with a fine chorus; It is well adapted to the times. Chorus.--"Hi! hi! boys, we's a gwine home, Hi! ho! now for de fray. LITTLE JOE THE CONTRABAND. Another mirth-provoking negro melody. THERE'S REST FOR ALL IN HEAVEN A very beautiful song and chorus, in the key of E flat. "We still have this sweet solace left, There's rest for all in heaven." COME RALLY, FREEMEN, RALLY. A campaign song and chorus, very finely arranged. One of Mrs. Parkhurst's best "Hurrah, boys, hurrah, we'll work with all our might. THEY TELL ME I'LL FORGET THEE. This is an exquisite ballad, plaintive and touching, and one of the sweetest melodies Mrs. Parkhurst has ever written. It is arranged in A flat. "They tell me I'll forget thee, when 'Mid other scenes I stray, That thoughts of thee will vanish as The dew as break of day." ONLY YOU AND I. A charming little song, lively and very amusing. More especially designed for people in love. "When'er we walk together, love, And no one else is nigh, It seems as if the world was made, For only you and I." I'M WILLING TO WAIT. Or, The Old Maid's Song Another comic song, arranged with a beautiful accompaniment, very amusing. "Twas not such a very long time ago, At least, so it seems to me, Since I was a maiden, just in my teens, As pretty as I could be. But now they call me a poor old maid, And I'll own I'm thirty four, But I'm willing to wait, I'm willing to wait, With patience a year or two more." MY JAMIE'S IN THE BATTLE FIELD. A Scotch ballad, very pretty and taking. "My Jamie's on the battle field, And Oh, I miss my laddie so, My puir lane heart so fu of pain, I wish I had no let him go." OUR DEAR NEW ENGLAND BOYS. A very sweet and touching melody, with beautiful words and an excellent chorus. Key of E flat. Chorus.--Let them rest their work is finished Nothing now their sleep annoys, Angels guard the unbroken slumbers Of our dear New England Boys. The above pieces are 30 cents each, mailed. WERE I BUT HIS OWN WIFE. One of Tom Moore's beautiful songs, set to sweet and appropriate music. A song that will be a favorite. "Were I but his own wife to guide and to guard him, 'Tis little sorrow should fall on my dear. For every kind glance my whole life would reward him, In sickness I'd soothe, and in sadness I'd cheer." THERE ARE VOICES, SPIRIT VOICES. This is one of the best pieces Mrs. Parkhurst has ever written. It is classical in style, yet simply arranged. It has a most beautiful chorus, with an accompaniment in imitation of voices. Chorus.--Spirit voices, hear the echo, They are calling us away, Where the roses never wither, Where the crystal fountains play." A HOME ON THE MOUNTAIN. A dashing spirited song in the key of G. Very brilliant and beautiful. "Let others sigh for a valley home, Where the brook runs murmuring by. I'll build my cot on the mountain's dome, Where it leans to the deep blue sky." DO THEY LOVE ME STILL AS EVER. Song and Chorus in the key of B flat. Very beautiful and becoming very popular. "Do they love me still as ever. In the old familiar way. Do they ne'er forget me, never, Though afar from home I stray." OH, SEND ME ONE FLOWER FROM HIS GRAVE. A very touching and beautiful song, with chorus finely harmonized. It is arranged in the key of A flat. "While the merry birds sing in the low branches near, And above him the green willows wave. Still warm with the sunshine and wet with the dew. Oh, send me one flower from his grave." WAIT, MY LITTLE ONE, WAIT. This is a pathetic little ballad, that touches the heart of every mother who has a little one in heaven. It is simply arranged it the key of A flat. "Wait, my little one, wait. When you get to that beautiful land. Tarry a little my darling one, Ere you join that heavenly land." The above pieces are 30 cents each, mailed. INSTRUMENTAL. The Sigh in the Heart--Waltz sentimental. This is a charming piece of seven pages; brilliant and at the same time very sweet and not too difficult for ordinary players. Price, 40 cents. Starlight Waltz.--A simple waltz, very pretty and designed more especially for players not very far advanced. Good time for dancing. On to Richmond Galop.--A brilliant, spirited gallop, not very difficulty, and one that cannot fail to be popular. Price, 30 cents each, mailed.-- THE SUNNYSIDE SET. A set of easy pieces arranged from popular airs, especially for young beginners:--"Three Rogueish Chaps," (Polka); "My Country," (March); "Sunny Side Rondo"; "Little Bird Waltz"; "Brave McClellan," (March); "What they do at the Springs," (Waltz); "They worked me all the day," (Polka); "There's no such girl as mine," (Gallop); "Was my brother in the battle," (March); "Shall we know each other there," (Rondo); "Little Ella's an Angel," (Quickstep); "Leave me with my mother," (M'rch); "Weep no more for Lilly," (March); "Why have my loved ones gone," (Schottische); "The Volunteer Polka"; "Cannon Gallop"; "Morning Dew," (Schottische); "Little Jenny Dow," (Polka); "Sweet Evelina," (Waltz); "When this dreadful war is ended," (Polka); "Merry little birds are we, (Polka); "There are plenty of fish in the sea," (Quickstep); "Norah Dearest," (March); "The Evacuation," (Dance); "Farmer Stubbs," (Dance); "Sweet little Nell," (Waltz). The above pieces are all fingered. Price, 20 cents each, mailed free. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300967 839678268 Title A name given to the resource The Chicago Copperhead Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. NEW YORK: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> 2 THE CHICAGO COPPERHEADS. Written and adapted by James G. Clark. With energy 1. There is a band of Copperhead snakes, Crawling along the northern lakes, 2. There is a snake call'd "Little Mac!" Throwing himself upon his back, 3. The snakes are fill'd with fear and woe, Up salt river they're bound to go, 4. The snakes will all be buried this Fall, Abe is bruising them with his maul, Ev'ryone has got the shakes, Oh, see 'em crawling. Ev'ry time he take a tack, Oh, see him crawling. Satan has got them all in tow, Oh, see 'em crawling. Each one into his hole will crawl, Oh, see 'em crawling. <hr /> 3 Trio. Air. Tenor. There is a band of Copperhead snakes, Crawling along the Bass. There is a band of Copperhead snakes, Crawling along the Piano. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. <hr /> Select Catalogue of Mrs. E.A. Parkhurst's Compositions. 1864. Published by Horace Waters, 481 Broadway, N.Y. 1864. NORAH DEAREST Is a charming and popular song with chorus. It is simply arranged in the key of G. "When the stars are brightly shining For above my weary head Softly steal my thoughts to Norah, Norah, sleeping with the dead." HOW SOFTLY ON THE BRUISED HEART Is an exquisite little ballad and should be found in every household in the land. It is simple and full of feeling, and easily arranged in the key of B flat. "How softly on the bruised heart A word of kindness falls, And to the dry and parched soul The [?] tear drop falls." SWEET LITTLE NELL. This is a fitting companion to "Sweet Evelina," which has been so popular, and which was one of Mrs. Parkhurst's best arrangements. It is spirited in its movement and has a charming chorus. "Oh! talk not of daisies and violets of spring, Of rose-buds and dew-drops or any such thing; For the loveliest flow'ret that grows in the dell Is the dear bonnie maiden they call Little Nell." THE ANGELS ARE HOVERING NEAR. This song is beautiful beyond description. The melody is low and sweet, while the Piano accompaniment has a smooth, gliding movement, very charming in its effect. It is arranged in A flat. "When the glow of the sonnet is fused in the sky, And the creep of the twilight at evening is nigh, When the eyelids of darkness are wet with the dew, And the stars are ablaze in the [dawn?] of the blue, The angels are hovering near." THE BEAUTIFUL ANGEL BAND. This is another ballad in A flat. The words are very beautiful and the music is finely adapted. Mrs. Parkhurst possesses a most remarkable faculty of interblending words and melody, and she was never more successful than in this song. "Mother, dear Mother, they're calling me now; Behold is the beautiful west, With a [bright crown?] decking each youthful brow, They came down the land of the blest." I CAN'T FORGET. This ballad, although simple, is very artistic in style, and is destined to be a favorite in the concert room and parlor. The melody is pure, combined with the richest harmony. Key of C. "Do not chide if found affection Lingers still when hope is past, Weeping tears of deep dejection Where the wrecks of joy are met." DOST THOU EVER THINK OF ME, LOVE? This is a song and chorus of the sentimental order, and cannot fail to be popular. It has been pronounced by good judges to be one of the prettiest ballads published. It is in the key of G. "Dost thou every think of me, love? Dost thou ever think of me? Do you still my memory cherish, Though I'm far away from thee?" ANGEL MARY. This is a sweet and simple ballad in A flat. The words and music are by Mrs. Parkhurst, and are wedded in such a manner as to give a charm to both. "You are lying low down in your grave, darling, With the mould creeping over your face, And sadly the green willows wave, darling, And sigh o'er your lone resting place. You left us when summer was throwing O'er earth her bright mantle of flowers; But we know in our hearts you were going To a land that is fairer than ours." WEEP NO MORE FOR LILY. Song and Chorus in E flat. This is a light sparkling melody in the solo, while the chorus is solemn and rich in its harmony. It contains all the elements of popularity. "Lilly of the valley, modest, sweet and mild, Ever pure and lovely was the gentle child; Sunny hair had Lilly, eyes of azure blue, Footstep soft and gentle as the falling dew. Chorus--Weep no more for Lily: Lily's gone above; Angels came and bore her to their land of love." MARY FAY. This is a popular song among the Minstrel bands, and is very fine for a serenade. The chorus is particularly good. Key of B flat. 30 cents each. "Oh! where has she gone, my Mary Fay, My love, my joy, my [pain?]" I would go to the ends of the raging sea To hear her voice again." THE UNION MEDLEY. This is an ingenious combination of all the best patriotic songs of the day, and will be popular. 60 cents. THE TEAR OF LOVE. This is one of Mrs. Parkhurst's happiest efforts, and when sung by a sympathizing voice cannot fail to draw the tears from every eye. It is arranged in A flat, and ranges from E to F above. "Think not thou e'er hast won a heart, And that heart holds these dear, 'Till it shreds for thee, and thee alone, A pure and heartfelt tear; For a smile of love or a spoken word Ne'er yet affection provided: But when we mark the starting tear, Oh! than we are beloved." KATY DID, KATY DIDN'T. This is, as its name indicates, a comic song. It is designed more especially for children, and has elicited shouts of applause wherever it has been sung. It is in the key of D. "Katy did, Katy didn't, Katy did, Katy didn't, Katy did, Katy didn't, Katy didn't She didn't, I know. Katy had an ardent lover, " &c. THIS HAND NEVER STRUCK ME, MOTHER. This song is founded on a very beautiful incident, and cannot fail to be popular throughout the land. It is very simple and touching. Key of C. "Chorus.--Would that every loving sister Could say of her darling brother, Whether he were dead or living, This hand never struck me, mother." THEY DYING DRUMMER. This is a very touching song and chorus and will be a favorite in every household, particularly those made desolate by death upon the battlefield. It is arranged in the key of D. 30 cents each. "Chorus.--Have you come to see your darling Die upon the battlefield, Far from home, so sad and lonely? Have you come your boy to shield?" The following is a list of Mrs. Parkhurst's instrumental compositions:-- "Yankee Doodle," with variations, is not difficult, but very brilliant, and has been played by Mrs. Parkhurst with great applause at over one hundred concerts. "Morning Dreams," a collection of popular and [?] varied, and especially designed for teaching purposes, viz: "Away with Melancholy," rather difficult, and a most favorite among good players. "Blue Bells of Scotland," very showy, but not difficult. "Sweet Evelina," another great favorite, and exceedingly brilliant. "They Worked Me All the Day," showy and excellent practice for pupils somewhat advanced. The above pieces are 60 cents each. "Spirit Polka." This is one of the best and most popular polkas ever published. It is excellent for dancing and possesses the charm of never growing old. It is full of melody and easily arranged in A flat. "Summer House of Roses." A Galop very spirited and beautifully arranged. Key of C. "Airy Castles," a Romance. This is one of those charming, silvery pieces, that once heard cannot be forgotten, and will always be a favorite with the young ladies. "The Cloud with a Silver Lining." Another Romance of the same character as the above. "General Scott's Farewell March." As easy march and a fine arrangement for young pupils. 25 cents. "The Sanitary Fair Polka." Composed for the Sanitary Fair, and dedicated to the patrons. This is one of Mrs. Parkhurst's most successful efforts. It is simple, full of melody and exquisite harmony, and fine for dancing. 25 c. The Brooklyn Eagle says:-- "The music is bright, sparkling, attractive and "easily whistled," in other words. It has all the elements of popularity, and will undoubtedly extend the reputation of its accomplished author." "The Tender Glance Schottisch." Fine for dancing, quite easy and very beautiful. 30 cents each. New Music at Mrs. Parkhurst.--We cheerfully call attention to Mrs. Parkhurst's advertisement of new music, which appears in our columns to-day. There are some ten or fifteen compositions in all, many of which are exceedingly meritorious while all are above the average of such works. Mrs. Parkhurst is one of our most prolific native composers, many of her songs being familiar as household words. The fair author has a happy faculty of interblending word and melody, which results in most pleasing and memorable harmony, the benefits in most pleasing and memorable harmony, the benefits of which our readers may share by purchasing the music and studying the composition.--Brooklyn Eagle. VOCAL. THE NEW EMANCIPATION SONG. This is a stirring Song and Chorus, written for the Hutchinsons and sung by them throughout the land. It is well adapted to the times. "If you wish to be commended, Let not Slavery be extended, But its reign quickly ended, In these United States.' THE SOLDIER'S DYING FAREWELL. This is another of Mrs. Parkhurst's latest productions. It has a charming melody, with a chorus beautifully harmonized, and is having a large sale. Chorus--Don't you hear them singing, Mother, Listen to the music's swell, Now I leave thee, loving Mother. God be with you, fare you well. NO SLAVE BENEATH THAT STARRY FLAG. This is one of the best songs of the kind ever written. The words are by the Rev. George Lansing Taylor. It has a fine chorus, and when well sung is calculated to infuse patriotism into the heart of every listener. "No Slave beneath that starry flag, The emblem of the free. No fettered hand, shall wield the brand, That smites for Liberty." DEY SAID WE WOULDN'T FIGHT. A very amusing negro melody, with a fine chorus; It is well adapted to the times. Chorus.--"Hi! hi! boys, we's a gwine home, Hi! ho! now for de fray. LITTLE JOE THE CONTRABAND. Another mirth-provoking negro melody. THERE'S REST FOR ALL IN HEAVEN A very beautiful song and chorus, in the key of E flat. "We still have this sweet solace left, There's rest for all in heaven." COME RALLY, FREEMEN, RALLY. A campaign song and chorus, very finely arranged. One of Mrs. Parkhurst's best "Hurrah, boys, hurrah, we'll work with all our might. THEY TELL ME I'LL FORGET THEE. This is an exquisite ballad, plaintive and touching, and one of the sweetest melodies Mrs. Parkhurst has ever written. It is arranged in A flat. "They tell me I'll forget thee, when 'Mid other scenes I stray, That thoughts of thee will vanish as The dew as break of day." ONLY YOU AND I. A charming little song, lively and very amusing. More especially designed for people in love. "When'er we walk together, love, And no one else is nigh, It seems as if the world was made, For only you and I." I'M WILLING TO WAIT. Or, The Old Maid's Song Another comic song, arranged with a beautiful accompaniment, very amusing. "Twas not such a very long time ago, At least, so it seems to me, Since I was a maiden, just in my teens, As pretty as I could be. But now they call me a poor old maid, And I'll own I'm thirty four, But I'm willing to wait, I'm willing to wait, With patience a year or two more." MY JAMIE'S IN THE BATTLE FIELD. A Scotch ballad, very pretty and taking. "My Jamie's on the battle field, And Oh, I miss my laddie so, My puir lane heart so fu of pain, I wish I had no let him go." OUR DEAR NEW ENGLAND BOYS. A very sweet and touching melody, with beautiful words and an excellent chorus. Key of E flat. Chorus.--Let them rest their work is finished Nothing now their sleep annoys, Angels guard the unbroken slumbers Of our dear New England Boys. The above pieces are 30 cents each, mailed. WERE I BUT HIS OWN WIFE. One of Tom Moore's beautiful songs, set to sweet and appropriate music. A song that will be a favorite. "Were I but his own wife to guide and to guard him, 'Tis little sorrow should fall on my dear. For every kind glance my whole life would reward him, In sickness I'd soothe, and in sadness I'd cheer." THERE ARE VOICES, SPIRIT VOICES. This is one of the best pieces Mrs. Parkhurst has ever written. It is classical in style, yet simply arranged. It has a most beautiful chorus, with an accompaniment in imitation of voices. Chorus.--Spirit voices, hear the echo, They are calling us away, Where the roses never wither, Where the crystal fountains play." A HOME ON THE MOUNTAIN. A dashing spirited song in the key of G. Very brilliant and beautiful. "Let others sigh for a valley home, Where the brook runs murmuring by. I'll build my cot on the mountain's dome, Where it leans to the deep blue sky." DO THEY LOVE ME STILL AS EVER. Song and Chorus in the key of B flat. Very beautiful and becoming very popular. "Do they love me still as ever. In the old familiar way. Do they ne'er forget me, never, Though afar from home I stray." OH, SEND ME ONE FLOWER FROM HIS GRAVE. A very touching and beautiful song, with chorus finely harmonized. It is arranged in the key of A flat. "While the merry birds sing in the low branches near, And above him the green willows wave. Still warm with the sunshine and wet with the dew. Oh, send me one flower from his grave." WAIT, MY LITTLE ONE, WAIT. This is a pathetic little ballad, that touches the heart of every mother who has a little one in heaven. It is simply arranged it the key of A flat. "Wait, my little one, wait. When you get to that beautiful land. Tarry a little my darling one, Ere you join that heavenly land." The above pieces are 30 cents each, mailed. INSTRUMENTAL. The Sigh in the Heart--Waltz sentimental. This is a charming piece of seven pages; brilliant and at the same time very sweet and not too difficult for ordinary players. Price, 40 cents. Starlight Waltz.--A simple waltz, very pretty and designed more especially for players not very far advanced. Good time for dancing. On to Richmond Galop.--A brilliant, spirited gallop, not very difficulty, and one that cannot fail to be popular. Price, 30 cents each, mailed.-- THE SUNNYSIDE SET. A set of easy pieces arranged from popular airs, especially for young beginners:--"Three Rogueish Chaps," (Polka); "My Country," (March); "Sunny Side Rondo"; "Little Bird Waltz"; "Brave McClellan," (March); "What they do at the Springs," (Waltz); "They worked me all the day," (Polka); "There's no such girl as mine," (Gallop); "Was my brother in the battle," (March); "Shall we know each other there," (Rondo); "Little Ella's an Angel," (Quickstep); "Leave me with my mother," (M'rch); "Weep no more for Lilly," (March); "Why have my loved ones gone," (Schottische); "The Volunteer Polka"; "Cannon Gallop"; "Morning Dew," (Schottische); "Little Jenny Dow," (Polka); "Sweet Evelina," (Waltz); "When this dreadful war is ended," (Polka); "Merry little birds are we, (Polka); "There are plenty of fish in the sea," (Quickstep); "Norah Dearest," (March); "The Evacuation," (Dance); "Farmer Stubbs," (Dance); "Sweet little Nell," (Waltz). The above pieces are all fingered. Price, 20 cents each, mailed free. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/4257fa9af90c9b574fbd53f6a8081048.pdf f194c3e9544bd91a94b98566880498ab Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. SONGS OF THE FLORENCES. Authorized bdcht(?SP) W. J. Florence. As Sung BY MRS. W. J. FLORENCE. THROUGHTOUT THE VARIOUS THEATRES IN EUROPE AND AMERICA. WAY DOWN IN MAINE. THE CAPTAIN. JOHNEY WAS A SHOEMAKER. EMMER JANE. J. H. Bufford's lath. BOSTON. Published by OLIVER DITSON & CO 277 Washington St. C. C. CLAPP & CO Boston. BECK & LAWTON Philada. FIRTH, POND & CO. N. York. JOHN CHURCH JR. Cinn. Entered according to act of Congress in the year 1859 by Oliver Ditson & Co. in the Clerks Office of the District of Mass. THE CAPTAIN. Written by W. J. FLORENCE Arranged by T. COMER. Allegretto. 1. As they marched thro' the town with their ban-ners so gay, I ran to the window t hear the band play; I peeped thro' the blinds ve-ry cau-tious-ly then, Lest the neigh-bors should say I was look-ing at the men. Oh! I heard the drums beat, and the mu-sic so..... sweet, But my eyes at the time caught a much great-er treat; The Troop was the fin-est I ev-er did see, And the Captain with his whis-kers took a sly glance at me. me. 2. When we met at the Ball I of course thought' twas right, to pre-tend that we nev-er had met be-fore that night. But he knew me at once I per-ceived by his glance, And I hung down my head when he asked me to dance. Oh! he sat..... by my side at the end... of the sett, And the sweet word he spoke I shall nev-er for-get; For my heart was en-list-ed and could not get free, As the Cap-tain with his whis-kers took a sly glance at me. me. 3. But he march'd from the town, and I see him no more, Yet I think of him oft and the whiskers he word, I dream all the night, and I talk all the day, Of the love of a Captain who went far away. I remember with super-abundant delight, When we met in the street, and we danced all the night, And keep in my mind, how my heart jumped with glee, As the Captain with his whiskers took a sly glance at me. 4. But there's hope....for a friend just ten minutes ago, Said the Captain's returned from the war, and I know He'll be searching for me with considerable zest, And when I am found_but_ah_you know all the rest, Perhaps he is here_ let me look around the house_ Keep still, every one of you_still as a mouse_ For if the dear creature is here, he will be With his whiskers a-taking sly glances at me. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300966 17697559 Title A name given to the resource The Captain Description An account of the resource A popular prewar song about a young woman's infatuation with an army officer. Cover shows a portrait of the musical artists, "The Floriences," and references three songs not included in this copy: "Way Down in Maine," "Johney was a Shoemaker," and "Emmer Jane." The cover appears to be signed by W. J. Florence. Subject The topic of the resource Sheet music Florence, William, Jermyn Mrs. W. J. Jermyn Commer, T. Creator An entity primarily responsible for making the resource Florence, William Jermyn and Comer, T. Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1859 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. SONGS OF THE FLORENCES. Authorized bdcht(?SP) W. J. Florence. As Sung BY MRS. W. J. FLORENCE. THROUGHTOUT THE VARIOUS THEATRES IN EUROPE AND AMERICA. WAY DOWN IN MAINE. THE CAPTAIN. JOHNEY WAS A SHOEMAKER. EMMER JANE. J. H. Bufford's lath. BOSTON. Published by OLIVER DITSON & CO 277 Washington St. C. C. CLAPP & CO Boston. BECK & LAWTON Philada. FIRTH, POND & CO. N. York. JOHN CHURCH JR. Cinn. Entered according to act of Congress in the year 1859 by Oliver Ditson & Co. in the Clerks Office of the District of Mass. THE CAPTAIN. Written by W. J. FLORENCE Arranged by T. COMER. Allegretto. 1. As they marched thro' the town with their ban-ners so gay, I ran to the window t hear the band play; I peeped thro' the blinds ve-ry cau-tious-ly then, Lest the neigh-bors should say I was look-ing at the men. Oh! I heard the drums beat, and the mu-sic so..... sweet, But my eyes at the time caught a much great-er treat; The Troop was the fin-est I ev-er did see, And the Captain with his whis-kers took a sly glance at me. me. 2. When we met at the Ball I of course thought' twas right, to pre-tend that we nev-er had met be-fore that night. But he knew me at once I per-ceived by his glance, And I hung down my head when he asked me to dance. Oh! he sat..... by my side at the end... of the sett, And the sweet word he spoke I shall nev-er for-get; For my heart was en-list-ed and could not get free, As the Cap-tain with his whis-kers took a sly glance at me. me. 3. But he march'd from the town, and I see him no more, Yet I think of him oft and the whiskers he word, I dream all the night, and I talk all the day, Of the love of a Captain who went far away. I remember with super-abundant delight, When we met in the street, and we danced all the night, And keep in my mind, how my heart jumped with glee, As the Captain with his whiskers took a sly glance at me. 4. But there's hope....for a friend just ten minutes ago, Said the Captain's returned from the war, and I know He'll be searching for me with considerable zest, And when I am found_but_ah_you know all the rest, Perhaps he is here_ let me look around the house_ Keep still, every one of you_still as a mouse_ For if the dear creature is here, he will be With his whiskers a-taking sly glances at me. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/00c065d2cbbfabfdc637ac73ade534bb.pdf bbf8b82c61632e3f041767a4de421f4b Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Lincolniana Campaign Song For Abraham Lincoln Chicago Published by H.M. Higgins 117 Randolph St. Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Ill........ 26526 CAMPAIGN SONG for ABRAHAM LINCOLN. Words by Chas (?) Haynes Music by J.E. Haynes Moderato. 1. The hall is now open'd, the conflict at hand, We'll gird on our armor to save our fair land, Press hard the proud foe and stand firm for the right, And vict'ry will favor your band in the fight; Their chieftain must die let us strike, he will fall, He'll die from the blows of the rail splitters maul, To arms boys! to arms and to battle we'll rush! Now charge thro' their ranks and the traitors we'll crush. 2. Our banner's unfurled, let us heed the loud call, We'll march to the battle the foeman must fall, We'll join in the struggle, with hearts firm and true, We'll stand by our chief, and the red, white and blue, Then hasten brave boys, from east and west, We'll fight for our chief and the land we love best, We'll take up the sword for our nations bright star, Come fight 'neath our banner from near from far. Chorus. 3. We've taken the field and their chief must be slain, We'll rally our forces our rights to maintain, Come up to the work then, the strife will be long, Our cohorts shall crush the vile traitors tho' strong, The clarion is sounding the shrill note of war, Come on, noble heroes, we'll fight for our star, We never will falter, our watchword shall be, The Union, the hope of the brave and the free. Chorus. Campaign song for A. Lincoln CHORUS. Come all ye true hearted, let this be your cry; Our chieftain must conquer, the traitor shall die! 'Neath freedom's proud banner we'll march to the field, Now press them wit vigor, the traitors shall yield. Come on ye true hearted, let this be your cry; Our chieftain must conquer, the traitor shall die! 'Neath freedom's proud banner we'll march to the field, Now press them with vigor, the traitors shall yield. Campaign song for A. Lincoln. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300965 428688401 Title A name given to the resource Campaign Song for Abraham Lincoln Description An account of the resource A song supporting Lincoln's reelection in 1864 and urging the people of the Union to see the war through to victory. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Haynes, Charles Haynes, J. E. Sheet music Campaign songs Presidents--Election Creator An entity primarily responsible for making the resource Haynes, Charles and Haynes, J. E. Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Lincolniana Campaign Song For Abraham Lincoln Chicago Published by H.M. Higgins 117 Randolph St. Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Ill........ 26526 CAMPAIGN SONG for ABRAHAM LINCOLN. Words by Chas (?) Haynes Music by J.E. Haynes Moderato. 1. The hall is now open'd, the conflict at hand, We'll gird on our armor to save our fair land, Press hard the proud foe and stand firm for the right, And vict'ry will favor your band in the fight; Their chieftain must die let us strike, he will fall, He'll die from the blows of the rail splitters maul, To arms boys! to arms and to battle we'll rush! Now charge thro' their ranks and the traitors we'll crush. 2. Our banner's unfurled, let us heed the loud call, We'll march to the battle the foeman must fall, We'll join in the struggle, with hearts firm and true, We'll stand by our chief, and the red, white and blue, Then hasten brave boys, from east and west, We'll fight for our chief and the land we love best, We'll take up the sword for our nations bright star, Come fight 'neath our banner from near from far. Chorus. 3. We've taken the field and their chief must be slain, We'll rally our forces our rights to maintain, Come up to the work then, the strife will be long, Our cohorts shall crush the vile traitors tho' strong, The clarion is sounding the shrill note of war, Come on, noble heroes, we'll fight for our star, We never will falter, our watchword shall be, The Union, the hope of the brave and the free. Chorus. Campaign song for A. Lincoln CHORUS. Come all ye true hearted, let this be your cry; Our chieftain must conquer, the traitor shall die! 'Neath freedom's proud banner we'll march to the field, Now press them wit vigor, the traitors shall yield. Come on ye true hearted, let this be your cry; Our chieftain must conquer, the traitor shall die! 'Neath freedom's proud banner we'll march to the field, Now press them with vigor, the traitors shall yield. Campaign song for A. Lincoln. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/493bf8827f406fc23f86671c8d3be61e.pdf e2933244f10eb20a1a31d06eb2e324cf Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE CAMPAIGN 2 Lincoln Republican Songs Words written expressly for the times No. 1. We see the break of day. No.2. Freedom's Call. Set to music by KARL CORA. Published by Russell & Tolman 291 Washington St. Boston. Entered according to act of Congress AD 1868 by Russell & Tolman in the Clerks Office at the Court of Mass. FREEDOM'S CALL. No 2. Spirited. Alla Marcia. 1. As his moun-tain men fol-lowed, un-doubt-ing and bold, O'er hill and o'er desd-ert, through temp-est and cold; So the peo-ple now burst from each fet-ter and thrall, And an-swer with shouting the wild bu-gle call. 2. Oh! speed the bod riders! fling loose ev'ry rein, The race run for free-dom is not run in vain! From mountain and prai-rie, from lake and from se, Ride gal-lant and hopeful, ride fear-less and free! 3. The shades of the fa-thers for free-dom who died, As they rode in the war-storm, ride now at our side; Their great souls shall strengthen our own for the day, And the glance of our lead-er make cer-tain the way. 4. We ride not for hon-ors, am-bi-tion or place, But the wrong to re-dress, and re-deem the disgrace; Not for North or for South, but the best good of all, We fol-low Lincoln and his bu-gle call! <pre>Chorus. </pre> 1 Who'll fol-low, who'll follow? The bands gather fast; They who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gather fast; They who ride with Lincoln In triumph ride at last! All who ride with Lincoln In triumph ride at last! 2. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gather fast; All who ride with Lincoln In tri-umph ride at last. 3. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In tri-umph ride at last! 4. Who'll fol-low, who'll fol-low! The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gath-er fast; All who rid with Lincoln In tri-umph ride at last! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300964 180868383 Title A name given to the resource Freedom's Call Description An account of the resource Republican campaign songs urging the country to elect Lincoln to the presidency in 1860. Publication entitled "The Campaign," originally included two songs: "We See the Break of Day" and "Freedom's Call." Only the later song is contained in the sheet music presented here. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Cora, Karl Sheet music Campaign songs Presidents--Election Creator An entity primarily responsible for making the resource Cora, Karl Contributor An entity responsible for making contributions to the resource Russell & Tolman Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE CAMPAIGN 2 Lincoln Republican Songs Words written expressly for the times No. 1. We see the break of day. No.2. Freedom's Call. Set to music by KARL CORA. Published by Russell & Tolman 291 Washington St. Boston. Entered according to act of Congress AD 1868 by Russell & Tolman in the Clerks Office at the Court of Mass. FREEDOM'S CALL. No 2. Spirited. Alla Marcia. 1. As his moun-tain men fol-lowed, un-doubt-ing and bold, O'er hill and o'er desd-ert, through temp-est and cold; So the peo-ple now burst from each fet-ter and thrall, And an-swer with shouting the wild bu-gle call. 2. Oh! speed the bod riders! fling loose ev'ry rein, The race run for free-dom is not run in vain! From mountain and prai-rie, from lake and from se, Ride gal-lant and hopeful, ride fear-less and free! 3. The shades of the fa-thers for free-dom who died, As they rode in the war-storm, ride now at our side; Their great souls shall strengthen our own for the day, And the glance of our lead-er make cer-tain the way. 4. We ride not for hon-ors, am-bi-tion or place, But the wrong to re-dress, and re-deem the disgrace; Not for North or for South, but the best good of all, We fol-low Lincoln and his bu-gle call! <pre>Chorus. </pre> 1 Who'll fol-low, who'll follow? The bands gather fast; They who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gather fast; They who ride with Lincoln In triumph ride at last! All who ride with Lincoln In triumph ride at last! 2. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gather fast; All who ride with Lincoln In tri-umph ride at last. 3. Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Then fol-low, then fol-low, The bands gath-er fast; All who ride with Lincoln In tri-umph ride at last! 4. Who'll fol-low, who'll fol-low! The bands gath-er fast; All who ride with Lincoln In triumph ride at last! Who'll fol-low, who'll fol-low? The bands gath-er fast; All who rid with Lincoln In tri-umph ride at last! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/f2804e9cfa432050dcf7086ce9ac3a7b.pdf 31dfd4b42eb2abf88db7182fb5e5aa73 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Bury the Brave where they Fall Oh bury the brave on the field where they fall. Let them sleep beneath Thoug nameless the graves where their ashes repose. all unhallowed The sunlight and rain will awken the flowers that in beauty Oer The Sod;... That drank up their blood in the dedly affray, When Their by Tears, Their Laurels are fade less , They never can die, While we them wave, The soft whispering breezes a re quiem sad, Murmering spirits went home to God: Let their resting place be where their measure the fleeting years; Though no marble may rise O'er their Over their lonely graves But we mourn for them not as all brave deeds were done; With the banner The banner for Their shroud; And its low lonely beds, there to point out the sacred sacred spot,...Yet tho camly they sleep, Far away from the loving household band, For the stars shall keep watch as they peacefully sleep, Far away from the gathering crowd harts of the nation will their memory keep, Its dead heroes never forgot brave and the noble die Never in vain where they die for their native land Then sleep on and soft be thy repose, And greener the Turf Chorus on thy breast...The glorious stars Shall watch, shall watch O'er the graves where the heroes rest <hr /> 1st The loud winds dwindled to a whisper low And sighed for Pity as it answered No! No! 2nd The loud waves rolling in perpetual flow Stoped for a while and sighed to answer No! No! Be hind a cloud the moon with drew in two And a voice sweet but sad responded No! No! 4th Faith, hope, and love, best boons to mortals given [Wai?] their bright wings and whispered, "Yes in heav'n" <hr /> Where can the soul find rest Tell us ye wing-ed winds that round my path way roar, Tell me thou mighty deep, whose billows round me play, And thou, serenest moon, that with such holy face, Tell me my secret soul, Oh! tell me hope and faith, Do ye not know some spot, where mortals weep no more Know thou some favored spot, some Island far away Dost look upon the earth, asleep in night's embrace; Is there no resting place from sorrow sin and death; some lone and pleasant dell, some valley in the west where weary man may find the bliss for which he sighs; Tell me in all thy round, hast there not found some spot, Is there no happy spot where mortals may be blest Where free from toil and pain, the weary soul may rest. Where sorrow never lives, and friendship never dies! Where we poor wretched men may find a happier lot! Where grief may find a balm, and wearyness a rest! The loud winds dwindled to a whisper low And sighed for pity as it answered No! No! <hr /> Spred away <hr /> Sung at Funeral train in 1865---as the train bearing Lincoln's body. by Ellen Arrington, alto Frank Hoblit Bass Tenor May Downey [air?] Purchased 2/27/56---Mrs. Frank W. Ryan, Lincoln, Ill Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300963 428684883 Title A name given to the resource Bury The Brave Where They Fall and Where The Soul Can Find Rest Description An account of the resource Words and music handwritten by unknown. Back of manusript contains a handwritten note by unknown: "Sung at funeral train in 1865-as the train bearing Lincoln's body, by Ellen Arrington-alto, Frank Hoblit-BassTenor, Mary Downey-air" . Subject The topic of the resource Funeral Music Funeral Journey of Abraham Lincoln to Springfield Lincoln, Abraham 1809-1865 Sheet music Frisbie, Henrie L. Creator An entity primarily responsible for making the resource Frisbie, Henrie L. Contributor An entity responsible for making contributions to the resource n/a Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant n/a Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Bury the Brave where they Fall Oh bury the brave on the field where they fall. Let them sleep beneath Thoug nameless the graves where their ashes repose. all unhallowed The sunlight and rain will awken the flowers that in beauty Oer The Sod;... That drank up their blood in the dedly affray, When Their by Tears, Their Laurels are fade less , They never can die, While we them wave, The soft whispering breezes a re quiem sad, Murmering spirits went home to God: Let their resting place be where their measure the fleeting years; Though no marble may rise O'er their Over their lonely graves But we mourn for them not as all brave deeds were done; With the banner The banner for Their shroud; And its low lonely beds, there to point out the sacred sacred spot,...Yet tho camly they sleep, Far away from the loving household band, For the stars shall keep watch as they peacefully sleep, Far away from the gathering crowd harts of the nation will their memory keep, Its dead heroes never forgot brave and the noble die Never in vain where they die for their native land Then sleep on and soft be thy repose, And greener the Turf Chorus on thy breast...The glorious stars Shall watch, shall watch O'er the graves where the heroes rest <hr /> 1st The loud winds dwindled to a whisper low And sighed for Pity as it answered No! No! 2nd The loud waves rolling in perpetual flow Stoped for a while and sighed to answer No! No! Be hind a cloud the moon with drew in two And a voice sweet but sad responded No! No! 4th Faith, hope, and love, best boons to mortals given [Wai?] their bright wings and whispered, "Yes in heav'n" <hr /> Where can the soul find rest Tell us ye wing-ed winds that round my path way roar, Tell me thou mighty deep, whose billows round me play, And thou, serenest moon, that with such holy face, Tell me my secret soul, Oh! tell me hope and faith, Do ye not know some spot, where mortals weep no more Know thou some favored spot, some Island far away Dost look upon the earth, asleep in night's embrace; Is there no resting place from sorrow sin and death; some lone and pleasant dell, some valley in the west where weary man may find the bliss for which he sighs; Tell me in all thy round, hast there not found some spot, Is there no happy spot where mortals may be blest Where free from toil and pain, the weary soul may rest. Where sorrow never lives, and friendship never dies! Where we poor wretched men may find a happier lot! Where grief may find a balm, and wearyness a rest! The loud winds dwindled to a whisper low And sighed for pity as it answered No! No! <hr /> Spred away <hr /> Sung at Funeral train in 1865---as the train bearing Lincoln's body. by Ellen Arrington, alto Frank Hoblit Bass Tenor May Downey [air?] Purchased 2/27/56---Mrs. Frank W. Ryan, Lincoln, Ill Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/44b12ac860b1555c51b040150f6516c2.pdf dae09058172ec7d2ec56be28a3530f54 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Blue Grass Shore "Kentucky" The Birthplace of Abraham Lincoln Fifty Cents The Piatt Music Co. [not inc.] Publishers Oakdale Avenue, Chicago, U.S.A. Slides--Supplied by Moore Bond Co. 108 Franklin Street <hr /> The Blue Grass Shore. "The Home of Lincoln and Clay." Words by W.C. Piatt. Music by Thos. R. Confare. Moderato 1. In the Blue Grass State lived many years ago, 2. In the Blue Grass Land the sun shines bright and true, Men of great prominence the people all know, Over the waving fields of grass so blue, Copyright, 1906, by W.C. Piatt. <hr /> Abraham Lincoln, the honored name today, While When our country calls for men to meet any fate, The all speak with reverence, the name of Henry Clay. answer always quickly comes from the Blue Grass State. CHORUS. It was my own dear happy home, I say, Take me back to see the place I once called home. <hr /> Though I have wandered far, far, far away; The Back to the Blue Grass Land, for evermore; I birthplace of Lincoln in an early day, "Yes," old am weary now of wandering away From the Ashland was the home of Henry Clay. banks on the old Blue Grass shore. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300962 469812134 Title A name given to the resource The Blue Grass Shore Description An account of the resource The cover depicts a log cabin with "Kentucky" above it in quotations and "The Birthplace of Abraham Lincoln" below. First page of score displays the description "The Home of Lincoln and Clay" below the song title. Henry Clay was Lincoln's political hero. Clay was a founder, leader, and presidential nominee of the Whig party. He was born in Kentucky and served that state as a U.S. senator. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Clay, Henry, 1777-1852 Confare, Thomas R. Piatt, W. C. Sheet music Kentucky Creator An entity primarily responsible for making the resource Conrare, Thomas R. and Piatt, W. C. Contributor An entity responsible for making contributions to the resource Piatt Music Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1906 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Blue Grass Shore "Kentucky" The Birthplace of Abraham Lincoln Fifty Cents The Piatt Music Co. [not inc.] Publishers Oakdale Avenue, Chicago, U.S.A. Slides--Supplied by Moore Bond Co. 108 Franklin Street <hr /> The Blue Grass Shore. "The Home of Lincoln and Clay." Words by W.C. Piatt. Music by Thos. R. Confare. Moderato 1. In the Blue Grass State lived many years ago, 2. In the Blue Grass Land the sun shines bright and true, Men of great prominence the people all know, Over the waving fields of grass so blue, Copyright, 1906, by W.C. Piatt. <hr /> Abraham Lincoln, the honored name today, While When our country calls for men to meet any fate, The all speak with reverence, the name of Henry Clay. answer always quickly comes from the Blue Grass State. CHORUS. It was my own dear happy home, I say, Take me back to see the place I once called home. <hr /> Though I have wandered far, far, far away; The Back to the Blue Grass Land, for evermore; I birthplace of Lincoln in an early day, "Yes," old am weary now of wandering away From the Ashland was the home of Henry Clay. banks on the old Blue Grass shore. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/bd5d502e7ad1b16f161e59dc0549695d.pdf e2a5b20bac1706f48aee2a2173f3959c Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abram Linkon last September WAY COES CUFFEE or HOORAY FOR '63 Words & Music by L. B. Starkweather. BOSTON Published by Oliver Ditson & Co. 277 Washington St. Firth Pond & Co. N. York. J. Church Jr. Cin. J.C. Haynes & Co. Boston. J. E. Gould. Philada. Entered according to act of Congress AD 1863 by O. Ditson & Co. in the Clerk's Office of the Dist Court of Mass. AWAY GOES CUFFEE. or HOORAY FOR 63. L, B. STARKWEATHER Lively. 1. O A-bram Linkon las' Sep-tem-ber Told de Souf 'less you sur-ren-der A-fore de las' of next De-cem-ber, away goes Cuffee. CHORUS. Soprano/Alto. For de cannon may boom when dey fight a big battle, but the Darkeys no more as de sheep and cattle, For Freedom's watchman has sprung his rattle, Hooray for six-ty three. Tenor/Bass. For de cannon may boom when dey fight a bit battle, but the Darkeys no more as de sheep and cattle, For Freedom's watchman has sprung his rattle, Hooray for six-ty three. 2. De Souf deys mad at Norfs in-va-sion Said Abe Linkons Pro-cla-ma-tion Don't go down in darkey na-tion Nor-way goes Cuffee. 3. Dar's France she fa-vors Me-di-a-tion England scrons dis ri-val na-tion And wants to see a sep-a-ra-tion A-way goes Cuffee. 4. But Abe sus-tains his try-ing sta-tion, Says to France and En-glish na-tion Just stand back wid Me-di-a-tion A-way goes Cuffee. 5. De Yan-kee sol-diers shout Ho-san-na While dey wave de Span-gled ban-ner Bound for Charles-ton and Sa-van-nah A-way goes Cuffee. 6. Richmond's walls Ole Joe will bat-ter How de Re-bels den will scat-ter Hang Jeff D. and end dis mat-ter, A-way goes Cuffee. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300961 44639263 Title A name given to the resource Way Goes Cuffee or Hooray for '63 Description An account of the resource Song depicts African Americans singing in a stereotyped dialect in celebration of the Emancipation Proclamation. Subject The topic of the resource Lincoln, Abraham 1809-1865 Starkweather, L.B. Sheet music Slaves--Emancipation Stereotypes (Social psychology) Creator An entity primarily responsible for making the resource Starkweather, L. B. Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abram Linkon last September WAY COES CUFFEE or HOORAY FOR '63 Words & Music by L. B. Starkweather. BOSTON Published by Oliver Ditson & Co. 277 Washington St. Firth Pond & Co. N. York. J. Church Jr. Cin. J.C. Haynes & Co. Boston. J. E. Gould. Philada. Entered according to act of Congress AD 1863 by O. Ditson & Co. in the Clerk's Office of the Dist Court of Mass. AWAY GOES CUFFEE. or HOORAY FOR 63. L, B. STARKWEATHER Lively. 1. O A-bram Linkon las' Sep-tem-ber Told de Souf 'less you sur-ren-der A-fore de las' of next De-cem-ber, away goes Cuffee. CHORUS. Soprano/Alto. For de cannon may boom when dey fight a big battle, but the Darkeys no more as de sheep and cattle, For Freedom's watchman has sprung his rattle, Hooray for six-ty three. Tenor/Bass. For de cannon may boom when dey fight a bit battle, but the Darkeys no more as de sheep and cattle, For Freedom's watchman has sprung his rattle, Hooray for six-ty three. 2. De Souf deys mad at Norfs in-va-sion Said Abe Linkons Pro-cla-ma-tion Don't go down in darkey na-tion Nor-way goes Cuffee. 3. Dar's France she fa-vors Me-di-a-tion England scrons dis ri-val na-tion And wants to see a sep-a-ra-tion A-way goes Cuffee. 4. But Abe sus-tains his try-ing sta-tion, Says to France and En-glish na-tion Just stand back wid Me-di-a-tion A-way goes Cuffee. 5. De Yan-kee sol-diers shout Ho-san-na While dey wave de Span-gled ban-ner Bound for Charles-ton and Sa-van-nah A-way goes Cuffee. 6. Richmond's walls Ole Joe will bat-ter How de Re-bels den will scat-ter Hang Jeff D. and end dis mat-ter, A-way goes Cuffee. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/ae4b6369466b8c62318476974fe5fb97.pdf 246988d851a9c14a3f7da00ad20fb4d6 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Assassin's Vision Ballad Words & music by J.W. TURNER. (NOTE.) This Ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees & around him. BOSTON Published by Henry Tolman & Co. 291 Washington St. 3 N. York. W.A. Pond & Co. Chicago. Root & Cady. Prov. R.I. E.W. Billings. Burlington VT. H.L. Story Entered according to act of Congress AD 1865 by H. Tolman Co. in the Clerk's Office of the Dist Court of Mass. <hr /> 3 "THE ASSASSIN'S VISION." Words and Music by J.W. Turner. Andante con moto. PIANO. The Assassin rode on his fiery steed, His murd'rous work was done--In the dark some night with fleeting speed, Through <hr /> 4 woods his courser run! As he hurried away from the scene of death, On his brow were looks of despair; Before him! around him! The evenings breath Told him God's vengeance was there! <hr /> 5 2nd verse. The pale moon beamed as onward he fled, The stars looked down from on high, The hills and valleys were crimson red As blood to the murd'rer's eye! He shuddered! he trembled! And oft looked around, And dreary seemed each passing breeze, And lo! the assassin at ev'ry bound Saw a vision appear in the trees. 3d verse. Heaven had witnessed! he could not escape! The assassin's fate was sealed--"Vengeance is mine!" saith God in his might, As the vision that night revealed. The assassin rode on with trembling and fear, And mournfully murmur'd the breeze; Before him! around him! all vivid and drear, The vision appeared in the trees. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300960 180876548 Title A name given to the resource The Assassin's Vision Description An account of the resource Ballad depicting John Wilkes Booth being haunted by visions of Lincoln. On Cover: "( Note) This ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees & around him." Subject The topic of the resource Booth, John Wilkes, 1838-1865 Lincoln, Abraham 1809-1865 Sheet music Assassination Creator An entity primarily responsible for making the resource Turner, J.W. (Josepeh W.) Contributor An entity responsible for making contributions to the resource Henry Tolman & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Assassin's Vision Ballad Words & music by J.W. TURNER. (NOTE.) This Ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees & around him. BOSTON Published by Henry Tolman & Co. 291 Washington St. 3 N. York. W.A. Pond & Co. Chicago. Root & Cady. Prov. R.I. E.W. Billings. Burlington VT. H.L. Story Entered according to act of Congress AD 1865 by H. Tolman Co. in the Clerk's Office of the Dist Court of Mass. <hr /> 3 "THE ASSASSIN'S VISION." Words and Music by J.W. Turner. Andante con moto. PIANO. The Assassin rode on his fiery steed, His murd'rous work was done--In the dark some night with fleeting speed, Through <hr /> 4 woods his courser run! As he hurried away from the scene of death, On his brow were looks of despair; Before him! around him! The evenings breath Told him God's vengeance was there! <hr /> 5 2nd verse. The pale moon beamed as onward he fled, The stars looked down from on high, The hills and valleys were crimson red As blood to the murd'rer's eye! He shuddered! he trembled! And oft looked around, And dreary seemed each passing breeze, And lo! the assassin at ev'ry bound Saw a vision appear in the trees. 3d verse. Heaven had witnessed! he could not escape! The assassin's fate was sealed--"Vengeance is mine!" saith God in his might, As the vision that night revealed. The assassin rode on with trembling and fear, And mournfully murmur'd the breeze; Before him! around him! all vivid and drear, The vision appeared in the trees. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/136d794176a710a862ca9cfc51289179.pdf f74d14222dcd4b43a0072e030d7e20cb Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To Hon. Gideon Welles. Secretary of the Navy. The American Ram Composed by R.S. Frary. "Thus we ramble along thro' the cycles of time, Find History's rampage is rather sublime, But the Ram of All Rams is the Ram of our day, Which is shaking the world with a rampant dismay! Iron-harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!" BOSTON. Published by Henry Talman & Co. 291 Washington St. Entered according to Act of Congress AD 1863 by H. Talman & Co. in the Clerk's Office of the Dis' Court of Mass. <hr /> 3 The American Ram. R.S. Frary Allegro scherzando. Piano 1. Who indeed would have thought, that it ever should chance That dogmatical England, and 2. There have always been rams! Father Adam we know Found some rams in his garden a 3. Then it seems there were rams that were tied up in stalls Driven out to do battle, by <hr /> 4 complaisant France, Who have always known everything under the sun; Who have long time ago. In the raising of rams, Abel took much delight And a battling down walls. Alexander, Marcellus, and Scylla we find, Had a always thought first whatever we've done; Who have scarce deigned our eagle the Ram was concerned in the very first fight And the first Ram afloat we may great many Rams of this desperate kind, And when Titus encamped 'mid Jerusalem's slightest salaam, Should fall flat to adore an American Ram? further remark, Was the Ram which old Noah took into the Ark! palms, It is said that the Hebrews saw nothing but Rams! <hr /> 5 4. After these there came rams not inclining to fights, Rams resembling good Joshua's 5. Thus, we ramble along through the cycles of time, Find history's rampage is Gideonites, Which were "drawers of water" Hydraulic Rams Quite domestic rather sublime! But the Ram of all Rams is the Ram of our day, Which is commonly found with their dams! May such Rams still continue to shaking the world with a rampant dismay! Iron harness'd steam driven it thrive and increase With the limitless Ramifications of peace. sweeps o'er the sea Our American Rampart, the shield for the free! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300959 17151888 Title A name given to the resource The American Ram Description An account of the resource In 1862, the U.S. Navy established a flotilla of steam powered rams to operate against Confederate vessels on the Mississippi River. Rams were designed with a heavily reinforced hull to ram enemy ships. This song was written in honor of U.S. Secretary of the Navy Gideon Welles. Cover depicts man (Uncle Sam?) riding an ironclad ram on the Mississippi River and includes the following lines: "Thus we ramble along thro' cycles of time, Find History's rampage is rather sublime, But the Ram of all Rams is the Ram of our day, Which is shaking the world with a rampart dismay! Iron harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!" Subject The topic of the resource Welles, Gideon, 1802-1878 Frary, R. S. Sheet music Armored vessels American Civil War (1861-1865) Mississippi River Creator An entity primarily responsible for making the resource Frary, R. S. Contributor An entity responsible for making contributions to the resource Henry Tolman & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To Hon. Gideon Welles. Secretary of the Navy. The American Ram Composed by R.S. Frary. "Thus we ramble along thro' the cycles of time, Find History's rampage is rather sublime, But the Ram of All Rams is the Ram of our day, Which is shaking the world with a rampant dismay! Iron-harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!" BOSTON. Published by Henry Talman & Co. 291 Washington St. Entered according to Act of Congress AD 1863 by H. Talman & Co. in the Clerk's Office of the Dis' Court of Mass. <hr /> 3 The American Ram. R.S. Frary Allegro scherzando. Piano 1. Who indeed would have thought, that it ever should chance That dogmatical England, and 2. There have always been rams! Father Adam we know Found some rams in his garden a 3. Then it seems there were rams that were tied up in stalls Driven out to do battle, by <hr /> 4 complaisant France, Who have always known everything under the sun; Who have long time ago. In the raising of rams, Abel took much delight And a battling down walls. Alexander, Marcellus, and Scylla we find, Had a always thought first whatever we've done; Who have scarce deigned our eagle the Ram was concerned in the very first fight And the first Ram afloat we may great many Rams of this desperate kind, And when Titus encamped 'mid Jerusalem's slightest salaam, Should fall flat to adore an American Ram? further remark, Was the Ram which old Noah took into the Ark! palms, It is said that the Hebrews saw nothing but Rams! <hr /> 5 4. After these there came rams not inclining to fights, Rams resembling good Joshua's 5. Thus, we ramble along through the cycles of time, Find history's rampage is Gideonites, Which were "drawers of water" Hydraulic Rams Quite domestic rather sublime! But the Ram of all Rams is the Ram of our day, Which is commonly found with their dams! May such Rams still continue to shaking the world with a rampant dismay! Iron harness'd steam driven it thrive and increase With the limitless Ramifications of peace. sweeps o'er the sea Our American Rampart, the shield for the free! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/637b5115bf96c5a1d2243a38c8f0f486.pdf b2ec24ee1bfc60b38c14d8c575494639 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abraham's Draft 600.000 MORE Song AND Chorus, Written & arranged by J. W. TURNER. 3 Boston. Published by Oliver Ditson & Co. 277 Washington St. J. Church Jr. Cin. Firth Pond & Co. N. York. J. e. Gould. Philada. J.C. Haynes & Co. C. C. Clapp & Co. Boston. Entered according to act of Congress AD 1862 by O. Ditson & Company in the Clerks Office of the District of Washington. ABRAHM'S DRAFT. Written and Arranged by J. W. Turner Con Animato. 1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall! Then surely boys you'll onward march To meet the re - bel band- Six Hundred Thousand is the cry Throughout our na - tive land. Chorus. Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land. 2. Come forth ye brave and gallant men! And ne-ver backward be! Fill up the ranks, and meet the foes Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land. 3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land. 4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land. 5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300958 180866812 Title A name given to the resource Abraham's Draft Description An account of the resource After June 1862, in respose to the failure of the Union campaign to take Richmond, President Lincoln called on the states to provide a total of 600,000 volunteers to fill the Union ranks. The song calls on the people of the North to fulfill Lincoln's call for volunteers. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Tuner, J.W. Sheet music War song American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Turner, J. W. (Joseph W. Contributor An entity responsible for making contributions to the resource Oliver Ditson Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abraham's Draft 600.000 MORE Song AND Chorus, Written & arranged by J. W. TURNER. 3 Boston. Published by Oliver Ditson & Co. 277 Washington St. J. Church Jr. Cin. Firth Pond & Co. N. York. J. e. Gould. Philada. J.C. Haynes & Co. C. C. Clapp & Co. Boston. Entered according to act of Congress AD 1862 by O. Ditson & Company in the Clerks Office of the District of Washington. ABRAHM'S DRAFT. Written and Arranged by J. W. Turner Con Animato. 1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall! Then surely boys you'll onward march To meet the re - bel band- Six Hundred Thousand is the cry Throughout our na - tive land. Chorus. Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land. 2. Come forth ye brave and gallant men! And ne-ver backward be! Fill up the ranks, and meet the foes Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land. 3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land. 4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land. 5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/cf8a0335bc1414c7086ea1b182d9967e.pdf b3d116eec20aa9f178d59f79be3087c5 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "We're going to fight in earnest boys." Lincoln to the Soldiers. Abraham's Covenant A New Battle Song. Words & Music by A. Bert. Tobey. 2 1/2 Chicago Published by H.M. Higgins 117 Randolph St. Entd according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Northn. Dist. of Ill. <hr /> 3 A NEW BATTLE SONG. ABRAHAM'S COVENANT. Words and Music by A. BERT TOBEY. Tempo di Marcia. Voice. Piano. 1. "We're going to fight in earnest, boys," our foes henceforth shall feel No 2. Our brothers on the battlefield are beck'ning us for aid; Their tufts of grass nor compromise, but bomb, and lead, and steel! We'll ranks are thinn'd of thousands who their gory graves have made! Then Entered according to Act of Congress A.D. 1862 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. <hr /> 4 spare no murderous traitor on the sea, nor on the land, Nor rally to their rescue, and with soldiers' might and will will we stay the army's march to hound a contraband. Revenge the blood of Fairfax grounds, and fatal Malvern hill. Chorus. With much energy and animation. Air. 1. We'll spare no murderous traitor on the sea, nor on the land, Nor Alto. 2. Then rally to their rescue, and with soldiers' might and will 5. God shield our loyal legions who may bear thrice honored scars. And Tenor. 3. And as for France, let this suffice, your action don't defer; When Bass. 4. Trust in God, and mind your powder, and be this your battle cry--"Our Piano. <hr /> 5 will we stay the army's march to hound a contraband. Revenge the blood of Fairfax grounds, and fatal Malvern hill. soon shall vict'ry crown our arms, and peace our nation's stars. she has done with Mexicans we'll have a bone with her. country, we'll defend thee, or with thee, our country, die!" 3. Don't dream of intervention, boys, nor England's cotton cry,--That she will risk her all on bales, is only in your eye; And as for France, let this suffice, your action don't defer; When she has done with Mexicans we'll have a bone with her. 4. Then down your names, fill full the ranks, your country needs you now; Go share a nation's honor, and there seal the patriot's vow; Trust in God, and mind your powder, and be this your battle cry--"Our country, we'll defend thee, or with thee, our country, die!" 5. Heaven save our bleeding Union from the ruthless, deadly foe,--Help us to strike down treason with a speedy, final blow; God shield our loyal legions who may bear thrice honored scars, And soon shall victory crown our arms, and peace our nation's stars. 1. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300957 367865232 Title A name given to the resource Abraham's Covenant Description An account of the resource Subtitled "A New Battle Song," the song depicts Lincoln encouraging his Union troops: "We're going to fight in earnest boys." It emphasizes the Union resolve to recover from the failed campaign in Virginia in early 1862 and to take the war to the South with renewed vigor. The song references the bloody battles at Fairfax and Malvern Hill. It also warns the Rebels to take no hope in intervention by England or France. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Tobey, A. Bert Sheet music War song American Civil War (1861-1865) Malvern Hill, Battle of (Virginia : 1862) England France Creator An entity primarily responsible for making the resource Tobey, A. Bert Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "We're going to fight in earnest boys." Lincoln to the Soldiers. Abraham's Covenant A New Battle Song. Words & Music by A. Bert. Tobey. 2 1/2 Chicago Published by H.M. Higgins 117 Randolph St. Entd according to Act of Congress AD 1862 by H.M. Higgins in the Clerks Office of the Dist. Court of the Northn. Dist. of Ill. <hr /> 3 A NEW BATTLE SONG. ABRAHAM'S COVENANT. Words and Music by A. BERT TOBEY. Tempo di Marcia. Voice. Piano. 1. "We're going to fight in earnest, boys," our foes henceforth shall feel No 2. Our brothers on the battlefield are beck'ning us for aid; Their tufts of grass nor compromise, but bomb, and lead, and steel! We'll ranks are thinn'd of thousands who their gory graves have made! Then Entered according to Act of Congress A.D. 1862 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. <hr /> 4 spare no murderous traitor on the sea, nor on the land, Nor rally to their rescue, and with soldiers' might and will will we stay the army's march to hound a contraband. Revenge the blood of Fairfax grounds, and fatal Malvern hill. Chorus. With much energy and animation. Air. 1. We'll spare no murderous traitor on the sea, nor on the land, Nor Alto. 2. Then rally to their rescue, and with soldiers' might and will 5. God shield our loyal legions who may bear thrice honored scars. And Tenor. 3. And as for France, let this suffice, your action don't defer; When Bass. 4. Trust in God, and mind your powder, and be this your battle cry--"Our Piano. <hr /> 5 will we stay the army's march to hound a contraband. Revenge the blood of Fairfax grounds, and fatal Malvern hill. soon shall vict'ry crown our arms, and peace our nation's stars. she has done with Mexicans we'll have a bone with her. country, we'll defend thee, or with thee, our country, die!" 3. Don't dream of intervention, boys, nor England's cotton cry,--That she will risk her all on bales, is only in your eye; And as for France, let this suffice, your action don't defer; When she has done with Mexicans we'll have a bone with her. 4. Then down your names, fill full the ranks, your country needs you now; Go share a nation's honor, and there seal the patriot's vow; Trust in God, and mind your powder, and be this your battle cry--"Our country, we'll defend thee, or with thee, our country, die!" 5. Heaven save our bleeding Union from the ruthless, deadly foe,--Help us to strike down treason with a speedy, final blow; God shield our loyal legions who may bear thrice honored scars, And soon shall victory crown our arms, and peace our nation's stars. 1. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/ccbe832168457e1b16fcb0319d2398e6.pdf 2c2104d31146041cd2108acf42c20cd5 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. <pre> Lincolnian Abraham my Abraham </pre> <pre> SONGS & CHORUS </pre> <pre> Words by </pre> <pre> Wm. K. O'Donoughue Esqr. </pre> <pre> Arranged for the </pre> <pre> PIANO FORTE </pre> <pre> BY </pre> <pre> CHAS. G. DEGENHARD </pre> <pre> 2 1/2 </pre> <pre> BUFFALO </pre> <pre> Published by SHEPPARD & COTTIER 215 Main St </pre> New York Boston Chicago Cleveland Rochester New York Firth,Pond & Co. O. Ditson & Co. Root & Cady S. Brainard & Co. Jos P. Shaw Wm. Hall & Son Entered according to Act of Congress AD 1863 by Sheppard & Cather in the Clerks Office of the Dis't Court of the North Dis't of N.Y. <hr /> <pre> ABRAHAM MY ABRAHAM </pre> Words by WM K.O'DONOUGHUE. Arranged by Cha's.G.DENENHARD Andantino TENOR. CHORUS. AD LIBITUM BASS The darkies call thee good and great A . bra . ham my A . bra . ham For The con. tra.bands have got the floor A . bra.ham my A . bra.ham CHORUS They're thou canst run the ship of state A . bra.ham my A . bra.ham The but.ting at the white house door A . bra.ham my A . bra.ham They've <hr /> south will soon be desolate Of wool . y heads at an . y rate For heard the proc . la . mation oer So ske.daddled from the southern shore CHORUS As them thou didst e . man . ci . pate A . bra.ham my A . bra.ham you once did through Bal . ti.more A . bra.ham my A . bra.ham <hr /> <pre> 3. </pre> This is the year of jubilee <pre> Abraham my Abraham </pre> The darkies now can all be free <pre> Abraham my Abraham </pre> Jeff Davis says that he shall see How many "darks" will to flee In this great year of sixty three <pre> Abraham my Abraham </pre> <pre> 4. </pre> Now that the fatal word is spoke <pre> Abraham my Abraham </pre> The bond which held the "dark" is broke <pre> Abraham my Abraham </pre> Old Jeff he feels thy mighty stroke And says the words which thou hast spoke Reminds him of a little joke <pre> Abraham my Abraham </pre> <pre> 5. </pre> "Once on a time there lived out west <pre> Abraham my Abraham </pre> A man who doted' on a jest <pre> Abraham my Abraham </pre> The people for this great man sought And his great principle was brought To skin a coon before he's caught <pre> Abraham my Abraham </pre> <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300956 180870885 Title A name given to the resource Abraham My Abraham Description An account of the resource A "Song and Chorus arranged for the Piano Forte," the song pokes fun at Lincoln and the Emancipation Proclamation. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Degenhard, Charles O'Donoughue, William K. Sheet Music Piano Forte Creator An entity primarily responsible for making the resource Degenhard, Charles G. and O'Donoughue, William K. Contributor An entity responsible for making contributions to the resource Sheppard & Cottier Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. <pre> Lincolnian Abraham my Abraham </pre> <pre> SONGS & CHORUS </pre> <pre> Words by </pre> <pre> Wm. K. O'Donoughue Esqr. </pre> <pre> Arranged for the </pre> <pre> PIANO FORTE </pre> <pre> BY </pre> <pre> CHAS. G. DEGENHARD </pre> <pre> 2 1/2 </pre> <pre> BUFFALO </pre> <pre> Published by SHEPPARD & COTTIER 215 Main St </pre> New York Boston Chicago Cleveland Rochester New York Firth,Pond & Co. O. Ditson & Co. Root & Cady S. Brainard & Co. Jos P. Shaw Wm. Hall & Son Entered according to Act of Congress AD 1863 by Sheppard & Cather in the Clerks Office of the Dis't Court of the North Dis't of N.Y. <hr /> <pre> ABRAHAM MY ABRAHAM </pre> Words by WM K.O'DONOUGHUE. Arranged by Cha's.G.DENENHARD Andantino TENOR. CHORUS. AD LIBITUM BASS The darkies call thee good and great A . bra . ham my A . bra . ham For The con. tra.bands have got the floor A . bra.ham my A . bra.ham CHORUS They're thou canst run the ship of state A . bra.ham my A . bra.ham The but.ting at the white house door A . bra.ham my A . bra.ham They've <hr /> south will soon be desolate Of wool . y heads at an . y rate For heard the proc . la . mation oer So ske.daddled from the southern shore CHORUS As them thou didst e . man . ci . pate A . bra.ham my A . bra.ham you once did through Bal . ti.more A . bra.ham my A . bra.ham <hr /> <pre> 3. </pre> This is the year of jubilee <pre> Abraham my Abraham </pre> The darkies now can all be free <pre> Abraham my Abraham </pre> Jeff Davis says that he shall see How many "darks" will to flee In this great year of sixty three <pre> Abraham my Abraham </pre> <pre> 4. </pre> Now that the fatal word is spoke <pre> Abraham my Abraham </pre> The bond which held the "dark" is broke <pre> Abraham my Abraham </pre> Old Jeff he feels thy mighty stroke And says the words which thou hast spoke Reminds him of a little joke <pre> Abraham my Abraham </pre> <pre> 5. </pre> "Once on a time there lived out west <pre> Abraham my Abraham </pre> A man who doted' on a jest <pre> Abraham my Abraham </pre> The people for this great man sought And his great principle was brought To skin a coon before he's caught <pre> Abraham my Abraham </pre> <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/758fbc73bba592ccafb87ee00657880e.pdf 3f89f9ffe93e4bd987b5cb3383568949 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abraham Lincolns Funeral March in memory of a Country's Martyred Father. Composed for the Piano Forte by William Wolsieffer Op. 7 Philadelphia LOUIS MEYER 1323 Chestnut St. Cleveland Brainard & Co. New York Pond & Co. St. Louis Endres & Compton <hr /> 3 ABRAHAM LINCOLN'S FUNERAL MARCH. William Wolsieffer. Op: 7. [sheet music] Entered according to Act of Congress A.D. 1865 by L. Meyer, in the Clerk's office of the District Court of the Eastern district of Penn. <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300955 180876469 Title A name given to the resource Abraham Lincoln's Funeral March Description An account of the resource Funeral march in honor of Abraham Lincoln. "In Memory of a Country's Martyred Father" on cover. Op.7 Subject The topic of the resource Lincoln, Abraham, 1809-1865 Wolsieffer, William Sheet music Funeral music Creator An entity primarily responsible for making the resource Wolsieffer, William Contributor An entity responsible for making contributions to the resource Meyer, Louis Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Abraham Lincolns Funeral March in memory of a Country's Martyred Father. Composed for the Piano Forte by William Wolsieffer Op. 7 Philadelphia LOUIS MEYER 1323 Chestnut St. Cleveland Brainard & Co. New York Pond & Co. St. Louis Endres & Compton <hr /> 3 ABRAHAM LINCOLN'S FUNERAL MARCH. William Wolsieffer. Op: 7. [sheet music] Entered according to Act of Congress A.D. 1865 by L. Meyer, in the Clerk's office of the District Court of the Eastern district of Penn. <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/d3f1817fe685faca7f77207b7e773e1f.pdf 39aa69607bf2f778382e4d823a51c584 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. ABRAHAM LINCOLN'S FUNERAL MARCH, Dedicated to the People of the United States. Composed by W.J. Robjohn. Detroit. Published by J. Henry Whittemore. Entered according to Act of Congress in the year 1865 by J. Henry Whittemore in the Clerk's Office of the District Court of the United States for the District of Michigan. <hr /> ABRAHAM LINCOLN'S FUNERAL MARCH. W.J. ROBJOHN. Adagio maestoso. [sheet music] Entered according to Act of Congress, A.D. 1865, by J. Henry Whittemore, in the Clerk's Office of the District Court of Michigan. <hr /> 4 [sheet music] <hr /> 5 [sheet music] <hr /> 6 [sheet music] <hr /> Just Published! a New & Beautiful Song with Chorus, illustrated with an Elegant Lithographic Title Page,--Price, 40 cents; entitled: BONNIE LASS OF SWEET DUNDEE. Words by Frank Dumont. Music by J. Henry Whittemore. (Sent to any Address on Receipt of Price.) OUR LATEST PUBLICATIONS. VOCAL. Sweet the Angelus was Ringing, Operti. 60 A perfect gem--dedicated by permission, to Mlle. Lucca. What the Angel Said to Bertie, Macy. 40 Bonnie Lass, of Sweet Dundee, Whittemore. 40 (With an elegant Lithographic Title.) Come Again to-morrow Night, Macy. 35 Rest for this Heart of Mine, Mlle. Laml. 35 The Little Flower you Gave me, Macy. 35 Laughing Trio, (It always pleases) Operti. 75 Lost, or Saved, (Beautiful Song & Chorus.) Macy. 35 Dennis Dear, are You Forgetting, (A very pretty song by J.H. Whittemore). 20 Bring Back the Old Folks, Macy. 35 From Shore to Shore, Macy. 30 Let me Say My Little Prayer, Macy. 40 (With a beautiful Lithographic Title.) I Want to be Somebody's Darling, Macy. 40 INSTRUMENTAL. Sparkling Galop, Wolohon. 40 (Brilliant, showy and easy--sure to please.) Cadet Quickstep, Macy. 35 Sun-set Mazurka, [Opus 289.] Operti. 50 Drum Taps, [March]--Illuminated Title Macy. 50 (Latest out--Pretty and not difficult.) Pleasant Memories, (Reverie) Wolohon. 50 I Wonder! Waltzes, (not difficult) Macy. 50 Carnival Mazurka, [Opus 867.] Operti. 80 POPULAR DANCE MUSIC AS PLAYED BY THE ORCHESTRA AND MILITARY BANDS. COMPOSED BY ROE STEPHENS. Sophie Galop 30 Moonstone " 40 Blue Line " 50 Our Watch " 50 Moonstone Waltz 40 Blue Line " 50 Fair as a Star, ballad 40 The above choice Pieces may be had of any Music Dealer in the United States. New music received immediately upon publication. Catalogues mailed free on application. Address--WHITTEMORE & STEPHENS, MUSIC PUBLISHERS, DETROIT. J. Henry Whittemore's Popular Compositions. VOCAL. Beautiful Day. (Song and Chorus), 40 By Old Oak Orchard's Rippling Stream. (Song and Chorus), 35 Baby's Sunbeam. (Song and Chorus) 40 Changes on the Times. (Song and Chorus) 35 Days Gone By 35 Effie May. (Song and Chorus) 30 Footprints on the Snow. (Song and Chorus) 40 Gentle Spirits, Are You Near Me 30 Golden Words. (New). 30 Michigan, My Michigan 35 My Darling Boy is Dead 35 Old Flag will Triumph Yet 35 Oh! Sing to Me, Allie 35 Roll Back Again, those By-gone Years 50 Soldier's Loved Ones 35 Southern Flirtations 35 'Tis for Him that Mother's Weeping 30 What Will They Say in Michigan? 30 Where is My Boy To-night? 30 Don't Go, Mollie Darling. (Song and Chorus) 40 Out of the Old House into the New 40 The two last are Just Issued and we predict an immense sale for them, as they are truly beautiful songs, both as regards poetry and melody, and regarded by all who have heard them as Mr. Whittemore's best efforts. They are embellished with magnificent Lithographic title pages. Be sure and order these songs; you can depend on something really fine. INSTRUMENTAL. Dancing Sunbeam. (Polka Redowa) 40 Fairy Whispers. (Polka Elegante) 50 Light Guard Polka 30 Bird of Beauty Polka Mazurka 30 Bird of Beauty Schottische 30 Bird of Beauty Waltz 30 Bird of Beauty March 30 Bird of Beauty Galop 30 New Light Guard Quickstep 50 Mason & Hamlin Grand March 30 Return of Spring Mazurka 30 Longwood Polka 40 Sigma Phi 30 The above list we recommend with pleasure. They possess originality and a peculiar sparkle which Mr. Whittemore so happily blends in all his compositions. Order these pieces, and you will get more than the investment. Address, WHITTEMORE & STEPHENS, PUBLISHERS, DETROIT. MOTHERS AND DAUGHTERS. The new and beautiful Song--DON'T GO MOLLIE DARLING Appeals strongly and directly to your interests. Pronounced by musical critics a composition of rare merit. Poetry of that tender and pathetic character which touches the heart, wedded to a most charming Melody, at once captivating the ear. This Song should be in every household. Composed by the popular writer J. Henry Whittemore. Beautiful Lithograph Title--Price 40 cents. Order it from your nearest music store, or address Publishers--WHITTEMORE & STEPHENS, Detroit, Mich. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300954 36582155 Title A name given to the resource Abraham Lincoln's Funeral March Description An account of the resource Funeral march in honor of Abraham Lincoln. Composer Robjohn also used the pseudonym Caryl Florio. The cover depicts Lincoln wreathed in American flags, funeral cloth and laurels. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Florio, Caryl, 1843-1920 Sheet music Funeral music Creator An entity primarily responsible for making the resource Robjohn, William James Contributor An entity responsible for making contributions to the resource Whittemore, J. Henry Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Detroit Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. ABRAHAM LINCOLN'S FUNERAL MARCH, Dedicated to the People of the United States. Composed by W.J. Robjohn. Detroit. Published by J. Henry Whittemore. Entered according to Act of Congress in the year 1865 by J. Henry Whittemore in the Clerk's Office of the District Court of the United States for the District of Michigan. <hr /> ABRAHAM LINCOLN'S FUNERAL MARCH. W.J. ROBJOHN. Adagio maestoso. [sheet music] Entered according to Act of Congress, A.D. 1865, by J. Henry Whittemore, in the Clerk's Office of the District Court of Michigan. <hr /> 4 [sheet music] <hr /> 5 [sheet music] <hr /> 6 [sheet music] <hr /> Just Published! a New & Beautiful Song with Chorus, illustrated with an Elegant Lithographic Title Page,--Price, 40 cents; entitled: BONNIE LASS OF SWEET DUNDEE. Words by Frank Dumont. Music by J. Henry Whittemore. (Sent to any Address on Receipt of Price.) OUR LATEST PUBLICATIONS. VOCAL. Sweet the Angelus was Ringing, Operti. 60 A perfect gem--dedicated by permission, to Mlle. Lucca. What the Angel Said to Bertie, Macy. 40 Bonnie Lass, of Sweet Dundee, Whittemore. 40 (With an elegant Lithographic Title.) Come Again to-morrow Night, Macy. 35 Rest for this Heart of Mine, Mlle. Laml. 35 The Little Flower you Gave me, Macy. 35 Laughing Trio, (It always pleases) Operti. 75 Lost, or Saved, (Beautiful Song & Chorus.) Macy. 35 Dennis Dear, are You Forgetting, (A very pretty song by J.H. Whittemore). 20 Bring Back the Old Folks, Macy. 35 From Shore to Shore, Macy. 30 Let me Say My Little Prayer, Macy. 40 (With a beautiful Lithographic Title.) I Want to be Somebody's Darling, Macy. 40 INSTRUMENTAL. Sparkling Galop, Wolohon. 40 (Brilliant, showy and easy--sure to please.) Cadet Quickstep, Macy. 35 Sun-set Mazurka, [Opus 289.] Operti. 50 Drum Taps, [March]--Illuminated Title Macy. 50 (Latest out--Pretty and not difficult.) Pleasant Memories, (Reverie) Wolohon. 50 I Wonder! Waltzes, (not difficult) Macy. 50 Carnival Mazurka, [Opus 867.] Operti. 80 POPULAR DANCE MUSIC AS PLAYED BY THE ORCHESTRA AND MILITARY BANDS. COMPOSED BY ROE STEPHENS. Sophie Galop 30 Moonstone " 40 Blue Line " 50 Our Watch " 50 Moonstone Waltz 40 Blue Line " 50 Fair as a Star, ballad 40 The above choice Pieces may be had of any Music Dealer in the United States. New music received immediately upon publication. Catalogues mailed free on application. Address--WHITTEMORE & STEPHENS, MUSIC PUBLISHERS, DETROIT. J. Henry Whittemore's Popular Compositions. VOCAL. Beautiful Day. (Song and Chorus), 40 By Old Oak Orchard's Rippling Stream. (Song and Chorus), 35 Baby's Sunbeam. (Song and Chorus) 40 Changes on the Times. (Song and Chorus) 35 Days Gone By 35 Effie May. (Song and Chorus) 30 Footprints on the Snow. (Song and Chorus) 40 Gentle Spirits, Are You Near Me 30 Golden Words. (New). 30 Michigan, My Michigan 35 My Darling Boy is Dead 35 Old Flag will Triumph Yet 35 Oh! Sing to Me, Allie 35 Roll Back Again, those By-gone Years 50 Soldier's Loved Ones 35 Southern Flirtations 35 'Tis for Him that Mother's Weeping 30 What Will They Say in Michigan? 30 Where is My Boy To-night? 30 Don't Go, Mollie Darling. (Song and Chorus) 40 Out of the Old House into the New 40 The two last are Just Issued and we predict an immense sale for them, as they are truly beautiful songs, both as regards poetry and melody, and regarded by all who have heard them as Mr. Whittemore's best efforts. They are embellished with magnificent Lithographic title pages. Be sure and order these songs; you can depend on something really fine. INSTRUMENTAL. Dancing Sunbeam. (Polka Redowa) 40 Fairy Whispers. (Polka Elegante) 50 Light Guard Polka 30 Bird of Beauty Polka Mazurka 30 Bird of Beauty Schottische 30 Bird of Beauty Waltz 30 Bird of Beauty March 30 Bird of Beauty Galop 30 New Light Guard Quickstep 50 Mason & Hamlin Grand March 30 Return of Spring Mazurka 30 Longwood Polka 40 Sigma Phi 30 The above list we recommend with pleasure. They possess originality and a peculiar sparkle which Mr. Whittemore so happily blends in all his compositions. Order these pieces, and you will get more than the investment. Address, WHITTEMORE & STEPHENS, PUBLISHERS, DETROIT. MOTHERS AND DAUGHTERS. The new and beautiful Song--DON'T GO MOLLIE DARLING Appeals strongly and directly to your interests. Pronounced by musical critics a composition of rare merit. Poetry of that tender and pathetic character which touches the heart, wedded to a most charming Melody, at once captivating the ear. This Song should be in every household. Composed by the popular writer J. Henry Whittemore. Beautiful Lithograph Title--Price 40 cents. Order it from your nearest music store, or address Publishers--WHITTEMORE & STEPHENS, Detroit, Mich. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://www.chroniclingillinois.org/files/original/19e34a35a381542ded52175c9751820b.pdf f89d6c1e16179844d8154f810d83d72e Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO PRESIDENT ABRAHAM. 300,000 MORE BY GEORGE R. POULTON. ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett. New York: Firth, Pond & Co. Boston: Oliver Ditson & Co. Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York. <hr /> THREE HUNDRED THOUSAND MORE! WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON. Moderato. 1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's <hr /> 4 shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear. CHORUS. Tenor. Alto. 1. We dare not look behind us, but steadfastly before Soprano. 2. And bay'nets in the sunlight gleams, and bands brave music Bass. 3. And a farewell group stands weeping, at every cottage, 4. Six hundred thousand loyal men and true have gone before <hr /> 5 We are coming, Father Abram, three hundred thousand more! pour; We are &c. door; We are coming, Father Abram, three hundred thousand and more! We are, & c. 2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride. Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more! 3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more! 4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade. Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more. <hr /> SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail. Warerooms, 110 State Street, Rochester, N.Y. Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs. SONGS. Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25 Ah! Forget Thee, Le Conde. 25 A Lake and Fairy Boat, Wood. 25 Annie Laurie, (Scotch Ballad, new edition,) 25 Arkansas Traveller, Case. 25 Annie o'the Banks o'Dee, Glover, 25 Bird of Beauty, Scott. 25 Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue. Blanch Alpen, Glover. 25 Beautiful Venice, Knight. 25 Bonnie Bell, Lloyd. 25 Bird and Streamlet, Cutler. 25 Coming through the Rye, Scotch. 25 Child of the Regiment, Donnizetti. 25 Charity, Glover. 25 Do they Think of me at Home? Wrighton. 25 [Dermoastore?], Crouch. 25 Dearest Spot to me on Earth is Home, Wrighton. 25 Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words. Ever of Thee, (arranged as a Quartette,), Whaples. 25 Gently sighs the Breeze, Glover. 25 Home of My Heart, Harvey. 25 Home, Sweet Home, Bishop. 25 I love the Merry Sunshine, Glover. 25 I met a Lily in the Vale, Wood. 25 A very pretty and effective song. In Happy Moments, (new edition,). Wallace. 25 I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25 I have no Mother now, Miller. 25 Juanita, Mrs. Norton. 25 Kathleen Mavourneen, Crouch. 25 Long Ago, (a Dream of Beauty,) Whaples. 25 The music of this song is uncommonly graceful and full of good sentiment. Long Weary Day, German. 25 March to the Field, (a song for Volunteers, King. 25 Magic of a Smile, Williams. 25 Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music. Maids of Merry England, Perring. 25 My Maggie, or What is that to you? Whaples. 25 Very spirited and harmonious. A song that takes. My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart. My Heavenly Home is bright and fair, T. Wood. 25 Nearer my God to Thee, (Song and Quartette,) " 25 Napolitaine I'm Dreaming of Thee, Lee. 25 Over There, Cluett. 25 Once More Upon the Sea, Buckley. 25 Rock me to Sleep, Mother, Stimpson. 25 Sweet Love, Good Night to thee, Hatton. 25 One of the finest songs ever written, for the tenor voice, and immensely popular. Sing me the Songs my Mother Sang, S. Grieg. 25 A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices. Shells of Ocean, Cherry. 25 Simon, the Cellarer, Hatton. 40 Scenes that are Brightest, Wallace. 25 Still in my Dreams thou art near me, Hall. 25 The Curfew, T.F. Seword. 25 A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry. Thou art gone from my gaze, Linley. 25 There is a Flower that bloometh, Wallace. 25 Voice form the Waves, Glover. 25 Wake Dearest, Wake, Miller. 25 Wanderer, Schubert. 25 When the Swallows Homeward fly, Abt. 25 What I live for, Grannis. 25 Woodbine Valley, Boon. 30 POLKAS. Alpha Sigma Polka, Lloyd. 40 Ball Bouquet Polka, Simonis. 25 Charming Polka, Maeller. 25 Clipper America Polka, Barnhart. 25 F.S. Polka, Woolner. 25 Glen Wood Polka, Poole. 25 Grand Military Polka, Underner. 25 Hexeconta Polka, Aere. 25 Kiss Polka, Poulton. 25 Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it. May Flower Polka, De Salon, Calixa Lavalla. 35 Pastime Polka, G. Doelker. 25 Prince of Como Polka, Underner. 25 Rivulet Polka, Moes. 25 Willoughby Polka, Laurence. 25 Young America Polka, Johnson. 25 SCHOTTISCHES. Forest Rose Schottische, Jones. 25 Friendship Schottische, Kalbfleisch. 30 One of the author's best efforts. Strawberry Schottische, Kalbfleisch. 25 A seasonable thing that everybody likes. May Schottische, Ellis. 25 Easy and remarkably pretty. Ontario Schottische, Ellis, 25 Not difficult, but very pleasing. Good-natured Schottische, Degenhard. 25 Les Bords Du St. Lawrence Schottische, Ellis. 25 St. Ody Schottische, Degenhard. 25 WALTZES AND MAZURKAS. A Flower for Thee--Mazurka Styrienne, S.B. Mills. 60 This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult. Grand Valse--Morceau du Salon, Richards. 30 Souvenir de Amitie, Oscar. 30 A very charming movement in Waltz time; well repaying the study it requires to play it. Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50 Etude Mazurka, Talexy. 35 Frances Waltz, Kalbfleisch. 25 Very graceful and pretty; a great favorite. Gertrude's Dream Waltz, Beethoven. 10 Mazurka of the Wave, Ellis. 25 Mazurka Des Traineaux, Ascher. 35 Flower Mazourka, Kalbfleisch. 25 A good and instructive piece, intended for teaching. VARIATIONS AND TRANSCRIPTIONS. Alpine Bells, Oesten. 30 Floating on the Wind, B. Richards. 30 In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty. Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song. Warblings at Eve, Richards. 30 "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance. Twilight Hour Nocturne, Kalbfleisch. 25 La Cenerentola, Leduc. 35 La Cavalcade, Duvernay. 25 Maiden's Prayer, Badarzewska. 25 Norma--Fantaisie, A. Leduc. 35 Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song. Star Spangled Banner, Theo Oesten. 25 GUITAR MUSIC. Rock me to Sleep, Mother, arranged by G.F. Newland. 25 Maggie May, " " " 15 My Maggie, (Scotch Song, " " " 25 May Schottisch, " " " 25 One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player. Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25 A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious. QUADRILLES. Elixir of Love, Grimmer. 30 Lancers, (new edition,) " 30 Republican, Guy. 30 MARCHES AND QUICK-STEPS. Writing March, Kalbfleisch. 25 A good, easy march with the time well marked. Gov. Morgan's Parade March, Underner. 40 A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan. Milwaukie Light Guard Quick-Step, Hempsted. 50 Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular. The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville. 1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch. 21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans. Each No. 15 cents. Sole Agent in the City, for the sale of Steinway & Son's Gold Medal Grand & Square Pianos. Warranted 5 years. MUSICAL WORKS. Beyer's Method for the Piano, $2.00 Bertini's Method for the Piano, $2.50 " " " " abridged, $2.00 Burgmuller's Method for the Piano, $2.00 Richardson's New Method for Piano. With American fingering, $3.00 Winner's Piano without a Master, .50 Bassini's Vocal Method, $4.00 Bassini's Vocal Method, Abridged, $2.50 Burrowes' Piano Primer, .30 Dictionary of 5000 Musical Terms, .50 Zundel's Melodeon Instructor, $2.00 Melodeon Without a Master, .50 Schneider's Organ School, $2.50 Carcassi's School for Guitar, $2.50 " " abridged School for Guitar, $1.50 Golden Wreath--A school song book, .30 Zundel's Modern School for Organ, $3.00 Buckley's New Method for the Banjo, $1.00 American Violinist, $1.00 GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars. MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301077 14070985 Title A name given to the resource Three Hundred Thousand More! Description An account of the resource Lyrics depict influx of 300,000 new troop for the United States army. "To Father Abraham" Subject The topic of the resource Lincoln, Abraham, 1809-1865 Sheet music Songs and music Gibbons, J. S. (James Sloan), 1810-1892 Poulton, George R., 1828-1867 Morris, Robert, 1810-1892 American Civil War (1861-1865) Recruitment and enlistment Bryant, William Cullen, 1794-1878 Creator An entity primarily responsible for making the resource George R. Poulton, William Cullen Bryant, Robert Morris Contributor An entity responsible for making contributions to the resource Joseph P. Shaw Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rochester, NY Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO PRESIDENT ABRAHAM. 300,000 MORE BY GEORGE R. POULTON. ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett. New York: Firth, Pond & Co. Boston: Oliver Ditson & Co. Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York. <hr /> THREE HUNDRED THOUSAND MORE! WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON. Moderato. 1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's <hr /> 4 shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear. CHORUS. Tenor. Alto. 1. We dare not look behind us, but steadfastly before Soprano. 2. And bay'nets in the sunlight gleams, and bands brave music Bass. 3. And a farewell group stands weeping, at every cottage, 4. Six hundred thousand loyal men and true have gone before <hr /> 5 We are coming, Father Abram, three hundred thousand more! pour; We are &c. door; We are coming, Father Abram, three hundred thousand and more! We are, & c. 2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride. Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more! 3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more! 4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade. Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more. <hr /> SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail. Warerooms, 110 State Street, Rochester, N.Y. Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs. SONGS. Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25 Ah! Forget Thee, Le Conde. 25 A Lake and Fairy Boat, Wood. 25 Annie Laurie, (Scotch Ballad, new edition,) 25 Arkansas Traveller, Case. 25 Annie o'the Banks o'Dee, Glover, 25 Bird of Beauty, Scott. 25 Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue. Blanch Alpen, Glover. 25 Beautiful Venice, Knight. 25 Bonnie Bell, Lloyd. 25 Bird and Streamlet, Cutler. 25 Coming through the Rye, Scotch. 25 Child of the Regiment, Donnizetti. 25 Charity, Glover. 25 Do they Think of me at Home? Wrighton. 25 [Dermoastore?], Crouch. 25 Dearest Spot to me on Earth is Home, Wrighton. 25 Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words. Ever of Thee, (arranged as a Quartette,), Whaples. 25 Gently sighs the Breeze, Glover. 25 Home of My Heart, Harvey. 25 Home, Sweet Home, Bishop. 25 I love the Merry Sunshine, Glover. 25 I met a Lily in the Vale, Wood. 25 A very pretty and effective song. In Happy Moments, (new edition,). Wallace. 25 I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25 I have no Mother now, Miller. 25 Juanita, Mrs. Norton. 25 Kathleen Mavourneen, Crouch. 25 Long Ago, (a Dream of Beauty,) Whaples. 25 The music of this song is uncommonly graceful and full of good sentiment. Long Weary Day, German. 25 March to the Field, (a song for Volunteers, King. 25 Magic of a Smile, Williams. 25 Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music. Maids of Merry England, Perring. 25 My Maggie, or What is that to you? Whaples. 25 Very spirited and harmonious. A song that takes. My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart. My Heavenly Home is bright and fair, T. Wood. 25 Nearer my God to Thee, (Song and Quartette,) " 25 Napolitaine I'm Dreaming of Thee, Lee. 25 Over There, Cluett. 25 Once More Upon the Sea, Buckley. 25 Rock me to Sleep, Mother, Stimpson. 25 Sweet Love, Good Night to thee, Hatton. 25 One of the finest songs ever written, for the tenor voice, and immensely popular. Sing me the Songs my Mother Sang, S. Grieg. 25 A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices. Shells of Ocean, Cherry. 25 Simon, the Cellarer, Hatton. 40 Scenes that are Brightest, Wallace. 25 Still in my Dreams thou art near me, Hall. 25 The Curfew, T.F. Seword. 25 A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry. Thou art gone from my gaze, Linley. 25 There is a Flower that bloometh, Wallace. 25 Voice form the Waves, Glover. 25 Wake Dearest, Wake, Miller. 25 Wanderer, Schubert. 25 When the Swallows Homeward fly, Abt. 25 What I live for, Grannis. 25 Woodbine Valley, Boon. 30 POLKAS. Alpha Sigma Polka, Lloyd. 40 Ball Bouquet Polka, Simonis. 25 Charming Polka, Maeller. 25 Clipper America Polka, Barnhart. 25 F.S. Polka, Woolner. 25 Glen Wood Polka, Poole. 25 Grand Military Polka, Underner. 25 Hexeconta Polka, Aere. 25 Kiss Polka, Poulton. 25 Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it. May Flower Polka, De Salon, Calixa Lavalla. 35 Pastime Polka, G. Doelker. 25 Prince of Como Polka, Underner. 25 Rivulet Polka, Moes. 25 Willoughby Polka, Laurence. 25 Young America Polka, Johnson. 25 SCHOTTISCHES. Forest Rose Schottische, Jones. 25 Friendship Schottische, Kalbfleisch. 30 One of the author's best efforts. Strawberry Schottische, Kalbfleisch. 25 A seasonable thing that everybody likes. May Schottische, Ellis. 25 Easy and remarkably pretty. Ontario Schottische, Ellis, 25 Not difficult, but very pleasing. Good-natured Schottische, Degenhard. 25 Les Bords Du St. Lawrence Schottische, Ellis. 25 St. Ody Schottische, Degenhard. 25 WALTZES AND MAZURKAS. A Flower for Thee--Mazurka Styrienne, S.B. Mills. 60 This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult. Grand Valse--Morceau du Salon, Richards. 30 Souvenir de Amitie, Oscar. 30 A very charming movement in Waltz time; well repaying the study it requires to play it. Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50 Etude Mazurka, Talexy. 35 Frances Waltz, Kalbfleisch. 25 Very graceful and pretty; a great favorite. Gertrude's Dream Waltz, Beethoven. 10 Mazurka of the Wave, Ellis. 25 Mazurka Des Traineaux, Ascher. 35 Flower Mazourka, Kalbfleisch. 25 A good and instructive piece, intended for teaching. VARIATIONS AND TRANSCRIPTIONS. Alpine Bells, Oesten. 30 Floating on the Wind, B. Richards. 30 In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty. Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song. Warblings at Eve, Richards. 30 "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance. Twilight Hour Nocturne, Kalbfleisch. 25 La Cenerentola, Leduc. 35 La Cavalcade, Duvernay. 25 Maiden's Prayer, Badarzewska. 25 Norma--Fantaisie, A. Leduc. 35 Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song. Star Spangled Banner, Theo Oesten. 25 GUITAR MUSIC. Rock me to Sleep, Mother, arranged by G.F. Newland. 25 Maggie May, " " " 15 My Maggie, (Scotch Song, " " " 25 May Schottisch, " " " 25 One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player. Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25 A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious. QUADRILLES. Elixir of Love, Grimmer. 30 Lancers, (new edition,) " 30 Republican, Guy. 30 MARCHES AND QUICK-STEPS. Writing March, Kalbfleisch. 25 A good, easy march with the time well marked. Gov. Morgan's Parade March, Underner. 40 A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan. Milwaukie Light Guard Quick-Step, Hempsted. 50 Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular. The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville. 1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch. 21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans. Each No. 15 cents. Sole Agent in the City, for the sale of Steinway & Son's Gold Medal Grand & Square Pianos. Warranted 5 years. MUSICAL WORKS. Beyer's Method for the Piano, $2.00 Bertini's Method for the Piano, $2.50 " " " " abridged, $2.00 Burgmuller's Method for the Piano, $2.00 Richardson's New Method for Piano. With American fingering, $3.00 Winner's Piano without a Master, .50 Bassini's Vocal Method, $4.00 Bassini's Vocal Method, Abridged, $2.50 Burrowes' Piano Primer, .30 Dictionary of 5000 Musical Terms, .50 Zundel's Melodeon Instructor, $2.00 Melodeon Without a Master, .50 Schneider's Organ School, $2.50 Carcassi's School for Guitar, $2.50 " " abridged School for Guitar, $1.50 Golden Wreath--A school song book, .30 Zundel's Modern School for Organ, $3.00 Buckley's New Method for the Banjo, $1.00 American Violinist, $1.00 GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars. MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20