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                    <text>&lt;p&gt;THERE'S A MILLION HEROES IN EACH CORNER OF THE U.S.A.  Words by Sam M. Lewis and Joe Young. Music by Maurice Abrahams
&lt;/p&gt;&lt;p&gt;[two portraits and a photograph of Belle Baker]
&lt;/p&gt;&lt;p&gt;Kalmar Puck and Abrahams Consolidated Inc. Music Publishers. Strand theater Bldg. Broadway at 47th St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;There's A Million Heroes In Each Corner Of The U.S.A.
&lt;/p&gt;&lt;p&gt;Words by Sam Lewis &amp;amp; Joe Young. Music by Maurice Abrahams.
&lt;/p&gt;&lt;p&gt;Moderato. Voice Slowly.
&lt;/p&gt;&lt;p&gt;Virginia gave us Washington way back in Sev-nty-six Kentucky gave us Lincoln when our
&lt;/p&gt;&lt;p&gt;Columbus found America the home of peace and rest And Betsy Ross she found a flag to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
boys were in a fix Ohio gave us Grant and Dixie gave us Lee They
&lt;/p&gt;&lt;p&gt;stand each battle test Tho' heroes of the past have laid away the gun Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fought it out and patched it up and made our history If you asked Uncle Sammy who Could
&lt;/p&gt;&lt;p&gt;spirits live within the hearts of ev'ry native son Our flag is just as clean today as
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
take their place today He'd rub his chin and a grin he'd answer in this way.
&lt;/p&gt;&lt;p&gt;when it first was made Each stripe and star a battle scar and still I'm not afraid.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVII by Kalmar, Puck &amp;amp; Abraham Consol't'd Inc Music Co.  Copyright Canada MCMXVII by Kalmar, Puck &amp;amp; Abrahams Consol't'd Inc. Music. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;There's a million heroes in each corner of the U.S.A. In cities and farms They've taken up arms The East and West have sent their best the rest are coming from the land of cotton You can bank on ev'ry loyal Yank to fight till the end of the fray. when danger threatens they all rally 'round That's why the flag has never touched the ground  There's a million heroes in each corner of the U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Most Beautiful Combination of Words and Music Ever Written
&lt;/p&gt;&lt;p&gt;Bring me a rose by Charles Shisler
&lt;/p&gt;&lt;p&gt;Refrain. Con Espressione
&lt;/p&gt;&lt;p&gt;Bring me a rose at twilight, kissed by the sparkling dew Bring me a rose from Loveland, One that reminds me of you, dear, Each little petal tells me you're like an angel a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVI by Kalmar, Puck &amp;amp; Abrahams Consol't'd, Inc. Music Pub. International copyright Secured.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>There's a Million Heroes in Each Corner of the U.S.A.</text>
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                <text>Lyrics depict locations of United States leaders from the 18th and 19th centuries while stating current heroes are citizens around the United States. Cover depicts images of Abraham Lincoln and George Washington surrounding portrait of Belle Baker. Back page has music for "Bring Me a Rose."&lt;br /&gt;&lt;br /&gt;The song may have been written to encourage patriotism as the United States entered World War I. Belle Baker was one of the most popular singers and actresses of her day.</text>
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                <text>Sam M. Lewis, Joe Young, and Maurice Abrahams</text>
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                <text>New York</text>
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                <text>1917</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;THERE'S A MILLION HEROES IN EACH CORNER OF THE U.S.A.  Words by Sam M. Lewis and Joe Young. Music by Maurice Abrahams
&lt;/p&gt;&lt;p&gt;[two portraits and a photograph of Belle Baker]
&lt;/p&gt;&lt;p&gt;Kalmar Puck and Abrahams Consolidated Inc. Music Publishers. Strand theater Bldg. Broadway at 47th St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;There's A Million Heroes In Each Corner Of The U.S.A.
&lt;/p&gt;&lt;p&gt;Words by Sam Lewis &amp;amp; Joe Young. Music by Maurice Abrahams.
&lt;/p&gt;&lt;p&gt;Moderato. Voice Slowly.
&lt;/p&gt;&lt;p&gt;Virginia gave us Washington way back in Sev-nty-six Kentucky gave us Lincoln when our
&lt;/p&gt;&lt;p&gt;Columbus found America the home of peace and rest And Betsy Ross she found a flag to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
boys were in a fix Ohio gave us Grant and Dixie gave us Lee They
&lt;/p&gt;&lt;p&gt;stand each battle test Tho' heroes of the past have laid away the gun Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fought it out and patched it up and made our history If you asked Uncle Sammy who Could
&lt;/p&gt;&lt;p&gt;spirits live within the hearts of ev'ry native son Our flag is just as clean today as
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
take their place today He'd rub his chin and a grin he'd answer in this way.
&lt;/p&gt;&lt;p&gt;when it first was made Each stripe and star a battle scar and still I'm not afraid.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVII by Kalmar, Puck &amp;amp; Abraham Consol't'd Inc Music Co.  Copyright Canada MCMXVII by Kalmar, Puck &amp;amp; Abrahams Consol't'd Inc. Music. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;There's a million heroes in each corner of the U.S.A. In cities and farms They've taken up arms The East and West have sent their best the rest are coming from the land of cotton You can bank on ev'ry loyal Yank to fight till the end of the fray. when danger threatens they all rally 'round That's why the flag has never touched the ground  There's a million heroes in each corner of the U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Most Beautiful Combination of Words and Music Ever Written
&lt;/p&gt;&lt;p&gt;Bring me a rose by Charles Shisler
&lt;/p&gt;&lt;p&gt;Refrain. Con Espressione
&lt;/p&gt;&lt;p&gt;Bring me a rose at twilight, kissed by the sparkling dew Bring me a rose from Loveland, One that reminds me of you, dear, Each little petal tells me you're like an angel a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVI by Kalmar, Puck &amp;amp; Abrahams Consol't'd, Inc. Music Pub. International copyright Secured.
&lt;/p&gt;
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                    <text>&lt;p&gt;THERE ARE JUST AS MANY HEROES TO-DAY 1776  1861
&lt;/p&gt;&lt;p&gt;WORDS BY THOS. S. ALLEN MUSIC BY JOS. M. DALY
&lt;/p&gt;&lt;p&gt;Published by Daly Music Publisher Boston Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;There Are Just As Many Heroes Today  
&lt;/p&gt;&lt;p&gt;Words by Thos. S. Allen Music by Joseph M. Daly
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;The United States is a nation Proud of its good old name
&lt;/p&gt;&lt;p&gt;The Army and Navy forever That is the battle cry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
George Washington went out and won He was the first for fame The
&lt;/p&gt;&lt;p&gt;Not one defeat that's hard to beat You know the reason why It's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Star Spangled Banner of Freedom Waves o'er the land and sea
&lt;/p&gt;&lt;p&gt;born in the hearts of the nation They love to fight that's true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXIV by Daly, Music Publisher, Inc. 665 Washington St., Boston, Mass. International Copyright Secured
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;That gallant hero Lincoln Showed what a man can be There are
&lt;/p&gt;&lt;p&gt;Where there is trouble brewing Just watch the boys in blue 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS
&lt;/p&gt;&lt;p&gt;just as many heroes in the United States today As ever fought with Washington Or with the Blue and Gray Our
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;fathers gave their lives to save The good old U.S.A. So we'll rally 'round the flag We won't let the spirit lag There are just as many heroes today.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE $10,000 BALLAD "IN THE HEART OF THE CITY THAT HAS NO HEART"
&lt;/p&gt;&lt;p&gt;In the Heart of the City that has no Heart.  Words by Thos. S. Allen. Music by Joseph M. Daly.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;In the heart of the city that has no heart That's where they meet, and that's where they part, The current of vice had proved too strong So the poor little girlie just drifted along Nobody cared if she lived or died Nobody cared if she laughed or cried, She's just a lost sister and nobody's
&lt;/p&gt;&lt;p&gt;[photo and caption] A FEW OF THE CUPS WON IN THE THEATRES ON THIS GREAT SONG
&lt;/p&gt;&lt;p&gt;The song with a moral. Every line teaches a lesson. It appeals to everyone. Don't fail to get a copy.
&lt;/p&gt;&lt;p&gt;Daly and Allen have written several tremendous song hits in the past, such as "WHAT D'YE MEAN YOU LOST YER DOG" but "IN THE HEART OF THE CITY THAT HAS NO HEART" is without doubt their best effort.
&lt;/p&gt;&lt;p&gt;Complete copies of the above number at all music stores, or send us 15c.
&lt;/p&gt;&lt;p&gt;DALY MUSIC PUBLISHER, INC. GAIETY THEATRE BLDG. 665 WASHINGTON ST., BOSTON, MASS.
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Daly Music Publisher, Inc. 665 Washington St., Boston, Mass. International Copyright secured.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>There Are Just As Many Heroes Today</text>
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                <text>Lyrics depict strength of United States military and its leaders. Color cover depicts portraits of George Washington, Abraham Lincoln, Ulysses S. Grant, and George Barnett surrounding a shield. Back cover has song "In the hear of the city that has no heart."</text>
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                <text>&lt;p&gt;THERE ARE JUST AS MANY HEROES TO-DAY 1776  1861
&lt;/p&gt;&lt;p&gt;WORDS BY THOS. S. ALLEN MUSIC BY JOS. M. DALY
&lt;/p&gt;&lt;p&gt;Published by Daly Music Publisher Boston Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;There Are Just As Many Heroes Today  
&lt;/p&gt;&lt;p&gt;Words by Thos. S. Allen Music by Joseph M. Daly
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;The United States is a nation Proud of its good old name
&lt;/p&gt;&lt;p&gt;The Army and Navy forever That is the battle cry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
George Washington went out and won He was the first for fame The
&lt;/p&gt;&lt;p&gt;Not one defeat that's hard to beat You know the reason why It's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Star Spangled Banner of Freedom Waves o'er the land and sea
&lt;/p&gt;&lt;p&gt;born in the hearts of the nation They love to fight that's true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXIV by Daly, Music Publisher, Inc. 665 Washington St., Boston, Mass. International Copyright Secured
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;That gallant hero Lincoln Showed what a man can be There are
&lt;/p&gt;&lt;p&gt;Where there is trouble brewing Just watch the boys in blue 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS
&lt;/p&gt;&lt;p&gt;just as many heroes in the United States today As ever fought with Washington Or with the Blue and Gray Our
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;fathers gave their lives to save The good old U.S.A. So we'll rally 'round the flag We won't let the spirit lag There are just as many heroes today.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE $10,000 BALLAD "IN THE HEART OF THE CITY THAT HAS NO HEART"
&lt;/p&gt;&lt;p&gt;In the Heart of the City that has no Heart.  Words by Thos. S. Allen. Music by Joseph M. Daly.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;In the heart of the city that has no heart That's where they meet, and that's where they part, The current of vice had proved too strong So the poor little girlie just drifted along Nobody cared if she lived or died Nobody cared if she laughed or cried, She's just a lost sister and nobody's
&lt;/p&gt;&lt;p&gt;[photo and caption] A FEW OF THE CUPS WON IN THE THEATRES ON THIS GREAT SONG
&lt;/p&gt;&lt;p&gt;The song with a moral. Every line teaches a lesson. It appeals to everyone. Don't fail to get a copy.
&lt;/p&gt;&lt;p&gt;Daly and Allen have written several tremendous song hits in the past, such as "WHAT D'YE MEAN YOU LOST YER DOG" but "IN THE HEART OF THE CITY THAT HAS NO HEART" is without doubt their best effort.
&lt;/p&gt;&lt;p&gt;Complete copies of the above number at all music stores, or send us 15c.
&lt;/p&gt;&lt;p&gt;DALY MUSIC PUBLISHER, INC. GAIETY THEATRE BLDG. 665 WASHINGTON ST., BOSTON, MASS.
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Daly Music Publisher, Inc. 665 Washington St., Boston, Mass. International Copyright secured.
&lt;/p&gt;
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                    <text>&lt;p&gt;That's What's the Matter With the Purps. COMIC SONG, Published by the Author. Sold by Music Dealers in General.
&lt;/p&gt;&lt;p&gt;A.C. PETERS &amp;amp; BRO., Cincinnati, O.  W.A. POND, New York. G.D. BENSON,, Nashville, Tenn. TRIPP &amp;amp; CRAGG, Louisville, Ky. Lee &amp;amp; WALKER, Philadelphia, Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"DAT'S WHATS DE MATTER WID DE PURPS." 
&lt;/p&gt;&lt;p&gt;Lively.
&lt;/p&gt;&lt;p&gt;'Twas down South in Dixie, Whar dey raise de Rice and Cotton, And
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, for the Author, by Tripp &amp;amp; Cragg, in the Clerk's Office of the District Court of Ky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;took it to the Northern States And swap'd it off for Bacon, Dey bof had so much Dey didn't know what to do, So this bloody war commenced With the Hoop te do den do.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;I tell you what it is, I'se at de bottom ob de fuss, Dat's what I told you Was de matter wid de purps, I tell you what it is, I'se at de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;bottom ob de fuss, Dat's what I told you Was de matter with de purps.
&lt;/p&gt;&lt;p&gt;2. De bacon spil't on our hands, De souf burnt up de Cotton, And den came de Proclamation, Which dis Nigga's not forgotten. 'Twas a Victory for de Souf, And Split de Norf in two, Dey went to fighting about old Cuff, Wid de hoop de do'n doo. Chorus, I tell you what it is, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Dey drafted in the Souf, And made a mighty splatter, Dey found it hard to whip de Yanks, And dat is whats de matter. Massa Abe, he did the conscript try, But found it wouldn't do, New York raised the bloody cry, with the hoop de do'n doo. Chorous. I tell you what it is, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4.  De Yanks fight de Secesh, and de Secesh fight de Yankee's, It was mighty hard to tell, Who had gained de most advantage. Abe called out his Nigga boy's, And Jeff. said he would too, So it Nigga fight de Nigga, Wid de hoop te do'n doo.
&lt;/p&gt;&lt;p&gt;Chorus, When dis Cruel war is over, Spec dey bo'f will have de worst, Dat's what I told you, Was de Matter wid de purp's.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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              <text>34 cm</text>
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                <text>That's What's the Matter with the Purps: A Comic Song</text>
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                <text>Lyrics depict struggle over slavery and difficulties encountered by both the United States of America and Confederate States of America. Lyrics written using stereotypical 19th century African American dialect. Cover depicts image of African American with dogs biting his ankles. Dogs have the heads of Abraham Lincoln and Jefferson Davis.</text>
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                <text>A. C. Peters &amp;amp; Brothers</text>
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                <text>&lt;p&gt;That's What's the Matter With the Purps. COMIC SONG, Published by the Author. Sold by Music Dealers in General.
&lt;/p&gt;&lt;p&gt;A.C. PETERS &amp;amp; BRO., Cincinnati, O.  W.A. POND, New York. G.D. BENSON,, Nashville, Tenn. TRIPP &amp;amp; CRAGG, Louisville, Ky. Lee &amp;amp; WALKER, Philadelphia, Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"DAT'S WHATS DE MATTER WID DE PURPS." 
&lt;/p&gt;&lt;p&gt;Lively.
&lt;/p&gt;&lt;p&gt;'Twas down South in Dixie, Whar dey raise de Rice and Cotton, And
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, for the Author, by Tripp &amp;amp; Cragg, in the Clerk's Office of the District Court of Ky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;took it to the Northern States And swap'd it off for Bacon, Dey bof had so much Dey didn't know what to do, So this bloody war commenced With the Hoop te do den do.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;I tell you what it is, I'se at de bottom ob de fuss, Dat's what I told you Was de matter wid de purps, I tell you what it is, I'se at de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;bottom ob de fuss, Dat's what I told you Was de matter with de purps.
&lt;/p&gt;&lt;p&gt;2. De bacon spil't on our hands, De souf burnt up de Cotton, And den came de Proclamation, Which dis Nigga's not forgotten. 'Twas a Victory for de Souf, And Split de Norf in two, Dey went to fighting about old Cuff, Wid de hoop de do'n doo. Chorus, I tell you what it is, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Dey drafted in the Souf, And made a mighty splatter, Dey found it hard to whip de Yanks, And dat is whats de matter. Massa Abe, he did the conscript try, But found it wouldn't do, New York raised the bloody cry, with the hoop de do'n doo. Chorous. I tell you what it is, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4.  De Yanks fight de Secesh, and de Secesh fight de Yankee's, It was mighty hard to tell, Who had gained de most advantage. Abe called out his Nigga boy's, And Jeff. said he would too, So it Nigga fight de Nigga, Wid de hoop te do'n doo.
&lt;/p&gt;&lt;p&gt;Chorus, When dis Cruel war is over, Spec dey bo'f will have de worst, Dat's what I told you, Was de Matter wid de purp's.
&lt;/p&gt;
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                    <text>&lt;p&gt;That's what the niggers then will do 
Answer to "Young Eph's lament" 
Word by Tom Russell,
Sung with immense success by Johny Allen. of Arlington, Kelly and Leon's Minstrels
Music by Geo. H. Barton. 
3 Boston Published by Oliver Ditson &amp;amp; Co 277 Washington St.
Cina. J Church Jr, N. York W.A. Pond &amp;amp; Co, Chgo Lyone and Healy,Boston J.c. Haynes &amp;amp; Co., Phil C.W.A. Trumpler
[illegible] line
&lt;/p&gt;&lt;p&gt;26541
Thats What the Niggers Then Will do; Geo. H. Barton&amp;#160;; Not too fast. 
&lt;/p&gt;&lt;p&gt;What will we do when the war breaks the country up and scatters the darkies all a round That was the question when the war it first began but
now the answer has been found, We will work for Un cle Sam, we will do the best we can, We blessOld Abe for all that he has done, We have help'd to save the flag Pull down the trai tor rag, But now our work is al most done Then what are we poor niggers guan to do! 
&lt;/p&gt;&lt;p&gt;Niggers would'nt fight so the papers all have told us, But I guess as how we've proved ourselves true blue We were massacred at Pillow but we made it up at Richmond We were there to see Old Lee surrender too; and now this war is over we dont want to live in closer All we want's a chance to earn our daily bread Give us but the word to do And we soon wll show to you When a nigger wont be drove he can be led And you'll see what the niggers then can do. 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
This was has been a mighty institution for us niggers It gave us a chance to show we can do The good work has begun if they only will keep at it The nigga's will be faithful and be true We have proved that we can fight Let us learn to read and write We doesent want to hold no place of trust You have freed us from our pen all we want is to be men I am sure that what we ask for is but just and the nigga then will be a happy man.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>That's What the Niggers Will Then Do: Answer to "Young Eph's Lament"</text>
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                <text>Lyrics depict singer discussing how African Americans were involved in the American Civil War and asking what African Americans will do after the war is over. The song pays special attention to the sacrifices of back troops during the war. "Sung with immense success by Johny Allen, of Arlington, Kelly, and Leon's Minstrels."</text>
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                <text>George H. Barton</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>1865</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;That's what the niggers then will do 
Answer to "Young Eph's lament" 
Word by Tom Russell,
Sung with immense success by Johny Allen. of Arlington, Kelly and Leon's Minstrels
Music by Geo. H. Barton. 
3 Boston Published by Oliver Ditson &amp;amp; Co 277 Washington St.
Cina. J Church Jr, N. York W.A. Pond &amp;amp; Co, Chgo Lyone and Healy,Boston J.c. Haynes &amp;amp; Co., Phil C.W.A. Trumpler
[illegible] line
&lt;/p&gt;&lt;p&gt;26541
Thats What the Niggers Then Will do; Geo. H. Barton&amp;#160;; Not too fast. 
&lt;/p&gt;&lt;p&gt;What will we do when the war breaks the country up and scatters the darkies all a round That was the question when the war it first began but
now the answer has been found, We will work for Un cle Sam, we will do the best we can, We blessOld Abe for all that he has done, We have help'd to save the flag Pull down the trai tor rag, But now our work is al most done Then what are we poor niggers guan to do! 
&lt;/p&gt;&lt;p&gt;Niggers would'nt fight so the papers all have told us, But I guess as how we've proved ourselves true blue We were massacred at Pillow but we made it up at Richmond We were there to see Old Lee surrender too; and now this war is over we dont want to live in closer All we want's a chance to earn our daily bread Give us but the word to do And we soon wll show to you When a nigger wont be drove he can be led And you'll see what the niggers then can do. 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
This was has been a mighty institution for us niggers It gave us a chance to show we can do The good work has begun if they only will keep at it The nigga's will be faithful and be true We have proved that we can fight Let us learn to read and write We doesent want to hold no place of trust You have freed us from our pen all we want is to be men I am sure that what we ask for is but just and the nigga then will be a happy man.
&lt;/p&gt;
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                <text>100</text>
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                <text>20</text>
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                    <text>&lt;p&gt;TO
&lt;/p&gt;&lt;p&gt;Honest Abe Lincoln.
&lt;/p&gt;&lt;p&gt;STRIKE for the RIGHT
&lt;/p&gt;&lt;p&gt;Sung with rapturous applause at the
&lt;/p&gt;&lt;p&gt;FANUEIL HALL Ratification Meeting
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;3                   1860
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by OLIVER DITSON &amp;amp; Co 277 Washington St
&lt;/p&gt;&lt;p&gt;FIRTH, POND &amp;amp; Co.  N. York      J. CHURCH. Jr  Cinn.      BECK &amp;amp; LAWTON. Philada      G.C.ClLAPP &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by E.W. Locke in the Clerk's Office of the Dist. Court of Maine
&lt;/p&gt;&lt;p&gt;Lincoln dedic: also p. 5. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;STRIKE FOR THE RIGHT:
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;Once more to the combat with rekindled zeal, Our
flag to the breeze, and our hands to the steel! We strike for the right, and we
ask no delay. We're ready and eager to rush to the fray.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;&lt;p&gt;180473
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4    CHORUS. 
&lt;/p&gt;&lt;p&gt;[4-part system of music follows, all singing the same lyrics.]
&lt;/p&gt;&lt;p&gt;AIR.   Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.  Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;BASS. 
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
20478
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2d Verse. Our forests and lakes, from Wisconsin to Maine, Send
out their brave sons to the conflict again; While mountain and prairie, with
campfires aglow, Re-echo the war-cry, and welcome the blow.
&lt;/p&gt;&lt;p&gt;3d   ..      The trumpets are sounding, the battle's begun, There's
danger to face and there's work to be one; The timid and sluggard may
shrink from the fray, The glory compensates our struggles to day.
&lt;/p&gt;&lt;p&gt;4th  ..      Already their peril is felt by our foes, Already
they falter and shrink from our blows; The shout of our comrades rings
thrilling and clear; The victory is certain the victory's near.
&lt;/p&gt;&lt;p&gt;5th  ..      A cheer for our leaders, the twin-hearted braves! A
cheer for the banner that over us waves! With Lincoln and Hamlin we've
nothing to fear  The victory is certain  the victory's' near.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Strike for the Right</text>
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                <text>Lyrics depict push to elect Abraham Lincoln and Hannibal Hamlin during 1860 presidential election. "To Honest Abe Lincoln." "Sung with rapturous applause at the Fanueil Hall Ratification Meeting."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
              <elementText elementTextId="170397">
                <text> Hamlin, Hannibal, 1809-1891</text>
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                <text> Campaign songs</text>
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                <text> Presidential candidates</text>
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                <text> Vice-Presidential candidates</text>
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                <text> Locke, E. W., 1818-1900</text>
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                <text>E. W. Locke</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
              </elementText>
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                <text>Boston</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="170410">
                <text>1860</text>
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                <text>pdf</text>
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                <text>&lt;p&gt;TO
&lt;/p&gt;&lt;p&gt;Honest Abe Lincoln.
&lt;/p&gt;&lt;p&gt;STRIKE for the RIGHT
&lt;/p&gt;&lt;p&gt;Sung with rapturous applause at the
&lt;/p&gt;&lt;p&gt;FANUEIL HALL Ratification Meeting
&lt;/p&gt;&lt;p&gt;WORDS &amp;amp; MUSIC BY
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;3                   1860
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by OLIVER DITSON &amp;amp; Co 277 Washington St
&lt;/p&gt;&lt;p&gt;FIRTH, POND &amp;amp; Co.  N. York      J. CHURCH. Jr  Cinn.      BECK &amp;amp; LAWTON. Philada      G.C.ClLAPP &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by E.W. Locke in the Clerk's Office of the Dist. Court of Maine
&lt;/p&gt;&lt;p&gt;Lincoln dedic: also p. 5. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;STRIKE FOR THE RIGHT:
&lt;/p&gt;&lt;p&gt;E.W. LOCKE.
&lt;/p&gt;&lt;p&gt;Once more to the combat with rekindled zeal, Our
flag to the breeze, and our hands to the steel! We strike for the right, and we
ask no delay. We're ready and eager to rush to the fray.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;&lt;p&gt;180473
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4    CHORUS. 
&lt;/p&gt;&lt;p&gt;[4-part system of music follows, all singing the same lyrics.]
&lt;/p&gt;&lt;p&gt;AIR.   Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.  Strike for the right, men, strike for the right!
&lt;/p&gt;&lt;p&gt;BASS. 
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;Close up your ranks, men, show them your might! Rulers may tremble, and
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
&lt;/p&gt;&lt;p&gt;power may quail; We strike for the right, and right shall prevail.
20478
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2d Verse. Our forests and lakes, from Wisconsin to Maine, Send
out their brave sons to the conflict again; While mountain and prairie, with
campfires aglow, Re-echo the war-cry, and welcome the blow.
&lt;/p&gt;&lt;p&gt;3d   ..      The trumpets are sounding, the battle's begun, There's
danger to face and there's work to be one; The timid and sluggard may
shrink from the fray, The glory compensates our struggles to day.
&lt;/p&gt;&lt;p&gt;4th  ..      Already their peril is felt by our foes, Already
they falter and shrink from our blows; The shout of our comrades rings
thrilling and clear; The victory is certain the victory's near.
&lt;/p&gt;&lt;p&gt;5th  ..      A cheer for our leaders, the twin-hearted braves! A
cheer for the banner that over us waves! With Lincoln and Hamlin we've
nothing to fear  The victory is certain  the victory's' near.
&lt;/p&gt;&lt;p&gt;20478
&lt;/p&gt;
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                    <text>&lt;p&gt;The Stars and Stripes. Patriotic Song &amp;amp; Chorus by Theo. F. Seward.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;New York  Published by S.T. Gordon 706 Broadway
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1862 by S.T. Gordon in the Clerk's office of the Dist. Court of the Southn Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE STARS AND STRIPES. PATRIOTIC SONG AND CHORUS. THEO. F. SEWARD.
&lt;/p&gt;&lt;p&gt;Con spirit. Solo or Quartette.
&lt;/p&gt;&lt;p&gt;1. Rally round the flag, boys, Give it to the breeze, That's the banner we love,
&lt;/p&gt;&lt;p&gt;2. Floating high above us, Glowing in the sun, Speaking loud to all hearts
&lt;/p&gt;&lt;p&gt;3. Tyrants learn to fear it, Tremble at its sight, All who sigh for freedom
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On the land and seas. Brave hearts are under it, Let the traitors brag,
&lt;/p&gt;&lt;p&gt;Of a freedom won. Who, dares to sully it. Bought with precious blood,
&lt;/p&gt;&lt;p&gt;Hail it with delight. Freedom and liberty: Let the echoes ring,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Gallant lads, fire away, And fight for the flag. Their flag is but a rag,
&lt;/p&gt;&lt;p&gt;Gallant lads we'll fight for it Tho ours should swell the flood, Raise then the banner high,
&lt;/p&gt;&lt;p&gt;That is what the world wants That our flag will bring, Raise then, etc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Let our colors fly, boys, Guard them day and night, For victory is liberty, And God will bless the right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Sopr. Bass.   Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>The Stars and Stripes: Patriotic Song and Chorus</text>
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                <text>Lyrics depict United States flag as a rallying point for soldiers and inspiration for courage while in battle.</text>
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                <text>Theodore F. Seward</text>
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                <text>S. T. Gordon</text>
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                <text>New York</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;The Stars and Stripes. Patriotic Song &amp;amp; Chorus by Theo. F. Seward.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;New York  Published by S.T. Gordon 706 Broadway
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1862 by S.T. Gordon in the Clerk's office of the Dist. Court of the Southn Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE STARS AND STRIPES. PATRIOTIC SONG AND CHORUS. THEO. F. SEWARD.
&lt;/p&gt;&lt;p&gt;Con spirit. Solo or Quartette.
&lt;/p&gt;&lt;p&gt;1. Rally round the flag, boys, Give it to the breeze, That's the banner we love,
&lt;/p&gt;&lt;p&gt;2. Floating high above us, Glowing in the sun, Speaking loud to all hearts
&lt;/p&gt;&lt;p&gt;3. Tyrants learn to fear it, Tremble at its sight, All who sigh for freedom
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
On the land and seas. Brave hearts are under it, Let the traitors brag,
&lt;/p&gt;&lt;p&gt;Of a freedom won. Who, dares to sully it. Bought with precious blood,
&lt;/p&gt;&lt;p&gt;Hail it with delight. Freedom and liberty: Let the echoes ring,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Gallant lads, fire away, And fight for the flag. Their flag is but a rag,
&lt;/p&gt;&lt;p&gt;Gallant lads we'll fight for it Tho ours should swell the flood, Raise then the banner high,
&lt;/p&gt;&lt;p&gt;That is what the world wants That our flag will bring, Raise then, etc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;Ours is the true one, Up with the stars and stripes, Down with the new one.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Let our colors fly, boys, Guard them day and night, For victory is liberty, And God will bless the right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Sopr. Bass.   Rally round the flag boys, Give it to the breeze, That's the banner we love, On the land and seas.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;&lt;p&gt;Brave hearts are under it, Let the traitors brag, Gallant lads fire away, and fight for the flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                    <text>&lt;p&gt;Stand! Father Abraham Song &amp;amp; Chorus Words by S.C. Burdick, Music J.M. Stillman.
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;STAND FATHER ABRAHAM. SONG AND CHORUS.
&lt;/p&gt;&lt;p&gt;Words by S.C. Burdick. Music by J.M. Stillman.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;Hail! Father Abraham, faithful and true, Thro' our long night of peril we've trusted to you, To guide thro' the tempest our good ship of state, To save her from ruin, to rescue her freight To save her from ruin, to rescue her freight.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS. FASTER.
&lt;/p&gt;&lt;p&gt;Stand! Father Abraham, faithful and true; Our lives and our hopes we trust them to you, For we Stand! Father Abraham, faithful and true; Our lives and hope we trust them to you, For we know thy true heart, and thy firm steady hand, By the help of Jehovah, will bring us to land.
&lt;/p&gt;&lt;p&gt;know thy true heart, and thy firm steady hand, By the help of Jehovah, will bring us to land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. When the thunders of war rent the dark gloomy sky, And the storm driven billows were
&lt;/p&gt;&lt;p&gt;3. When our hearts were oppressed by the gloom of the night, And hope poised her pinions to
&lt;/p&gt;&lt;p&gt;4. And when safe at last on the peaceful shore, We've anchored to ride tempest
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tossing us high, threatning each moment our craft to o'erwhelm; Each
&lt;/p&gt;&lt;p&gt;take her last flight, Oft has thy voice, o'er the tempest clear,
&lt;/p&gt;&lt;p&gt;tossed no more, Good Pilot, thy name and thy memory blest, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gleam of the lightning showed thee at the helm, Each gleam of the lightning showed thee at the helm.
&lt;/p&gt;&lt;p&gt;Brought us new courage and filled us with cheer. Brought us new courage and filled us with cheer.
&lt;/p&gt;&lt;p&gt;nation's affections, forever shall rest. In the nation's affections forever shall rest.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Stand! Father Abraham</text>
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                <text> Stillman, J. M.</text>
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                <text>18XX</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Stand! Father Abraham Song &amp;amp; Chorus Words by S.C. Burdick, Music J.M. Stillman.
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;STAND FATHER ABRAHAM. SONG AND CHORUS.
&lt;/p&gt;&lt;p&gt;Words by S.C. Burdick. Music by J.M. Stillman.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;Hail! Father Abraham, faithful and true, Thro' our long night of peril we've trusted to you, To guide thro' the tempest our good ship of state, To save her from ruin, to rescue her freight To save her from ruin, to rescue her freight.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS. FASTER.
&lt;/p&gt;&lt;p&gt;Stand! Father Abraham, faithful and true; Our lives and our hopes we trust them to you, For we Stand! Father Abraham, faithful and true; Our lives and hope we trust them to you, For we know thy true heart, and thy firm steady hand, By the help of Jehovah, will bring us to land.
&lt;/p&gt;&lt;p&gt;know thy true heart, and thy firm steady hand, By the help of Jehovah, will bring us to land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. When the thunders of war rent the dark gloomy sky, And the storm driven billows were
&lt;/p&gt;&lt;p&gt;3. When our hearts were oppressed by the gloom of the night, And hope poised her pinions to
&lt;/p&gt;&lt;p&gt;4. And when safe at last on the peaceful shore, We've anchored to ride tempest
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tossing us high, threatning each moment our craft to o'erwhelm; Each
&lt;/p&gt;&lt;p&gt;take her last flight, Oft has thy voice, o'er the tempest clear,
&lt;/p&gt;&lt;p&gt;tossed no more, Good Pilot, thy name and thy memory blest, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
gleam of the lightning showed thee at the helm, Each gleam of the lightning showed thee at the helm.
&lt;/p&gt;&lt;p&gt;Brought us new courage and filled us with cheer. Brought us new courage and filled us with cheer.
&lt;/p&gt;&lt;p&gt;nation's affections, forever shall rest. In the nation's affections forever shall rest.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet]
&lt;/p&gt;
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        <src>https://www.chroniclingillinois.org/files/original/ea855a9541d91b82da5aa79071fad1af.pdf</src>
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                    <text>&lt;p&gt;'63 IS THE JUBILEE. Words by J.L. Greene. Music by D.A. French.  2 1/2
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY  95 Clark St. CHICAGO.
&lt;/p&gt;&lt;p&gt;S. Brainard &amp;amp; Co.--Cleveland. H. Tolman &amp;amp; Co.--Boston.  H.N. Hempsted--Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court for the Northn. Dist. of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;SIXTY-THREE IS THE JUBILEE.  Words by J.L. Greene. Music by D.A. French.
&lt;/p&gt;&lt;p&gt;Allegretto. INTRODUCTION
&lt;/p&gt;&lt;p&gt;1. Oh darkeys hab ye
&lt;/p&gt;&lt;p&gt;2. Old Massa, he hab
&lt;/p&gt;&lt;p&gt;3. No more we'll work for
&lt;/p&gt;&lt;p&gt;4. Dar'll be a big skedaddle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heerd it, hab ye heerd de joyful news; Uncle
&lt;/p&gt;&lt;p&gt;heerd it, dont it make him awful blue. Wont Ole
&lt;/p&gt;&lt;p&gt;nuffin, but we'll own a little farm, And no
&lt;/p&gt;&lt;p&gt;now old sixty-three hab come, And de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abra'm's gwine to free us and he'll send us where we chuse; For de
&lt;/p&gt;&lt;p&gt;Missus be a ravin when she finds it comin true; Specs dar'll
&lt;/p&gt;&lt;p&gt;more dey'll sell our children, but we'll keep 'em all from harm; And no
&lt;/p&gt;&lt;p&gt;darkeys now, will holler, 'till dey make de country hum. Oh we
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Jubilee is comin, dont ye sniff it in de air; And
&lt;/p&gt;&lt;p&gt;be a dreffle shakin, such as Jeffy cannot stand, Cause
&lt;/p&gt;&lt;p&gt;more we'll pick de cotton, and no more we'll feel de lash, We'll
&lt;/p&gt;&lt;p&gt;tanks Ole Uncle Abra'm, yes, we brees him day and night, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty-three is de Jubilee, for de darkeys ebrywhere.
&lt;/p&gt;&lt;p&gt;kingdom kum is a movin now, and a clawin tro' de land.
&lt;/p&gt;&lt;p&gt;shout, and drum on de ole banjo, 'till we break it all to smash.
&lt;/p&gt;&lt;p&gt;pray de Lord bress de Union folks, and de battle for de right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;&lt;p&gt;sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
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                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170343">
              <text>4</text>
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              <text>36 cm</text>
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                <text>63 is the Jubilee</text>
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                <text>Lyrics written in stereotypical 19th century African American dialect. Lyrics discuss the emancipation of slaves in 1863. Cover depicts a flag draped around a pole.</text>
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                <text>African Americans</text>
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                <text> Sheet music</text>
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                <text> Greene, Jacob Lyman, 1837-1905</text>
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                <text> French, D. A.</text>
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                <text> Slavery</text>
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                <text> Slaves--Emancipation</text>
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                <text> Emancipation Proclamation (United States. President (1861-1865 : Lincoln))</text>
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                <text> Lincoln, Abraham, 1809-1865</text>
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                <text>Jacob Lyman Greene and D. A. French</text>
              </elementText>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Root &amp;amp; Cady</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>Chicago</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1863</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>&lt;p&gt;'63 IS THE JUBILEE. Words by J.L. Greene. Music by D.A. French.  2 1/2
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY  95 Clark St. CHICAGO.
&lt;/p&gt;&lt;p&gt;S. Brainard &amp;amp; Co.--Cleveland. H. Tolman &amp;amp; Co.--Boston.  H.N. Hempsted--Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court for the Northn. Dist. of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;SIXTY-THREE IS THE JUBILEE.  Words by J.L. Greene. Music by D.A. French.
&lt;/p&gt;&lt;p&gt;Allegretto. INTRODUCTION
&lt;/p&gt;&lt;p&gt;1. Oh darkeys hab ye
&lt;/p&gt;&lt;p&gt;2. Old Massa, he hab
&lt;/p&gt;&lt;p&gt;3. No more we'll work for
&lt;/p&gt;&lt;p&gt;4. Dar'll be a big skedaddle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heerd it, hab ye heerd de joyful news; Uncle
&lt;/p&gt;&lt;p&gt;heerd it, dont it make him awful blue. Wont Ole
&lt;/p&gt;&lt;p&gt;nuffin, but we'll own a little farm, And no
&lt;/p&gt;&lt;p&gt;now old sixty-three hab come, And de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abra'm's gwine to free us and he'll send us where we chuse; For de
&lt;/p&gt;&lt;p&gt;Missus be a ravin when she finds it comin true; Specs dar'll
&lt;/p&gt;&lt;p&gt;more dey'll sell our children, but we'll keep 'em all from harm; And no
&lt;/p&gt;&lt;p&gt;darkeys now, will holler, 'till dey make de country hum. Oh we
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Jubilee is comin, dont ye sniff it in de air; And
&lt;/p&gt;&lt;p&gt;be a dreffle shakin, such as Jeffy cannot stand, Cause
&lt;/p&gt;&lt;p&gt;more we'll pick de cotton, and no more we'll feel de lash, We'll
&lt;/p&gt;&lt;p&gt;tanks Ole Uncle Abra'm, yes, we brees him day and night, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty-three is de Jubilee, for de darkeys ebrywhere.
&lt;/p&gt;&lt;p&gt;kingdom kum is a movin now, and a clawin tro' de land.
&lt;/p&gt;&lt;p&gt;shout, and drum on de ole banjo, 'till we break it all to smash.
&lt;/p&gt;&lt;p&gt;pray de Lord bress de Union folks, and de battle for de right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;&lt;p&gt;sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;
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  <item itemId="19976" public="1" featured="0">
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                    <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                    <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>2</text>
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                <text>Lyrics depict United States as a battleship damaged over previous 4 years under James Buchanan and expresses hope for the election of Abraham Lincoln.&lt;br /&gt;&lt;br /&gt;The Wide Awakes were organized, uniformed chapters of young men who campaigned and marched for a Republican victory in the presidential election of 1860.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>E. W. Locke</text>
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                <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>Siemmon's Presidential March: Dedicated to the Hon. Wm. Jennings Bryan</text>
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                <text>Instrumental music. Front cover depicts United States flag and portraits of Abraham Lincoln, George Washington, and William Jennings Bryan.&lt;br /&gt;&lt;br /&gt;A perennial Democratic nominee, Bryan ran for the presidency and failed three times: 1896, 1900, and 1908.</text>
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                <text>Bryan, William Jennings, 1860-1925</text>
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                <text>Marches</text>
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                <text>George Siemmon</text>
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                <text>Capitol Publishing Company.</text>
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                <text>1900</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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  <item itemId="19973" public="1" featured="0">
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        <src>https://www.chroniclingillinois.org/files/original/e9a6c610a7cff13a3b2641463de2dff5.pdf</src>
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                    <text>&lt;p&gt;FEATURED BY PIERCE AND ROSLYN
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard.  "Big Bill" went to Yale.
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY WILL HARDY
&lt;/p&gt;&lt;p&gt;181 Tremont St. Bostonia Publishing Co. Boston, Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;Moderato. Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sounds of mirth and music mingled
&lt;/p&gt;&lt;p&gt;Cheer your football heroes boys and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in a "swell" café, College boys were celebrating there;
&lt;/p&gt;&lt;p&gt;tell of how they won, Boys who wore the crimson or the blue;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Drinking to the heroes of the game they played that day,
&lt;/p&gt;&lt;p&gt;Don't forget those other heroes back in Sixty One,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1910, by Will S. Hardy
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Cheers for Yale and Harvard filled the air; Suddenly a
&lt;/p&gt;&lt;p&gt;Boys who fought to make a chance for you; Cheer for Taft and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
vet'ran who by chance was sitting near, Rose and said "Boys, here's a toast before I
&lt;/p&gt;&lt;p&gt;Teddy drink to Yale and Harvard too, May their names be loved and honored ev'ry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
go While you sing a song of praise to your happy college
&lt;/p&gt;&lt;p&gt;where; But fill your glasses fill them full to the little old red
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
days don't forget the old red school I used to know. Now
&lt;/p&gt;&lt;p&gt;school don't forget that Lincoln graduated there. Now
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus--not too fast
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard, "Big Bill" went to Yale; Here's to them! Long years to them! and hearts that never fail; But ere your feast is ended Before the night is spent, Won't you drink to the old red school-house boys? For that's where Lincoln went.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRY THIS OVER ON YOUR PIANO THAT'S "SOME" HONEYMOON.
&lt;/p&gt;&lt;p&gt;CHORUS (not fast)  Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;Out on the sea, with the wind blowing free, You can sit way back by the old smoke-stack, Oh, you hug and Oh, you smack! Let the breezes of June play a tune while you spoon There are only two, she and you; That's "some" honeymoon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1911, by Bostonia Publishing Co. 181 Tremont St., Boston, Mass. International Copyright Secured
&lt;/p&gt;&lt;p&gt;This song for sale at all music stores or will be mailed past paid by the publishers on receipt of 20 cts (Two Dimes)
&lt;/p&gt;&lt;p&gt;COMPLETE COPIES AT ALL MUSIC STORES
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>The School Where Lincoln Went</text>
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                <text>Lyrics depict attending college with emphasis on Theodore Roosevelt attending Harvard and William Taft attending Yale with reference to Lincoln's schooling. Color illustrated cover; eagle resting on wreath that surrounds log cabin. Back cover includes music for "That's some honeymoon" by Will Hardy.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Hardy, Will</text>
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                <text> Sheet music</text>
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                <text> Taft, William H. (William Howard), 1857-1930</text>
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                <text> Harvard University</text>
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                <text> Yale University</text>
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                <text>Bostonia Publishing Company</text>
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                <text>1910</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;FEATURED BY PIERCE AND ROSLYN
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard.  "Big Bill" went to Yale.
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY WILL HARDY
&lt;/p&gt;&lt;p&gt;181 Tremont St. Bostonia Publishing Co. Boston, Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;Moderato. Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sounds of mirth and music mingled
&lt;/p&gt;&lt;p&gt;Cheer your football heroes boys and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in a "swell" café, College boys were celebrating there;
&lt;/p&gt;&lt;p&gt;tell of how they won, Boys who wore the crimson or the blue;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Drinking to the heroes of the game they played that day,
&lt;/p&gt;&lt;p&gt;Don't forget those other heroes back in Sixty One,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1910, by Will S. Hardy
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Cheers for Yale and Harvard filled the air; Suddenly a
&lt;/p&gt;&lt;p&gt;Boys who fought to make a chance for you; Cheer for Taft and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
vet'ran who by chance was sitting near, Rose and said "Boys, here's a toast before I
&lt;/p&gt;&lt;p&gt;Teddy drink to Yale and Harvard too, May their names be loved and honored ev'ry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
go While you sing a song of praise to your happy college
&lt;/p&gt;&lt;p&gt;where; But fill your glasses fill them full to the little old red
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
days don't forget the old red school I used to know. Now
&lt;/p&gt;&lt;p&gt;school don't forget that Lincoln graduated there. Now
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus--not too fast
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard, "Big Bill" went to Yale; Here's to them! Long years to them! and hearts that never fail; But ere your feast is ended Before the night is spent, Won't you drink to the old red school-house boys? For that's where Lincoln went.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRY THIS OVER ON YOUR PIANO THAT'S "SOME" HONEYMOON.
&lt;/p&gt;&lt;p&gt;CHORUS (not fast)  Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;Out on the sea, with the wind blowing free, You can sit way back by the old smoke-stack, Oh, you hug and Oh, you smack! Let the breezes of June play a tune while you spoon There are only two, she and you; That's "some" honeymoon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1911, by Bostonia Publishing Co. 181 Tremont St., Boston, Mass. International Copyright Secured
&lt;/p&gt;&lt;p&gt;This song for sale at all music stores or will be mailed past paid by the publishers on receipt of 20 cts (Two Dimes)
&lt;/p&gt;&lt;p&gt;COMPLETE COPIES AT ALL MUSIC STORES
&lt;/p&gt;
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                    <text>&lt;p&gt;THE SAVIOR OF OUR COUNTRY Dedicated to Little Willie by O. Wheelock. Published by John Marsh Philadelphia.  I.N. Rosenthal Lith. 327 Walnut St. Philada.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;To Little Willie Lincoln. THE SAVIOR OF OUR COUNTRY.
&lt;/p&gt;&lt;p&gt;Com: by James W. Porter.
&lt;/p&gt;&lt;p&gt;Alla Capella. Op: 479
&lt;/p&gt;&lt;p&gt;2. God is Father! God is dear! May I have two Fathers here?
&lt;/p&gt;&lt;p&gt;1. Father! when on earth you fell Father! was my Mother well?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Father! on our Golden pave, Gingles something from your grave!
&lt;/p&gt;&lt;p&gt;When I fell your Mother cried! Then unconiously I died.
&lt;/p&gt;&lt;p&gt;Etd. acc. to Act of Con. A.D. 1865 by J. Marsh in the Clks. Office of the Dt. Ct. of the Eastern Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Willie! yes, Four Million Chains, Bring I here where Justice Reigns,
&lt;/p&gt;&lt;p&gt;Glory forms our sunlight here! Astral Lamps our Chandelier!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
From the Land your Father saves! Chains that bound Four Million Slaves!
&lt;/p&gt;&lt;p&gt;Rode your here among the stars, In a train of silver cars!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air. 2nd Treb. Willie! on the earth look back! Father! tis a speck of black!
&lt;/p&gt;&lt;p&gt;Tenor. Bass. Willie! on the earth look back! Father! tis a speck of black!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Robed in Mourning as you see! Mourns the Earth for you and me!
&lt;/p&gt;&lt;p&gt;Robed in Mourning as you see! Mourns the Earth for you and me!
&lt;/p&gt;&lt;p&gt;3. I have conquered all the Land!  I have made the South my friend! Who four years my power defied! In my Glory's zenith died! Willie! on the earth look back! Father! 'tis a speck of black? Robed in Mourning as you see! Mourns the Earth for you and me!  Chorus.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARSH'S MUSIC STORE, No. 1029 Chestnut Street, Philadelphia. CONSTANTLY PUBLISHING AND RECEIVING NEW MUSIC FROM ALL PARTS OF THE U.S. Dealers, Schools and Professors supplied on reasonable terms. MUSICAL INSTRUMENTS AND MUSICAL MERCHANDISE OF EVERY DESCRIPTION, WHOLESALE AND RETAIL.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Annie Worthington, Little, 30 A Song which we can heartily recommend.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Flag, 35. With Lithograph. Too well known to need comment.
&lt;/p&gt;&lt;p&gt;Clara Day, Frank, 30 A ballad which bids fair to become one of the most popular of the times.
&lt;/p&gt;&lt;p&gt;Dawn of Freedom, Ladd, 30  Song and Chorus, beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Drummer Boy of Vicksburg, DeGeer, 30. A very touching Song and Chorus.
&lt;/p&gt;&lt;p&gt;Grant's the Man, Darling, 30 A sprightly melody, fast growing into favor as an admirable army song.
&lt;/p&gt;&lt;p&gt;I can't love again, Hervey, 30. Graceful melody and excellent words.
&lt;/p&gt;&lt;p&gt;Little Mac! you're the very Man, Foster. 35 Campaign Song for the times.
&lt;/p&gt;&lt;p&gt;Last of the Alabama, Eastburn, 35  Song and Chorus. Always greeted with unbounded applause. Same with Lithograph Title, 50
&lt;/p&gt;&lt;p&gt;Romping Bessie, Porter, 30  A merry ballad, with a sweet flowing melody, which never fails to please.
&lt;/p&gt;&lt;p&gt;Think not I'll forget Thee, Smith, 30 Very fine and classical melody.
&lt;/p&gt;&lt;p&gt;The Soldier Boy, Everly, 30 To hear is to admire it.
&lt;/p&gt;&lt;p&gt;"Oil on the Brain," Eastburn, 35 Song and Chorus. Immensely popular.
&lt;/p&gt;&lt;p&gt;Home of my Youth, Winner, 30 Song. Easy and pretty.
&lt;/p&gt;&lt;p&gt;On to Richmond, Frank, 30  Song and chorus. Stirring melody.
&lt;/p&gt;&lt;p&gt;Mother, how thy Love hath blest me, Ladd, 30 Song and Chorus. Beautiful and affecting.
&lt;/p&gt;&lt;p&gt;Sleep, Sweetly Sleep, Ladd, 30  Song and Chorus. Plaintive melody and fine words.
&lt;/p&gt;&lt;p&gt;"Struck Ile," (Comic) Angelo, 35 Song and Chorus. Very amusing, and good melody.
&lt;/p&gt;&lt;p&gt;Sherman's Bonnie Boys in Blue, Angelo, 35  Song and Chorus. Soul-stirring melody, and appropriate words.
&lt;/p&gt;&lt;p&gt;Gal with her Hair cut Curly, Angelo, 35  Song and Chorus. Irresistibly funny.
&lt;/p&gt;&lt;p&gt;Wild Gazelle, Beckel, 30 Ballad. One of the author's happiest efforts.
&lt;/p&gt;&lt;p&gt;Fond thoughts of Thee, Rynder, 30 Song and Chorus. One of the finest songs issued, and destined to become very popular.
&lt;/p&gt;&lt;p&gt;Don't Strike a Man when he's Down, Song and Chorus, Cunnington 30  Music as fine as the sentiment of the song.
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Schottische, Porter, 30  Introducing the popular melody of Bonnie Blue Flag. Simple, yet pleasing.
&lt;/p&gt;&lt;p&gt;Chirping Bird Schottische, Orth, 30 An entirely original and novel style. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Loyal Schottische, Abbey, 30  Brilliant and beautiful.
&lt;/p&gt;&lt;p&gt;Schottische de Concert, Spencer, 35  A Grand Composition, one of which we never tire.
&lt;/p&gt;&lt;p&gt;Token Schottische, Rynder, 35   A brilliant and effective Composition, with a beautiful cross-hand movement. Destined to become very popular.
&lt;/p&gt;&lt;p&gt;Washing Day Schottische, Winner, 30  Introducing the celebrated Melody of Washing Day, and is one of the best Dancing Schottisches ever issued.
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Eva Polka, Cockerille, 30  Very Sweet and Musical.
&lt;/p&gt;&lt;p&gt;Little Family Polka, Mack, 35  With beautiful Lithograph. A Melody which is destined to become as familiar as household words.
&lt;/p&gt;&lt;p&gt;Sleigh Bell Polka, Withers, 30  Cheerful and immensely popular.
&lt;/p&gt;&lt;p&gt;Wicomisco Polka, Bassler, 30 Sparkling and very showy, without being difficult; in fact, a decided success.
&lt;/p&gt;&lt;p&gt;Campaign Polka, Walsh, 35 Sparkling Melody.
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;American Fleet Waltz, Smith, 50  A piece which reflects great credit upon the author.
&lt;/p&gt;&lt;p&gt;Black Hawk Waltz, Walsh, 35  A fine melody in the popular style, and one which we at times find ourselves unconsciously humming. Not difficult.
&lt;/p&gt;&lt;p&gt;Faust Waltz, DeBubna, 35  Finest arrangement published.
&lt;/p&gt;&lt;p&gt;Matinee Waltz, Orth, 35 Neat and pretty Melody, not difficult.
&lt;/p&gt;&lt;p&gt;Sanitary Waltz, Rynder, 30  Brilliant and easy, good for dancing purposes.
&lt;/p&gt;&lt;p&gt;MARCHES &amp;amp; QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;Butler Quickstep, Mack, 30 Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Com. Winslow's Grand Victory March, with beautiful Lithograph, DeBubna, 50 Very showy and fascinating melody.
&lt;/p&gt;&lt;p&gt;Flanker Quickstep, withers, 35  Written is true Military style.
&lt;/p&gt;&lt;p&gt;Grand March and Soldiers' Chorus, DeBubna, 35  From the Opera of Faust. A musical gem.
&lt;/p&gt;&lt;p&gt;Johnny's Return March, Mack, 30 Simple, pleasing, and designed for beginners.
&lt;/p&gt;&lt;p&gt;Sensation March, Orth, 30  A general favorite.
&lt;/p&gt;&lt;p&gt;RONDOS, &amp;amp;C.
&lt;/p&gt;&lt;p&gt;Captain with his Whiskers, Mack, 50 Brilliant variations. The melody of the Captain being so familiar to the American public, needs no comment.
&lt;/p&gt;&lt;p&gt;Faust--Complete, DeBubna, $1.00 Being a fine arrangement of the March, Gallop, Waltz and Soldiers' Chorus, from this beautiful Opera, blended in a masterly manner.
&lt;/p&gt;&lt;p&gt;Musican Volcano, DeBubna, 50 A Tremolo Etude, on a beautiful Air from Der Feen Reigen.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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              <text>36 cm</text>
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                <text>The Savior of Our Country</text>
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                <text>Lyrics depict mourning for Willie Lincoln and Abraham Lincoln at the point of Abraham Lincoln's death. Lyrics reference health of Abraham and Mary Lincoln at Willie's death. Although the song is dedicated to the memory of Willie, the cover image is taken from a Mathew Brady photograph of Lincoln looking through a photo album with his youngest son Tad.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Lincoln, William Wallace, 1850-1862</text>
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                <text>James W. Porter and O. Wheelock</text>
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                <text>John Marsh</text>
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                    <text>&lt;p&gt;SALLY, COME UP!  A POPLAR SONG. SUNG BY "BUCKLEYS' SERENADERS." ARRANGED BY FRANK WILDER. ALLEGRETTO. Price 10cts.
1. Massa's gone to town to de news to hear. And he has left de o-ver-seer, To look to all de Niggers here, WHile I make lub to Sally. She's such a belle, A real dark swell, She dress so slick and look so well, Dar's not a gal like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;2. Last Monday night I gave a ball, And I in-vite the Niggers all, The thick, the thin, the short, the tall, But non came up to Sally! And at the ball, She did lick'em all, Black Sal was de fairest gal of all My lub-ly, charming Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;3. De fiddle was played by Pompey Jones, Un-cle Ned he shook de bones Jow play'd on de pine-stick stones; But dey couldn't play to Sally! Old Dan Roe, Play'd on the ole banjo, Ginger Blue de big drum blew; But he couldn't blow like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;4. Dar was dat lub-ly gal, Miss Fan, Wid a face as broad as a frying-pan; But Sally's is as broad again, Dar's not a face like Sally's! She's got a foot To full out de beet, So broad, so long, as a gum-tree root, Such a foot has Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;FIFTH VERSE.
Sally can dance, Sally can sing. 
De cat chocker reel, and break down fling;
Dar's  not a gal like Sally:
Tom, Sam, and Ned,
Dey often wish me dead;
To dem both all ree I said, 
Don't you wish you may get my Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SIXTH VERSE.
Sally has got a lubly nose,
Flat across her face it grown;
It sounds like tunder when it blows,
Such a lubly nose has Sally!
She can smell a rat,
So mind what you're at;
Its rader sharp although its flat, 
Is the lubly now ob Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SEVENTH VERSE.
De oder night I said to she,
'I'll hav you if you'll hab me,'
'All right,' says she, 'I do agree;'
So I smash up wid Sally:
She's rader dark,
But quiet up to de mark;
Neber was such a gal for a lark,
Such a clipper girl was Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;
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                <text>&lt;p&gt;SALLY, COME UP!  A POPLAR SONG. SUNG BY "BUCKLEYS' SERENADERS." ARRANGED BY FRANK WILDER. ALLEGRETTO. Price 10cts.
1. Massa's gone to town to de news to hear. And he has left de o-ver-seer, To look to all de Niggers here, WHile I make lub to Sally. She's such a belle, A real dark swell, She dress so slick and look so well, Dar's not a gal like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;2. Last Monday night I gave a ball, And I in-vite the Niggers all, The thick, the thin, the short, the tall, But non came up to Sally! And at the ball, She did lick'em all, Black Sal was de fairest gal of all My lub-ly, charming Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;3. De fiddle was played by Pompey Jones, Un-cle Ned he shook de bones Jow play'd on de pine-stick stones; But dey couldn't play to Sally! Old Dan Roe, Play'd on the ole banjo, Ginger Blue de big drum blew; But he couldn't blow like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;4. Dar was dat lub-ly gal, Miss Fan, Wid a face as broad as a frying-pan; But Sally's is as broad again, Dar's not a face like Sally's! She's got a foot To full out de beet, So broad, so long, as a gum-tree root, Such a foot has Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;FIFTH VERSE.
Sally can dance, Sally can sing. 
De cat chocker reel, and break down fling;
Dar's  not a gal like Sally:
Tom, Sam, and Ned,
Dey often wish me dead;
To dem both all ree I said, 
Don't you wish you may get my Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SIXTH VERSE.
Sally has got a lubly nose,
Flat across her face it grown;
It sounds like tunder when it blows,
Such a lubly nose has Sally!
She can smell a rat,
So mind what you're at;
Its rader sharp although its flat, 
Is the lubly now ob Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SEVENTH VERSE.
De oder night I said to she,
'I'll hav you if you'll hab me,'
'All right,' says she, 'I do agree;'
So I smash up wid Sally:
She's rader dark,
But quiet up to de mark;
Neber was such a gal for a lark,
Such a clipper girl was Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;
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                    <text>&lt;p&gt;Rest, Noble Chieftain  song on the death of PRESIDENT LINCOLN BY C. ARCHER.  
&lt;/p&gt;&lt;p&gt;Geo. F. Swain  3 
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;REST, NOBLE CHIEFTAIN. SONG ON THE DEATH OF PRESIDENT LINCOLN. WRITTEN AND COMPOSED BY C. ARCHER.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Rest, noble Chieftain, sweet be thy sleep And over thy grave a
&lt;/p&gt;&lt;p&gt;2. Rest noble Chieftain, mighty and brave! Peaceful they sleep and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Nation shall weep; Thy voice may be mute and palsied thy hand, But thy
&lt;/p&gt;&lt;p&gt;hallow'd thy grave; No sound shall disturb thy quiet repose, While
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spirit still lives in the heart of the land. The fair tree of Freedom shall
&lt;/p&gt;&lt;p&gt;o'er thee shall grow the myrtle and rose. Thy mission was ended; Heav'n
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;flourish and bloom When long thou hast slept enshrin'd in the tomb, And the
&lt;/p&gt;&lt;p&gt;call'd thee away When over the land peace shed its sweet ray; May
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
songs of the free shall brighten thy name When monarchs are dead and
&lt;/p&gt;&lt;p&gt;joy e'er be thine in glory above, when naught reigns but freedom,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
perish'd their fame. When monarchs are dead and perish'd their fame.
&lt;/p&gt;&lt;p&gt;mercy and love, Where naught reigns but freedom, mercy and love.
&lt;/p&gt;
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                <text>&lt;p&gt;Rest, Noble Chieftain  song on the death of PRESIDENT LINCOLN BY C. ARCHER.  
&lt;/p&gt;&lt;p&gt;Geo. F. Swain  3 
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;REST, NOBLE CHIEFTAIN. SONG ON THE DEATH OF PRESIDENT LINCOLN. WRITTEN AND COMPOSED BY C. ARCHER.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Rest, noble Chieftain, sweet be thy sleep And over thy grave a
&lt;/p&gt;&lt;p&gt;2. Rest noble Chieftain, mighty and brave! Peaceful they sleep and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Nation shall weep; Thy voice may be mute and palsied thy hand, But thy
&lt;/p&gt;&lt;p&gt;hallow'd thy grave; No sound shall disturb thy quiet repose, While
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spirit still lives in the heart of the land. The fair tree of Freedom shall
&lt;/p&gt;&lt;p&gt;o'er thee shall grow the myrtle and rose. Thy mission was ended; Heav'n
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;flourish and bloom When long thou hast slept enshrin'd in the tomb, And the
&lt;/p&gt;&lt;p&gt;call'd thee away When over the land peace shed its sweet ray; May
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
songs of the free shall brighten thy name When monarchs are dead and
&lt;/p&gt;&lt;p&gt;joy e'er be thine in glory above, when naught reigns but freedom,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
perish'd their fame. When monarchs are dead and perish'd their fame.
&lt;/p&gt;&lt;p&gt;mercy and love, Where naught reigns but freedom, mercy and love.
&lt;/p&gt;
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                    <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Rest, Martyr, Rest</text>
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                <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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                    <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="170140">
              <text>8</text>
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          <element elementId="50">
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                <text>Requiem</text>
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                <text>Instrumental music. Brown cover sheet reads "REQUIEM WARREN" on front and has advertisements on back. Engraved title page; logo incorporating laurel wreath and the initials "A. L." above title.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Songs and music</text>
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                <text>Funeral music</text>
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              <elementText elementTextId="170132">
                <text>Instrumental music</text>
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                <text>Warren, George William</text>
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                <text>Piano music</text>
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                <text>Requiems</text>
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                <text>George William Warren</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>William A. Pond &amp;amp; Company</text>
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                <text>New York</text>
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              <elementText elementTextId="170139">
                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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              <elementText elementTextId="624512">
                <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                    <text>&lt;p&gt;Requiem
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; inscribed To the memory of ABRAHAM LINCOLN, THE CHAMPION OF UNIVERSAL LIBERTY BY M. KELLER.
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by Henry Tolman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Root &amp;amp; Cady, Chicago.  W.A. Pond, N. York. E.W. Billings, Providence, R.I.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;REQUIEM. Music by M. KELLER.
&lt;/p&gt;&lt;p&gt;Andante lamentoso.
&lt;/p&gt;&lt;p&gt;SOP. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;ALTO. Toll he bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave. Fairest ensign of the free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Wide unfold you scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
N.B. The lower notes in the Alto and Tenor are to be left out in a single Quartette.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>Requiem</text>
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                <text>Lyrics depict mourning for Abraham Lincoln and his acceptance into heaven.</text>
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                <text> Funeral music</text>
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                <text> Keller, N. (Matthias), 1813-1875</text>
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                <text>Matthias Keller</text>
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                <text>Henry Tolman &amp;amp; Company</text>
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                <text>Boston</text>
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                <text>&lt;p&gt;Requiem
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; inscribed To the memory of ABRAHAM LINCOLN, THE CHAMPION OF UNIVERSAL LIBERTY BY M. KELLER.
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by Henry Tolman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Root &amp;amp; Cady, Chicago.  W.A. Pond, N. York. E.W. Billings, Providence, R.I.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;REQUIEM. Music by M. KELLER.
&lt;/p&gt;&lt;p&gt;Andante lamentoso.
&lt;/p&gt;&lt;p&gt;SOP. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;ALTO. Toll he bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave. Fairest ensign of the free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Wide unfold you scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
N.B. The lower notes in the Alto and Tenor are to be left out in a single Quartette.
&lt;/p&gt;
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                    <text>&lt;p&gt;Red Rover Polka. Composed and dedicated to Fleet Surgeon Ninian Pinkney, And to the officers &amp;amp; gentlemen of the U.S.N. Hospital Red Rover, by C.H. Bixby. Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;RED ROVER POLKA. C.H. BIXBY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                <text> Pinkney, Ninian, 1811-1877</text>
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                <text> United States. Navy</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>&lt;p&gt;Red Rover Polka. Composed and dedicated to Fleet Surgeon Ninian Pinkney, And to the officers &amp;amp; gentlemen of the U.S.N. Hospital Red Rover, by C.H. Bixby. Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;RED ROVER POLKA. C.H. BIXBY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                    <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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                    <text>&lt;p&gt;The Presidents Hymn Give thanks all ye people as sung by the CHOIR OF HOPE CHURCH. Yonkers, N.Y. Words by Rev. Dr. Wm. A. Muhlenberg, Music by EDWARD S. CUMMINGS.   3
&lt;/p&gt;&lt;p&gt;New York. Published for the Author by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1864 by E.S. Cummings in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE. 
&lt;/p&gt;&lt;p&gt;Words by Rev. Dr. Muhlenberg. Music by Edward S. Cummings.
&lt;/p&gt;&lt;p&gt;1st Verse in Unison.
&lt;/p&gt;&lt;p&gt;8. In the dome of Messiah, ye worshipping throngs, Solemn litanies mingle with
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, O'er-flowingly spread, Where the many have feasted and
&lt;/p&gt;&lt;p&gt;5 Of commerce and traffic, ye princes behold Your riches from Him Whose the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;joyful accord: Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;all have been fed; With no bondage their God given
&lt;/p&gt;&lt;p&gt;silver and gold; Happier children of Labor, true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
to spare, And our Empire still keep th' Elect of His care.
&lt;/p&gt;&lt;p&gt;South roll along, Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthrall, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the Great master workman, who blesseth your toil.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Soprano. Alto. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;&lt;p&gt;Tenor. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord. 
&lt;/p&gt;&lt;p&gt;6th verse in unison. Brave men of our forces Lifeguard of our coasts To your Leader be loyal, Jehovah of Hosts;
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall enriching again, Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the mines and the fields to Him gratefully bow;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Glow the Stripes and the Stars, aye, with victory bright, Reflecting His glory, He crowneth the Right.
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, For the Skies beaming vigor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hillsides and vales, On his ocean domains chant his name with the gales.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;
&lt;pre&gt;Solo. Sop'o or Tenor.  9. Our guilt and transgressions remember no more; Peace, Lord! righteous
&lt;/pre&gt;
&lt;p&gt;Solo. Sop'o.  7. Nor shall ye thro' our borders, ye stricken of heart, Only wailing your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Peace, of Thy gift we implore; Our guilt and transgressions
&lt;/p&gt;&lt;p&gt;dead, in the joy have no part: God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
remember no more; Peace, Lord! righteous Peace, of Thy gift we implore.
&lt;/p&gt;&lt;p&gt;you there shall flow, All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Chant. after 7th Verse only.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto.  Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Finale. Chorus.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto. And the Banner of Union restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;Tenor. And the Banner of Union, restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all in the land: And the Banner of Union, 
&lt;/p&gt;&lt;p&gt;all in the land: And the Banner of Union
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
restor'd by Thy Hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;restor'd by Thy hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;Chorus. Give thanks, &amp;amp;c.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>The President's Hymn: Give Thanks, All Ye People</text>
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                <text>Lyrics depict thanks to God for the United States including military and natural resources.  "As sung by the choir of Hope Church, Yonkers, NY." Mixed voice arrangement.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Thanksgiving Day</text>
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                <text> Cummings, Edward S. </text>
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                <text>William Augustus Muhlenberg and Edward S. Cummings</text>
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                <text>William A. Pond &amp;amp; Company</text>
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                <text>&lt;p&gt;The Presidents Hymn Give thanks all ye people as sung by the CHOIR OF HOPE CHURCH. Yonkers, N.Y. Words by Rev. Dr. Wm. A. Muhlenberg, Music by EDWARD S. CUMMINGS.   3
&lt;/p&gt;&lt;p&gt;New York. Published for the Author by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1864 by E.S. Cummings in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE. 
&lt;/p&gt;&lt;p&gt;Words by Rev. Dr. Muhlenberg. Music by Edward S. Cummings.
&lt;/p&gt;&lt;p&gt;1st Verse in Unison.
&lt;/p&gt;&lt;p&gt;8. In the dome of Messiah, ye worshipping throngs, Solemn litanies mingle with
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, O'er-flowingly spread, Where the many have feasted and
&lt;/p&gt;&lt;p&gt;5 Of commerce and traffic, ye princes behold Your riches from Him Whose the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;joyful accord: Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;all have been fed; With no bondage their God given
&lt;/p&gt;&lt;p&gt;silver and gold; Happier children of Labor, true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
to spare, And our Empire still keep th' Elect of His care.
&lt;/p&gt;&lt;p&gt;South roll along, Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthrall, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the Great master workman, who blesseth your toil.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Soprano. Alto. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;&lt;p&gt;Tenor. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord. 
&lt;/p&gt;&lt;p&gt;6th verse in unison. Brave men of our forces Lifeguard of our coasts To your Leader be loyal, Jehovah of Hosts;
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall enriching again, Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the mines and the fields to Him gratefully bow;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Glow the Stripes and the Stars, aye, with victory bright, Reflecting His glory, He crowneth the Right.
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, For the Skies beaming vigor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hillsides and vales, On his ocean domains chant his name with the gales.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;
&lt;pre&gt;Solo. Sop'o or Tenor.  9. Our guilt and transgressions remember no more; Peace, Lord! righteous
&lt;/pre&gt;
&lt;p&gt;Solo. Sop'o.  7. Nor shall ye thro' our borders, ye stricken of heart, Only wailing your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Peace, of Thy gift we implore; Our guilt and transgressions
&lt;/p&gt;&lt;p&gt;dead, in the joy have no part: God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
remember no more; Peace, Lord! righteous Peace, of Thy gift we implore.
&lt;/p&gt;&lt;p&gt;you there shall flow, All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Chant. after 7th Verse only.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto.  Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Finale. Chorus.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto. And the Banner of Union restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;Tenor. And the Banner of Union, restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all in the land: And the Banner of Union, 
&lt;/p&gt;&lt;p&gt;all in the land: And the Banner of Union
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
restor'd by Thy Hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;restor'd by Thy hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;Chorus. Give thanks, &amp;amp;c.
&lt;/p&gt;
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                    <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;52422
&lt;/p&gt;&lt;p&gt;The President's hymn:
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people,
&lt;/p&gt;&lt;p&gt;in response to the proclamation
&lt;/p&gt;&lt;p&gt;of the 
&lt;/p&gt;&lt;p&gt;President of the United States
&lt;/p&gt;&lt;p&gt;Recommending a general thanksgiving,
&lt;/p&gt;&lt;p&gt;on November 26th, 1863.
&lt;/p&gt;&lt;p&gt;Published by
&lt;/p&gt;&lt;p&gt;A. D. F. Randolph, 683 Broadway, New-York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People. 
&lt;/p&gt;&lt;p&gt;With spirit. 
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus,
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give, thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again
&lt;/p&gt;&lt;p&gt;Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, 
&lt;/p&gt;&lt;p&gt;For the Skies beaming vigor, the Winds breathing health:
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide table, o'erflowingly spread,
&lt;/p&gt;&lt;p&gt;Where the many have feasted, and all have been fed,
&lt;/p&gt;&lt;p&gt;With no bondage, their God-given rights to enthral,
&lt;/p&gt;&lt;p&gt;But Liberty guarded by Justice for all:
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom, and the Plow,
&lt;/p&gt;&lt;p&gt;Whose the mines and the fields, to Him gratefully bow:
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hill-sides and vales;
&lt;/p&gt;&lt;p&gt;On His Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold
&lt;/p&gt;&lt;p&gt;Your riches from Him Whose the silver and gold.
&lt;/p&gt;&lt;p&gt;Happier children of Labor, true lords of the soil,
&lt;/p&gt;&lt;p&gt;Bless the Great Master-Workman, who blesseth your toil.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;6. Brave men of the forces, Life-guard of our coasts,
&lt;/p&gt;&lt;p&gt;To your Leader be loyal, Jehovah of Hosts:
&lt;/p&gt;&lt;p&gt;Glow the Stripes and the Stars aye with victory bright, 
&lt;/p&gt;&lt;p&gt;Reflecting His glory, - He crowneth the Right.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart,
&lt;/p&gt;&lt;p&gt;Only wailing your dead, in the joy have no part:
&lt;/p&gt;&lt;p&gt;God's solace be yours, and for you there shall flow
&lt;/p&gt;&lt;p&gt;All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs,
&lt;/p&gt;&lt;p&gt;Solemn litanies mingle with jubilant songs;
&lt;/p&gt;&lt;p&gt;The Ruler of Nations beseeching to spare,
&lt;/p&gt;&lt;p&gt;And our Empire still keep the Elect of His care.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more;
&lt;/p&gt;&lt;p&gt;Peace, Lord! righteous Peace, of Thy gift we implore;
&lt;/p&gt;&lt;p&gt;And the Banner of Union, restored by Thy Hand,
&lt;/p&gt;&lt;p&gt;Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;&lt;p&gt;And the Banner of Union, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;For Peace, righteous Peace, thy blest name we adore
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170033">
              <text>3</text>
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              <text>27 cm</text>
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                <text>The President's Hymn </text>
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                <text>Lyrics depict thanks to God for the United States including military and natural resources. "In response to the proclamation of the President of the United States recommending a general thanksgiving on November 26, 1863"</text>
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          <element elementId="49">
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Songs and Music</text>
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                <text> Thanksgiving Day</text>
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                <text> Hymns</text>
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                <text> Muhlenberg, William Augustus, 1796-1877</text>
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                <text> United States</text>
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                <text>William Augustus Muhlenberg</text>
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                <text>A. D. F. Randolph</text>
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                <text>New York</text>
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                <text>1863</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;52422
&lt;/p&gt;&lt;p&gt;The President's hymn:
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people,
&lt;/p&gt;&lt;p&gt;in response to the proclamation
&lt;/p&gt;&lt;p&gt;of the 
&lt;/p&gt;&lt;p&gt;President of the United States
&lt;/p&gt;&lt;p&gt;Recommending a general thanksgiving,
&lt;/p&gt;&lt;p&gt;on November 26th, 1863.
&lt;/p&gt;&lt;p&gt;Published by
&lt;/p&gt;&lt;p&gt;A. D. F. Randolph, 683 Broadway, New-York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People. 
&lt;/p&gt;&lt;p&gt;With spirit. 
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus,
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give, thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again
&lt;/p&gt;&lt;p&gt;Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, 
&lt;/p&gt;&lt;p&gt;For the Skies beaming vigor, the Winds breathing health:
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide table, o'erflowingly spread,
&lt;/p&gt;&lt;p&gt;Where the many have feasted, and all have been fed,
&lt;/p&gt;&lt;p&gt;With no bondage, their God-given rights to enthral,
&lt;/p&gt;&lt;p&gt;But Liberty guarded by Justice for all:
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom, and the Plow,
&lt;/p&gt;&lt;p&gt;Whose the mines and the fields, to Him gratefully bow:
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hill-sides and vales;
&lt;/p&gt;&lt;p&gt;On His Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold
&lt;/p&gt;&lt;p&gt;Your riches from Him Whose the silver and gold.
&lt;/p&gt;&lt;p&gt;Happier children of Labor, true lords of the soil,
&lt;/p&gt;&lt;p&gt;Bless the Great Master-Workman, who blesseth your toil.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;6. Brave men of the forces, Life-guard of our coasts,
&lt;/p&gt;&lt;p&gt;To your Leader be loyal, Jehovah of Hosts:
&lt;/p&gt;&lt;p&gt;Glow the Stripes and the Stars aye with victory bright, 
&lt;/p&gt;&lt;p&gt;Reflecting His glory, - He crowneth the Right.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart,
&lt;/p&gt;&lt;p&gt;Only wailing your dead, in the joy have no part:
&lt;/p&gt;&lt;p&gt;God's solace be yours, and for you there shall flow
&lt;/p&gt;&lt;p&gt;All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs,
&lt;/p&gt;&lt;p&gt;Solemn litanies mingle with jubilant songs;
&lt;/p&gt;&lt;p&gt;The Ruler of Nations beseeching to spare,
&lt;/p&gt;&lt;p&gt;And our Empire still keep the Elect of His care.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more;
&lt;/p&gt;&lt;p&gt;Peace, Lord! righteous Peace, of Thy gift we implore;
&lt;/p&gt;&lt;p&gt;And the Banner of Union, restored by Thy Hand,
&lt;/p&gt;&lt;p&gt;Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;&lt;p&gt;And the Banner of Union, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;For Peace, righteous Peace, thy blest name we adore
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Raw Recruits and Abraham's Daughter</text>
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                <text>"Raw Recruits" lyrics depict Union Army recruits volunteering to fight. "Abraham's Daughter" depicts possible English role in supporting the Confederate States of America. "As sung with great applause by Bryant's Minstrels of New York," Cover depicts five stereotypical depictions of African Americans in military dress standing in front of tents. Two songs included in sheet music:&amp;nbsp; "Raw Recruits" and "Abraham's Daughter."</text>
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                <text>Firth, Pond &amp;amp; Company</text>
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                <text>New York</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                <text>20</text>
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                    <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>The Rail Splitter's Polka</text>
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                <text>Instrumental music. "To the Republican Presidential Candidate Hon. A. Lincoln."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sheet music</text>
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                <text>Neuman, A.</text>
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                <text>Polkas</text>
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                <text>Presidents--Elections</text>
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                <text>A. Neuman</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>Boston</text>
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                <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;75 cents
&lt;/p&gt;&lt;p&gt;26525
&lt;/p&gt;&lt;p&gt;~PRESIDENT'S HYMN.~
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE.
&lt;/p&gt;&lt;p&gt;Words by Dr. MUHLENBERC.
&lt;/p&gt;&lt;p&gt;Music by A. C. CUTTERSON.
&lt;/p&gt;&lt;p&gt;Published bu J. L. PETERS, New York.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye   pe_ple, give thanks to the Lord, Al_le_lu_ias   of   free_dom, with   joy_ful ac_cord: Let the East    and the West, North and South roll a_long. Sea mountain and prai_re, one thanksgiv_ing song.
&lt;/p&gt;&lt;p&gt;2. For the sun_shine and rain_fall, en_rich_ing a_gain Our a_cres in my_riads, with treasures of grain: For the earth still un_load_ing her ma_ni_fold wealth. For the skies beam_ing vi_gor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide ta_ble, o'er_flow_ing_ly spread, Where the ma_ny have feast_ed and all have been fed, With no bon_dage, their God_given rights to en_thrall, But Li_ber_ty guarded by Jus_tice for all.
&lt;/p&gt;&lt;p&gt;4. In the realms of the An_vil, the Loom, and the Plow, Whose the mines and the fields, to Hi, grate_ful_ly bow; His the flocks and the herds, sing ye hill_sides and the vales: On His o_cean do_mains chant His name with the gales.
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold Your rich_es from Him Whose the sil_ver and gold, Happier  children of La_bor, true lords of the soil, Bless the Great Mas_ter-Workman, who blesseth your soil.
&lt;/p&gt;&lt;p&gt;6. Brave men of our for_ces, Life_guard of our coasts, To  your lea_der be loy_al, Je_ho_vah of Hosts: Glow the Stripes and the Stars aye with vic_to_ry bright, Reflecting His glo_ry,_He crown_eth the right.
&lt;/p&gt;&lt;p&gt;7.  Nor shall ye thro' our borders, ye stricken of heart, On_ly wail_ing your dead, in the joy have no part; God's sol_ace be yours, and for you there shall flow All that ho_nor and sym_pathy's gifts can be_stow.
&lt;/p&gt;&lt;p&gt;8. In the Domes of Mes_si_ah_ ye wor_shipping throngs, Solemn li_ta_nies Min-gle with ju_bilant songs; The Ruler of na_tions be_seeching to spare, And our em_pire still keep the E_ject of his care.
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions re_member no more; Peace, Lord! righteous peace, of Thy gifts we implore; And the ban_ner of U_nion, restored by Thy hand, Be the ban_ner of Free_dom o'er all in the land.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord. Give thanks, all ye peo_ple, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. 3787-1
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;75 cents
&lt;/p&gt;&lt;p&gt;26525
&lt;/p&gt;&lt;p&gt;~PRESIDENT'S HYMN.~
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE.
&lt;/p&gt;&lt;p&gt;Words by Dr. MUHLENBERC.
&lt;/p&gt;&lt;p&gt;Music by A. C. CUTTERSON.
&lt;/p&gt;&lt;p&gt;Published bu J. L. PETERS, New York.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye   pe_ple, give thanks to the Lord, Al_le_lu_ias   of   free_dom, with   joy_ful ac_cord: Let the East    and the West, North and South roll a_long. Sea mountain and prai_re, one thanksgiv_ing song.
&lt;/p&gt;&lt;p&gt;2. For the sun_shine and rain_fall, en_rich_ing a_gain Our a_cres in my_riads, with treasures of grain: For the earth still un_load_ing her ma_ni_fold wealth. For the skies beam_ing vi_gor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide ta_ble, o'er_flow_ing_ly spread, Where the ma_ny have feast_ed and all have been fed, With no bon_dage, their God_given rights to en_thrall, But Li_ber_ty guarded by Jus_tice for all.
&lt;/p&gt;&lt;p&gt;4. In the realms of the An_vil, the Loom, and the Plow, Whose the mines and the fields, to Hi, grate_ful_ly bow; His the flocks and the herds, sing ye hill_sides and the vales: On His o_cean do_mains chant His name with the gales.
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold Your rich_es from Him Whose the sil_ver and gold, Happier  children of La_bor, true lords of the soil, Bless the Great Mas_ter-Workman, who blesseth your soil.
&lt;/p&gt;&lt;p&gt;6. Brave men of our for_ces, Life_guard of our coasts, To  your lea_der be loy_al, Je_ho_vah of Hosts: Glow the Stripes and the Stars aye with vic_to_ry bright, Reflecting His glo_ry,_He crown_eth the right.
&lt;/p&gt;&lt;p&gt;7.  Nor shall ye thro' our borders, ye stricken of heart, On_ly wail_ing your dead, in the joy have no part; God's sol_ace be yours, and for you there shall flow All that ho_nor and sym_pathy's gifts can be_stow.
&lt;/p&gt;&lt;p&gt;8. In the Domes of Mes_si_ah_ ye wor_shipping throngs, Solemn li_ta_nies Min-gle with ju_bilant songs; The Ruler of na_tions be_seeching to spare, And our em_pire still keep the E_ject of his care.
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions re_member no more; Peace, Lord! righteous peace, of Thy gifts we implore; And the ban_ner of U_nion, restored by Thy hand, Be the ban_ner of Free_dom o'er all in the land.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord. Give thanks, all ye peo_ple, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. 3787-1
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