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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Old State Capitol Building Columns</text>
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            <description>An account of the resource</description>
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                <text>An angled camera shot looking up towards the roofline shows the columns above the doors of the Springfield Old State Capitol building.&lt;br /&gt;&lt;br /&gt;Photo caption: "Columns of the old state capitol, Springfield."</text>
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                <text>Capitols--U.S. states</text>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Two women walk in front of the Old State Capitol complex during restoration in the late 1960s.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Arches decorate the front entrance of the Old State Capitol, now known as the State House, in Vandalia.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Photo caption: "Detail from side of front entrance, old Capitol, Vandalia."</text>
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            <description>The topic of the resource</description>
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                <text>Capitols--U.S. states</text>
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                <text>Arches</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A language of the resource</description>
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                  <text>A selection of photographs from a wide range of collections. Images in the Miscellaneous Collection include broadsides, oversized photographs, cased photographs, and images of persons from individual files in the Audio Visual Collection.</text>
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              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="104714">
                  <text>Abraham Lincoln Presidential Library and Museum</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104715">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="309363">
              <text>stereograph</text>
            </elementText>
            <elementText elementTextId="309364">
              <text>b&amp;amp;w</text>
            </elementText>
            <elementText elementTextId="309365">
              <text>1</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="309366">
              <text>9 x 18 cm</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="309353">
                <text>401552</text>
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              <elementText elementTextId="309354">
                <text>Miscellaneous Collection</text>
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              <elementText elementTextId="309355">
                <text>Vertical File Stereograph Collection</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309356">
                <text>Old Vienna at the World's Columbian Exposition</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309357">
                <text>World Fair visitors view the Old Vienna exhibit located to the right of the western entrance to the Midway Plaisance at the fair in Chicago. The Midway Plaisance was an entertainment experience aimed at introducing patrons to international cultures through exhibitions. It mirrored the ancient Austrian capital, and was constructed with like houses and a large inner court.</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309358">
                <text>World's Columbian Exposition</text>
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              <elementText elementTextId="309359">
                <text>Illinois--Chicago</text>
              </elementText>
              <elementText elementTextId="309360">
                <text>Austria--Vienna</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309361">
                <text>Kilburn, B. W.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309362">
                <text>1893-XX-XX</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309367">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="309368">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309370">
                <text>eng</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104757">
                  <text>Kaskaskia Sketches Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104758">
                  <text>Kaskaskia was the center of French settlement in Illinois and became the capital of the French territory of Upper Louisiana. Between 1809 and 1818, the town was the capital of the Illinois Territory. &lt;br /&gt;&lt;br /&gt;These sketches depict some of the more famous landmarks in Kaskaskia. These buildings and the town were destroyed by the flooding of the Mississippi River during the nineteenth century.</text>
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            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="104759">
                  <text>Abraham Lincoln Presidential Library and Museum</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104760">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="109012">
              <text>sketch</text>
            </elementText>
            <elementText elementTextId="109013">
              <text>b&amp;amp;w</text>
            </elementText>
            <elementText elementTextId="109014">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="109015">
              <text>13 x 22 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="109006">
                <text>400171</text>
              </elementText>
              <elementText elementTextId="109007">
                <text>Sketches, Kaskaskia Illinois</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109008">
                <text>Old Visitation Convent</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109009">
                <text>A pencil sketch of the first Visitation Academy in the Midwest at Kaskaskia, which was founded in 1833 by eight sisters from the Georgetown Visitation. The building was vacated in 1844 when the Mississippi River flooded and the waters reached the second story of the school.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109010">
                <text>Georgetown Academy of the Visitation</text>
              </elementText>
              <elementText elementTextId="124378">
                <text>Illinois--Kaskaskia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109011">
                <text>n.d.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109016">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="109017">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109019">
                <text>en</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="25363" public="1" featured="0">
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      <file fileId="24910">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="285394">
                  <text>Adlai Stevenson III Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="289513">
                  <text>Stevenson, Adlai E. (Adlai Ewing), 1900-1965</text>
                </elementText>
                <elementText elementTextId="289514">
                  <text>Stevenson, Adlai E., III (Adlai Ewing), 1930-</text>
                </elementText>
                <elementText elementTextId="289515">
                  <text>Political cartoons</text>
                </elementText>
                <elementText elementTextId="289516">
                  <text>Political campaigns</text>
                </elementText>
                <elementText elementTextId="289517">
                  <text>Presidential candidates</text>
                </elementText>
                <elementText elementTextId="289518">
                  <text>Political candidates</text>
                </elementText>
                <elementText elementTextId="289519">
                  <text>Governors</text>
                </elementText>
                <elementText elementTextId="289520">
                  <text>Presidents--Election</text>
                </elementText>
                <elementText elementTextId="289521">
                  <text>Governors--Election</text>
                </elementText>
                <elementText elementTextId="289523">
                  <text>United States. Congress. Senate</text>
                </elementText>
                <elementText elementTextId="289524">
                  <text>Illinois. General Assembly. House of Representatives</text>
                </elementText>
                <elementText elementTextId="289525">
                  <text>Democratic Party (U.S.)</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="289522">
                  <text>Adlai Stevenson III served as an at-large member of the Illinois House of Representatives from 1964-1967. He went on to become the state Treasurer from 1967-1970 before his successful campaign for United States Senator in 1970. He served in the United States Senate until 1981. He ran unsuccessfully for Illinois Governor in 1982 and 1984. Stevenson is a member of the Stevenson political family which includes his father, Adlai E. Stevenson II, the Illinois governor and two-time Democratic presidential nominee, and his great grandfather, Vice President Adlai Stevenson I.&lt;br /&gt;&lt;br /&gt;Images in this collection include several political cartoons focusing on Adlai Stevenson II's presidential campaigns and 1960 South American tour, Adlai Stevenson III's gubernatorial campaign, and Democratic party activities from the late 19th century.</text>
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              </elementTextContainer>
            </element>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="286864">
              <text>political cartoon</text>
            </elementText>
            <elementText elementTextId="286865">
              <text>b&amp;amp;w</text>
            </elementText>
            <elementText elementTextId="286866">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="286867">
              <text>44 x 39 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="286855">
                <text>403041</text>
              </elementText>
              <elementText elementTextId="286856">
                <text>Adlai Stevenson III Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286857">
                <text>Older and Wiser</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286858">
                <text>The upper panel shows Adlai E. Stevenson II's shoe with a hole in the sole from the 1952 presidential campaign. The lower panel shows him in 1955 wearing a track uniform complete with spiked shoes in preparation for the 1956 presidential campaign.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286859">
                <text>Stevenson, Adlai E. (Adlai Ewing), 1900-1965</text>
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                <text>Presidents--Election</text>
              </elementText>
              <elementText elementTextId="286861">
                <text>Democratic Party (U.S.)</text>
              </elementText>
              <elementText elementTextId="289499">
                <text>Shoes</text>
              </elementText>
              <elementText elementTextId="289500">
                <text>Presidential candidates</text>
              </elementText>
              <elementText elementTextId="289501">
                <text>Political campaigns</text>
              </elementText>
              <elementText elementTextId="289502">
                <text>Political candidates</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286862">
                <text>Fischetti, John</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286863">
                <text>1955-XX-XX</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286868">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="286869">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="286871">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="27896" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="335646">
                  <text>Dan Reeves Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="364303">
                  <text>Reeves, Dan</text>
                </elementText>
                <elementText elementTextId="364304">
                  <text>Flooding</text>
                </elementText>
                <elementText elementTextId="364305">
                  <text>Flood damage</text>
                </elementText>
                <elementText elementTextId="364306">
                  <text>Ohio River Valley</text>
                </elementText>
                <elementText elementTextId="364307">
                  <text>Ohio River Watershed</text>
                </elementText>
                <elementText elementTextId="364308">
                  <text>Floods</text>
                </elementText>
                <elementText elementTextId="364309">
                  <text>Flood control</text>
                </elementText>
                <elementText elementTextId="364310">
                  <text>Natural disasters</text>
                </elementText>
                <elementText elementTextId="364311">
                  <text>Disaster relief</text>
                </elementText>
                <elementText elementTextId="364312">
                  <text>Illinois--Cairo</text>
                </elementText>
                <elementText elementTextId="364313">
                  <text>Illinois--Shawneetown</text>
                </elementText>
                <elementText elementTextId="364314">
                  <text>Illinois--Harrisburg</text>
                </elementText>
                <elementText elementTextId="364315">
                  <text>Illinois--Mounds</text>
                </elementText>
                <elementText elementTextId="364316">
                  <text>Illinois--Mound City</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="364317">
                  <text>Images in this collection document the aftermath of the 1937 Ohio River flood. The flood, caused by high rain levels in January and February, devastated several southern Illinois cities including Shawneetown, Cairo, and Harrisburg. Images in this collection include Works Progress Administration director Harry Hopkins's visit to the flooded areas.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="339926">
              <text>photographic print</text>
            </elementText>
            <elementText elementTextId="339927">
              <text>sepia</text>
            </elementText>
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              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="339929">
              <text>9 x 12 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="339916">
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                <text>Dan Reeves Collection</text>
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                <text>Oldest Bank Building in Illinois</text>
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                <text>The oldest bank building in the State of Illinois, located in Shawneetown, is still intact after the flood.</text>
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                <text>Floods</text>
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                <text>Ohio River Valley</text>
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                <text>Illinois--Shawneetown</text>
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                <text>1937-XX-XX</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON: Published by Oliver Ditson &amp;amp; Co., 277 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. A. Pond &amp;amp; Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861, by O. Ditson &amp;amp; Co., in the Clerk's office of the District Court of Mass.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper 43 Centre St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLE SHADY. THE SONG OF THE CONTRABAND.
&lt;/p&gt;&lt;p&gt;Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. "
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. "
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson &amp;amp; Co., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War.
&lt;/p&gt;&lt;p&gt;"*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P. King. 30  "His saddle is empty, and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseilllaise. H.Von Elmer. 30  "Under our flag beat the long call once more, Call up the north as you called her before."
&lt;/p&gt;&lt;p&gt;Away Goes Cuffee. Humorous. L.B. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert. 30
&lt;/p&gt;&lt;p&gt;Close his Eyes, His Work is Done. Song &amp;amp; Chorus. Hutchinson. 30
&lt;/p&gt;&lt;p&gt;Cuffee's War Song. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. Boott. 30  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus. 30  "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartette. N. Baker. 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson. 30  "O, de Yanks hab come and gone and went, And done it down in Dixie."
&lt;/p&gt;&lt;p&gt;How Do you Like It, Jefferson, D.? Amos Patton. 30  "O, how do you like it as far as you've got? Jefferson D? Jefferson D?"
&lt;/p&gt;&lt;p&gt;If I Sleep, Will Mother Come? C.A. Shaw. 30  The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending O'er Me? J.C. Johnson. 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. Hanby. 30  "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North. 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. Song &amp;amp; Chorus. J.C. Johnson. 30 
&lt;/p&gt;&lt;p&gt;Our Volunteers. Song &amp;amp; Chorus. A. Baumbach. 30  "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More for Brave Boys Gone. Song &amp;amp; Chorus. R.Z. Salem. 30
&lt;/p&gt;&lt;p&gt;Picket Guard. Song &amp;amp; Quartet. W. H. Goodwin. 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury. 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or, Marching Home. Song &amp;amp; Chorus. R.R. Trench. 30
&lt;/p&gt;&lt;p&gt;Tenting on the old Camp Ground. W. Kittredge. 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark. 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield. 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley. 30  "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;New Songs of Home.
&lt;/p&gt;&lt;p&gt;"*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the Storm. Scared. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E.L. Hine. 30  "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod. 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt. 35
&lt;/p&gt;&lt;p&gt;Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life has Set. J.C. Meininger. 30  "Ah me! my heart is sad to-night."
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;For Thee, and Only Thee. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land. 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal. 30
&lt;/p&gt;&lt;p&gt;Home Delights. Song &amp;amp; Chorus. Ordway. 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger. 30
&lt;/p&gt;&lt;p&gt;I Live for Those Who Love Me. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge. 30
&lt;/p&gt;&lt;p&gt;I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share. L.P. Whitney. 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz Abt. 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30  "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;Language of the Eye. C.J. Dorr. 30
&lt;/p&gt;&lt;p&gt;Last Tear. F. Hoffman. 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer. 30 "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel. 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song and Chorus. F. Nava. 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.C. Whittredge. 30
&lt;/p&gt;&lt;p&gt;Mother, Dear, I'm Thinking of You.  Song and Chorus.  J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O.   H. Hyatt. 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J. P. King. 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds are Blowing. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. song and chorus. J. P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz. 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart. 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert. 30  "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover. 35  "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet be thy Dreams. F.W. Smith. 30
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light Beyond the River. B. Covert. 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;'Tis Sweet to be Remembered. H.M. Rogers. 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson. 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;New Songs by Eminent Composers.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust."
&lt;/p&gt;&lt;p&gt;Chanson du Roi de Thule. (The King of Thule.) 30
&lt;/p&gt;&lt;p&gt;Gloire Immortelle. (Glory Immortal.) 35
&lt;/p&gt;&lt;p&gt;Le Parlate d'Amor. (In the Language of Love.) 35
&lt;/p&gt;&lt;p&gt;Salut O mon dernier Matin. (All hail, welcome to thee.) 30
&lt;/p&gt;&lt;p&gt;Tardi si fa addio. (The hour is late, adieu.) 50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn. 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe. 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60
&lt;/p&gt;&lt;p&gt;Slumber song. Taubert. 35 "Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn. 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;New Comic Songs.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song. 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson. 30  "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived A Maiden. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;I'm a Young Man from the Country. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Isabella, With the Gingham Umbrella. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley, Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding. 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott. 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35.
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt. 30  "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Ole Shady</text>
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                <text>Song sung from the perspective of former slave or "Contraband" who has recently found security and freedom behind Union lines. &lt;br /&gt;&lt;br /&gt;The song is dedicated to Union general Benjamin F. Butler, who was the first Union commander to allow escaped slaves to stay within Union lines. Claiming the former slaves were "contraband of war," Butler used the Confederates' insistance that slaves were property against them. He claimed that as property they could be legally "confiscated" under the rules of war. Butler's policy allowed thousands of slaves to find safety behind Union lines and influenced Lincoln's later decision to issue the Emancipation Proclamation."</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171837">
                <text>Butler, Benjamin Franklin (1818-1893)</text>
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              <elementText elementTextId="171838">
                <text>Sheet music</text>
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              <elementText elementTextId="171839">
                <text>Fugitive slaves</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171841">
                <text>Publisher information not available.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171842">
                <text>Oliver Ditson &amp;amp; Company</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="171843">
                <text>Boston</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171844">
                <text>1861</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="171848">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171850">
                <text>en</text>
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                <text>&lt;p&gt;TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON: Published by Oliver Ditson &amp;amp; Co., 277 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. A. Pond &amp;amp; Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes &amp;amp; Co., Boston.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861, by O. Ditson &amp;amp; Co., in the Clerk's office of the District Court of Mass.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper 43 Centre St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OLE SHADY. THE SONG OF THE CONTRABAND.
&lt;/p&gt;&lt;p&gt;Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby,
&lt;/p&gt;&lt;p&gt;3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
"Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. "
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat
&lt;/p&gt;&lt;p&gt;5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,*
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho.
&lt;/p&gt;&lt;p&gt;Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. "
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson &amp;amp; Co., 277 Washington Street, Boston.
&lt;/p&gt;&lt;p&gt;Songs of the War.
&lt;/p&gt;&lt;p&gt;"*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular.
&lt;/p&gt;&lt;p&gt;A Hero Has Fallen. J.P. King. 30  "His saddle is empty, and sheathed is his sword."
&lt;/p&gt;&lt;p&gt;American Marseilllaise. H.Von Elmer. 30  "Under our flag beat the long call once more, Call up the north as you called her before."
&lt;/p&gt;&lt;p&gt;Away Goes Cuffee. Humorous. L.B. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Banner of the Sea. Bernard Covert. 30
&lt;/p&gt;&lt;p&gt;Close his Eyes, His Work is Done. Song &amp;amp; Chorus. Hutchinson. 30
&lt;/p&gt;&lt;p&gt;Cuffee's War Song. Starkweather. 30
&lt;/p&gt;&lt;p&gt;Cumberland (The). F. Boott. 30  "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war."
&lt;/p&gt;&lt;p&gt;Emancipation. Song &amp;amp; Chorus. 30  "In this land of the free, not a slave shall there be, As a cause for rebellion or treason."
&lt;/p&gt;&lt;p&gt;From the Red Battle Field. Quartette. N. Baker. 30
&lt;/p&gt;&lt;p&gt;High Times, Good Times. Humorous. H.S. Thompson. 30  "O, de Yanks hab come and gone and went, And done it down in Dixie."
&lt;/p&gt;&lt;p&gt;How Do you Like It, Jefferson, D.? Amos Patton. 30  "O, how do you like it as far as you've got? Jefferson D? Jefferson D?"
&lt;/p&gt;&lt;p&gt;If I Sleep, Will Mother Come? C.A. Shaw. 30  The last words of a dying soldier boy.
&lt;/p&gt;&lt;p&gt;Is That Mother Bending O'er Me? J.C. Johnson. 30
&lt;/p&gt;&lt;p&gt;Keep This Bible Near Your Heart. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Mother, When the War is Over. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come."
&lt;/p&gt;&lt;p&gt;Ole Shady, or the Song of the Contraband. Hanby. 30  "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!"
&lt;/p&gt;&lt;p&gt;Only One Man Killed To-Day. Solo &amp;amp; Quartet. G.F. North. 30
&lt;/p&gt;&lt;p&gt;Our Beautiful Flag. Song &amp;amp; Chorus. J.C. Johnson. 30 
&lt;/p&gt;&lt;p&gt;Our Volunteers. Song &amp;amp; Chorus. A. Baumbach. 30  "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!"
&lt;/p&gt;&lt;p&gt;O, Weep No More for Brave Boys Gone. Song &amp;amp; Chorus. R.Z. Salem. 30
&lt;/p&gt;&lt;p&gt;Picket Guard. Song &amp;amp; Quartet. W. H. Goodwin. 30
&lt;/p&gt;&lt;p&gt;Rally Round the Flag, Boys. W.B. Bradbury. 30
&lt;/p&gt;&lt;p&gt;Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear."
&lt;/p&gt;&lt;p&gt;Soldier's Return, or, Marching Home. Song &amp;amp; Chorus. R.R. Trench. 30
&lt;/p&gt;&lt;p&gt;Tenting on the old Camp Ground. W. Kittredge. 35
&lt;/p&gt;&lt;p&gt;The Sword That My Brave Boy Wore. James G. Clark. 30
&lt;/p&gt;&lt;p&gt;The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best.
&lt;/p&gt;&lt;p&gt;Unknown Heroes. Song &amp;amp; chorus. W.J. Schofield. 30
&lt;/p&gt;&lt;p&gt;We'll Fight for Uncle Abe. Plantation Song &amp;amp; Chorus. Buckley. 30  "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe."
&lt;/p&gt;&lt;p&gt;New Songs of Home.
&lt;/p&gt;&lt;p&gt;"*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers.
&lt;/p&gt;&lt;p&gt;Angel of the Storm. Scared. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;Angels Listen When She Speaks. E.L. Hine. 30  "Low her voice is, soft and kind."
&lt;/p&gt;&lt;p&gt;Ave Maria. Gounod. 35
&lt;/p&gt;&lt;p&gt;Birds That in Yon Pine Trees Sing. Franz Abt. 35
&lt;/p&gt;&lt;p&gt;Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30
&lt;/p&gt;&lt;p&gt;Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me."
&lt;/p&gt;&lt;p&gt;The Day-Star of my Life has Set. J.C. Meininger. 30  "Ah me! my heart is sad to-night."
&lt;/p&gt;&lt;p&gt;Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30
&lt;/p&gt;&lt;p&gt;Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride."
&lt;/p&gt;&lt;p&gt;For Thee, and Only Thee. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee."
&lt;/p&gt;&lt;p&gt;Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears."
&lt;/p&gt;&lt;p&gt;Gentle Bessie. Scotch Ballad. Ed. Land. 30
&lt;/p&gt;&lt;p&gt;Good Morrow, Love, Good Morrow. Blumenthal. 30
&lt;/p&gt;&lt;p&gt;Home Delights. Song &amp;amp; Chorus. Ordway. 30
&lt;/p&gt;&lt;p&gt;I'm Sitting Alone in the Moonlight. Meininger. 30
&lt;/p&gt;&lt;p&gt;I Live for Those Who Love Me. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;I'm Coming Home to Die. O.E. Dodge. 30
&lt;/p&gt;&lt;p&gt;I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I Would Not Win a Heart to Share. L.P. Whitney. 30
&lt;/p&gt;&lt;p&gt;Kathleen Aroon. Franz Abt. 30
&lt;/p&gt;&lt;p&gt;Katie Lee &amp;amp; Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls."
&lt;/p&gt;&lt;p&gt;L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30  "Kiss me once more, for the death damp is stealing."
&lt;/p&gt;&lt;p&gt;Language of the Eye. C.J. Dorr. 30
&lt;/p&gt;&lt;p&gt;Last Tear. F. Hoffman. 30
&lt;/p&gt;&lt;p&gt;Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright."
&lt;/p&gt;&lt;p&gt;Little Nell. Chas. Packer. 30 "They told him gently she was gone."
&lt;/p&gt;&lt;p&gt;Maggie's Secret. Claribel. 30
&lt;/p&gt;&lt;p&gt;Marietta, Mine. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Minnie Bell. Song and Chorus. F. Nava. 30
&lt;/p&gt;&lt;p&gt;Minnie Dill. Song &amp;amp; Chorus. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Minnie Grey. G.C. Whittredge. 30
&lt;/p&gt;&lt;p&gt;Mother, Dear, I'm Thinking of You.  Song and Chorus.  J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Music of her Voice. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;My Bonny, Bonny Mary, O.   H. Hyatt. 30
&lt;/p&gt;&lt;p&gt;O Lay Me in the Valley. Lt. J. P. King. 30
&lt;/p&gt;&lt;p&gt;On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30
&lt;/p&gt;&lt;p&gt;O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30
&lt;/p&gt;&lt;p&gt;Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy."
&lt;/p&gt;&lt;p&gt;Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30
&lt;/p&gt;&lt;p&gt;Silver Moonlight Winds are Blowing. J.P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Silvery Midnight Moon. song and chorus. J. P. Ordway. 30
&lt;/p&gt;&lt;p&gt;Sing, Birdie, Sing. Wilhelm Ganz. 30
&lt;/p&gt;&lt;p&gt;Singing Through the Rain. H. Smart. 30
&lt;/p&gt;&lt;p&gt;Sing, O Sing me to Rest. B. Covert. 30  "Mother, O sing me to rest, As in my bright days departed."
&lt;/p&gt;&lt;p&gt;Soft Winds are Breathing. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;Sorrow. "The Beatitudes." No. 1. Glover. 35  "In this world abideth sorrow."
&lt;/p&gt;&lt;p&gt;Sweet be thy Dreams. F.W. Smith. 30
&lt;/p&gt;&lt;p&gt;Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow."
&lt;/p&gt;&lt;p&gt;There is Light Beyond the River. B. Covert. 30
&lt;/p&gt;&lt;p&gt;Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother."
&lt;/p&gt;&lt;p&gt;'Tis Sweet to be Remembered. H.M. Rogers. 30
&lt;/p&gt;&lt;p&gt;Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35
&lt;/p&gt;&lt;p&gt;Vesta Moore. Song &amp;amp; Chorus. Thompson. 30
&lt;/p&gt;&lt;p&gt;We Shall Be Known Above. Song and Chorus. J.G. Clark. 30
&lt;/p&gt;&lt;p&gt;World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame."
&lt;/p&gt;&lt;p&gt;You've Forgot the Cottage Door. A. Bendelari. 35
&lt;/p&gt;&lt;p&gt;New Songs by Eminent Composers.
&lt;/p&gt;&lt;p&gt;Beauties of Gounod's Opera, "Faust."
&lt;/p&gt;&lt;p&gt;Chanson du Roi de Thule. (The King of Thule.) 30
&lt;/p&gt;&lt;p&gt;Gloire Immortelle. (Glory Immortal.) 35
&lt;/p&gt;&lt;p&gt;Le Parlate d'Amor. (In the Language of Love.) 35
&lt;/p&gt;&lt;p&gt;Salut O mon dernier Matin. (All hail, welcome to thee.) 30
&lt;/p&gt;&lt;p&gt;Tardi si fa addio. (The hour is late, adieu.) 50
&lt;/p&gt;&lt;p&gt;Hopes and Fears. Mendelssohn. 50
&lt;/p&gt;&lt;p&gt;Il Bacio. (The Kiss.) Arditi. 60
&lt;/p&gt;&lt;p&gt;Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring."
&lt;/p&gt;&lt;p&gt;Reaper and the Flowers. Balfe. 60
&lt;/p&gt;&lt;p&gt;Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60
&lt;/p&gt;&lt;p&gt;Slumber song. Taubert. 35 "Sleep, and do not fear."
&lt;/p&gt;&lt;p&gt;Tarry Not Long. Mendelssohn. 35
&lt;/p&gt;&lt;p&gt;With Thanks, Kind Friends. "Sicilian Vespers." 50
&lt;/p&gt;&lt;p&gt;New Comic Songs.
&lt;/p&gt;&lt;p&gt;Benny Havens, O. A West Point Song. 30
&lt;/p&gt;&lt;p&gt;Cousin Jedediah. Song and Chorus. H.S. Thompson. 30  "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah."
&lt;/p&gt;&lt;p&gt;Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson."
&lt;/p&gt;&lt;p&gt;Down by the River Lived A Maiden. Song &amp;amp; Chorus. H.S. Thompson. 30
&lt;/p&gt;&lt;p&gt;I'd Choose to be a Baby. F. Buckley. 30
&lt;/p&gt;&lt;p&gt;I'm a Young Man from the Country. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Isabella, With the Gingham Umbrella. H. Clifton. 30
&lt;/p&gt;&lt;p&gt;Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35
&lt;/p&gt;&lt;p&gt;Music Store Window. Medley, Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Over the Wall. J.R.W. Harding. 30
&lt;/p&gt;&lt;p&gt;Puss in Boots. C.H.R. Marriott. 30
&lt;/p&gt;&lt;p&gt;Song of all Songs. A Medley. S.C. Foster. 30
&lt;/p&gt;&lt;p&gt;Tony Pastor's Combination Song. Medley. 35
&lt;/p&gt;&lt;p&gt;Tony Pastor's Medley of Cottage by the Sea. 35.
&lt;/p&gt;&lt;p&gt;Tragedy in Tenth Avenue. S.W. Hunt. 30  "I was promenading out one lovely morn, In the middle of July."
&lt;/p&gt;&lt;p&gt;Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30
&lt;/p&gt;&lt;p&gt;Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price.
&lt;/p&gt;
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                <text>100</text>
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                  <text>Vachel Lindsay Collection</text>
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                  <text>Frazee, Ephraim S. (Ephraim Samuel), 1824-1896</text>
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                  <text>Nicholas Vachel Lindsay, a major American poet, was born in 1879 at 603 South Fifth Street in Springfield, Illinois to Dr. Vachel Thomas Lindsay and Catherine Frazee Lindsay. He graduated from Springfield High School and studied at Hiram College in Ohio, the Chicago Art Institute and the New York School of Art.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay made three famous walking tours of the United States in 1906, 1908 and 1912, covering more than 2,800 miles. On these treks, Lindsay traded poems for food and shelter, earning him the title &amp;ldquo;The Prairie Troubadour.&amp;rdquo;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay first earned fame with the publication of his poem &amp;ldquo;General William Booth Enters into Heaven&amp;rdquo; in 1913. Two years later his poem, &amp;ldquo;The Wedding of the Rose and the Lotus&amp;rdquo;, calling for tolerance between Eastern and Western cultures was printed by the United States Secretary of the Interior and sent to both houses of Congress in connection with the opening of the Panama Canal.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Much of Lindsay&amp;rsquo;s poetry was written to be read aloud, and he performed extensively across the country and in Europe. He often created drawings to go with his poems. He was a leading voice in the American &amp;ldquo;New Poetry&amp;rdquo; movement and published a total of 20 volumes of poetry and prose. He and other artists of his day championed a new language to express new subjects, such as civil liberties, civic excellence and humanitarian and aesthetic values. He also wrote poems of protest against spiritual and environmental blight. Lindsay&amp;rsquo;s Springfield home was his creative center, and he returned there many times during his career.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1925 he married Elizabeth Conner of Spokane, Washington. He returned to Springfield with his wife and two children in 1929, where he committed suicide on December 5, 1931.&lt;br /&gt;&lt;br /&gt;The Vachel Lindsay Association, a not-for-profit private corporation, was founded in 1946 in Springfield, Illinois &amp;ldquo;to perpetuate the spiritual and material estate of Nicholas Vachel Lindsay, the Poet&amp;rdquo;. The organization proposed to finance the collection and publication of various Lindsayana and to maintain and preserve the Lindsay Home as a site for perpetuating interest in Lindsay and his poetry and ideals. In 1990 the Lindsay Home was transferred to the state of Illinois and became a historic site open to the public. The Association continues to promote interest in Lindsay through various public programming and publishing endeavors. Elizabeth Graham, friend of Lindsay, was a founding member and curator of the Lindsay Home from 1958 to 1978.&lt;br /&gt;&lt;br /&gt;The finding aid for the Vachel Lindsay Association Records, 1881-1994 at the Abraham Lincoln Presidential Library may be found at&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/650.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Vachel Lindsay and his extended family as well as Vachel Lindsay Association members and activities.</text>
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                  <text>Nicholas Vachel Lindsay, a major American poet, was born in 1879 at 603 South Fifth Street in Springfield, Illinois to Dr. Vachel Thomas Lindsay and Catherine Frazee Lindsay. He graduated from Springfield High School and studied at Hiram College in Ohio, the Chicago Art Institute and the New York School of Art.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay made three famous walking tours of the United States in 1906, 1908 and 1912, covering more than 2,800 miles. On these treks, Lindsay traded poems for food and shelter, earning him the title &amp;ldquo;The Prairie Troubadour.&amp;rdquo;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay first earned fame with the publication of his poem &amp;ldquo;General William Booth Enters into Heaven&amp;rdquo; in 1913. Two years later his poem, &amp;ldquo;The Wedding of the Rose and the Lotus&amp;rdquo;, calling for tolerance between Eastern and Western cultures was printed by the United States Secretary of the Interior and sent to both houses of Congress in connection with the opening of the Panama Canal.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Much of Lindsay&amp;rsquo;s poetry was written to be read aloud, and he performed extensively across the country and in Europe. He often created drawings to go with his poems. He was a leading voice in the American &amp;ldquo;New Poetry&amp;rdquo; movement and published a total of 20 volumes of poetry and prose. He and other artists of his day championed a new language to express new subjects, such as civil liberties, civic excellence and humanitarian and aesthetic values. He also wrote poems of protest against spiritual and environmental blight. Lindsay&amp;rsquo;s Springfield home was his creative center, and he returned there many times during his career.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1925 he married Elizabeth Conner of Spokane, Washington. He returned to Springfield with his wife and two children in 1929, where he committed suicide on December 5, 1931.&lt;br /&gt;&lt;br /&gt;The Vachel Lindsay Association, a not-for-profit private corporation, was founded in 1946 in Springfield, Illinois &amp;ldquo;to perpetuate the spiritual and material estate of Nicholas Vachel Lindsay, the Poet&amp;rdquo;. The organization proposed to finance the collection and publication of various Lindsayana and to maintain and preserve the Lindsay Home as a site for perpetuating interest in Lindsay and his poetry and ideals. In 1990 the Lindsay Home was transferred to the state of Illinois and became a historic site open to the public. The Association continues to promote interest in Lindsay through various public programming and publishing endeavors. Elizabeth Graham, friend of Lindsay, was a founding member and curator of the Lindsay Home from 1958 to 1978.&lt;br /&gt;&lt;br /&gt;The finding aid for the Vachel Lindsay Association Records, 1881-1994 at the Abraham Lincoln Presidential Library may be found at&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/650.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Vachel Lindsay and his extended family as well as Vachel Lindsay Association members and activities.</text>
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                    <text>&lt;p&gt;Circuit Clerk and Recorder's Office
&lt;/p&gt;&lt;p&gt;Rockford, Winnebago Co., Ills., Sept 7 1861
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Enclosed I forward copy of resignation of Giles C. Hard Coroner of this county.
&lt;/p&gt;&lt;p&gt;Mr H is one of our best farmers, but he has resigned his office leaves his farm &amp;amp; has enlisted for the war: The war spirit rages high with us.
&lt;/p&gt;&lt;p&gt;Yours Truly
&lt;/p&gt;&lt;p&gt;O A Pennoyer
&lt;/p&gt;&lt;p&gt;Clerk &amp;amp;c
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Giles H. Hard
&lt;/p&gt;&lt;p&gt;Rockford
&lt;/p&gt;&lt;p&gt;Resigns position as Coroner.
&lt;/p&gt;
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                <text>&lt;p&gt;Circuit Clerk and Recorder's Office
&lt;/p&gt;&lt;p&gt;Rockford, Winnebago Co., Ills., Sept 7 1861
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Enclosed I forward copy of resignation of Giles C. Hard Coroner of this county.
&lt;/p&gt;&lt;p&gt;Mr H is one of our best farmers, but he has resigned his office leaves his farm &amp;amp; has enlisted for the war: The war spirit rages high with us.
&lt;/p&gt;&lt;p&gt;Yours Truly
&lt;/p&gt;&lt;p&gt;O A Pennoyer
&lt;/p&gt;&lt;p&gt;Clerk &amp;amp;c
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Giles H. Hard
&lt;/p&gt;&lt;p&gt;Rockford
&lt;/p&gt;&lt;p&gt;Resigns position as Coroner.
&lt;/p&gt;
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                    <text>&lt;p&gt;STATE OF INDIANA
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis August 24th 1861
&lt;/p&gt;&lt;p&gt;His Excellency Gov. Richard Yates.
&lt;/p&gt;&lt;p&gt;Sir I take pleasure in introducing my friend Isaac Harvey of Ohio who is about visiting your State. He is a member of the Society of Friends and a very worthy man. His wife accompanies him.
&lt;/p&gt;&lt;p&gt;Respy yours, O.P. Morton.
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&lt;hr /&gt;
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&lt;/p&gt;&lt;p&gt;Hon. Richd Yates 
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&lt;/p&gt;&lt;p&gt;Sir:  
&lt;/p&gt;&lt;p&gt;I take pleasure in testifying to the moral worth, honesty and business qualifications of John H. Eystone, formerly of this State.  He was for some years a leading man in Fayette Co. and I have no doubt he would fathfully discharge the duties of any position in which he might be placed.
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&lt;hr /&gt;
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                <text>&lt;p&gt;State of Indiana.
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, Oct. 18th 1861.
&lt;/p&gt;&lt;p&gt;Hon. Richd Yates 
&lt;/p&gt;&lt;p&gt;Gov. of Illinois.
&lt;/p&gt;&lt;p&gt;Sir:  
&lt;/p&gt;&lt;p&gt;I take pleasure in testifying to the moral worth, honesty and business qualifications of John H. Eystone, formerly of this State.  He was for some years a leading man in Fayette Co. and I have no doubt he would fathfully discharge the duties of any position in which he might be placed.
&lt;/p&gt;&lt;p&gt;Respectfully,
&lt;/p&gt;&lt;p&gt;O. P. Morton
&lt;/p&gt;&lt;p&gt;Gov of Indiana.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Hon O. P. Morton
&lt;/p&gt;&lt;p&gt;Recommending John H. Eystone.
&lt;/p&gt;
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                    <text>&lt;p&gt;State of Indiana.
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, 28 Feby 1862.
&lt;/p&gt;&lt;p&gt;His Excellency
&lt;/p&gt;&lt;p&gt;Richard Yates
&lt;/p&gt;&lt;p&gt;Governor of Illinois
&lt;/p&gt;&lt;p&gt;Springfield
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I beg leave to call your attention to an act of the Legislature of the State of Indiana, Chap. 87, page 161, Acts of the 41st regular session, passed March 9, 1861.
&lt;/p&gt;&lt;p&gt;You will observe, by the 3d Section of that act, that it is made my duty to endeavor, by application to be made through the proper authority of the State of Illinois, to procure the abatement of the dam in the Calumet River created by the State of Illinois for the purposes in the 1st Section of the Act mentioned.
&lt;/p&gt;&lt;p&gt;The citizens of Indiana, and particularity the inhabitants in the vicinity of the lands overflowed, complain that the continuance of the dam is a great injury to them. I shall be pleased to hear from you that the State of Illinois will either remove the dam or adopt some other course
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;by which the evil can be overcome, or so mitigated as to avoid just complaint.
&lt;/p&gt;&lt;p&gt;I have the honor to be 
&lt;/p&gt;&lt;p&gt;Very Respectfully, 
&lt;/p&gt;&lt;p&gt;Your Obt. Servant, 
&lt;/p&gt;&lt;p&gt;O. P. Morton
&lt;/p&gt;&lt;p&gt;Governor of Indiana.
&lt;/p&gt;&lt;p&gt;P.S. A copy of the act above referred to is herewith inclosed.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Gov. O. P. Morton of Indiana
&lt;/p&gt;&lt;p&gt;To. Gov. of Illinois
&lt;/p&gt;&lt;p&gt;In regard to dam across Calumet river.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Wrote Gov M
&lt;/p&gt;&lt;p&gt;Mch 8/62
&lt;/p&gt;&lt;p&gt;M
&lt;/p&gt;
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                <text>&lt;p&gt;State of Indiana.
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, 28 Feby 1862.
&lt;/p&gt;&lt;p&gt;His Excellency
&lt;/p&gt;&lt;p&gt;Richard Yates
&lt;/p&gt;&lt;p&gt;Governor of Illinois
&lt;/p&gt;&lt;p&gt;Springfield
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I beg leave to call your attention to an act of the Legislature of the State of Indiana, Chap. 87, page 161, Acts of the 41st regular session, passed March 9, 1861.
&lt;/p&gt;&lt;p&gt;You will observe, by the 3d Section of that act, that it is made my duty to endeavor, by application to be made through the proper authority of the State of Illinois, to procure the abatement of the dam in the Calumet River created by the State of Illinois for the purposes in the 1st Section of the Act mentioned.
&lt;/p&gt;&lt;p&gt;The citizens of Indiana, and particularity the inhabitants in the vicinity of the lands overflowed, complain that the continuance of the dam is a great injury to them. I shall be pleased to hear from you that the State of Illinois will either remove the dam or adopt some other course
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;by which the evil can be overcome, or so mitigated as to avoid just complaint.
&lt;/p&gt;&lt;p&gt;I have the honor to be 
&lt;/p&gt;&lt;p&gt;Very Respectfully, 
&lt;/p&gt;&lt;p&gt;Your Obt. Servant, 
&lt;/p&gt;&lt;p&gt;O. P. Morton
&lt;/p&gt;&lt;p&gt;Governor of Indiana.
&lt;/p&gt;&lt;p&gt;P.S. A copy of the act above referred to is herewith inclosed.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Gov. O. P. Morton of Indiana
&lt;/p&gt;&lt;p&gt;To. Gov. of Illinois
&lt;/p&gt;&lt;p&gt;In regard to dam across Calumet river.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Wrote Gov M
&lt;/p&gt;&lt;p&gt;Mch 8/62
&lt;/p&gt;&lt;p&gt;M
&lt;/p&gt;
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                    <text>&lt;p&gt;STATE OF INDIANA
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, Aug. 14th 1862,
&lt;/p&gt;&lt;p&gt;Hon. Richd Yates, 
&lt;/p&gt;&lt;p&gt;Springfield, Ills.
&lt;/p&gt;&lt;p&gt;Gov. 
&lt;/p&gt;&lt;p&gt;I take pleasure in recommending to your favorable consideration Capt. Edward Wallace, now on the staff of Maj. Gen Lew Wallace. He has been connected with Ind. Reg. since the commencement of the present war and is a good officer and competant to command a Reg.
&lt;/p&gt;&lt;p&gt;Respectfully,
&lt;/p&gt;&lt;p&gt;O. P. Morton 
&lt;/p&gt;&lt;p&gt;Gov of Ind
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Aug. 28
&lt;/p&gt;&lt;p&gt;Gov. O. P. Morton, 
&lt;/p&gt;&lt;p&gt;Indianapolis In. 
&lt;/p&gt;&lt;p&gt;Aug. 14
&lt;/p&gt;&lt;p&gt;Recommending Capt. Ed. Wallace to favorable consideration of Gov.
&lt;/p&gt;&lt;p&gt;Ack receipt &amp;amp; say will be happy to appoint if oppy. but &amp;amp;c
&lt;/p&gt;
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                <text>&lt;p&gt;STATE OF INDIANA
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, Aug. 14th 1862,
&lt;/p&gt;&lt;p&gt;Hon. Richd Yates, 
&lt;/p&gt;&lt;p&gt;Springfield, Ills.
&lt;/p&gt;&lt;p&gt;Gov. 
&lt;/p&gt;&lt;p&gt;I take pleasure in recommending to your favorable consideration Capt. Edward Wallace, now on the staff of Maj. Gen Lew Wallace. He has been connected with Ind. Reg. since the commencement of the present war and is a good officer and competant to command a Reg.
&lt;/p&gt;&lt;p&gt;Respectfully,
&lt;/p&gt;&lt;p&gt;O. P. Morton 
&lt;/p&gt;&lt;p&gt;Gov of Ind
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Aug. 28
&lt;/p&gt;&lt;p&gt;Gov. O. P. Morton, 
&lt;/p&gt;&lt;p&gt;Indianapolis In. 
&lt;/p&gt;&lt;p&gt;Aug. 14
&lt;/p&gt;&lt;p&gt;Recommending Capt. Ed. Wallace to favorable consideration of Gov.
&lt;/p&gt;&lt;p&gt;Ack receipt &amp;amp; say will be happy to appoint if oppy. but &amp;amp;c
&lt;/p&gt;
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                    <text>&lt;p&gt;State of Indiana.
&lt;/p&gt;&lt;p&gt;Executive Department.
&lt;/p&gt;&lt;p&gt;Indianapolis, Oct. 10th. 1863
&lt;/p&gt;&lt;p&gt;Governor:
&lt;/p&gt;&lt;p&gt;Allow me to introduce to your Rev. F. Senior, of Rockford, Ills, who comes to me highly recommended by leading clergymen as a gentleman of fine literary attainments.
&lt;/p&gt;&lt;p&gt;He proposes to publish a History of War and Illinois, and will explain to you more fully than I have time to do in a letter.
&lt;/p&gt;&lt;p&gt;Respectfully,
&lt;/p&gt;&lt;p&gt;O.P. Morton, 
&lt;/p&gt;&lt;p&gt;Governor of Indiana.
&lt;/p&gt;&lt;p&gt;Hon. Richard Yates
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Springfield
&lt;/p&gt;&lt;p&gt;Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Write letter &amp;amp;c  Nov 10 65 
&lt;/p&gt;&lt;p&gt;File M.
&lt;/p&gt;&lt;p&gt;Morton Governor O P.
&lt;/p&gt;&lt;p&gt;Indianapolis Oct 10 63.
&lt;/p&gt;&lt;p&gt;Introducing Rev F Senior who wishes to publish a history of the War and Illinois.
&lt;/p&gt;&lt;p&gt;Desires a letter to commanding officers of Ills. Regiments recommending to &amp;amp; asking their assistance &amp;amp; information on all subjects connected with the history of their resp. regiments in  the war....
&lt;/p&gt;&lt;p&gt;Letter to be printed &amp;amp; sent as circular
&lt;/p&gt;&lt;p&gt;Send to Rockford Ill.
&lt;/p&gt;&lt;p&gt;Send letter
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Executive Office Oct 28 63
&lt;/p&gt;
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&lt;p&gt;Executive Department.&lt;/p&gt;&#13;
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&lt;p&gt;Governor:&lt;/p&gt;&#13;
&lt;p&gt;Allow me to introduce to your Rev. F. Senior, of Rockford, Ills, who comes to me highly recommended by leading clergymen as a gentleman of fine literary attainments.&lt;/p&gt;&#13;
&lt;p&gt;He proposes to publish a History of War and Illinois, and will explain to you more fully than I have time to do in a letter.&lt;/p&gt;&#13;
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                    <text>&lt;p&gt;Chicago Oct 6th 1894
&lt;/p&gt;&lt;p&gt;Hon Richard Yates
&lt;/p&gt;&lt;p&gt;Dear Sir please. find
enclosed a letter my son to his sister
Stating his health &amp;amp; condition where
he is he inlisted in the army
and the first of last April &amp;amp;
Imediately Joined the Regiment in Georgea
under Gen Sherman he was in the
Batter on the 22 of July in which
Gen McGerson was killed under
Gen Dodge in the 16th army corps
after which he was attacked with
the rheumatism &amp;amp; has been in the
hospital all the time since he &amp;amp;
his Doctor States his case better
than I can I you can help him
to be Removed North you will
confer a Grant of [illegible] on his
Father Mother &amp;amp; two young Sisters
his adress is Theodor S. Couch Co
A 12th Reg Ill [illegible] Inft 2 Brigade
2 Division 16th Army Corps 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;at present in field hospital
Rome Gorgia
Yours Truly
His Father Oliver T. Couch
&lt;/p&gt;&lt;p&gt;2 Division
case of Wm F Cady
Surgon in charge
PO Box 141
&lt;/p&gt;&lt;p&gt;Couch, Oliver
Chicago Oct 6th 1864
&lt;/p&gt;&lt;p&gt;His son, Theodore Couch
of co A 12th Regt Ill
Vols. is very sick in
Hospital at Rome
Ga. he wants him
transferred to Chicgo
&lt;/p&gt;&lt;p&gt;Answd Oct 8th 64
&amp;amp; trans appd for
[illegible]
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                <text>&lt;p&gt;Chicago Oct 6th 1894
&lt;/p&gt;&lt;p&gt;Hon Richard Yates
&lt;/p&gt;&lt;p&gt;Dear Sir please. find
enclosed a letter my son to his sister
Stating his health &amp;amp; condition where
he is he inlisted in the army
and the first of last April &amp;amp;
Imediately Joined the Regiment in Georgea
under Gen Sherman he was in the
Batter on the 22 of July in which
Gen McGerson was killed under
Gen Dodge in the 16th army corps
after which he was attacked with
the rheumatism &amp;amp; has been in the
hospital all the time since he &amp;amp;
his Doctor States his case better
than I can I you can help him
to be Removed North you will
confer a Grant of [illegible] on his
Father Mother &amp;amp; two young Sisters
his adress is Theodor S. Couch Co
A 12th Reg Ill [illegible] Inft 2 Brigade
2 Division 16th Army Corps 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;at present in field hospital
Rome Gorgia
Yours Truly
His Father Oliver T. Couch
&lt;/p&gt;&lt;p&gt;2 Division
case of Wm F Cady
Surgon in charge
PO Box 141
&lt;/p&gt;&lt;p&gt;Couch, Oliver
Chicago Oct 6th 1864
&lt;/p&gt;&lt;p&gt;His son, Theodore Couch
of co A 12th Regt Ill
Vols. is very sick in
Hospital at Rome
Ga. he wants him
transferred to Chicgo
&lt;/p&gt;&lt;p&gt;Answd Oct 8th 64
&amp;amp; trans appd for
[illegible]
&lt;/p&gt;
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                    <text>&lt;p&gt;Madam Ranke wife of German Historian [Lincoln]
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&lt;/p&gt;&lt;p&gt;Jan. 1863.
&lt;/p&gt;&lt;p&gt;My heart leapt up, aye! higher than the skies, 
&lt;/p&gt;&lt;p&gt;Up to the throne of God, with grateful joy,
&lt;/p&gt;&lt;p&gt;When to mine ears were brought (tho' with alloy
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&lt;/p&gt;&lt;p&gt;The glorious news, that Slavery now lies
&lt;/p&gt;&lt;p&gt;Even as a Snake, that stricken would annoy
&lt;/p&gt;&lt;p&gt;Yea in its rage of Death would fain Destroy
&lt;/p&gt;&lt;p&gt;The Avenger of unnumbered agonies.
&lt;/p&gt;&lt;p&gt;Oh ever blessed be that Funeral Band
&lt;/p&gt;&lt;p&gt;That suffering stands Determined to lay low
&lt;/p&gt;&lt;p&gt;Earth's most malignant and oppressive foe
&lt;/p&gt;&lt;p&gt;Oh! task Divine! For God with His own hand
&lt;/p&gt;&lt;p&gt;Once led His people to their promised land
&lt;/p&gt;&lt;p&gt;Out of the house of bondage and of woe.
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&lt;/p&gt;
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&lt;p&gt;Jan. 1863.&lt;/p&gt;&#13;
&lt;p&gt;My heart leapt up, aye! higher than the skies,&lt;/p&gt;&#13;
&lt;p&gt;Up to the throne of God, with grateful joy,&lt;/p&gt;&#13;
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&lt;p&gt;Of pending cares, political and wise)&lt;/p&gt;&#13;
&lt;p&gt;The glorious news, that Slavery now lies&lt;/p&gt;&#13;
&lt;p&gt;Even as a Snake, that stricken would annoy&lt;/p&gt;&#13;
&lt;p&gt;Yea in its rage of Death would fain Destroy&lt;/p&gt;&#13;
&lt;p&gt;The Avenger of unnumbered agonies.&lt;/p&gt;&#13;
&lt;p&gt;Oh ever blessed be that Funeral Band&lt;/p&gt;&#13;
&lt;p&gt;That suffering stands Determined to lay low&lt;/p&gt;&#13;
&lt;p&gt;Earth's most malignant and oppressive foe&lt;/p&gt;&#13;
&lt;p&gt;Oh! task Divine! For God with His own hand&lt;/p&gt;&#13;
&lt;p&gt;Once led His people to their promised land&lt;/p&gt;&#13;
&lt;p&gt;Out of the house of bondage and of woe.&lt;/p&gt;&#13;
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                  <text>Adlai Stevenson III served as an at-large member of the Illinois House of Representatives from 1964-1967. He went on to become the state Treasurer from 1967-1970 before his successful campaign for United States Senator in 1970. He served in the United States Senate until 1981. He ran unsuccessfully for Illinois Governor in 1982 and 1984. Stevenson is a member of the Stevenson political family which includes his father, Adlai E. Stevenson II, the Illinois governor and two-time Democratic presidential nominee, and his great grandfather, Vice President Adlai Stevenson I.&lt;br /&gt;&lt;br /&gt;Images in this collection include several political cartoons focusing on Adlai Stevenson II's presidential campaigns and 1960 South American tour, Adlai Stevenson III's gubernatorial campaign, and Democratic party activities from the late 19th century.</text>
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                <text>On Safari</text>
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                <text>Adlai Stevenson II fuels up a bus from a gas pump resembling John F. Kennedy for a trek through South America.&amp;nbsp;</text>
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                <text>Aldoz, Peter</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>Harold R. Heaton worked as a political cartoonist for several Chicago-based newspapers including the Chicago Daily Tribune (1885-1899) and the Inter-Ocean (1908-1914). While working for the Chicago Daily Tribune he created a series of weekly commentaries on the World's Columbian Exhibition held in Chicago in 1893. Heaton's political cartoons featured current events, frequently focusing on Chicago politics. &lt;br /&gt;&lt;br /&gt;Heaton took a break from cartoon work in 1899 to work as an actor and playwright before returning to the newspaper business in 1908. After Inter-Ocean's collapse in 1914, Heaton returned to the stage, acting on Broadway from 1920-1932.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>On the Brink</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Governor Charles S. Deneen stands at the end of a diving board wearing swimming clothes while hesitating to dive into the "Candidates Swimming Hole" decorated with signs pointing in opposite directions for the "governorship" and the "senatorship." Several Deneen office holders stand in the dressing room behind Deneen demanding he jump in order to secure jobs for them.&lt;br /&gt;&lt;br /&gt;Political cartoonist Harold R. Heaton illustrates the precarious position of Governor Charles S. Deneen (1905-1913), a Republican governor caught between warring party factions (Conservative and the Progressive Republicans), and the whim of machine politics.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Political cartoons</text>
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              <elementText elementTextId="280678">
                <text>Heaton, Harold R., -1940</text>
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              <elementText elementTextId="280679">
                <text>Governors--Election</text>
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              <elementText elementTextId="280680">
                <text>Deneen, Charles Samuel, 1863-1940</text>
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                <text>Governors</text>
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                <text>Crows</text>
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              <elementText elementTextId="284364">
                <text>Republican Party (U.S. : 1854)</text>
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                <text>Diving boards</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="280683">
                <text>Heaton, Harold R.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="280684">
                <text>n.d.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="280689">
                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="280690">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="280692">
                <text>eng</text>
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